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It starts with a strange glowing fog that arrives at the height of a snowstorm. A terror from the past has returned, bringing with it death and destruction that threatens to overrun the town. The old stories tell of a post-war experiment gone wrong, one that opened the way for the fog—or whatever was behind it—to begin its reign of terror. A small team of workmen are the last hope to keep their town alive through the long, storm-filled night. But the many horrors that await them are beyond anyone’s worst nightmares.
Dave Wiggins is taking a trip to his past. He doesn't much want to—but his Ma is dying. He intends to get in, do his duty, get out and forget about his small town roots. But there is something back home that has been waiting for his return—something that lurks, waiting in a tumbledown boathouse in an abandoned community offshore. Once Dave and his past meet up again, the game is on. A hurricane, a scrimshaw chess set, beer, rum, cigarettes, old friends and past mistakes all conspire to keep Dave right where he least wants to be. The game is on. And it's his move.
This story isn't really about me. On the Isle of Skye, near the community of Dunvegan, sits a rustic old one-bedroom home, waiting for a new tenant. It seems like the perfect opportunity for Jim Greenwood to escape the hectic London city life—a place to move on from tragedy. This is the story of a house. As he tries to settle into country life, his is tormented by mysterious soot marks left throughout the house while he sleeps, cryptic emails from unknown senders, and hundreds of hand-drawn stick-figure drawings etched in a perfect pattern on the cottage's cellar walls. Stay. Beth needs you. Jim begins losing control, drinking excessively, shaking to an uncontrollable beat in his head, trying to decipher what may or may not be a code—or a warning. No limbs, no limbs, no head, no head, left arm gone, left leg gone, no legs, no head. The door is open, and something is coming through. It's just a matter of when—and what.
A small group of industrial archaeologists head into the center of Newfoundland, investigating a rumor of a lost prospecting team of Irish miners in the late Nineteenth century. They find the remains of a mining operation, and a journal and papers detailing the extent of the miners' activities. But there is something else on the site, something older than the miners, as old as the rock itself. Soon the archaeologists are coming under assault, from a strange infection that spreads like wildfire through mind and body, one that doctors seem powerless to define let alone control. The survivors only have one option. They must return to the mine, and face what waits for them, down in the deep dark places, where the green meets the black.
Four hundred years ago a Scottish cargo ship fell prey to a Wendigo at an early settlement on the Hudson River. Now a team of archaeologists have uncovered the boat, and let loose the evil. Soon Manhattan is hit by an ice storm like no other. Besides the wind and ice, there is something else moving in the storm. Blue, cold things, with razor sharp teeth.
There are houses like this all over the world. Most people only know of them from whispered stories over campfires; tall tales told to scare the unwary. But some, those who suffer…some know better. They are drawn to the places where what ails them can be eased. If you have the will, the fortitude, you can peer into another life, where the dead are not gone, where you can see that they thrive and go on, in the dreams that stuff is made of. When a New York cop is called to investigate a murder at one such house, he is sucked in to a world he cannot fathom, cannot control, a place where past and present have no meaning, and where symbols and memories are as valid as facts and truths. The black bird is speaking, but can he afford to listen?
Does all human passion, all memory, all imagination come merely from the chemistry in our brains, like the movements of a clock follow from the arrangement of its cogs and wheels? Are we just clockwork dolls? Or is there an organizing principle at work, something we can ask for answers to the important questions of existence … something that might answer? Dave Burns has asked. Now he, and his friends, might not live long enough to understand the reply
There are houses like this all over the world. Most people only know of them from whispered stories over campfires; tall tales told to scare the unwary. But some—those who suffer—know better. They are drawn to these places to ease their pain. If you have the will, the fortitude, you can peer into another life, where the dead are not gone, where your love might live forever. But that’s not the case for the residents of the Edinburgh house, for something has disturbed the quiet reflection in that old building. A creature has slipped through, sniffling and snuffling in all the dark places, disrupting the balance of time and space. And it's John’s job to fix it…by any means necessary.
It starts with an odd hum that brings headaches and nosebleeds to the inhabitants of a remote, sleepy country town. Then a sinkhole begins to form…and out from that hole comes the townspeople's worst nightmares. Facing their fears and the growing madness, a group of survivors descend into the collapsed area in an attempt to save what is left of their town. Sacrifices will be required, but will they be enough? The hole is growing…spreading…and the horror within it is growing stronger…
When Sergeant Dave Wilkes and his constable, John Campbell, are called out to a remote island, it is to investigate a simple case of sheep worrying, what they think is a routine job. But upon arrival at Leita, they find the community to be empty, the shops and houses lying quiet. Before too long, they find disturbing evidence of violence and mayhem. They get some of the story when they find three survivors holed up in a farmhouse, but the tale they tell is almost unbelievable—a grisly story of ritual cannibalism, blood sacrifice, and a ram's skull that makes its wearer both invincible and irresistible. Soon they are in a fight for their lives, as the ram takes control of the island. Can they stop it and prevent it from spreading? Or will the ancient magic of the ram prevail and take its bloody promises to the mainland, and to the town that is waiting to be shown its glory?
When several young girls are abducted from various locations in Edinburgh, Detective John Grainger and his brother Alan, a reporter, investigate the cases from different directions. The abductor is cunning, always one step ahead, and the only clue he leaves behind at each scene are the brutalized corpses of black swans. When the brothers' investigations finally converge at a farmhouse in Central Scotland, they catch a glimpse of where the girls have been taken, a place both far away yet close enough to touch. A land known throughout Scottish history with many names: Faerie, Elfheim, and the Astral Plane. It is a place of legend and horror, a myth. But the brothers soon discover it's real, and, to catch the abductor, they will have to cross over themselves. To catch a killer, John and Alan Grainger will have to battle the Cobbe, a strange and enigmatic creature that guards the realm, a creature of horrific power that demands a heavy price for entry into its world. The fate of both realms hangs in the balance…and time is running out…
Available for the first time in a collection, three of William Meikle's Sigils and Totems novellas—The Job, Broken Sigil, and Pentacle. THE JOB Dave Wilson is down on his luck, with gambling debts coming due. He takes on a risky burglary at a Scottish country house, but the job goes badly wrong, and all too soon Dave is embroiled in a fight he wants no part of—an ages-old battle for ownership of the house. Opposing factions are at work, and both want Dave's help. There are demons to fight, both metaphorical and literal, and there are hard choices to be made, if Dave has the strength to make them. BROKEN SIGIL There are houses like this all over the world. Most people only know of them from whispered stories over campfires; tall tales told to scare the unwary. But some, those who suffer…some know better. They are drawn to the places where what ails them can be eased. If you have the will, the fortitude, you can peer into another life, where the dead are not gone, where you can see that they thrive and go on, in the dreams that stuff is made of. When a New York cop is called to investigate a murder at one such house, he is sucked in to a world he cannot fathom, cannot control, a place where past and present have no meaning, and where symbols and memories are as valid as facts and truths. The black bird is speaking, but can he afford to listen? PENTACLE There are houses like this all over the world. Most people only know of them from whispered stories over campfires; tall tales told to scare the unwary. But some—those who suffer—know better. They are drawn to these places to ease their pain. If you have the will, the fortitude, you can peer into another life, where the dead are not gone, where your love might live forever. But that’s not the case for the residents of the Edinburgh house, for something has disturbed the quiet reflection in that old building. A creature has slipped through, sniffling and snuffling in all the dark places, disrupting the balance of time and space. And it's John’s job to fix it…by any means necessary.
When the end came, it wasn’t zombies, asteroids, global warming or nuclear winter. It was something that escaped from a lab. Something small, and very hungry. It starts with deadly rain that delivers death where it falls, but soon the whole planet is under threat as the infection spreads, consuming everything before it. A band of survivors on the Eastern coast of Canada watch as their world falls and crumbles to ruin. The infection seems relentless. More than that, it seems to be learning, adapting and evolving faster than they can fight it. Worse still—it is infecting not just their bodies, but is creeping into their minds, dancing in their dreams. Can they stop it before it takes them? Or must they all join in the final dance of death?
A mysterious house sits on a corner block on a hill in St. John's, Newfoundland, in one of the oldest cities in North America, a non-descript, three-story wooden cube, going slowly to seed. When local cops, John Green, Janis Lodge and Todd Wiggins are sent to investigate a multiple murder on the top floor of the property, they start opening doors and uncovering secrets. But like peeling the layers off an onion, each door opened only leads them deeper into the mystery. There are houses like this all over the world, and those who suffer are drawn to them, as John, Janis and Todd have been drawn. They have found their way in. Can they find their way out again? And at what cost?
Dave Wilson is down on his luck, with gambling debts coming due. He takes on a risky burglary at a Scottish country house, but the job goes badly wrong, and all too soon Dave is embroiled in a fight he wants no part of—an ages-old battle for ownership of the house. Opposing factions are at work, and both want Dave's help. There are demons to fight, both metaphorical and literal, and there are hard choices to be made, if Dave has the strength to make them.