The Eloquence Of Color

Author : Jacqueline Lichtenstein
Publisher : Univ of California Press
Page : 288 pages
File Size : 55,5 Mb
Release : 1993-01-01
Category : Art
ISBN : 0520069072

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The Eloquence of Color by Jacqueline Lichtenstein Pdf

"An outstanding book, one of the most intelligent, penetrating, and intellectually rigorous studies of pictorial theory in the literature of art history."--Michael Fried, author of Absorption and Theatricality: Painting and the Beholder in the Age of Diderot "Jacqeline Lichtenstein's groundbreaking contribution to intellectual history reconstructs the history of the age-old debate between philosophy and rhetoric, discourse and images, drawing and color, truth and delight. She shows how, in opposition to the Platonic suspicion of eloquence and colour, 17th-century French aesthetics discovers that painting involves deception more than imitation and delight rather than logic. Impressively erudite, Lichtenstein is also a seductive writer. A book about the pleasure of seeing and the pleasure of reading."--Thomas Pavel, author of The Feud of Language: A History of Structuralist Thought

Author : Jacqueline Lichtenstein
Publisher : Unknown
Page : 269 pages
File Size : 54,9 Mb
Release : 1993
Category : Painting, French
ISBN : 0520080483

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The Eloquence of Color by Jacqueline Lichtenstein Pdf

Author : Jacqueline Lichtenstein
Publisher : Unknown
Page : 280 pages
File Size : 53,6 Mb
Release : 1993
Category : Electronic
ISBN : OCLC:1075357937

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˜THEœ ELOQUENCE OF COLOUR. by Jacqueline Lichtenstein Pdf

Author : Gilberto Perez
Publisher : U of Minnesota Press
Page : 564 pages
File Size : 53,5 Mb
Release : 2019-07-23
Category : Performing Arts
ISBN : 9781452959658

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The Eloquent Screen by Gilberto Perez Pdf

A lifetime of cinematic writing culminates in this breathtaking statement on film’s unique ability to move us Cinema is commonly hailed as “the universal language,” but how does it communicate so effortlessly across cultural and linguistic borders? In The Eloquent Screen, influential film critic Gilberto Perez makes a capstone statement on the powerful ways in which film acts on our minds and senses. Drawing on a lifetime’s worth of viewing and re-viewing, Perez invokes a dizzying array of masters past and present—including Chaplin, Ford, Kiarostami, Eisenstein, Malick, Mizoguchi, Haneke, Hitchcock, and Godard—to explore the transaction between filmmaker and audience. He begins by explaining how film fits into the rhetorical tradition of persuasion and argumentation. Next, Perez explores how film embodies the central tropes of rhetoric––metaphor, metonymy, allegory, and synecdoche––and concludes with a thrilling account of cinema’s spectacular capacity to create relationships of identification with its audiences. Although there have been several attempts to develop a poetics of film, there has been no sustained attempt to set forth a rhetoric of film—one that bridges aesthetics and audience. Grasping that challenge, The Eloquent Screen shows how cinema, as the consummate contemporary art form, establishes a thoroughly modern rhetoric in which different points of view are brought into clear focus.

Author : Marnia Lazreg
Publisher : Routledge
Page : 283 pages
File Size : 40,9 Mb
Release : 2014-04-23
Category : Social Science
ISBN : 9781134713301

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The Eloquence of Silence by Marnia Lazreg Pdf

The Eloquence of Silence makes a critical departure from more traditional studies of Algerian women--which usually examine female roles in relation to Islam--and instead takes an interdisciplinary look at the subject, arguing that Algerian women's roles are shaped by a variety of structural and symbolic factors. These elements include colonial domination, demographic change, nationalism, socialist development policy of the 1960s and 70s, family formation and the progressive shift to a capitalist economy. Covering both pre-colonial and colonial eras as well as the independence period, this book focuses on the changes that took place in family structure and law, customs, education, and the war of decolonization as they affected gender relations. Marnia Lazreg approaches the post-colonial era through an examination of how Algeria's model of economic development, structural adjustment policies, and the rise of religious-political opposition affected women's lives.

Author : Liliane Louvel
Publisher : Ashgate Publishing, Ltd.
Page : 220 pages
File Size : 45,6 Mb
Release : 2011
Category : Literary Criticism
ISBN : 140940031X

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Poetics of the Iconotext by Liliane Louvel Pdf

Poetics of the Iconotext makes available the theories of the respected French text/image specialist Professor Liliane Louvel and introduces English readers to the most current thinking in French text/image theory and visual studies. Situated within the most significant recent debates in text/image studies, Louvel's work presents a sophisticated new typology of text-image relations that enable readers to think at once more precisely and more inventively about texts, images, and the intersections between the two.

Author : Carole P. Biggam,Kirsten Wolf
Publisher : Bloomsbury Publishing
Page : 281 pages
File Size : 48,8 Mb
Release : 2022-08-31
Category : History
ISBN : 9781350193574

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A Cultural History of Color in the Age of Enlightenment by Carole P. Biggam,Kirsten Wolf Pdf

A Cultural History of Color in the Age of Enlightenment covers the period 1650 to 1800. From the Baroque to the Neo-classical, color transformed art, architecture, ceramics, jewelry, and glass. Newton, using a prism, demonstrated the seven separate hues, which encouraged the development of color wheels and tables, and the increased standardization of color names. Technological advances in color printing resulted in superb maps and anatomical and botanical images. Identity and wealth were signalled with color, in uniforms, flags, and fashion. And the growth of empires, trade, and slavery encouraged new ideas about color. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Carole P. Biggam is Honorary Senior Research Fellow in English Language and Linguistics at the University of Glasgow, UK. Kirsten Wolf is Professor of Old Norse and Scandinavian Linguistics at the University of Wisconsin-Madison, USA. Volume 4 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

Author : Laura Anne Kalba
Publisher : Penn State Press
Page : 713 pages
File Size : 52,8 Mb
Release : 2017-04-21
Category : Art
ISBN : 9780271079783

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Color in the Age of Impressionism by Laura Anne Kalba Pdf

This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.

Author : David Kastan,Stephen Farthing
Publisher : Yale University Press
Page : 271 pages
File Size : 40,5 Mb
Release : 2018-05-22
Category : Philosophy
ISBN : 9780300235425

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On Color by David Kastan,Stephen Farthing Pdf

Our lives are saturated by color. We live in a world of vivid colors, and color marks our psychological and social existence. But for all color’s inescapability, we don’t know much about it. Now authors David Scott Kastan and Stephen Farthing offer a fresh and imaginative exploration of one of the most intriguing and least understood aspects of everyday experience. Kastan and Farthing, a scholar and a painter, respectively, investigate color from numerous perspectives: literary, historical, cultural, anthropological, philosophical, art historical, political, and scientific. In ten lively and wide-ranging chapters, each devoted to a different color, they examine the various ways colors have shaped and continue to shape our social and moral imaginations. Each individual color becomes the focal point for a consideration of one of the extraordinary ways in which color appears and matters in our lives. Beautifully produced in full color, this book is a remarkably smart, entertaining, and fascinating guide to this elusive topic.

Author : Basile Baudez
Publisher : Princeton University Press
Page : 288 pages
File Size : 46,7 Mb
Release : 2021-12-21
Category : Architecture
ISBN : 9780691233154

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Inessential Colors by Basile Baudez Pdf

The first comprehensive account of how and why architects learned to communicate through color Architectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basile Baudez argues that colors appeared on paper when architects adapted the pictorial tools of imitation, cartographers' natural signs, military engineers' conventions, and, finally, painters' affective goals in an attempt to communicate with a broad public. Inessential Colors traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice. Featuring a wealth of previously unpublished drawings, Inessential Colors challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.

Author : Catherine H. Lusheck
Publisher : Routledge
Page : 398 pages
File Size : 49,9 Mb
Release : 2017-08-07
Category : Art
ISBN : 9781351770880

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Rubens and the Eloquence of Drawing by Catherine H. Lusheck Pdf

Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577–1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547–1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist’s approach to disegno during and following his formative Roman period (1600–08), this volume highlights Rubens’s high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters – the humanist activity then described as a cognate activity to the practice of drawing – a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens’s early practice of drawing. Focusing on Rubens’s Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens’s commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens’s intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.

Author : Paul Hills
Publisher : Yale University Press
Page : 268 pages
File Size : 51,6 Mb
Release : 1999-01-01
Category : Art
ISBN : 9780300081350

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Venetian Colour by Paul Hills Pdf

Discusses the relation of Venetian color to social, cultural, and environmental factors

Author : John J. Sheinbaum
Publisher : University of Chicago Press
Page : 320 pages
File Size : 50,6 Mb
Release : 2018-11-29
Category : Music
ISBN : 9780226593418

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Good Music by John J. Sheinbaum Pdf

Over the past two centuries Western culture has largely valorized a particular kind of “good” music—highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original—and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately.

Author : Chris Horrocks
Publisher : Berghahn Books
Page : 196 pages
File Size : 48,8 Mb
Release : 2012-06-30
Category : Art
ISBN : 9780857454652

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Cultures of Colour by Chris Horrocks Pdf

Colour permeates contemporary visual and material culture and affects our senses beyond the superficial encounter by infiltrating our perceptions and memories and becoming deeply rooted in thought processes that categorise and divide along culturally constructed lines. Colour exists as a cultural as well as psycho-physical phenomenon and acquires a multitude of meanings within differing historical and cultural contexts. The contributors examine how colour becomes imbued with specific symbolic and material meanings that tint our constructions of race, gender, ideal bodies, the relationship of the self to others and of the self to technology and the built environment. By highlighting the relationship of colour across media and material culture, this volume reveals the complex interplay of cultural connotations, discursive practices and socio-psychological dynamics of colour in an international context.

Author : Scott Curtis,Philippe Gauthier,Tom Gunning,Joshua Yumibe
Publisher : Indiana University Press
Page : 392 pages
File Size : 54,6 Mb
Release : 2018-03-22
Category : Performing Arts
ISBN : 9780253034427

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The Image in Early Cinema by Scott Curtis,Philippe Gauthier,Tom Gunning,Joshua Yumibe Pdf

In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.