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From Tolstoy to Lenin, from Diaghilev to Stalin, The Empire Must Die is a tragedy of operatic proportions with a cast of characters that ranges from the exotic to utterly villainous, the glamorous to the depraved. In 1912, Russia experienced a flowering of liberalism and tolerance that placed it at the forefront of the modern world: women were fighting for the right to vote in the elections for the newly empowered parliament, Russian art and culture was the envy of Europe and America, there was a vibrant free press and intellectual life. But a fatal flaw was left uncorrected: Russia's exuberant experimental moment took place atop a rotten foundation. The old imperial order, in place for three hundred years, still held the nation in thrall. Its princes, archdukes, and generals bled the country dry during the First World War and by 1917 the only consensus was that the Empire must die. Mikhail Zygar's dazzling, in-the-moment retelling of the two decades that prefigured the death of the Tsar, his family, and the entire imperial edifice is a captivating drama of what might have been versus what was subsequently seen as inevitable. A monumental piece of political theater that only Russia was capable of enacting, the fall of the Russian Empire changed the course of the twentieth century and eerily anticipated the mood of the twenty-first.
From Tolstoy to Lenin, from Diaghilev to Stalin, The Empire Must Die is a tragedy of operatic proportions with a cast of characters that ranges from the exotic to utterly villainous, the glamorous to the depraved. In 1912, Russia experienced a flowering of liberalism and tolerance that placed it at the forefront of the modern world: women were fighting for the right to vote in the elections for the newly empowered parliament, Russian art and culture was the envy of Europe and America, there was a vibrant free press and intellectual life. But a fatal flaw was left uncorrected: Russia's exuberant experimental moment took place atop a rotten foundation. The old imperial order, in place for three hundred years, still held the nation in thrall. Its princes, archdukes, and generals bled the country dry during the First World War and by 1917 the only consensus was that the Empire must die. Mikhail Zygar's dazzling, in-the-moment retelling of the two decades that prefigured the death of the Tsar, his family, and the entire imperial edifice is a captivating drama of what might have been versus what was subsequently seen as inevitable. A monumental piece of political theater that only Russia was capable of enacting, the fall of the Russian Empire changed the course of the twentieth century and eerily anticipated the mood of the twenty-first.
An extraordinary behind-the-scenes portrait of the court of Vladimir Putin, the oligarchs that surround it, and the many moods of modern Russia that reads like a "real House of Cards"(Lev Lurie). All the Kremlin's Men is a gripping narrative of an accidental king and a court out of control. Based on an unprecedented series of interviews with Vladimir Putin's inner circle, this book presents a radically different view of power and politics in Russia. The image of Putin as a strongman is dissolved. In its place is a weary figurehead buffeted--if not controlled--by the men who at once advise and deceive him. The regional governors and bureaucratic leaders are immovable objects, far more powerful in their fiefdoms than the president himself. So are the gatekeepers-those officials who guard the pathways to power-on whom Putin depends as much as they rely on him. The tenuous edifice is filled with all of the intrigue and plotting of a Medici court, as enemies of the state are invented and wars begun to justify personal gains, internal rivalries, or one faction's biased advantage. A bestseller in Russia, All the Kremlin's Men is a shocking revisionist portrait of the Putin era and a dazzling reconstruction of the machinations of courtiers running riot.
On Christmas Day, 1991, President George H. W. Bush addressed the nation to declare an American victory in the Cold War: earlier that day Mikhail Gorbachev had resigned as the first and last Soviet president. The enshrining of that narrative, one in which the end of the Cold War was linked to the disintegration of the Soviet Union and the triumph of democratic values over communism, took center stage in American public discourse immediately after Bush's speech and has persisted for decades -- with disastrous consequences for American standing in the world. As prize-winning historian Serhii Plokhy reveals in The Last Empire, the collapse of the Soviet Union was anything but the handiwork of the United States. On the contrary, American leaders dreaded the possibility that the Soviet Union -- weakened by infighting and economic turmoil -- might suddenly crumble, throwing all of Eurasia into chaos. Bush was firmly committed to supporting his ally and personal friend Gorbachev, and remained wary of nationalist or radical leaders such as recently elected Russian President Boris Yeltsin. Fearing what might happen to the large Soviet nuclear arsenal in the event of the union's collapse, Bush stood by Gorbachev as he resisted the growing independence movements in Ukraine, Moldova, and the Caucasus. Plokhy's detailed, authoritative account shows that it was only after the movement for independence of the republics had gained undeniable momentum on the eve of the Ukrainian vote for independence that fall that Bush finally abandoned Gorbachev to his fate. Drawing on recently declassified documents and original interviews with key participants, Plokhy presents a bold new interpretation of the Soviet Union's final months and argues that the key to the Soviet collapse was the inability of the two largest Soviet republics, Russia and Ukraine, to agree on the continuing existence of a unified state. By attributing the Soviet collapse to the impact of American actions, US policy makers overrated their own capacities in toppling and rebuilding foreign regimes. Not only was the key American role in the demise of the Soviet Union a myth, but this misplaced belief has guided -- and haunted -- American foreign policy ever since.
"My goal is to show the reader that the Soviet political and economic system was unstable by its very nature. It was just a question of when and how it would collapse...." —From the Introduction to Collapse of an Empire The Soviet Union was an empire in many senses of the word—a vast mix of far-flung regions and accidental citizens by way of conquest or annexation. Typical of such empires, it was built on shaky foundations. That instability made its demise inevitable, asserts Yegor Gaidar, former prime minister of Russia and architect of the "shock therapy" economic reforms of the 1990s. Yet a growing desire to return to the glory days of empire is pushing today's Russia backward into many of the same traps that made the Soviet Union untenable. In this important new book, Gaidar clearly illustrates why Russian nostalgia for empire is dangerous and ill-fated: "Dreams of returning to another era are illusory. Attempts to do so will lead to defeat." Gaidar uses world history, the Soviet experience, and economic analysis to demonstrate why swimming against this tide of history would be a huge mistake. The USSR sowed the seeds of its own economic destruction, and Gaidar worries that Russia is repeating some of those mistakes. Once again, for example, the nation is putting too many eggs into one basket, leaving the nation vulnerable to fluctuations in the energy market. The Soviets had used revenues from energy sales to prop up struggling sectors such as agriculture, which was so thoroughly ravaged by hyperindustrialization that the Soviet Union became a net importer of food. When oil prices dropped in the 1980s, that revenue stream diminished, and dependent sectors suffered heavily. Although strategies requiring austerity or sacrifice can be politically difficult, Russia needs to prepare for such downturns and restrain spending during prosperous times. Collapse of an Empire shows why it is imperative to fix the roof before it starts to rain, and why so
The eastern Roman Empire was the largest state in western Eurasia in the sixth century. A century later, it was a fraction of its former size. Ravaged by warfare and disease, the empire seemed destined to collapse. Yet it did not die. John Haldon elucidates the factors that allowed the empire to survive against all odds into the eighth century.
Winner of the 2020 Hugo Award for Best Novel A Locus, and Nebula Award nominee for 2019 A Best Book of 2019: Library Journal, Polygon, Den of Geek An NPR Favorite Book of 2019 A Guardian Best Science Fiction and Fantasy Book of 2019 and “Not the Booker Prize” Nominee A Goodreads Biggest SFF Book of 2019 and Goodreads Choice Awards Nominee "A Memory Called Empire perfectly balances action and intrigue with matters of empire and identity. All around brilliant space opera, I absolutely love it."—Ann Leckie, author of Ancillary Justice Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn't an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court. Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan's unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret—one that might spell the end of her Station and her way of life—or rescue it from annihilation. A fascinating space opera debut novel, Arkady Martine's A Memory Called Empire is an interstellar mystery adventure. "The most thrilling ride ever. This book has everything I love."—Charlie Jane Anders, author of All the Birds in the Sky And coming soon, the brilliant sequel, A Desolation Called Peace! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
NATIONAL BESTSELLER • PULITZER PRIZE WINNER • The bestselling author of Nobody's Fool and Straight Man delves deep into the blue-collar heart of America in a work that overflows with hilarity, heartache, and grace. “Rich, humorous ... Mr. Russo’s most seductive book thus far.” —The New York Times Welcome to Empire Falls, a blue-collar town full of abandoned mills whose citizens surround themselves with the comforts and feuds provided by lifelong friends and neighbors and who find humor and hope in the most unlikely places, in this Pulitzer Prize-winning novel by Richard Russo. Miles Roby has been slinging burgers at the Empire Grill for 20 years, a job that cost him his college education and much of his self-respect. What keeps him there? It could be his bright, sensitive daughter Tick, who needs all his help surviving the local high school. Or maybe it’s Janine, Miles’ soon-to-be ex-wife, who’s taken up with a noxiously vain health-club proprietor. Or perhaps it’s the imperious Francine Whiting, who owns everything in town–and seems to believe that “everything” includes Miles himself. Look for Richard Russo's new book, Somebody's Fool, coming soon.
Shadows of the Empire: Star Wars Legends by Steve Perry Pdf
Shadows of the Empire illuminates the shadowy outlines of a criminal conspiracy that exists in the background of the events in the movies, ruled by a character new to us. Prince Xizor is a mastermind of evil who dares to oppose one of the best-known fictional villains of all time: Darth Vader. The story involves all the featured Star Wars movie characters, plus Emperor Palpatine and, of course, Lord Vader himself. Features a bonus section following the novel that includes a primer on the Star Wars expanded universe, and over half a dozen excerpts from some of the most popular Star Wars books of the last thirty years!
#1 NEW YORK TIMES BESTSELLER • PULITZER PRIZE FINALIST • This inspiring, exquisitely observed memoir finds hope and beauty in the face of insurmountable odds as an idealistic young neurosurgeon attempts to answer the question What makes a life worth living? NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • People • NPR • The Washington Post • Slate • Harper’s Bazaar • Time Out New York • Publishers Weekly • BookPage Finalist for the PEN Center USA Literary Award in Creative Nonfiction and the Books for a Better Life Award in Inspirational Memoir At the age of thirty-six, on the verge of completing a decade’s worth of training as a neurosurgeon, Paul Kalanithi was diagnosed with stage IV lung cancer. One day he was a doctor treating the dying, and the next he was a patient struggling to live. And just like that, the future he and his wife had imagined evaporated. When Breath Becomes Air chronicles Kalanithi’s transformation from a naïve medical student “possessed,” as he wrote, “by the question of what, given that all organisms die, makes a virtuous and meaningful life” into a neurosurgeon at Stanford working in the brain, the most critical place for human identity, and finally into a patient and new father confronting his own mortality. What makes life worth living in the face of death? What do you do when the future, no longer a ladder toward your goals in life, flattens out into a perpetual present? What does it mean to have a child, to nurture a new life as another fades away? These are some of the questions Kalanithi wrestles with in this profoundly moving, exquisitely observed memoir. Paul Kalanithi died in March 2015, while working on this book, yet his words live on as a guide and a gift to us all. “I began to realize that coming face to face with my own mortality, in a sense, had changed nothing and everything,” he wrote. “Seven words from Samuel Beckett began to repeat in my head: ‘I can’t go on. I’ll go on.’” When Breath Becomes Air is an unforgettable, life-affirming reflection on the challenge of facing death and on the relationship between doctor and patient, from a brilliant writer who became both.
In August 1930, on a boat trip from Bombay to England, the young Indian scientist Subrahmanyan Chandrasekhar calculated that certain stars could end their lives by collapsing indefinitely to a point - to nowhere. This idea brought Chandra into conflict with Sir Arthur Eddington, the grand old man of British astrophysics, who publicly ridiculed the idea. EMPIRE OF THE STARS teases out the major implications of this infamous event, setting it against the backdrop of the turbulent growth of astrophysics, and provides a unique window on our unfolding view of the cosmos. In its clash of personalities, epochs and cultures, the story reveals the deep-seated psychological and philosophical prejudices at work in the acceptance and rejection of new scientific ideas. Beautifully written, artfully constructed, EMPIRE OF THE STARS is a serious book but one which also deals with classic themes -- a lone man struggling against the establishment, intellectual rivalry and the highs and lows of great individuals set against the broader sweep of history.
A NEW YORKER BEST BOOK OF 2023 From “one of Russia’s smartest and best-sourced young journalists” (The New York Times)—the first work by a Russian author to reveal his country’s history of oppressing Ukraine, providing an unprecedented overview of the war for Ukrainian independence that affects us all. As soon as the Russian invasion of Ukraine began, prominent independent Russian journalist Mikhail Zygar circulated a Facebook petition signed first by hundreds of his cultural and journalistic contacts and then by thousands of others. That act led to a new law in Russia criminalizing criticism of the war, and Zygar fled Russia. In his time as a journalist, Zygar has interviewed President Zelensky and had access to many of the major players—from politicians to oligarchs. As an expert on Putin’s moods and behavior, he has spent years studying the Kremlin’s plan regarding Ukraine, and here, in clear, chronological order he explains how we got here. In 1996 to 2004, Ukraine became an independent post-Soviet country where everyone was connected to the former empire at all levels, financially, culturally, psychologically. However, the elite anticipated that the empire would be back and punish them. From 2004 to 2018, there were many states inside one state, each with its own rulers/oligarchs and its own interests—some of them directly connected with Russia. In 2018, a new generation of Ukrainians arrive, and having grown in an independent country, they do not consider themselves to be part of Russia—and that was the moment when the war began, as Putin could not tolerate losing Ukraine forever. Authoritative, timely, and vitally important, this is an unique overview of the war that continues to threaten the future of the entire world as we know it.
Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.
Embers of Empire by Paul Miller,Claire Morelon Pdf
The collapse of the Habsburg Monarchy at the end of World War I ushered in a period of radical change for East-Central European political structures and national identities. Yet this transformed landscape inevitably still bore the traces of its imperial past. Breaking with traditional histories that take 1918 as a strict line of demarcation, this collection focuses on the complexities that attended the transition from the Habsburg Empire to its successor states. In so doing, it produces new and more nuanced insights into the persistence and effectiveness of imperial institutions, as well as the sources of instability in the newly formed nation-states.
"The American Empire Should Be Destroyed": Alexander Dugin and the Perils of Immanentized Eschatology by James D. Heiser Pdf
Over two decades have passed since the "Cold War" between the Soviet Union and the West ended. Many citizens of the former Soviet republics and Warsaw Pact nations have embraced the opportunities which come with expanded civil liberties and economic growth, but extremists exploit nostalgia for the days of empire. In the words of Vladimir Putin, "the collapse of the Soviet Union was a major geopolitical disaster of the century." A new ideology-Eurasianism-is being advanced by those who dream of a new empire and revenge on the Western powers which brought about the collapse of the Soviet empire. Aleksandr Dugin, the father of Eurasianism, was recently described by "Foreign Affairs" as "Putin's Brain." For Dugin, the battle between Russia and the West is an epic struggle to fulfill ancient myths: a battle between the mystical forces of the mythical land of 'Arctogaia' and a decadent, materialistic America. "The American Empire should be destroyed," Dugin declares, "And at one point, it will be." America needs to understand the nature of the Eurasianist ideology, and the fanaticism which wages war against the people of Ukraine today, and against the West tomorrow. "All too often, history is driven by the mad passions and ambitions of tyrants-and by warped visions of "progress" crafted in the shadows behind their thrones. James Heiser's brilliant new book drags one of today's most dangerous "gray eminences" into the light. His careful, intricate analysis reveals Aleksandr Dugin, whose twisted ideology shapes Vladimir Putin's brutal and aggressive effort to build a Eurasian empire centered on Russia. This is a must-read for anyone who wants to understand the perilous and irrational motivations of those who now rule in Moscow." -Patrick Larkin, co-author of "Red Phoenix," "The Enemy Within," and other best-selling thrillers, and author of "The Tribune" "James Heiser has written a profoundly fascinating book on an important and troubling man. Anyone concerned about the future of Russia-indeed international affairs in general-should read this book." -Peter Schweizer, President, Government Accountability Institute, William J. Casey Fellow at the Hoover Institution, author, "Extortion," "Victory," and "Reagan's War" "A penetrating analysis of the dangerous totalitarian dogma of the man who has become Putin's Rasputin. If you want to understand the new threat to Western civilization, you need to read this book." -Dr. Robert Zubrin, President, Mars Society, President, Pioneer Astronautics and Pioneer Energy, author, "Merchants of Despair-Radical Environmentalists, Criminal Pseudo-Scientists, and the Fatal Cult of Antihumanism" "As his views reported by Heiser make clear, Dugin believes these are literally the forces of the anti-Christ, and to combat them he calls for the mobilisation of the peoples of Eurasia led by Russia, and including the former Soviet republics, Germany, Central and Eastern Europe, Turkey and Iran, thus forging a 'natural' alliance with Islam while also ensuring Russian access to warm-water ports." --Mervyn F. Bendle, "Putin's Rasputin," for Quadrant Online "Alexander Dugin is little known in Western countries. In this book, James Heiser convincingly advances the case that this Russian philosopher and occultist should be better known and helps us to get to know him. ..". 'The American Empire Should be Destroyed' provides a well-written history of the rise of Dugin and his influence on Russian politics. Likewise, it convincingly makes the case that the West needs to wake up to the threat which Dugin's philosophy poses when it is advocated, in part, by the Russian elite." --Ed Dutton, Quarterly Review
