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Author : Helen Delpar
Publisher : University of Alabama Press
Page : 289 pages
File Size : 43,9 Mb
Release : 1992
Category : History
ISBN : 9780817308117
The Enormous Vogue of Things Mexican traces the evolution of cultural relations between the United States and Mexico from 1920 to 1935.
Author : Laura Hernández-Ehrisman
Publisher : University of New Mexico Press
Page : 248 pages
File Size : 51,6 Mb
Release : 2016-03-17
Category : History
ISBN : 9780826343116
The story of how the multicultural identity of San Antonio, Texas, has been shaped and polished through its annual fiesta since the late nineteenth century.
Author : Helen Delpar
Publisher : University Alabama Press
Page : 296 pages
File Size : 43,5 Mb
Release : 1992
Category : History
ISBN : UOM:39015020852326
Beginning about 1900 the expanded international role of the United States brought increased attention to the cultures of other peoples and a growth of interest in Latin America. The Enormous Vogue of Things Mexican traces the evolution of cultural relations between the United States and Mexico from 1920 to 1935, identifying the individuals, institutions, and themes that made up this fascinating chapter in the history of the two countries.
Author : Leonora Saavedra
Publisher : Princeton University Press
Page : 384 pages
File Size : 52,9 Mb
Release : 2015-08-25
Category : Music
ISBN : 9780691169484
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts administrator, founder of major Mexican cultural institutions, and conductor and founder of the Orquesta Sinfónica de México. Carlos Chávez and His World brings together an international roster of leading scholars to delve into not only Chávez’s music but also the history, art, and politics surrounding his life and work. Contributors explore Chávez’s vast body of compositions, including his piano music, symphonies, violin concerto, late compositions, and Indianist music. They look at his connections with such artistic greats as Aaron Copland, Miguel Covarrubias, Henry Cowell, Silvestre Revueltas, and Paul Strand. The essays examine New York’s modernist scene, Mexican symphonic music, portraits of Chávez by major Mexican artists of the period, including Diego Rivera and Rufino Tamayo, and Chávez’s impact on El Colegio Nacional. A quantum leap in understanding Carlos Chávez and his milieu, this collection will stimulate further work in Latin American music and culture. The contributors are Ana R. Alonso-Minutti, Amy Bauer, Leon Botstein, David Brodbeck, Helen Delpar, Christina Taylor Gibson, Susana González Aktories, Anna Indych-López, Roberto Kolb-Neuhaus, James Krippner, Rebecca Levi, Ricardo Miranda, Julián Orbón, Howard Pollack, Leonora Saavedra, Antonio Saborit, Stephanie Stallings, and Luisa Vilar Payá. Bard Music Festival 2015: Carlos Chávez and His World Bard College August 7-9 and August 14-16, 2015
Author : W. Warner Wood
Publisher : Indiana University Press
Page : 529 pages
File Size : 54,5 Mb
Release : 2008
Category : Art
ISBN : 9780253351548
The story behind the international trade in Oaxacan textiles
Author : Carol A. Hess
Publisher : Oxford University Press
Page : 336 pages
File Size : 54,6 Mb
Release : 2013-06-26
Category : Music
ISBN : 9780199339891
Winner of the 2015 Robert M. Stevenson Award from the American Musicological Society In Representing the Good Neighbor: Music, Difference, and the Pan American Dream, Carol A. Hess investigates the reception of Latin American art music in the US during the twentieth century. Hers is the first study to probe Latin American art music in relation to Pan Americanism, or the idea that the American nations are bound by common aspirations. Under the Good Neighbor policy, crafted by the administration of President Franklin D. Roosevelt to cement hemispheric solidarity amid fears of European fascism, Latin American art music flourished and US critics applauded it as "universal." During the Cold War, however, this repertory assumed a very different status. While the United States supported Latin American military dictators to assuage fears that communism would overwhelm the hemisphere, musical works were increasingly objectified through essentializing adjectives such as "exotic," distinctive," or "national"--through the filter of difference. Hess explores this phenomenon by tracking the reception in the United States of the so-called Big Three: Carlos Chávez (Mexico), Heitor Villa-Lobos (Brazil), and Alberto Ginastera (Argentina). She also evaluates several important US composers and critics-Copland, Thomson, Rosenfeld, and others-in relation to Pan Americanism, and offers a new interpretation of a work about Latin America by US composer Fredric Rzewski, 36 Variations on "The People United Will Never Be Defeated!" Whether discussing works performed in modern music concerts of the 1920s, at the 1939 World's Fair, the inauguration of the New York State Theater in 1966, or for the US Bicentennial, Hess illuminates ways in which North-South relations continue to inform our understanding of Latin American art music today. As the first book to examine in detail the critical reception of Latin American music in the United States, Representing the Good Neighbor promises to be a landmark in the field of American music studies, and will be essential reading for students and scholars of music in the US and Latin America during the twentieth-century. It will also appeal to historians studying US-Latin America relations, as well as general readers interested in the history of American music.
Author : Peter Mears
Publisher : University of Texas Press
Page : 204 pages
File Size : 40,8 Mb
Release : 2004
Category : History
ISBN : 9780292705883
New York in the 1920s and 1930s was a modernist mecca that drew artists, writers, and other creators of culture from around the globe. Two such expatriates were Mexican artist and Renaissance man Miguel Covarrubias and Hungarian photographer Nickolas Muray. Their lifelong friendship gave Muray an entrée into Covarrubias's circle of fellow Mexican artists—Frida Kahlo, Rufino Tamayo, Juan Soriano, Fernando Castillo, Guillermo Meza, Roberto Montenegro, and Rafael Navarro—whose works Muray collected. This outstanding body of Mexican modernist art, now owned by the Harry Ransom Humanities Research Center (HRC) at the University of Texas at Austin, forms the subject of this beautifully illustrated volume. Produced in conjunction with the Ransom Center's exhibition "Miguel Covarrubias: A Certain Clairvoyance," this volume contains color plates of virtually all the items in Nickolas Muray's collection of twentieth-century Mexican art. The majority of the works are by Covarrubias, while the excellent works by the other artists reflect the range of aesthetic shifts and modernist influences of the period in Mexico. Accompanying the plates are five original essays that establish Covarrubias's importance as a modernist impresario as influential in his sphere as Ezra Pound, T. S. Eliot, and Jean Cocteau were in theirs. Likewise, the essays reestablish the significance of Nickolas Muray, whose success as a master of color photography, portraiture, advertising imagery, and commercial illustration has made him difficult to place within the history of photography as a fine art. As a whole, this publication of the Nickolas Muray Collection vividly illustrates the transgression of generic boundaries and the cross-fertilization among artists working in different media, from painting and photography to dance and ethnography, that gave modernism its freshness and energy. It also demonstrates that American modernism was thoroughly infused with a fervor for all things Mexican, of which Covarrubias was a principal proponent, and that Mexican modernists, no less than their American and European counterparts, answered Pound's call to "make it new."
Author : Anna Indych-López
Publisher : University of Pittsburgh Pre
Page : 269 pages
File Size : 44,8 Mb
Release : 2009
Category : Art
ISBN : 9780822943846
Examines the introduction of Mexican muralism to the United States in the 1930s, and the challenges faced by the artists, their medium, and the political overtones of their work in a new society.
Author : Barbara Haskell,Mark A. Castro
Publisher : Yale University Press
Page : 263 pages
File Size : 43,9 Mb
Release : 2020-01-01
Category : Art
ISBN : 9780300246698
An in-depth look at the transformative influence of Mexican artists on their U.S. counterparts during a period of social change The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries' shared border in both directions. For U.S. artists, Mexico's monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on more than 70 artists, including Marion Greenwood, Philip Guston, Isamu Noguchi, Jackson Pollock, and Charles White. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945.
Author : David Stephen Calonne
Publisher : Rutgers University Press
Page : 291 pages
File Size : 44,9 Mb
Release : 2022-04-15
Category : Literary Criticism
ISBN : 9781978828735
Mexico features prominently in the literature and personal legends of the Beat writers, from its depiction as an extension of the American frontier in Jack Kerouac’s On the Road to its role as a refuge for writers with criminal pasts like William S. Burroughs. Yet the story of Beat literature and Mexico takes us beyond the movement’s superstars to consider the important roles played by lesser-known female Beat writers. The first book-length study of why the Beats were so fascinated by Mexico and how they represented its culture in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti. It also devotes individual chapters to women such as Margaret Randall, Bonnie Bremser, and Joanne Kyger, who each made Mexico a central setting of their work and interrogated the misogyny they encountered in both American and Mexican culture. The Beats in Mexico not only considers individual Beat writers, but also places them within a larger history of countercultural figures, from D.H. Lawrence to Antonin Artaud to Jim Morrison, who mythologized Mexico as the land of the Aztecs and Maya, where shamanism and psychotropic drugs could take you on a trip far beyond the limits of the American imagination.
Author : Raul E. Fernandez,Gilbert G. Gonzalez
Publisher : Routledge
Page : 226 pages
File Size : 49,8 Mb
Release : 2012-11-12
Category : History
ISBN : 9781136071706
This study argues for a radically new interpretation of the origins and evolution of the ethnic Mexican community across the US. This book offers a definitive account of the interdependent histories of the US and Mexico as well as the making of the Chicano population in America. The authors link history to contemporary issues, emphasizing the overlooked significance of late 19th and 20th century US economic expansionism to Europe in the formation of the Mexican community.
Author : Mary A. Renda
Publisher : Univ of North Carolina Press
Page : 432 pages
File Size : 48,6 Mb
Release : 2004-07-21
Category : History
ISBN : 0807862185
The U.S. invasion of Haiti in July 1915 marked the start of a military occupation that lasted for nineteen years--and fed an American fascination with Haiti that flourished even longer. Exploring the cultural dimensions of U.S. contact with Haiti during the occupation and its aftermath, Mary Renda shows that what Americans thought and wrote about Haiti during those years contributed in crucial and unexpected ways to an emerging culture of U.S. imperialism. At the heart of this emerging culture, Renda argues, was American paternalism, which saw Haitians as wards of the United States. She explores the ways in which diverse Americans--including activists, intellectuals, artists, missionaries, marines, and politicians--responded to paternalist constructs, shaping new versions of American culture along the way. Her analysis draws on a rich record of U.S. discourses on Haiti, including the writings of policymakers; the diaries, letters, songs, and memoirs of marines stationed in Haiti; and literary works by such writers as Eugene O'Neill, James Weldon Johnson, Langston Hughes, and Zora Neale Hurston. Pathbreaking and provocative, Taking Haiti illuminates the complex interplay between culture and acts of violence in the making of the American empire.
Author : Craig Livingston
Publisher : Greg Kofford Books
Page : 453 pages
File Size : 51,9 Mb
Release : 2013-06-01
Category : Religion
ISBN : 8210379456XXX
2014 Best International Book Award, Mormon History Association For the first century of their church’s existence, Mormon observers of international events studied and cheered global revolutions as a religious exercise. As believers in divine-human co-agency, many prominent Mormons saw global revolutions as providential precursors to the imminent establishment of the terrestrial kingdom of God. French Revolutionary symbolism, socialist critiques of industrialism, American Indian nationalism, and Wilsonian internationalism all became the raw materials of Mormon millennial theologies which were sometimes barely distinguishable from secular utopianism. Many Mormon thinkers accepted secular revolutionary arguments that the old world order needed to be destroyed, not merely reformed, to clear the way for the new. In From Above and Below, author Craig Livingston tells the story of Mormon commentary on global revolutions from the European revolutions of 1848 to the collapse of Mormon faith in progress in the 1930s when revolutionary communist and fascist regimes exposed themselves as violent and repressive. As the Church bureaucratized and assimilated to mainstream American and capitalist values, Mormons became champions of the conservative view of political and social development for which they are known today. The first Mormon converts in Mexico and France, both political radicals, would scarcely recognize the arch-conservative twenty-first century Church.
Author : Merilee Grindle
Publisher : Harvard University Press
Page : 401 pages
File Size : 51,6 Mb
Release : 2023
Category : History
ISBN : 9780674278332
The gripping story of a pioneering anthropologist whose exploration of Aztec cosmology, rediscovery of ancient texts, and passion for collecting helped shape our understanding of pre-Columbian Mexico. Where do human societies come from? The drive to answer this question inspired a generation of archaeologists and treasure-seekers who, following Darwin, began to look beyond the Bible for the origins of civilizations. Proud, disciplined, ferociously territorial, the inimitable Zelia Nuttall threw herself into the study of Mexico's past, eager to bring the tools of science to the study of ancient civilizations. A child of the San Francisco Gold Rush, Zelia immersed herself in the tales of conquistadores and pored through records of the Inquisition. She knew Nahuatl, the language of the Aztec and Toltec, and was skilled at deciphering their pictographic stories. She was also conversant with their gods and myths, as well as the stars by which they regulated their rituals and other activities. The first to fully decode the Aztec calendar stone, Zelia Nuttall was a protégé of Frederick Putnam, who offered her a job at Harvard's Peabody Museum. But as a divorced mother with a dwindling fortune, she preferred to live in Mexico, her mother's birthplace, where she became a vital bridge between Mexican and American anthropologists through war and revolution. The first biography of a true original, In the Shadow of Quetzalcoatl reveals how, from the 1880s to the 1930s, scholar-collectors like Zelia Nuttall shaped America's museums. Merilee Grindle captures the appeal and contradictions of this trailblazing woman, who contributed so much to the new field of anthropology until a newly professionalized generation trained in universities overshadowed her remarkable achievements.
Author : Gilbert M. Joseph,Timothy J. Henderson
Publisher : Duke University Press
Page : 584 pages
File Size : 48,7 Mb
Release : 2022-08-29
Category : History
ISBN : 9781478022978
The Mexico Reader is a vivid and comprehensive guide to muchos Méxicos—the many varied histories and cultures of Mexico. Unparalleled in scope, it covers pre-Columbian times to the present, from the extraordinary power and influence of the Roman Catholic Church to Mexico’s uneven postrevolutionary modernization, from chronic economic and political instability to its rich cultural heritage. Bringing together over eighty selections that include poetry, folklore, photo essays, songs, political cartoons, memoirs, journalism, and scholarly writing, this volume highlights the voices of everyday Mexicans—indigenous peoples, artists, soldiers, priests, peasants, and workers. It also includes pieces by politicians and foreign diplomats; by literary giants Octavio Paz, Gloria Anzaldúa, and Carlos Fuentes; and by and about revolutionary leaders Pancho Villa and Emiliano Zapata. This revised and updated edition features new selections that address twenty-first-century developments, including the rise of narcopolitics, the economic and personal costs of the United States’ mass deportation programs, the political activism of indigenous healers and manufacturing workers, and the impact of the COVID-19 pandemic. The Mexico Reader is an essential resource for travelers, students, and experts alike.