The Essay Film

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The Essay Film

Author : Elizabeth Papazian,Caroline Eades
Publisher : Columbia University Press
Page : 328 pages
File Size : 54,5 Mb
Release : 2016-11-08
Category : Performing Arts
ISBN : 9780231851039

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The Essay Film by Elizabeth Papazian,Caroline Eades Pdf

With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specializing in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic, postcolonial, feminist, philosophical) explore the essay film and its consequences for the theory of cinema while building on and challenging existing theories. Taking as a guiding principle the essay form's dialogic, fluid nature, the volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema—fiction film, popular cinema, and documentary, video installation, and digital essay. A wide range of filmmakers are covered, from Dziga Vertov (Man with a Movie Camera, 1928), Chris Marker (Description of a Struggle, 1960), Nicolás Guillén Landrián (Coffea Arábiga, 1968), Pier Paolo Pasolini (Notes for an African Oresteia, 1969), Chantal Akerman (News from Home, 1976) and Jean-Luc Godard (Notre musique, 2004) to Nanni Moretti (Palombella Rossa, 1989), Mohammed Soueid (Civil War, 2002), Claire Denis (L'Intrus, 2004) and Terrence Malick (The Tree of Life, 2011), among others. The volume argues that the essayistic in film—as process, as experience, as experiment—opens the road to key issues faced by the individual in relation to the collective, but can also lead to its own subversion, as a form of dialectical thought that gravitates towards crisis.

The Essay Film

Author : Timothy Corrigan
Publisher : Oxford University Press
Page : 256 pages
File Size : 47,8 Mb
Release : 2011-08-01
Category : Performing Arts
ISBN : 9780199910564

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The Essay Film by Timothy Corrigan Pdf

Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? Ranging from the films of Ross McElwee (Bright Leaves) and Agn?s Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same time have struggled to categorize them. Sometimes described as personal documentaries or diary films, these eclectic works are, rather, best understood as cinematic variations on the essay. So argues Tim Corrigan in this stimulating and necessary new book. Since Michel de Montaigne, essays have been seen as a lively literary category, and yet--despite the work of pioneers like Chris Marker--seldom discussed as a cinematic tradition. The Essay Film, offering a thoughtful account of the long rapport between literature and film as well as novel interpretations and theoretical models, provides the ideas that will change this.

How the Essay Film Thinks

Author : Laura Rascaroli
Publisher : Oxford University Press
Page : 224 pages
File Size : 40,6 Mb
Release : 2017-05-05
Category : Performing Arts
ISBN : 9780190656393

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How the Essay Film Thinks by Laura Rascaroli Pdf

This book offers a novel understanding of the epistemological strategies that are mobilized by the essay film, and of where and how such strategies operate. Against the backdrop of Adorno's discussion of the essay form's anachronistic, anti-systematic and disjunctive mode of resistance, and capitalizing on the centrality of the interstice in Deleuze's understanding of the cinema as image of thought, the book discusses the essay film as future philosophy-as a contrarian, political cinema whose argumentation engages with us in a space beyond the verbal. A diverse range of case studies discloses how the essay film can be a medium of thought on the basis of its dialectic use of audiovisual interstitiality. The book shows how the essay film's disjunctive method comes to be realized at the level of medium, montage, genre, temporality, sound, narration, and framing-all of these emerging as interstitial spaces of intelligence that illustrate how essayistic meaning can be sustained, often in contexts of political, historical or cultural extremity. The essayistic urge is not to be identified with a fixed generic form, but is rather situated within processes of filmic thinking that thrive in gaps.

Beyond the Essay Film

Author : Julia Vassilieva,Deane Williams
Publisher : Unknown
Page : 0 pages
File Size : 44,5 Mb
Release : 2020
Category : Experimental films
ISBN : 9463728708

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Beyond the Essay Film by Julia Vassilieva,Deane Williams Pdf

In the wake of the explosion in the production of essay films over the last 25 years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the 'long durée' of the 20th century and into the 21st. By raising the issue of 'beyond the essay film', this collection seeks not only to acknowledge the influential predecessors of this -- in the view of many critics, the most interesting type of contemporary filmmaking -- but also to speculate about its possible transformation as we move forward into the uncharted waters of the 21st -- digital -- century. Beyond the Essay Film focusses on three specific axes that underpin and shape the articulation of the essay film as a specific cultural form -- subjectivity, textuality, and technology -- to explore how changes along and across these dimensions affect historical shifts within the essay-film practice and its relation to other types of cinema and neighbouring art forms.

The Essay Film After Fact and Fiction

Author : Nora M. Alter
Publisher : Columbia University Press
Page : 602 pages
File Size : 45,7 Mb
Release : 2018-01-02
Category : Performing Arts
ISBN : 9780231545983

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The Essay Film After Fact and Fiction by Nora M. Alter Pdf

Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. Like its literary predecessor, the essay film draws on a variety of forms and approaches; in the process, it fundamentally alters the shape of cinema. The Essay Film After Fact and Fiction locates the genre’s origins in early silent cinema and follows its transformation with the advent of sound, its legitimation in the postwar period, and its multifaceted development at the turn of the millennium. In addition to exploring the broader history of the essay film, Alter addresses the innovative ways contemporary artists such as Martha Rosler, Isaac Julien, Harun Farocki, John Akomfrah, and Hito Steyerl have taken up the essay film in their work.

HOLLWEG ESSAY FILM

Author : HOLLWEG BRENDA
Publisher : Unknown
Page : 264 pages
File Size : 48,6 Mb
Release : 2021-02-28
Category : Electronic
ISBN : 1474429254

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HOLLWEG ESSAY FILM by HOLLWEG BRENDA Pdf

World Cinema and the Essay Filmexamines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalization. With case studies of essayistic works by John Akomfrah, Nguyen Trinh Thi and Apichatpong Weerasethakul, amongst many others, and with a photo-essay by Trinh T. Min-ha and a discussion of Frances Calvert's work, it expands current research on the essay film beyond canonical filmmakers and frameworks, and presents transnational perspectives on what is becoming a global film practice.

Essays on the Essay Film

Author : Nora M. Alter,Timothy Corrigan
Publisher : Columbia University Press
Page : 540 pages
File Size : 50,6 Mb
Release : 2017-03-14
Category : Performing Arts
ISBN : 9780231543996

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Essays on the Essay Film by Nora M. Alter,Timothy Corrigan Pdf

The essay—with its emphasis on the provisional and explorative rather than on definitive statements—has evolved from its literary beginnings and is now found in all mediums, including film. Today, the essay film is, arguably, one of the most widely acclaimed and critically discussed forms of filmmaking around the world, with practitioners such as Chris Marker, Hito Steyerl, Errol Morris, Trinh T. Minh-ha, and Rithy Panh. Characteristics of the essay film include the blending of fact and fiction, the mixing of art- and documentary-film styles, the foregrounding of subjective points of view, a concentration on public life, a tension between acoustic and visual discourses, and a dialogic encounter with audiences. This anthology of fundamental statements on the essay film offers a range of crucial historical and philosophical perspectives. It provides early critical articulations of the essay film as it evolved through the 1950s and 1960s, key contemporary scholarly essays, and a selection of writings by essay filmmakers. It features texts on the foundations of the essay film by writers such as Hans Richter and André Bazin; contemporary positions by, among others, Phillip Lopate and Michael Renov; and original essays by filmmakers themselves, including Laura Mulvey and Isaac Julien.

The Essay Film

Author : Timothy Corrigan
Publisher : Oxford University Press
Page : 245 pages
File Size : 41,5 Mb
Release : 2011-08
Category : Performing Arts
ISBN : 9780199781690

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The Essay Film by Timothy Corrigan Pdf

Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? Ranging from the films of Ross McElwee (Bright Leaves) and Agnes Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same time have struggled to categorize them. Sometimes described as personal documentaries or diary films, these eclectic works are, rather, best understood as cinematic variations on the essay. So argues Tim Corrigan in this stimulating and necessary new book. Since Michel de Montaigne, essays have been seen as a lively literary category, and yet--despite the work of pioneers like Chris Marker--seldom discussed as a cinematic tradition. The Essay Film, offering a thoughtful account of the long rapport between literature and film as well as novel interpretations and theoretical models, provides the ideas that will change this.

Godard and the Essay Film

Author : Rick Warner
Publisher : Northwestern University Press
Page : 0 pages
File Size : 48,7 Mb
Release : 2018-07-15
Category : Performing Arts
ISBN : 0810137372

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Godard and the Essay Film by Rick Warner Pdf

Godard and the Essay Film offers a history and analysis of the essay film, one of the most significant forms of intellectual filmmaking since the end of World War II. Warner incisively reconsiders the defining traits and legacies of this still-evolving genre through a groundbreaking examination of the vast and formidable oeuvre of Jean-Luc Godard. The essay film has often been understood by scholars as an eccentric development within documentary, but Warner shows how an essayistic process of thinking can materialize just as potently within narrative fiction films, through self-critical investigations into the aesthetic, political, and philosophical resources of the medium. Studying examples by Godard and other directors, such as Orson Welles, Chris Marker, Agnès Varda, and Harun Farocki, Warner elaborates a fresh account of essayistic reflection that turns on the imaginative, constructive role of the viewer. Through fine-grained analyses, this book contributes the most nuanced description yet of the relational interface between viewer and screen in the context of the essay film. Shedding new light on Godard’s work, from the 1960s to the 2010s, in film, television, video, and digital stereoscopy, Warner distills an understanding of essayistic cinema as a shared exercise of critical rumination and perceptual discovery.

The Personal Camera

Author : Laura Rascaroli
Publisher : Unknown
Page : 0 pages
File Size : 52,7 Mb
Release : 2009
Category : Documentary-style films
ISBN : 1906660131

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The Personal Camera by Laura Rascaroli Pdf

Provides novel answers to some of the seminal questions of cinema: on the nature of the cinematographic experience, on authorship and spectatorship, on the filmic commitment to truth and on the state of subjectivity today." --Book Jacket.

Beyond Document

Author : Charles Warren
Publisher : Wesleyan University Press
Page : 404 pages
File Size : 51,8 Mb
Release : 1996-05-31
Category : Performing Arts
ISBN : 0819562904

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Beyond Document by Charles Warren Pdf

Critics and writers consider nonfiction film both as document and as creative work with strong artistic, political, and moral implications. In essays by eleven of America's foremost writers, critics, and filmmakers, Beyond Document explores the full spectrum of nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema-verité, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who. . ., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and in Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve" ; and poet Susan Howe explores structures of mourning in several filmmakers. All the book's essays provide deeply felt understanding of documentary film, and of how we live with, an d within, images. CONTRIBUTORS: Jay Cantor, Robert Gardener, Patricia Hampl, Maureen Howard, Susan Howe, Helene Keyssar, Phillip Lopatte, Vlada Petric, William Rothman, Charles Warren, Eliot Weinberger.

The Cinema of Me

Author : Alisa Lebow
Publisher : Columbia University Press
Page : 289 pages
File Size : 51,5 Mb
Release : 2012-05-29
Category : Performing Arts
ISBN : 9780231850162

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The Cinema of Me by Alisa Lebow Pdf

When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

Chris Marker

Author : Chris Darke,Habda Rashid
Publisher : Whitechapel Art Gallery, Londo
Page : 136 pages
File Size : 55,7 Mb
Release : 2014
Category : Art
ISBN : 0854882286

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Chris Marker by Chris Darke,Habda Rashid Pdf

This important study -- published in conjunction with the Whitechapel's acclaimed exhibition -- is the first comprehensive survey of filmmaker Chris Marker's influential oeuvre, surveying the entirety of his prolific career Illustrated throughout, the book charts Marker's unique commentaries on societies at times of upheaval, from his early writing and photography to his later use of CD-ROM and appropriation of web technology. Integrating his films within the display, it also brings together for the first time all of Marker's multimedia installations. Alongside a wealth of images that chart Marker's substantial creative output, Chris Marker: A Grin Without a Cat also explores the filmmaker's shift from word to image, the commissioning of his multimedia installations and the subsequent interplay of media. It includes key essays by the curators Christine van Assche, Chief Curator, Centre Pompidou, Paris, writer and film critic Chris Darke, and Whitechapel Gallery curators Magnus Af Petersens (Chief Curator) and Habda Rashid (Assistant Curator); texts by critics Raymond Bellour and Arnaud Lambert; plus the first English translations of two key early writings by Marker, an essay on Jean Cocteau's film Orphée (1950) and his short story Till the End of Time (1947), which takes place the day after VJ day amidst a torrential rainstorm and features a demobilised soldier subject to apocalyptic visions, anticipating Marker's most famous film, La Jetée (1962). Chris Marker (1921-2012), born Christian François Bouche-Villeneuve in Paris, was a prescient multi-media filmmaker as well as a writer, editor, poet, cartoonist, and activist. Marker completed his first feature film Olympia 52 in 1952 and soon became affiliated with the Left Bank Cinema movement that included filmmakers such as Alain Resnais and Agnès Varda. In 1962 he made his best-known film, La Jetée, which won him an international audience. A great lover of cats, when asked for a photograph of himself he would send a picture of a cat.

Thinking Images

Author : David Montero
Publisher : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Page : 0 pages
File Size : 54,7 Mb
Release : 2012
Category : Experimental films
ISBN : 3034307306

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Thinking Images by David Montero Pdf

The essay film - 'a form that thinks' - serves to create a self-reflexive space for contemporary society by challenging expectations and demanding the creative involvement of the spectator. Using film to provoke thought has never been more important than now, when non-fiction films are gaining in popularity and playing a growing part in debates about culture and politics. This timely publication argues that the appeal of the essay film lies primarily in the dialogic engagement with the spectator and the richness of the intellectual and artistic debate it stimulates. The book focuses on the work of three key European film directors associated with the essay film: Chris Marker, Harun Farocki and José Luis Guerín. It provides a detailed analysis of several films by each director, exploring the relationship between dialogism and essayism in their work and placing this in the wider context of debates on the cinematic essay as a genre. Central aspects of essayistic filmmaking are explored, including its radical approach to knowledge, its distinctive patterns of subjectivity, its challenging of the formal representation of reality, and its contribution to new understandings of spectatorship. Written with clarity and perception, this volume offers new insights into the rise of the non-fiction film and the essay film, in particular.

World Cinema and the Essay Film

Author : Hollweg Brenda Hollweg
Publisher : Edinburgh University Press
Page : 331 pages
File Size : 48,8 Mb
Release : 2019-05-29
Category : Experimental films
ISBN : 9781474429276

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World Cinema and the Essay Film by Hollweg Brenda Hollweg Pdf

World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalization. With case studies of essayistic works by John Akomfrah, Nguyen Trinh Thi and Apichatpong Weerasethakul, amongst many others, and with a photo-essay by Trinh T. Min-ha and a discussion of Frances Calvert's work, it expands current research on the essay film beyond canonical filmmakers and frameworks, and presents transnational perspectives on what is becoming a global film practice.