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Author : Michel Sanouillet,Marcel Duchamp
Publisher : Unknown
Page : 0 pages
File Size : 50,5 Mb
Release : 1975
Category : Art
ISBN : OCLC:1114511416
Author : Marcel Duchamp,Michel Sanouillet,Elmer Peterson
Publisher : Unknown
Page : 196 pages
File Size : 42,5 Mb
Release : 1975-01-01
Category : Art
ISBN : 0500270538
Author : Marcel Duchamp
Publisher : Da Capo Press, Incorporated
Page : 216 pages
File Size : 42,9 Mb
Release : 1973
Category : Art
ISBN : UOM:39015049542403
In the twenties, Surrealists proclaimed that words had stopped playing around and had begun to make love. Nowhere is this more apparent than in the writings of Marcel Duchamp, who fashioned some of the more joyous and ingenious couplings and uncouplings in modern art. This collection beings together two essential interviews and two statements about his art that underscore the serious side of Duchamp. But most of the book is made up of his experimental writings, which he called "Texticles," the long and extraordinary notes he wrote for The Bride Stripped Bare By Her Bachelors, Eben (also known as The Large Glass), and the outrageous puns and alter-ego he constructed for his female self, Rrose Sélavy ("Eros, c'est la vie" or "arouser la vie"-"drink it up"; "celebrate life"). Wacky, perverse, deliberately frustrating, these entertaining notes are basic for understanding one of the twentieth century's most provocative artists, a figure whose influence on the contemporary scene has never been stronger.
Author : Marcel Duchamp
Publisher : Unknown
Page : 216 pages
File Size : 44,9 Mb
Release : 1973
Category : Art
ISBN : UOM:39015020682194
Author : Caroline Cros
Publisher : Reaktion Books
Page : 204 pages
File Size : 46,6 Mb
Release : 2006-04
Category : Art
ISBN : 1861892624
A fresh account of Marcel Duchamp that includes much material on his life after he stopped making art.
Author : Marcel Duchamp
Publisher : Unknown
Page : 0 pages
File Size : 52,6 Mb
Release : 1973
Category : Electronic
ISBN : OCLC:315002049
Author : Gloria Moure,Marcel Duchamp
Publisher : Ediciones Polígrafa S.A.
Page : 170 pages
File Size : 40,9 Mb
Release : 2009
Category : Art
ISBN : UCSD:31822036371631
A central figure in twentieth-century art, the influence of Marcel Duchamp (1887-1968) was crucial to the development of Surrealism, Dada and Conceptual Art. Brother of the artist Raymond Duchamp-Villon and half brother of the painter Jacques Villon, Duchamp began to paint in 1908. In 1912, he painted the definitive version of Nude Descending a Staircase; this was shown at the Salon de la Section d’Or of that same year and subsequently created great controversy at the Armory Show in New York in 1913. On this time, he had abandoned traditional painting and drawing for various experimental forms, including mechanical drawings, studies, and notations that would be incorporated in a major work, The Bride Stripped Bare by Her Bachelors, Even (1915 1923; also known as The Large Glass). In 1914, Duchamp introduced his readymades common objects, sometimes altered, presented as works of art which had a revolutionary impact upon many painters and sculptors. This book edited by Gloria Moure deals with his many-faceted activities and the radical positions he maintained vis-a&̀-vis his contemporaries. It goes on to describe and analyze his work as a whole, including his key writings and interviews.
Author : Joanna Pawlik
Publisher : Univ of California Press
Page : 295 pages
File Size : 51,5 Mb
Release : 2021-08-23
Category : ART
ISBN : 9780520309043
Re-viewing surrealism in Charles Henri Ford's Poem posters (1964-5) -- Encountering surrealism : Nadja (1928) and autobiographical beat writing -- Blackening surrealism : Ted Joans' ethnographic surrealist historiography -- Turning on surrealism : queer psychedelia -- Hystericising surrealism : the marvelous in popular culture.
Author : Dario Gamboni
Publisher : Reaktion Books
Page : 312 pages
File Size : 45,9 Mb
Release : 2002
Category : Ambiguity
ISBN : 1861891490
In Potential Images Dario Gamboni explores ambiguity in modern art, considering images that rely to a great degree on a projected or imaginative response from viewers to achieve their effect. Ambiguity became increasingly important in late 19th- and early 20th-century aesthetics, as is evidenced in works by such artists as Redon, Cezanne, Gauguin, Ensor and the Nabis. Similarly, the Cubists subverted traditional representational conventions, requiring their viewers to decipher images to extract their full meanings. The same device was taken up in the various experiments leading to abstraction. For example, it was Kandinsky's intention that his work could be interpreted in both figurative and non-figurative ways, and Duchamp's Readymades suggested the radical conclusion that 'it is the beholder who makes the picture'. These invitations to viewers to participate in the process of artistic communication had social and political implications, as they accorded artist and beholder symmetrical, almost interchangeable, roles.
Author : Marcel Duchamp
Publisher : Ludion
Page : 432 pages
File Size : 43,6 Mb
Release : 2000
Category : Art
ISBN : UOM:39015053745728
Marcel Duchamp left behind a large volume of correspondence, more than a thousand documents forming a valuable archive of primary source materials on one the 20th Century's most important cutural figures. In his letters, Duchmap writes about his latest plans, works in progress, concepts such as the "ready-made," his passion for chess, the mundane details of life, as well as extraordinary ideas. The letters are reproduced in their entirety along with chronological and biographical data illumintaing the circumstances behind the letters. An essential volume for art historians and students of 20th Century culture.
Author : Jerrold E. Seigel,Professor Jerrold Seigel
Publisher : Univ of California Press
Page : 320 pages
File Size : 54,5 Mb
Release : 1995-01-01
Category : Art
ISBN : 0520200381
This is an examination of the work of Marcel Duchamp and of the important place that it has in the foundations of 20th-century art and culture
Author : Dawn Ades,Neil Cox,David Hopkins
Publisher : Thames & Hudson
Page : 398 pages
File Size : 55,9 Mb
Release : 2021-04-13
Category : Art
ISBN : 9780500776261
A revised and expanded edition of one of the most original books ever written on the enigmatic artist Marcel Duchamp. Genius, anti-artist, charlatan, guru, impostor? Since he arrived on the scene in 1914, Marcel Duchamp has been called all of these. Almost no other artist of the twentieth century has inspired more passion and controversy, nor exerted a greater influence on art. At the same time, Duchamp continually challenged the very nature of art and strove to redefine it as conceptual rather than as product by questioning why the medium was mostly a "retinal" experience. Always the provocateur, Duchamp never ceased to be engaged, openly or secretly, in activities and works that transformed traditional artmaking. Through his works like Fountain; Bicycle Wheel; L.H.O.O.Q.; and Nude Descending a Staircase, No. 2, Duchamp played with the idea of what art can be, opening new possibilities for future generations. This revised entry in the World of Art series, written by three leading experts on twentieth-century art, and published with support of Duchamp’s widow, is one of the most original books written on this enigmatic artist. Featuring a new chapter and preface, as well as updates throughout from specialist scholars who are active in their fields, this is the definitive introduction to Duchamp. Thoroughly illustrated, this volume combines thirty years of research by the authors and challenges history’s presumptions, misunderstandings, and pieces of misinformation about Marcel Duchamp and his legacy.
Author : Kevin Malcolm Richards
Publisher : Rowman & Littlefield
Page : 273 pages
File Size : 55,7 Mb
Release : 2023
Category : Art
ISBN : 9781793624635
Proximate Difference in Aesthetics explores the interconnections of the philosophy of Jacques Derrida and the artistic practices comprising Institutional Critique as a means of both providing a framework for this heterodox approach to art and examining Derrida's contributions to contemporary aesthetics.
Author : Ingrid E. Mida
Publisher : Bloomsbury Publishing
Page : 201 pages
File Size : 45,8 Mb
Release : 2022-08-25
Category : Design
ISBN : 9781350236141
Fashion is a subject that has long been marginalized in art history and in museums. And yet, one of the most well-known artists in the twentieth century - Marcel Duchamp - created works that challenge the notion that fashion does not belong in the museum. As well, there is material evidence of his engagement with clothing as part of his oeuvre. This book reveals that clothing and dressing are significant themes that recur in Duchamp's life and his work – including his drawings, his fashioning of his body, his readymades, and in his curatorial gestures. In examining the items of clothing worn by Duchamp and the related traces of his wardrobe management, Duchamp is unmasked as a dandy. His waistcoat readymade series 'Made to Measure' (1957-1961) is in fact a remarkable and deliberate effort to recalibrate the definition of the readymade to include clothing. With this little-studied readymade series, Duchamp established a precedent for sartorial art as a valid form of artistic expression. In considering the material traces of Duchamp's fashioning of his body and identity in his work and life, this book makes a highly original contribution to the understanding of Duchamp's work as well as the significance of the clothed body in the vanguard of Modernism. Ultimately, this book explains the relevance of fashion in the museum to modern audiences today.
Author : Nicola McCartney
Publisher : Bloomsbury Publishing
Page : 312 pages
File Size : 40,7 Mb
Release : 2018-07-30
Category : Art
ISBN : 9781786734723
There exists a series of contemporary artists who continually defy the traditional role of the artist/author, including Art & Language, Guerrilla Girls, Bob and Roberta Smith, Marvin Gaye Chetwynd and Lucky PDF. In Death of the Artist, Nicola McCartney explores their work and uses previously unpublished interviews to provoke a vital and nuanced discussion about contemporary artistic authorship. How do emerging artists navigate intellectual property or work collectively and share the recognition? How might a pseudonym aid 'artivism'? Most strikingly, she demonstrates how an alternative identity can challenge the art market and is symptomatic of greater cultural and political rebellion. As such, this book exposes the art world's financially incentivised infrastructures, but also examines how they might be reshaped from within. In an age of cuts to arts funding and forced self-promotion, this offers an important analysis of the pressing need for the artistic community to construct new ways to reinvent itself and incite fresh responses to its work.
