The Fateful Adventures Of The Good Soldier Švejk During The World War Book Two
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The Fateful Adventures of the Good Soldier Švejk During the World War, Book Two by Jaroslav Hašek Pdf
A picaresque series of tales about an ordinary man's successful quest to survive, and a funny but unrelentingly savage assault on the very idea of bureaucratic officialdom as a human enterprise conferring benefits on those who live under its control, and on the various justifications bureaucracies offer for their own existence.
The collection of short stories entitled Behind the Lines: Bulguma and Other Stories draws on Hašek’s experience from revolutionary Russia. In a manner similar to that employed in his caricatures of the pre-war monarchy, he satirically captures events of the Bolshevik revolution from the perspective of a Red commissar in a combination of grotesque humor and sarcasm. Historical events serve merely as part of the historical mystification. Hašek presents them as he perceived them as a man and participant in historical events. He depicts them primarily as simple and human, pushing his critical view into the background. On the border of a comic exaggeration and a realistic depiction, an amusing story about a forgotten Tartar town of Bugulma unfolds featuring the Soviet commander of the Tver Revolutionary Regiment, drunk Yerokhimov, and Comrade Gašek, the Commanding Officer of Bugulma. Employing humor and exaggeration, Hašek demonstrates the zealotry of the revolutionary period as well as the stupidity and simple human insecurity of authoritarians. The collection of short stories, Behind the Lines, also includes other sketches by Hašek, written at the same time.
The Fateful Adventures of the Good Soldier Švejk During the World War, Book(s) Three & Four by Jaroslav Hašek Pdf
A picaresque series of tales about an ordinary man's successful quest to survive, and a funny but unrelentingly savage assault on the very idea of bureaucratic officialdom as a human enterprise conferring benefits on those who live under its control, and on the various justifications bureaucracies offer for their own existence.
Censorship, Indirect Translations and Non-translation by Jaroslav Spirk Pdf
Indirect Translations and Non-Translation: The (Fateful) Adventures of Czech Literature in 20th-century Portugal, a pioneering study of the destiny of Czech and Slovak literature in 20th-century Portugal, is a gripping read for anyone seeking to look into intercultural exchanges in Europe beyond the so-called dominant or central cultures. Concentrating on relations between two medium-sized lingua- and socio-cultures via translation, this book discusses and thoroughly investigates indirect translations and the resulting phenomenon of indirect reception, the role of paratexts in evading censorship, surprising non-translation, and by extension, the impact of political ideology on the translation of literature. In drawing on the work of Jiří Levý and Anton Popovič, two outstanding Czechoslovak translation theorists, this book opens up new avenues of research, both theoretically and methodologically. As a whole, the author paints a much broader picture than might be expected. Scholars in areas as diverse as translation studies, comparative literature, reception studies, Czech literature and Portuguese culture will find inspiration in this book. By researching translation in two would-be totalitarian regimes, this monograph ultimately contributes to a better understanding of the international book exchanges in the 20th century between two non-dominant, or semi-peripheral, European cultures.
“An exceptionally vivid memoir of a French soldier’s experience of the First World War.”—Max Hastings, New York Times bestselling author Along with millions of other Frenchmen, Louis Barthas, a thirty-five-year-old barrelmaker from a small wine-growing town, was conscripted to fight the Germans in the opening days of World War I. Corporal Barthas spent the next four years in near-ceaseless combat, wherever the French army fought its fiercest battles: Artois, Flanders, Champagne, Verdun, the Somme, the Argonne. First published in France in 1978, this excellent new translation brings Barthas’ wartime writings to English-language readers for the first time. His notebooks and letters represent the quintessential memoir of a “poilu,” or “hairy one,” as the untidy, unshaven French infantryman of the fighting trenches was familiarly known. Upon Barthas’ return home in 1919, he painstakingly transcribed his day-to-day writings into nineteen notebooks, preserving not only his own story but also the larger story of the unnumbered soldiers who never returned. Recounting bloody battles and endless exhaustion, the deaths of comrades, the infuriating incompetence and tyranny of his own officers, Barthas also describes spontaneous acts of camaraderie between French poilus and their German foes in trenches just a few paces apart. An eloquent witness and keen observer, Barthas takes his readers directly into the heart of the Great War. “This is clearly one of the most readable and indispensable accounts of the death of the glory of war.”—The Daily Beast (“Hot Reads”)
The second volume of the remarkable autobiography of Arthur Koestler, author of Darkness at Noon. Taken together, Arthur Koestler's volumes of autobiography constitute an unrivalled study of a twentieth-century life. The Invisible Writing picks up where the first volume, Arrow in the Blue, ended, with Koestler joining the Communist Party. This second volume goes on to detail some of the most important, gruelling and electrifying experiences in his life. This book tells of Koestler's travels through Russia and remote parts of Soviet Central Asia and of his life as an exile. It tells of how he survived in Franco's prisons under sentence of death and in concentration camps in Occupied France and ends with his escape in 1940 to England, where he found stability and a new home.
The Great War in East-Central Europe by Włodzimierz Borodziej,Maciej Górny Pdf
Włodzimierz Borodziej and Maciej Górny set out to salvage the historical memory of the experience of war in the lands between Riga and Skopje, beginning with the two Balkan conflicts of 1912-1913 and ending with the death of Emperor Franz Joseph in 1916. The First World War in the East and South-East of Europe was fought by people from a multitude of different nationalities, most of them dressed in the uniforms of three imperial armies: Russian, German, and Austro-Hungarian. In this first volume of Forgotten Wars, the authors chart the origins and outbreak of the First World War, the early battles, and the war's impact on ordinary soldiers and civilians through to the end of the Romanian campaign in December 1916, by which point the Central Powers controlled all of the Balkans except for the Peloponnese. Combining military and social history, the authors make extensive use of eyewitness accounts to describe the traumatic experience that established a region stretching between the Baltic, Adriatic, and Black Seas.
Places and Forms of Encounter in Jewish Literatures by Anonim Pdf
Places and Forms of Encounter in Jewish Literatures. Transfer, Mediality and Situativity brings together contributions on Jewish literatures with methodologies and theories discussed in Comparative and World Literature Studies. The contributions highlight dynamic literary processes in various historical and cultural contexts.
Will We Ever Have a Quantum Computer? by Mikhail I. Dyakonov Pdf
This book addresses a broad community of physicists, engineers, computer scientists and industry professionals, as well as the general public, who are aware of the unprecedented media hype surrounding the supposedly imminent new era of quantum computing. The central argument of this book is that the feasibility of quantum computing in the physical world is extremely doubtful. The hypothetical quantum computer is not simply a quantum variant of the conventional digital computer, but rather a quantum extension of a classical analog computer operating with continuous parameters. In order to have a useful machine, the number of continuous parameters to control would have to be of such an astronomically large magnitude as to render the endeavor virtually infeasible. This viewpoint is based on the author’s expert understanding of the gargantuan challenges that would have to be overcome to ever make quantum computing a reality. Knowledge of secondary-school-level physics and math will be sufficient for understanding most of the text.
This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
This book explores the Czech composer Václav Trojan (1907-1983) and his compositions for Jiri Trnka's films, a very influential puppet stop-motion animator. Trnka is regarded as one of the finest outcomes of Czech art in the aftermath of the Second World War and inspiration for contemporary directors like Tim Burton and companies such as Aardman or Laika. Trojan's music for animation sets a great artistic model in European animation, at least as meaningful as Carl Stalling's music for Warner Bros. cartoons in the USA. Trojan was an eclectic artist, which encompassed folk songs, jazz and blues influences, neoclassical symphonic and chamber works, opera and more. Key Features: A historical overview of the origins and early development of Czech animation Biographical sketches and stylistic outline of both Trnka and Trojan An audiovisual analysis of all the available Trnka films Trojan wrote music for Filmography and bibliography
Jaroslav Hasek is best known for his satirical masterpiece The Good Soldier Svejk. That has been described as 'Perhaps the funniest novel ever written.' Although his life was short and chaotic, Hasek did however write more as this volume tellingly reveals. In his preface, Cecil Parrott, translator and biographer of Hasek, crisply defines its purpose.. 'All the world has heard of Svejk, but few are familiar with the countless other characters Hasek created in his stories and sketches, which together with his feuilletons and articles are though to number some twelve hundred. The best of these deserve to be made available to the Western public and are included in this volume.' The range is wide. There is a selection from his Bugulma stories (Hasek as Bolshevik and Red Commissar), some early Svejk stories, reminiscences of Hasek's apprenticeship days, and the hilariously funny speeches made by Hasek when promoting his political 'Party of Moderate Progress within the bounds of the Law'.
Author : John R. Clark Publisher : University Press of Kentucky Page : 304 pages File Size : 48,5 Mb Release : 2021-05-11 Category : Literary Criticism ISBN : 9780813183312
The Modern Satiric Grotesque and Its Traditions by John R. Clark Pdf
Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive—no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. Clearly the literature of the grotesque is obtrusive and ugly, its effect morbid and disquieting—and deliberately meant to be so. Grotesque literature may be unpleasant, but it is patently insightful. Indeed, as Clark shows, all of the strategies and topics employed by this literature stem from age-old and spirited traditions. Critics have complained about this grim satiric literature, asserting that it is dank, cheerless, unsavory, and negative. But such an interpretation is far too simplistic. On the contrary, as Clark demonstrates, such grotesque writing, in its power and its prevalence in the past and present, is in fact conventional, controlled, imaginative, and vigorous—no mean achievements for any body of art.