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Author : PASCHAL KYIIRIPUO. KYOORE
Publisher : Unknown
Page : 0 pages
File Size : 48,9 Mb
Release : 2024
Category : Electronic
ISBN : 1527543153
Author : Paschal Kyiiripuo Kyoore
Publisher : Cambridge Scholars Publishing
Page : 171 pages
File Size : 49,8 Mb
Release : 2023-11-20
Category : Literary Criticism
ISBN : 9781527543263
This book argues that Gabonese writer Sylvie Ntsame utilizes her novels to question certain patriarchal traditions and practices in African society (such as polygyny) that, in certain contexts, tend to silence the voice of the female. Through engaging with feminist theories, among other theoretical frameworks, the author demonstrates how, in some of Ntsame’s novels, the black female body is an object of voyeurism that reduces the women to eroticized, exoticized Others. The author further argues that Ntsame counters the dystopia of racism with a depiction of idealized love through an interracial relationship, presented against the backdrop of stereotypes and myths that stifle such relationships. Ntsame does this by going back to her cultural roots, and calling for understanding between peoples of diverse ethnicities and cultures. The book makes valuable contributions to the study of Gabonese women’s writing in particular, and African women’s writing in general.
Author : Cheryl Toman
Publisher : Lexington Books
Page : 171 pages
File Size : 40,6 Mb
Release : 2016-10-07
Category : Literary Criticism
ISBN : 9781498537216
Women Writers of Gabon: Literature and Herstory demonstrates how the invisibility of women (historically, politically, cross-culturally, etc.) has led to the omission of Gabon’s literature from the African canon, but it also discusses in depth the unique elements of Gabonese women’s writing that show it is worthy of critical recognition and that prove why Gabonese women writers must be considered a major force in African literature. This book is the only book-length critical study of Gabonese literature that exists in English and although there are titles in French that provide analyses of the works of Gabonese women writers, no one work is comprehensive nor is the history of women’s writing in Gabon considered in the such a manner. Throughout the various chapters, the book explores, among other things, contributions that are unique to Gabonese women writers such as: definitions of African feminisms as they pertain to Gabonese society, the rewriting of oral histories, rituals, and traditions of the Fang ethnic group, one of the first introductions of same-sex couples in African Francophone literature, discussions on the impact of witchcraft on development, and the appropriating of the epic poetry known as the mvet by women writers. The chapters explore works by all major voices in Gabonese women’s writing including Angèle Rawiri, Justine Mintsa, Sylvie Ntsame, Honorine Ngou, and Chantal Magalie Mbazoo-Kassa and the book concludes with brief introductions of a younger generation of Gabonese women writers such as Edna Merey-Apinda, Alice Endamne, Nadia Origo, Miryl Eteno, and Elisabeth Aworet among others.
Author : Milena Kaličanin,Soňa Šnircová
Publisher : Cambridge Scholars Publishing
Page : 390 pages
File Size : 43,8 Mb
Release : 2015-10-13
Category : Social Science
ISBN : 9781443884747
This book explores contemporary transformations of the female Bildungsroman, showing that the intersection of the genre and gender brought to critical attention in the context of second wave feminism remains of equal importance in the era of postfeminism. The female Bildung narrative has acquired an important position in twentieth – and twenty-first century literature through its continuing depiction of female self-discovery and emancipation as a process of negotiating the traditional divisions of female and male roles in relation to the private and public spaces. Recognizing the seminal contribution of feminist criticism to the definition of the genre and the role of feminist cultural processes in its thematic developments, this volume investigates more recent influences on the female Bildung narrative and the influence of the classic female Bildungsroman on contemporary cultural texts. As a collection of fifteen essays written by international scholars, the book offers a representative sample of the narratives of female development, presenting a variety of genres, including the novel, the short story, autobiography, TV series, and Internet video blogs, and theoretical frameworks, adopting hermeneutic, postcolonial, feminist, and postfeminist perspectives. In its diversity, this volume reveals that, despite the ongoing process of women’s emancipation, the heroine’s struggle with the private/public divide has remained, throughout the twentieth century and in the first decades of the new millennium, a central issue in stories about the female quest for self-definition. The book will be of interest to scholars and students in the fields of literary, women and gender studies, particularly those interested in the narratives of female development that represent American and British cultural contexts.
Author : Precious McKenzie Stearns
Publisher : Cambridge Scholars Publishing
Page : 199 pages
File Size : 51,5 Mb
Release : 2016-12-14
Category : Social Science
ISBN : 9781443858502
Women Rewriting Boundaries expands the work of gender and literary scholars by offering fresh insights on how to read travel writing by women. It analyzes the connections between class, gender, physicality, and sexuality as found in nineteenth-century literature. The authors discuss the myriad ways in which women writers reinforced and challenged Victorian social norms. Inspired by a special topics panel, “Women Writing Boundaries,” presented at the 2013 Rocky Mountain Modern Language Association’s annual convention, this edited collection will be a thought-provoking resource for college- level humanities and gender studies students and their instructors.
Author : Christine Vogt-William
Publisher : Cambridge Scholars Publishing
Page : 299 pages
File Size : 41,7 Mb
Release : 2014-10-02
Category : Literary Criticism
ISBN : 9781443868433
South Asian diasporas can be considered transcultural legacies of colonialism, while constituting transcultural forms of postcolonial reality in today’s globalised world. The main focus of investigation here is South Asian women’s fiction, where diverse forms of identity negotiation undertaken by the protagonists in a number of contemporary novels (from the 1990s to the early 2000s) are read as transgressions. The themes of early gendered experiences of South Asian indentured labour migration, female genealogies and transmissions of cultural heritages down female lines, as well as negotiations of patriarchal violence, are read using a framework culled from postcolonial and feminist criticism. The literary representations of South Asian diasporic female experience in these texts are forms of commentary and critique by contemporary South Asian diasporic women writers. Hence these novels can be viewed as feminist strategies of textual creativity with distinct political aims of presenting transformative narratives addressing the tensions of diaspora and patriarchy. This book is intended to contribute to the current spectrum of academic work being done in diaspora studies, in that it brings together the concepts of diaspora, transculturality, contemporary women’s writing and transnational feminist critical approaches to bear on South Asian women’s diasporic literature. Contrary to the celebratory notion of the concept in much theory, transculturality, as represented in these texts, is fraught with ambivalence.
Author : Sadia Zulfiqar
Publisher : Cambridge Scholars Publishing
Page : 230 pages
File Size : 40,9 Mb
Release : 2016-09-23
Category : Social Science
ISBN : 9781443812771
This work examines the work of a group of African women writers who have emerged over the last forty years. While figures such as Chinua Achebe, Ben Okri and Wole Soyinka are likely to be the chief focus of discussions of African writing, female authors have been at the forefront of fictional interrogations of identity formation and history. In the work of authors such as Mariama Bâ (Senegal), Buchi Emecheta (Nigeria), Chimamanda Ngozi Adichie (Nigeria), Tsitsi Dangarembga (Zimbabwe), and Leila Aboulela (Sudan), there is a clear attempt to subvert the tradition of male writing where the female characters are often relegated to the margins of the culture, and confined to the domestic, private sphere. This body of work has already generated a significant number of critical responses, including readings that draw on gender politics and colonialism, but it is still very much a minor literature, and most mainstream western feminism has not sufficiently processed it. The purpose of this book is three-fold. First, it draws together some of the most important and influential African women writers of the post-war period and looks at their work, separately and together, in terms of a series of themes and issues, including marriage, family, polygamy, religion, childhood, and education. Second, it demonstrates how African literature produced by women writers is explicitly and polemically engaged with urgent political issues that have both local and global resonance: the veil, Islamophobia and a distinctively African brand of feminist critique. Third, it revisits Fredric Jameson’s claim that all third-world texts are “national allegories” and considers these novels by African women in relation to Jameson’s claim, arguing that their work has complicated Jameson’s assumptions.
Author : Elizabeth Poynter
Publisher : Cambridge Scholars Publishing
Page : 192 pages
File Size : 47,8 Mb
Release : 2018-12-14
Category : Literary Criticism
ISBN : 9781527523449
This book will be of interest to students of both children’s literature and gender studies. It re-examines a period long considered to be of poor quality as regards children’s books. It explores a range of themes, such as female agency, power and courage, and additionally gives a linguistic analysis of selected texts. The book adopts a socio-cultural approach, placing the authors in their historical context. By focusing on a small number of authors in depth, it discovers subtleties perhaps ignored by a broad-brush approach. While reflecting their era in some respects, these writers also demonstrated individuality in their representation of gender, offering a wider range of models to their readers than previous critics have acknowledged.
Author : W. R. Owens,Alexis Weedon,Nicola Darwood
Publisher : Cambridge Scholars Publishing
Page : 186 pages
File Size : 44,5 Mb
Release : 2020-07-02
Category : Literary Criticism
ISBN : 9781527555594
This book is about how ‘The Woman Question’ was represented in works of fiction published between 1850 and 1930. The essays here offer a wide-ranging and original approach to the ways in which literature shaped perceptions of the roles and position of women in society. Debates over ‘The Woman Question’ encompassed not only the struggle for voting rights, but gender equality more widely. The book reaches beyond the usual canonical texts to focus on writers who have, in the main, attracted relatively little critical attention in recent years: Stella Benson, Kate Chopin, Marie Corelli, Dinah Mulock Craik, Clemence Dane, Arthur Conan Doyle, George Gissing, Ouida, and William Hale White (who wrote under the pseudonym ‘Mark Rutherford’). These writers dealt imaginatively with issues such as marriage, motherhood, sexual desire, adultery and suffrage, and they represented female characters who, in varying degrees and with mixed success, sought to defy the social, sexual and political constraints placed upon them. The collection as a whole demonstrates how fiction could contribute in striking and memorable ways to debates over gender equality—debates which continue to have relevance in the twenty-first century.
Author : Pilar Godayol,Annarita Taronna
Publisher : Cambridge Scholars Publishing
Page : 225 pages
File Size : 54,6 Mb
Release : 2018-11-30
Category : Language Arts & Disciplines
ISBN : 9781527522602
This collection of essays highlights cultural features and processes which characterized translation practice under the dictatorships of Benito Mussolini (1922-1940) and Francisco Franco (1939-1975). In spite of the different timeline, some similarities and parallelisms may be drawn between the power of the Fascist and the Francoist censorships exerted on the Italian and Spanish publishing and translation policies. Entrusted to European specialists, this collection of articles brings to the fore the “microhistory” that exists behind every publishing proposal, whether collective or individual, to translate a foreign woman writer during those two totalitarian political periods. The nine chapters presented here are not a global study of the history of translation in those black times in contemporary culture, but rather a collection of varied cases, small stories of publishers, collections, translations and translators that, despite many disappointments but with the occasional success, managed to undermine the ideological and literary currents of the dictatorships of Mussolini and Franco.
Author : Suparna Banerjee
Publisher : Unknown
Page : 0 pages
File Size : 51,9 Mb
Release : 2014
Category : Fantasy literature, English
ISBN : 1443862207
The first substantial study comparing Mary Shelley and Margaret Atwood, this book examines a selection of the speculative/fantastic novels of these two influential writers from the perspectives of contemporary feminist, postcolonial and science studies. Situating her readings at the troubled intersections of science, gender and history(-making), Banerjee juxtaposes Shelleyâ (TM)s Frankenstein and The Last Man with Atwoodâ (TM)s The Handmaidâ (TM)s Tale and Oryx and Crake in a way that respects historical difference while convincingly suggesting a tradition of ongoing socio-political critique in the work of women writers of the fantastic over the past two centuries. She offers insightful fresh readings of Shelley and Atwood, bringing out how the cognate values of technoscience and capitalistic imperialism work in tandem to foster oppressive gender ideologies, social inequity and environmental ruin. Banerjee explores how Shelley and Atwood levy powerful critiques of both positivist, masculinist science and the politico-economic proclivities of their respective times, engaging, in the process, with the meaning of the (post)human, the cultural impact of male (Romantic) egotism and the public/private division, the colonial impulse and its modern day counterpart, the patriarchal ideologies of â ~loveâ (TM) and motherhood, and the sexual-politics of official historiography. Combining lively, creative scholarship with theoretical rigour, the book offers a nuanced study of the ways in which Shelleyâ (TM)s and Atwoodâ (TM)s novels each take critical aim at some of the conventional oppositionsâ "nature/culture, masculine/feminine, reason/emotion, art/scienceâ "that have since long defined our lives in western technoculture. The book re-opens the â ~two-culturesâ (TM) debate, suggesting that Shelleyâ (TM)s and Atwoodâ (TM)s futuristic visions posit humanistic education and art as the â ~saving gracesâ (TM) that might counter the schisms and reductionism innate to the technocapitalistic world view. One highlight of the book is the way the author goes beyond a strong critical consensus on Frankenstein and reads the novel not as a denunciation of technological violation of nature but as a subversion of the thematic itself of Nature versus Culture. Similar innovative interpretations are offered on the gender question in The Last Man, and on Atwoodâ (TM)s engagement with â ~feminist motheringâ (TM) in Oryx and Crake.
Author : Dario Maestripieri
Publisher : Cambridge Scholars Publishing
Page : 155 pages
File Size : 43,7 Mb
Release : 2019-02-08
Category : Literary Criticism
ISBN : 9781527528000
The most important intellectual development in the academy in the 21st century has been the forging of new relationships between the sciences and the humanities and the realization that interdisciplinary scholarship holds the promise of the unification of all knowledge. This groundbreaking book shows how this can be fulfilled. Through a wide-ranging analysis of arguments concerning the complementarity of arts and sciences advanced by Schelling and Goethe and those about the cognitive value of literature articulated by contemporary philosophers, the book shows that literary fiction can contribute to the scientific understanding of human nature. With a careful and original examination of autobiographical material and literary texts, it demonstrates that European novelists such as Leopold von Sacher-Masoch, Italo Svevo, and Elias Canetti conducted ambitious and innovative literary explorations of the human mind and human behavior using Darwinian theory as their scientific framework, and, in doing so, they anticipated the theoretical developments and empirical findings of cognitive, social, and evolutionary psychology by almost 100 years. The work of these novelists was largely misunderstood by literary scholars, but this book’s re-discovery and illustration of what these writers attempted to accomplish and how they did it show one important path leading to the future unification of all knowledge about the human condition.
Author : Kaptan Singh
Publisher : Cambridge Scholars Publishing
Page : 150 pages
File Size : 50,9 Mb
Release : 2016-06-22
Category : Electronic
ISBN : 9781443896726
Since World War II, exile and alienation have become two of the most prominent themes in world literature. Canadian and Indian literatures are no exception. Modern human civilisation is passing through a terrible ordeal following on from the catastrophic consequences of two world wars, and many people have been overwhelmed and overawed by the growth of science, technology and urbanisation. Alienation, a feeling of not belonging, has filled the life of modern man with uncertainties and disappointments, obstructions and frustrations. Indian and Canadian literatures are currently two of the most acclaimed forms of global literature, with major themes including a search for identity, a struggle for survival, and self and social isolation, and it is not surprising that female writers are major voices in both Indian and Canadian literature. There is a heavy imbalance of power between two sexes in both cultures, where men are considered to be domineering and the centre of the family while women are regarded as subordinate to men. Women’s suppression compels them to live in their self-exiled and alienated world. The works of Margaret Laurence and Anita Desai depict heart-rending facts and bitter realities which women have to face in an emotionless modern society. Since the patriarchal structure is prevalent in India and Canada, women are categorised as second-rate citizens and are treated as liabilities by their families due to a lack of financial power. In the absence of any economic, social, emotional, and financial support, they also consider themselves inferior to men. Time and again, they revolt against the mechanical and merciless treatment of their family and society, and sometimes they choose self-exile as a safeguard against the callous and selfish treatment of their family members. Their inner desire to revolt against an oppressive society and the prevailing cultural norm only increases their isolation. In their works, Laurence and Desai have unveiled the tortured psyche of sensitive women, who are unable to share their feelings with others and are destined to live an emotionally deprived life.
Author : Dallas John Baker,Donna Lee Brien
Publisher : Cambridge Scholars Publishing
Page : 418 pages
File Size : 50,5 Mb
Release : 2019-04-10
Category : Language Arts & Disciplines
ISBN : 9781527533004
Publishing is currently going through dramatic changes, from globalisation to the digital revolution. A whole culture of events, practices and processes has emerged centred around books and writing, which means that scholars of publishing need to understand it as a social and cultural practice as much as it is a business. This book explores the culture, practice and business of book production, distribution, publication and reception. It discusses topics as diverse as emerging publishing models, book making, writers’ festivals, fan communities, celebrity authors, new publishing technologies, self-publishing, book design and the role of class, race, gender and sexuality in publishing or book culture. This volume will be of interest to those in the disciplines of publishing studies, creative writing, English literature, cultural studies and cultural industries.
Author : Shahd Alshammari
Publisher : Cambridge Scholars Publishing
Page : 155 pages
File Size : 46,6 Mb
Release : 2016-09-23
Category : Psychology
ISBN : 9781443812948
This book considers the ways in which madness has been portrayed in writing by women writers. It readdresses the madwoman trope, opening up multiple sites of literary madness, examining places and spaces outside of the ‘madwoman in the attic.’ In particular, a transnational approach sets itself up against a Eurocentric approach to literary madness. Women novelists from the Brontës to the Indian writer Arundhati Roy and Arab writers Fadia Faqir and Miral al-Tahawy interrogate patriarchal societies and oppressive cultures. Female characters who suffer from madness are strikingly similar in their revolutionary subversion of patriarchal environments.