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The Films of Fay Wray by Roy Kinnard,Tony Crnkovich Pdf
Widely acclaimed as a horror movie actress, Fay Wray is best remembered for her performances in King Kong and four other classic 1930s film thrillers, Doctor X, The Most Dangerous Game, Mystery of the Wax Museum and The Vampire Bat. Yet Wray appeared in 77 feature films between 1925 and 1958, playing leading roles in 67. Many of her films, including her entire silent film output, have been lost or are available only on a limited basis. This heavily illustrated filmography at last makes obvious her sizeable contribution to the film industry. After an overview of her professional acting career, the filmography is divided into three sections. The first introduces Wray’s early silent feature film appearances; the second covers her “leading lady” period in popular horror thrillers and other films in the sound era; and the third covers her latter-day supporting roles. Appendices document her work in film shorts and her television appearances. Commentary throughout includes first-person interviews with Fay Wray.
Finalist for the Los Angeles Times Book Prize (Biography) A Hollywood love story, a Hollywood memoir, a dual biography of two of Hollywood’s most famous figures, whose golden lives were lived at the center of Hollywood’s golden age, written by their daughter, an acclaimed writer and producer. Fay Wray was most famous as the woman—the blonde in a diaphanous gown—who captured the heart of the mighty King Kong, the twenty-five-foot, sixty-ton gorilla, as he placed her, nestled in his eight-foot hand, on the ledge of the 102-story Empire State Building, putting Wray at the height of New York’s skyline and cinematic immortality. Wray starred in more than 120 pictures opposite Hollywood's biggest stars—Spencer Tracy, Gary Cooper (The Legion of the Condemned, The First Kiss, The Texan, One Sunday Afternoon), Clark Gable, William Powell, and Charles Boyer; from cowboy stars Hoot Gibson and Art Accord to Ronald Colman (The Unholy Garden), Claude Rains, Ralph Richardson, and Melvyn Douglas. She was directed by the masters of the age, from Fred Niblo, Erich von Stroheim (The Wedding March), and Mauritz Stiller (The Street of Sin) to Leo McCarey, William Wyler, Gregory La Cava, “Wild Bill” William Wellman, Merian C. Cooper (The Four Feathers, King Kong), Josef von Sternberg (Thunderbolt), Dorothy Arzner (Behind the Make-Up), Frank Capra (Dirigible), Michael Curtiz (Doctor X), Raoul Walsh (The Bowery), and Vincente Minnelli. The book’s—and Wray’s—counterpart: Robert Riskin, considered one of the greatest screenwriters of all time. Academy Award–winning writer (nominated for five), producer, ten-year-long collaborator with Frank Capra on such pictures as American Madness, It Happened One Night, Mr. Deeds Goes to Town, Lost Horizon, and Meet John Doe, hailed by many, among them F. Scott Fitzgerald, as “among the best screenwriters in the business.” Riskin wrote women characters who were smart, ornery, sexy, always resilient, as he perfected what took full shape in It Happened One Night, the Riskin character, male or female—breezy, self-made, streetwise, optimistic, with a sense of humor that is subtle and sure. Fay Wray and Robert Riskin lived large lives, finding each other after establishing their artistic selves and after each had had many romantic attachments—Wray, an eleven-year-long difficult marriage and a fraught affair with Clifford Odets, and Riskin, a series of romances with, among others, Carole Lombard, Glenda Farrell, and Loretta Young. Here are Wray’s and Riskin’s lives, their work, their fairy-tale marriage that ended so tragically. Here are their dual, quintessential American lives, ultimately and blissfully intertwined.
Chronicling the making of all seven feature films in which King Kong has appeared - including the Peter Jackson film due for release in December 2005 - this book includes coverage of all the original films as well as the many variants and offshoots.
Author : Tennessee Williams Publisher : Dramatists Play Service Inc Page : 116 pages File Size : 47,9 Mb Release : 1988 Category : American drama ISBN : 0811210472
The Red Devil Battery Sign by Tennessee Williams Pdf
This book is William's symbol for the military-industrial complex and all the dehumanizing trends it represents from mindless cocktail party chatter to bribery of officials to assassination plots directed against those who won't play the game, to attempted coups by right-wing zealots.
Recounts the actress's career in Hollywood, beginning with bit parts as a teenager, her starring roles, and her troubled marriages and affairs, in an account that also provides a vivid, colorful portrait of the film world in the "Golden Age"
Destination Moon; George Pal’s 1950 Technicolor epic, is generally cited as the first noteworthy science fiction film. Usually ignored or casually dismissed in genre histories are the serials, the low-budget chapterplays exhibited as Saturday matinee fare and targeted almost exclusively at children. Lacking stars and top-notch writers or directors, the serials went largely unnoticed and unacknowledged by either critics or by the film industry. Yet serials were financially important to the Hollywood studios, and were often free to exploit risky or outlandish subjects that producers of “distinguished” movies would not touch. Influential serials such as The Phantom Empire (1935) and Flash Gordon (1936) finally brought science fiction themes to the big screen. Those serials and 29 others are exhaustively covered in this work, which provides complete cast and credit information along with plot descriptions and historical commentary for each serial. Video distributors (if available) are also listed.
The Making of King Kong by George E. Turner,Orville Goldner Pdf
The Definitive King Kong. In this updated and expanded edition, the story of Universal's 1933 classic film *King Kong* is fully told, from the biographies of its creators and the challenges in its production, to the many "gorilla" films that followed. With over 100 photos.
Sanger Rainsford is a big-game hunter, who finds himself washed up on an island owned by the eccentric General Zaroff. Zaroff, a big-game hunter himself, has heard of Rainsford’s abilities with a gun and organises a hunt. However, they’re not after animals – they’re after people. When he protests, Rainsford the hunter becomes Rainsford the hunted. Sharing similarities with "The Hunger Games", starring Jennifer Lawrence, this is the story that created the template for pitting man against man. Born in New York, Richard Connell (1893 – 1949) went on to become an acclaimed author, screenwriter, and journalist. He is best remembered for the gripping novel "The Most Dangerous Game" and for receiving an Oscar nomination for the screenplay "Meet John Doe".
Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897–1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film’s great directors. Sirk worked in Europe during the 1930s, mainly for Germany’s UFA studios, and then in America in the 1940s and ’50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk’s work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters’ problems should always be solved and that endings should always restore order, what Sirk called “emergency exits” for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director’s films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk’s films, as well as providing a critical survey of previous Sirk commentary, from the time of the director’s “rediscovery” in the late 1960s up to the present day.
Screenwriter Robert Riskin (1897-1955) was a towering figure even among the giants of Hollywood's Golden Age. Known for his unique blend of humor and romance, wisecracking and idealism, Riskin teamed with director Frank Capra to produce some of his most memorable films. Pat McGilligan has collected six of the best Riskin scripts: Platinum Blonde (1931), American Madness (1932), It Happened One Night (1934), Mr. Deeds Goes to Town (1936), Lost Horizon (1937), and Meet John Doe (1941). All of them were directed by Capra, and although Capra's work has been amply chronicled and celebrated, Riskin's share in the collaboration has been overlooked since his death. McGilligan provides the "backstory" for the forgotten half of the team, indispensable counterpoint to the director's self-mythologizing autobiography--and incidentally the missing link in any study of Capra's career. Riskin's own career, although interrupted by patriotic duty and cut short by personal tragedy, produced as consistent, entertaining, thoughtful, and enduring a body of work as any Hollywood writer's. Those who know and love these vintage films will treasure these scripts. McGilligan's introduction offers new information and insights for fans, scholars, and general readers.
With family photos, video and film stills, and studio photos never before published, Fay captures the collaborative spirit and amazing artistic outpouring of Wegman and his extraordinary companion. Their relationship spanned ten years during which time Fay became as well known to the art world as her canine predecessor, Man Ray. Motherhood brought Fay new concerns and Wegman a wealth of new characters. In 1989 she was joined in the studio by three of her puppies. What followed was a flowering of dramatic roles for Fay and her offspring in a wide range of books and videos for children.
The daughter of the actress best known for "King Kong" and the screenwriter for "It Happened One Night" presents a dual memoir that describes her parents' lives and work, her father's collaborations with Frank Capra, and his early death.
The Flash Gordon Serials, 1936Ð1940 by Roy Kinnard,,Tony Crnkovich,R.J. Vitone Pdf
Flash Gordon, Flash Gordon’s Trip to Mars and Flash Gordon Conquers the Universe, the most expensive and popular movie serials ever made, have been favorites of movie and comic fans for decades. The original 1936 serial, designated a cultural treasure, was selected for inclusion in the National Film Registry in 1996. Arranged in a chapter-by-chapter format conforming to the structure of the three original serials, the work provides full cast and crew information, plot synopses, and production notes for all 40 episodes. The work also has a wealth of background information and 159 photographs, along with comments from cast members interviewed—Buster Crabbe, Jean Rogers, and Carroll Borland. Appendices provide an overview of the serial Buck Rogers (1939), select filmographies for 50 of the most prominent Flash Gordon cast and crew, and a complete list of the serials' film and television remakes.
The Mysteries of Cinema: Movies and Imagination by Peter Conrad Pdf
Ranging from the late nineteenth century to the present day, this exhilarating survey by cultural critic Peter Conrad explores the ways film has changed how we see the world. This is a thematic roller-coaster ride through cinema history, with film expert Peter Conrad in the seat beside you. Thoroughly international, this book ranges from Fay Wray to Satyajit Ray, from Buster Keaton to Kurosawa, from westerns to nouvelle vague. Conrad explores the medium’s relationship to speed, technology, fantasy, horror, dream, color, sound, light, and shadow with reference to scores of films, from the earliest nineteenth-century silent experiments to the latest multisensory Hollywood blockbusters. The author’s insights are amplified by voices from inside and outside the industry: directors and critics are included alongside artists, writers, philosophers, and historians ranging from Leo Tolstoy to Salvador Dalí, Theodor Adorno to Philip Roth. Arranged by topics, such as “Meta-Movie” and “The Physics of Film,” rather than chronological events, The Mysteries of Cinema focuses on film’s otherworldly, hypnotic, and magical qualities. Perfect for both movie fans who will discover new films and directors, and for students of film who will see familiar classics in a new light, this volume is full of unique insights into the genre. Combining his vast knowledge with a forensic eye for a director’s every quirk and mannerism, Conrad offers a fascinating and thrilling exploration of film.
