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Author : Philadelphia Museum of Art,Dilys Blum Publisher : Philadelphia Museum (PA) Page : 216 pages File Size : 52,8 Mb Release : 1997 Category : Art ISBN : UOM:39015046874452
The Fine Art of Textiles by Philadelphia Museum of Art,Dilys Blum Pdf
Nearly four hundred textiles from East and West are reproduced in full color in this handbook of the Philadelphia Museum of Art's encyclopedic collections, which cover a broad range of geographic areas, periods, and techniques. Each chapter is introduced by a brief history of that particular aspect of the museum's collections, placing it within the context of textile scholarship and collecting in the United States and Europe.
Re-envisioning Japan is the first truly comprehensive book on Japanese export textiles of the Meiji period (1868-1912), featuring stunning examples from all over the country. Lavishly illustrated, the book features fabrics that explore the craftsmanship and remarkable talent of Meiji artists and artisans who produced goods for export markets. The makers of Meiji textiles sought to modernize traditional modes of visual representation, aspiring to create "paintings in silk thread," at times even replicating specific Western paintings. More often, they collaborated with contemporary Japanese painters to create dazzling new images that more than ever before realized the aesthetic potential of silk thread as an artistic medium. This book showcases these spectacular ornamental textiles in dazzling color reproductions and many close-up details.
The Fine Art of Textiles by Philadelphia Museum of Art,Dilys Blum Pdf
Presents almost 400 years of textiles from the East and the West. It includes a section on the Americas, Europe, the Mediterranean, Middle East, Japan and India.
A comprehensive look at emerging artists from one of the most exciting mediums in the fine art world today, that profiles some of the most daring and innovative examples of textiles in fine art.
Author : Julia Bryan-Wilson Publisher : University of Chicago Press Page : 335 pages File Size : 49,7 Mb Release : 2021-02 Category : Art ISBN : 9780226077826
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
A mother stitches a few lines of prayer into a bedcover for her son serving in the Union army during the Civil War. A formerly enslaved African American woman creates a quilt populated by Biblical figures alongside celestial events. A Diné women weaves a blanket for a U.S. Army soldier stationed in the Southwest. A quilted Lady Liberty, George Washington, and Abraham Lincoln mark the resignation of Richard Nixon. These are just a few of the diverse and sometimes hidden stories of the American experience told by quilts and bedcovers from the collection of the Museum of Fine Arts, Boston. Spanning more than four hundred years, the fifty-six works of textile art in this book express the personal narratives of their makers and owners and connect to broader stories of global trade, immigration, industry, marginalization, and territorial and cultural expansion. Made by Americans of European, African, Native, and Hispanic heritage, these engaging works of art range from family heirlooms to acts of political protest, each with its own story to tell.
Author : Museum of Fine Arts, Boston,Pamela A. Parmal Publisher : Unknown Page : 216 pages File Size : 50,6 Mb Release : 2006 Category : Art ISBN : UOM:39015066813505
Textile & Fashion Arts by Museum of Fine Arts, Boston,Pamela A. Parmal Pdf
This book presents one hundred of the finest textiles and fashion arts produced by weavers, embroiderers, and designers around the globe. Twenty-nine short essays introduce some of the major techniques and genres that textile makers have invented over the past twenty-five hundred years of human history.--[book cover].
From Fiber to Fine Art by Museum of Fine Arts, Boston. Department of Textiles,Larry Salmon,Catherine Kvaraceus,Matthew X. Kiernan Pdf
Catalogue of an exhibition held at the Museum of Fine Arts, Boston 30 July-28 September 1980."Handbook of the Department of Textiles, published on the occasion of the exhibition From Fiber to Fine Art, July 30-September 28, 1980."
Lynn Meisch,Fine Arts Museums of San Francisco,M.H. de Young Memorial Museum
Author : Lynn Meisch,Fine Arts Museums of San Francisco,M.H. de Young Memorial Museum Publisher : Thames & Hudson Page : 157 pages File Size : 49,8 Mb Release : 1997 Category : Crafts & Hobbies ISBN : 0500279853
Traditional Textiles of the Andes by Lynn Meisch,Fine Arts Museums of San Francisco,M.H. de Young Memorial Museum Pdf
Published in association with the Fine Arts Museums of San Francisco, this book features 18th-, 19th-, and 20th-century indigenous textiles woven by the Aymara and Quechua peoples of the Andean Mountains. The elaborately patterned pieces are all drawn from the previously unpublished Jeffrey Appleby Collection and include everyday and ceremonial textiles of all types. 178 illus. 147 in color.
Vitamin T: Threads and Textiles in Contemporary Art by Phaidon Editors,Jenelle Porter Pdf
A global survey of more than 100 artists, chosen by art-world professionals for their work with threads, stitching, and textiles Celebrating tapestry, embroidery, stitching, textiles, knitting, and knotting as used by visual artists worldwide, Vitamin T is the latest in the celebrated series in which leading curators, critics, and art professionals nominate living artists for inclusion. As boundaries between art and craft have blurred, artists have increasingly embraced these materials and methods, with the resulting works being coveted by collectors and exhibited in museums worldwide. Vitamin T is a vibrant and incredibly timely survey – the first of its kind.
With a foreword by Miles Redd, this luxurious decorating resource trains the eye to recognize enduring, quality home goods and to use them to dazzling design effect. Quality matters. Just as a home’s foundation should be built to stand the test of time, so, too, should the furniture, objects, and elements of our rooms speak to an enduring sense of beauty and comfort. They should outlast trends and our loving day-to-day use. But how does one recognize quality and judge whether something is well made? Christiane Lemieux set out to answer this question by interviewing the world’s greatest experts. Weaving together the insights and guidance of dozens of wallpaper and paint specialists, textile fabricators, accessories artisans, and interior designers, Lemieux has curated an unparalleled education in recognizing the hallmarks of timeless, heirloom-quality pieces. Hundreds of elegant home interiors—both iconic examples from the past and stunning residences today--represent the range of luxurious and customized environments that can be created with fine décor.
The history of textiles, more than that of any other artefact, is a history of human ingenuity. From the very earliest needles of 50,000 years ago to the smart textiles of today, textiles have been fundamental to human existence, and enjoyed, prized and valued by every culture. Silks from China, cottons from India, tapestries from Flanders, dyes from South America the appeal of different weaves, colours and patterns was long a motivation for trade, the exchange of ideas and sometimes even war. Mary Schoesers groundbreaking book, now revised and updated to incorporate new research, presents a chronological survey of textiles around the world from prehistory to the present. It explores how they are made, what they are made from, how they function in society and the ways in which they are valued and given meaning as well as reflecting on the environmental challenges they present today. World Textiles offers an invaluable introduction to this vast and fascinating subject for makers, designers, textile and fashion professionals, collectors and students alike.
Montreal Museum of Fine Arts, Collection of Mediterranean Antiquities, Vol. 4: The Coptic Textiles by Wendy Landry,Rameau Anne-Laure,Richard Abigaëlle Pdf
This catalogue of the Coptic Textiles in the Collection of Mediterranean Antiquities at the Montreal Museum of Fine Arts provides a detailed analysis of 64 textiles from both historical and weaving practice points of view. This approach provides a fuller understanding of the cultural situation in which such textiles were produced and circulated. Dr. Landry’s experience of over 40 years of weaving and scholarship highlights the elements of knowledge and skill held and applied by weavers in Antiquity. This perspective complements and expands on the focus on imagery usually provided by art historians regarding textiles of this period. This catalogue shows how much more cultural information can be accessed when the technical, economic, and practical character of both production and use are adequately integrated into the study of material artefacts.