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The Folk Performing Arts by Barbara E. Thornbury Pdf
Addresses issues concerning the survival and preservation of traditional culture by examining Japan's folk performing arts and the public policies that affect them.
An Introduction to Japanese Folk Performing Arts by Terence A. Lancashire Pdf
Japanese folk performing arts incorporate a body of entertainments that range from the ritual to the secular. They may be the ritual dances at Shinto shrines performed to summon and entertain deities; group dances to drive away disease-bearing spirits; or theatrical mime to portray the tenets of Buddhist teachings. These ritual entertainments can have histories of a thousand years or more and, with such histories, some have served as the inspiration for the urban entertainments of no, kabuki and bunraku puppetry. The flow of that inspiration, however, has not always been one way. Elements taken from these urban forms could also be used to enhance the appeal of ritual dance and drama. And, in time, these urban entertainments too came to be performed in rural or regional settings and today are similarly considered folk performing arts. Professor Terence Lancashire provides a valuable introductory guide to the major performance types as understood by Japanese scholars.
Folk Arts and Social Communication by DURGADAS MUKHOPADHYAY Pdf
In a traditional society like India, art is the Integral part of the general life of the people. The urge to express, communicate and share something beautiful gave birth to performing arts. Folk performing art is changing its structure , continuously modifying itself to the needs of the changing situation making it functionally relevant to the society. All this has been effectively brought out in this book.
Author : Simon Charsley,Laxmi N. Kadekar Publisher : Taylor & Francis Page : 230 pages File Size : 49,9 Mb Release : 2020-11-29 Category : Performing Arts ISBN : 9781000084184
Performers and Their Arts by Simon Charsley,Laxmi N. Kadekar Pdf
Introduction Part I: Caste, Community and performance A ritual performance of Kerala, Vayala Vasudevan Pillai The Patuas of Bengal, Makbul Islam Bards and goddesses: The Pombalas in Tirupati, Anand Akundy Explorations in the art forms of the Cindu madigas in Andhra, Y A Sudhakar Reddy and R R Harischandra Caste identity and performance in a fisher-village of Assam, Kishore Bhattacharjee Part II: Performance Beyond Caste Telugu pady natakam in Andhra: Performance dynamics, P Subbachary Modernising tradition: The yaksagana in Karnataka, Guru Rao Bapat Kalarippayatt as aesthetics and the politics of invisibility in Kerala, P K Sasidharan India People’s Theatre Association in colonial Andhra, V Ramakrishna Gaddar and the politics and pain of singing, D Venkat Rao Reviving moghal tamsa in Orissa, Sachi Mohanty Part III: Classical Dance and its Successors New directions in Indian dance, Sunil Kothari Transpositions in kuchipudi dance, Aruna Bhikshu The impact of commercialization in dance, K Subadra Murthy Art addressing social problems, Ananda Shankar Jayant
Traditional Performing Arts of Korea by Kyŏng-uk Chŏn Pdf
This book provides a comprehensive overview of the historical background, genres, and performers of the traditional performing arts of Korea, such as puppet plays, mask dramas, and Pansori, a uniquely Korean form of narrative song, which originated from the singing and dancing traditions of the ancient Korean people. It offers a detailed introduction to a variety of Korea's traditional performing arts. The book also provides references on related research sources in Korean, Japanese, and Chinese, about Korea's traditional performing arts, for those with an interest in conducting in-depth research, along with featuring some 70 photographs to highlight the noteworthy characteristics of Korean performing arts.
Author : John Blacking,Joann W. Kealiinohomoko Publisher : Walter de Gruyter Page : 369 pages File Size : 41,8 Mb Release : 2010-10-06 Category : Social Science ISBN : 9783110800692
The Routledge Companion to English Folk Performance by Peter Harrop,Steve Roud Pdf
This broad-based collection of essays is an introduction both to the concerns of contemporary folklore scholarship and to the variety of forms that folk performance has taken throughout English history. Combining case studies of specific folk practices with discussion of the various different lenses through which they have been viewed since becoming the subject of concerted study in Victorian times, this book builds on the latest work in an ever-growing body of contemporary folklore scholarship. Many of the contributing scholars are also practicing performers and bring experience and understanding of performance to their analyses and critiques. Chapters range across the spectrum of folk song, music, drama and dance, but maintain a focus on the key defining characteristics of folk performance – custom and tradition – in a full range of performances, from carol singing and sword dancing to playground rhymes and mummers' plays. As well as being an essential reference for folklorists and scholars of traditional performance and local history, this is a valuable resource for readers in all disciplines of dance, drama, song and music whose work coincides with English folk traditions.
Interactive Technologies and Sociotechnical Systems by Hongbin Zha,Zhigeng Pan,Hal Thwaites,Alonzo C. Addison,Maurizio Forte Pdf
This book constitutes the refereed proceedings of the 13th International Conference on Interactive Technologies and Sociotechnical Systems, VSMM 2006, held in Xi'an, China in October 2006. The 59 revised full papers presented together with one keynote paper were carefully reviewed and selected from more than 180 submissions.
Faces of Tradition in Chinese Performing Arts by Levi S. Gibbs Pdf
Case studies examining the individual’s role in how traditional Chinese performing arts like music and dance are represented, maintained, and cultivated. Faces of Tradition in Chinese Performing Arts examines the key role of the individual in the development of traditional Chinese performing arts such as music and dance. These artists and their artistic works—the “faces of tradition” —come to represent and reconfigure broader fields of cultural production in China today. The contributors to this volume explore the ways in which performances and recordings, including singing competitions, textual anthologies, ethnographic videos, and CD albums, serve as discursive spaces where individuals engage with and redefine larger traditions and themselves. By focusing on the performance, scholarship, collection, and teaching of instrumental music, folksong, and classical dance from a variety of disciplines—these case studies highlight the importance of the individual in determining how traditions have been and are represented, maintained, and cultivated. “Faces of Tradition in Chinese Performing Arts [examines] the dynamic relationship between individual representatives of tradition and the evolution of the traditions themselves.” —A. C. Shahriari, Kent State University, Choice
Folk performances reflect the life-worlds of a vast section of subaltern communities in India. What is the philosophy that drives these performances, the vision that enables as well as enslaves these communities to present what they feel, think, imagine, and want to see? Can such performances challenge social hierarchies and ensure justice in a caste-ridden society? In Cultural Labour, the author studies bhuiyan puja (land worship), bidesia (theatre of migrant labourers), Reshma-Chuharmal (Dalit ballads), dugola (singing duels) from Bihar, and the songs and performances of Gaddar, who was associated with Jana Natya Mandali, Telangana: he examines various ways in which meanings and behaviour are engendered in communities through rituals, theatre, and enactments. Focusing on various motifs of landscape, materiality, and performance, the author looks at the relationship between culture and labour in its immediate contexts. Based on an extensive ethnography and the author’s own life experience as a member of such a community, the book offers a new conceptual framework to understand the politics and aesthetics of folk performance in the light of contemporary theories of theatre and performance studies.
The Folk Art of Java by Joseph Fischer,James Danandjaja Pdf
This introduction to the folk arts of Java features objects associated with traditional games and toys, reverse paintings on glass, puppet theatre, ceramics, naive folk paintings, traditional children's art, and such objects as roof tiles, bronze bells and