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Author : Museum of Fine Arts (Boston).,Perry T. Rathbone
Publisher : Unknown
Page : 111 pages
File Size : 47,7 Mb
Release : 1968
Category : Electronic
ISBN : OCLC:934780288
Author : Museum of Fine Arts, Boston,Eric M. Zafran,Jeffrey H. Munger
Publisher : Museum of Fine Arts Boston
Page : 358 pages
File Size : 45,7 Mb
Release : 1992
Category : Art
ISBN : 0878463305
Author : Museum of Fine Arts, Boston,Perry Townsend Rathbone
Publisher : Unknown
Page : 120 pages
File Size : 48,9 Mb
Release : 1968
Category : Art
ISBN : UOM:39015013660462
Author : Museum of Fine Arts, Boston,Jeffrey H. Munger
Publisher : Museum of Fine Arts Boston
Page : 368 pages
File Size : 51,7 Mb
Release : 1992
Category : Art
ISBN : UOM:39015040999495
Author : Museum of Fine Arts, Boston
Publisher : Chronicle Books
Page : 194 pages
File Size : 54,7 Mb
Release : 2015-04-28
Category : Art
ISBN : 9781452149240
Blue, the world's favorite color, is elegantly showcased in more than 200 artworks from the collection of the Museum of Fine Arts, Boston. Representing a diversity of movements, cultures, and media that spans the ages and the globe, the objects in Blue range from ancient Egyptian jewelry and traditional Japanese prints to Impressionist paintings and indigo-dyed textiles. Short essays from museum curators on the significance and symbolism of the color at various times and places provide historical context for this visual feast. With page edges dyed blue, this distinctive volume is a bijou treasure.
Author : Anonim
Publisher : Unknown
Page : 1086 pages
File Size : 40,7 Mb
Release : 1963
Category : Arts
ISBN : UFL:35051106195318
Author : Louis E. Grivetti,Howard-Yana Shapiro
Publisher : John Wiley & Sons
Page : 1556 pages
File Size : 52,5 Mb
Release : 2011-09-20
Category : Technology & Engineering
ISBN : 9781118210222
International Association of Culinary Professionals (IACP) 2010 Award Finalists in the Culinary History category. Chocolate. We all love it, but how much do we really know about it? In addition to pleasing palates since ancient times, chocolate has played an integral role in culture, society, religion, medicine, and economic development across the Americas, Africa, Asia, and Europe. In 1998, the Chocolate History Group was formed by the University of California, Davis, and Mars, Incorporated to document the fascinating story and history of chocolate. This book features fifty-seven essays representing research activities and contributions from more than 100 members of the group. These contributors draw from their backgrounds in such diverse fields as anthropology, archaeology, biochemistry, culinary arts, gender studies, engineering, history, linguistics, nutrition, and paleography. The result is an unparalleled, scholarly examination of chocolate, beginning with ancient pre-Columbian civilizations and ending with twenty-first-century reports. Here is a sampling of some of the fascinating topics explored inside the book: Ancient gods and Christian celebrations: chocolate and religion Chocolate and the Boston smallpox epidemic of 1764 Chocolate pots: reflections of cultures, values, and times Pirates, prizes, and profits: cocoa and early American east coast trade Blood, conflict, and faith: chocolate in the southeast and southwest borderlands of North America Chocolate in France: evolution of a luxury product Development of concept maps and the chocolate research portal Not only does this book offer careful documentation, it also features new and previously unpublished information and interpretations of chocolate history. Moreover, it offers a wealth of unusual and interesting facts and folklore about one of the world's favorite foods.
Author : Gordon
Publisher : Oxford University Press
Page : 701 pages
File Size : 49,6 Mb
Release : 2023-09
Category : Electronic
ISBN : 9780197620649
Author : Jayne Wrightsman
Publisher : Metropolitan Museum of Art
Page : 454 pages
File Size : 45,8 Mb
Release : 2005
Category : Art
ISBN : 9781588391445
This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.
Author : Museum of Fine Arts, Boston
Publisher : Unknown
Page : 288 pages
File Size : 43,9 Mb
Release : 1992
Category : Electronic
ISBN : MINN:31951P00741100X
Author : Gillian Wilson,Arlen Heginbotham
Publisher : Getty Publications
Page : 721 pages
File Size : 43,8 Mb
Release : 2021-03-30
Category : Design
ISBN : 9781606066324
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Author : Anonim
Publisher : Metropolitan Museum of Art
Page : 508 pages
File Size : 51,6 Mb
Release : 1970
Category : Electronic
ISBN : 9780870990106
Author : Iris Moon
Publisher : Penn State Press
Page : 471 pages
File Size : 54,6 Mb
Release : 2022-03-25
Category : Art
ISBN : 9780271093086
When Louis XVI was guillotined on January 21, 1793, vast networks of production that had provided splendor and sophistication to the royal court were severed. Although the king’s royal possessions—from drapery and tableware to clocks and furniture suites—were scattered and destroyed, many of the artists who made them found ways to survive. This book explores the fabrication, circulation, and survival of French luxury after the death of the king. Spanning the final years of the ancien régime from the 1790s to the first two decades of the nineteenth century, this richly illustrated book positions luxury within the turbulent politics of dispersal, disinheritance, and dispossession. Exploring exceptional works created from silver, silk, wood, and porcelain as well as unrealized architectural projects, Iris Moon presents new perspectives on the changing meanings of luxury in the revolutionary and Napoleonic periods, a time when artists were forced into hiding, exile, or emigration. Moon draws on her expertise as a curator to revise conventional accounts of the so-called Louis XVI style, arguing that it was only after the revolutionary auctions liquidated the king’s collections that their provenance accrued deeper cultural meanings as objects with both a royal imprimatur and a threatening reactionary potential. Lively and accessible, this thought-provoking study will be of interest to curators, art historians, scholars, and students of the decorative arts as well as specialists in the French Revolution.
Author : Egbert Haverkamp Begemann (Kunsthistoriker),Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 490 pages
File Size : 49,7 Mb
Release : 1999
Category : Art
ISBN : 9780870999185
"Early European art was a consuming interest of both Robert Lehman and his father, Philip Lehman, an interest reflected in the remarkable number and quality of drawings they owned from the fifteenth and early sixteenth centuries. In addition to an important group of early German drawings, the collection includes a "Saint Paul" from a series associated with Jan van Eyck and the famous "Scupstoel" from the circle of Rogier van der Weyden, the only design for a decorative sculpture to survive from the fifteenth century. The great artists of the seventeenth century, Peter Paul Rubens, Jacob Jordaens, Claude Lorrain, and Rembrandt among them, are also represented, Rembrandt by seven drawings, including the large study of Leonardo's "Last Supper" that would stay in his mind all through his career. Drawings by Antoine Watteau, Jean-Honoré Fragonard, Gabriel de Saint-Aubin, Thomas Gainsborough, Paul Sandby, and George Romney are among the many from eighteenth-century France and England. The volume discusses all 153 drawings at length, placing each in its art historical setting and complementing the discussion with comparative illustrations of related works." This e-book on the MetPublications website is also accompanied by links to related works and under the "Additional resources"tab are links to Met works of art and Heilbrunn Timeline of Art History essays and timelines (viewed May 1, 2014).
Author : Rae Beth Gordon
Publisher : Princeton University Press
Page : 307 pages
File Size : 53,9 Mb
Release : 2014-07-14
Category : Art
ISBN : 9781400862665
In this examination of the role of ornament in nineteenth-century French literature, Rae Beth Gordon shows that ornament, far from being a simple accessory, raises problems that are at the very heart of aesthetic experience: limits and their transgression, illusion and seduction, pleasure and tension, harmony and confusion, excess and marginality. After placing texts by Nerval, Gautier, Mallarm, Huysmans, and Rachilde within the context of the history and techniques of the decorative arts, she reveals in these works the powerful role played by decorative figurations of syntax, diction, and composition. Gordon's detailed textual analyses yield spatial parallels with specific ornamental configurations (interlace, arabesque, decorative frame, horror vacui, trompe l'oeil). These patterns are then studied in relation to a dynamics of desire. Ornament, taken as the site of desire and illuminated by the theories of Charcot, Clrambault, Freud, Winnicott, and Lacan, highlights important differences between romanticism, symbolism, and decadence. Not only does the author relate ornament to artistic representations of the sublime, the grotesque, and hysteria, but she also reveals that the function of ornament in literature anticipated psychiatric and aesthetic research on decorative form in the fin de sicle. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
