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In honor of Frank’s 20th anniversary Fantagraphics is re-releasing the massive, long out of print Frank Book omnibus, which collected all the Frank material up to the mid-aughts, including several jaw-droppingly beautiful full-color stories, literally dozens of lushly-delineated black-and-white stories, and a treasure trove of covers and illustrations. The Frank Book also features an introduction by one of Frank’s biggest fans (himself a Frank, or almost): Francis Ford Coppola.
Frank follows the motto, "Honesty is the best policy." He tells the truth, the whole truth, and nothing but the truth. Frank never lies to his schoolmates, he always tells the truth to adults, and he’s always honest with police officers. The balancing act of finding tact, that fine line between telling the truth and telling too much truth, is the main theme of this story, and it's very funny—although not necessarily to his friend Dotti whose freckles remind Frank of the Big Dipper, or to the teacher who hears that her breath smells like onions, or to the principal who is told that his toupee looks like a weasel. No one is quite as impressed with Frank’s honesty as he thinks they should be. He is sweet and straightforward, and, well, very frank, but with everyone annoyed at him, Frank is now honestly unhappy. He decides to visit his confidante and pal, Grandpa Ernest, who has a history of frankness himself. With a few lessons from Grandpa, Frank begins to understand that the truth is important, but so is not being hurtful. With amusing characters and expressive artwork, this story tells the powerful message of finding the good in everything—a lesson that sends compassion and understanding to take the place of rudeness in the complex concept of truth.
“Prose’s book is a stunning achievement. . . . Now Anne Frank stands before us. . . a figure who will live not only in history but also in the literature she aspired to create.” — Minneapolis Star Tribune In June, 1942, Anne Frank received a diary for her thirteenth birthday, just weeks before she and her family went into hiding from the Nazis in an Amsterdam attic. For two years, she described life in hiding in vivid, unforgettable detail and grappled with the unfolding events of World War II. Before the attic was raided in August, 1944, Anne Frank furiously revised and edited her work, crafting a piece of literature that she hoped would be read by the public after the war. And read it has been. In Anne Frank, bestselling author Francine Prose deftly parses the artistry, ambition, and enduring influence of Anne Frank’s beloved classic, The Diary of a Young Girl. She investigates the diary’s unique afterlife: the obstacles and criticism Otto Frank faced in publishing his daughter’s words; the controversy surrounding the diary’s Broadway and film adaptations, and the social mores of the 1950s that reduced it to a tale of adolescent angst and love; the conspiracy theories that have cried fraud, and the scientific analysis that proved them wrong. Finally, having assigned the book to her own students, Prose considers the rewards and challenges of teaching one of the world’s most read, and banned, books. How has the life and death of one girl become emblematic of the lives and deaths of so many, and why do her words continue to inspire? Approved by both the Anne Frank House Foundation in Amsterdam and the Anne Frank-Fonds in Basel, run by the Frank family, Anne Frank unravels the fascinating story of a memoir that has become one of the most compelling, intimate, and important documents of modern history.
A visceral, surrealist tale of becoming, from the shamanic cult hero of contemporary queer poetry Beguiling, outrageous, playfully morbid and frequently stunning in its surreal flights of imagination, The Book of Frank follows the eponymous figure as he grows from his troubled childhood into an adult travesty of the ostensibly straight family man in a male-dominated world. Along the way, he navigates a series of darkly comic situations, commits acts of grotesque violence, loses his soul in the post and debates boundary lines with a pig. Frank is one of the great literary creations: a man who can declare that 'however we seek another's weakness is our tyranny', as often touchingly innocent as he is monstrously cruel. Called 'a contemporary masterpiece' by Thurston Moore, a 'desert island book' by Anne Boyer and 'this generation's Dream Songs' by Maggie Nelson, The Book of Frank is one of the crucial poetic works of this century so far. Now, on the 30th anniversary of the first Frank poems' appearance, it is published in the UK for the first time.
For over 20 years now, Jim Woodring has delighted, touched, and puzzled readers around the world with his lush, wordless tales of “Frank.” Weathercraft is Woodring’s first full-length graphic novel set in this world—indeed, Woodring’s first graphic novel, period!—and it features the same hypnotically gorgeous linework and mystical iconography. As it happens, Frank has only a brief supporting appearance in Weathercraft, which actually stars Manhog, Woodring’s pathetic, brutish everyman (or everyhog), who had previously made several appearances in “Frank” stories (as well as a stunning solo turn in the short story “Gentlemanhog”). After enduring 32 pages of almost incomprehensible suffering, Manhog embarks upon a transformative journey and attains enlightenment. He wants to go to celestial realms but instead altruistically returns to the unifactor to undo a wrong he has inadvertently brought about: The transformation of the evil politician Whim into a mind-destroying plant-demon who distorts and enslaves Frank and his friends. The new and metaphysically expanded Manhog sets out for a final battle with Whim... Weathercraft also co-stars Frank’s cast of beloved supporting characters, including Frank’s Faux Pa and the diminutive, mailbox-like Pupshaw and Pushpaw; it is both a fully independent story that is a great introduction to Woodring’s world, and a sublime addition to, and extension of, the Frank stories.
For the past 20 years or so, Jim Woodring’s beloved trilobular chuckbuster Frank has enjoyed one mindbending catastrophe after another in the treacherous embrace of The Unifactor, the land into which he was born and from which escape seemed neither desirable nor likely. And then, abruptly, in 2011’s acclaimed Congress of the Animals(the second Woodring original graphic novel, following Weathercraft) Frank did leave the Unifactor for uncharted lands beyond―where, after a string of trials, he acquired a soulmate named Fran. This development raised far more questions than it answered. Would Frank become placid and domesticated? Would he be jilted? Would he turn out to be a dreadful cad? Would he become a downtrodden and exhausted paterfamilias staring vacantly into the dimming fire of life as obnoxious grandchildren pulled his peglike ears and stole his porridge? The answers to these fruitless speculations and many more are delivered in a devastatingly unpredictable fashion in Fran, which is in effect part two of Congress of the Animals. Fans of Frank, connoisseurs of bizarre romance, and spelunkers in the radiant depths of graphic metaphysical psychodrama will want to add this singular cartoon adventure story to their lifetime reading list.
A boy unhappily prepares for a show-and-tell presentation about his grandfather, Frank, who seems to be boring and grumpy, but he is in for a few surprises when the big day arrives. Full color.
Readers of the “Frank” stories know that The Unifactor is in control of everything that happens to the characters that abide there, and that however extreme the experiences they undergo may be, in the end nothing really changes. That goes treble for Frank himself, who is kept in a state of total ineducability by the unseen forces of that haunted realm. And so the question arises: what would happen if Frank were to leave The Unifactor? That question is answered in Congress of the Animals, Jim Woodring's much-anticipated second full-length graphic novel, and first starring his signature character Frank.
Frank Palmer is a legend in the Canadian advertising world. He not only developed Palmer Jarvis, one of the country’s most acclaimed marketing communications agencies (and then became chairman and CEO of DDB Canada after selling Palmer Jarvis to the multinational ad giant), he is also credited with changing the face of Canadian advertising. “He’s the only Western Canadian ad man who went to Toronto and wound up owning the town,” says former employee and now friendly rival Chris Staples. Fellow ad man Bob Bryant elaborates, “What Frank also did that no other agency owner was able to do was become a star. No one else personified a company the way he did. He became the iconic brand of his own business.” Palmer has earned a reputation for obtaining clients at any cost. He has clawed his way to prominence with wit, an uncanny knowledge of what constitutes effective advertising, and a business acumen nothing short of encyclopedic. Having started out as the boy last chosen for the baseball team by his peers, he set his sights on living his life in the role of the chooser—not the one waiting to be chosen. Palmer is a fascinating study in contrasts. Though he always took his role as an employer seriously, at times his private life was a mess. And while his bald head and thick neck give him the look of someone you wouldn’t want to encounter on a dark street, he’s a notorious trickster—be it by placing an octopus under a colleague’s pillow or lacing a friend’s coffee cup with dental anaesthesia. At the same time, Palmer is almost as well known for his philanthropic work as for his business acuity and practical jokes. In this lively biography, Robin Brunet captures the exhilarating experience of being in the presence of such a charismatic and driven man. Brunet’s wealth of interviews with the man himself and those who know him best get to the root of what it means to be Frank Palmer.
Frank Underhill and the Politics of Ideas by Kenneth C. Dewar Pdf
Frank Underhill (1889-1971) practically invented the role of public intellectual in English Canada through his journalism, essays, teaching, and political activity. He became one of the country's most controversial figures in the middle of the twentieth century by confronting the central political issues of his time and by actively working to reform the Canadian political landscape. His propagation of socialist ideas during the Great Depression and his criticism of the British Empire and British foreign policy almost cost him his job at the University of Toronto. In Frank Underhill and the Politics of Ideas, Kenneth Dewar demonstrates how Underhill's thought evolved from his days as a student at Toronto and Oxford, to his drafting of the Regina Manifesto - the founding platform of the leftist Co-operative Commonwealth Federation - to his support of his long-time friend Lester Pearson’s Liberals in the 1960s. Not willing to be bound by partisan loyalties, his later shift toward the political centre dismayed many of his former allies. The various issues Underhill confronted, Dewar argues, were connected by the pioneering role he played as an intellectual and by his social democratic vision of politics. Dewar also reassesses Underhill’s historical work, focusing on how it differed from the new professional history practised by his younger colleagues. Intelligently written and thoroughly researched, Frank Underhill and the Politics of Ideas delivers important insights into twentieth-century political life and innumerable lessons for twenty-first century Canada.
On his last day before retirement, Mr. Frank is sewing the most wonderful outfit of his long career. Who could it be for? In all his years working as a tailor, Mr. Frank has made all kinds of clothes. From the practical uniforms of the 1940s to the wild and weird designs of the 1960s and 1970s, he has seen (and sewn) just about everything. But today’s project is especially close to Mr. Frank’s heart. With its use of textiles and sensitive period detail, Irene Luxbacher’s artwork is the perfect complement to her understated text. The result is a story that children and grandparents can share with equal delight.
“Did you ever go to bed and wonder if your child was getting enough to eat?” For food insecure mothers, the worry is constant, and babies are at risk of going hungry. Through compelling interviews, Lesley Frank answers the breastfeeding paradox: why women who can least afford to buy infant formula are less likely to breastfeed. She exposes the shocking reality of food insecurity for formula-fed babies and the constraints limiting mothers’ ability to breastfeed. Out of Milk calls out the pressing need to establish the economic and social conditions necessary for successful breastfeeding and for accessible and safe formula feeding for families everywhere.