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The first book ever on Hollywood's greatest 1930s-1950s cartoon directors: Tex Avery, Bob and Sody Clampett, Friz Freleng, Bill Hanna & Joe Barbera, Walter Lantz, and many others. Based on thorough research and exclusive interviews. Bios, critiques, anecdotes, reminiscences. Includes two large sections of glossy plates (50 photographs), bibliography, filmography, index.
The Great Cartoon Directors is the only book to profile the remarkable careers and achievements of the Hollywood cartoon directors of the 1930s, '40s, and '50s whose unique humor has entertained people around the world for seven decades. Nine of the best cartoon directors are featured: Friz Freleng, the creator of Speedy Gonzales, Yosemite Sam, and the Pink Panther; Ub Lwerks, the designer of Mickey Mouse and the wizard behind the first sound animated film, Steamboat Willie ; Chuck Jones, the genius behind Bugs Bunny, Daffy Duck, the Road Runner and Coyote; William Hanna and Joseph Barbera, who won seven Academy Awards for their Tom and Jerry cartoons; Bob Clampett, who directed Warner Brothers cartoons featuring Porky Pig, Daffy Duck, Bugs Bunny, and Tweety; Tex Avery, who revolutionized the theory of cartoon-making, invented Daffy Duck, and introduced Bugs Bunny and Elmer Fudd to the screen; Walter Lantz, the creator of Woody Woodpecker; and Dave Fleischer, the father of Betty Boop and Popeye.Each chapter surveys the finest work of these directors and takes the reader behind the scenes to learn not only how they came up with their big ideas, but also how they managed to keep their characters fresh, topical, and unpredictable. Many of the directors granted exclusive interviews for the book and provided illustrations from their personal collections. With complete filmographies of each director's work, descriptions of many of their best cartoons, and dozens of sketches, drawings, and stills, The Great Cartoon Directors is a sure treasure trove of animation lore and an in-depth look at the creators of some of America's most beloved cartoons.
The 100 Greatest Looney Tunes Cartoons by Jerry Beck Pdf
Celebrate the best of Looney Tunes cartoons, just in time for Bugs Bunny’s 80th birthday! In a world of rascally rabbits, megalomaniacal ducks, and stuttering pigs, what defines greatness? This question was posed to thousands of cartoon fans, historians, and animators to create The 100 Greatest Looney Tunes Cartoons, the definitive Looney Tunes collection. Jerry Beck and the Cartoon Brew team of animation experts reveal the amusing anecdotes and secret origins behind such classics as “What’s Opera, Doc?,” “One Froggy Evening,” and “Duck Dodgers in the 24½th Century.” Featuring more than 300 pieces of original art from private collectors and the Warner Bros. archives, The 100 Greatest Looney Tunes Cartoons settles the debate on the best of the best, and poses a new question: Is your favorite one of the greatest?
"What's Up, Doc?" Find out in this lively biography of the most celebrated director in animation history! Charles Martin "Chuck" Jones was an American animator, cartoon artist, screenwriter, producer, and director of many classic animated cartoon shorts. They starred Bugs Bunny, Daffy Duck, the Road Runner and Wile E. Coyote, Pepé Le Pew, Porky Pig and a slew of other Warner Brothers characters. When he moved on to Metro-Goldwyn-Mayer, his work includes a series of Tom and Jerry shorts as well as the television adaptation of Dr. Seuss's How the Grinch Stole Christmas. Jones was nominated for eight Academy Awards, won three, and received an honorary Oscar for his work in the animation industry. His career spanned almost seventy years, during which he made over 250 animated films, including What's Opera, Doc?, a classic Bugs Bunny/Elmer Fudd short that is considered to be one of the greatest cartoons of all time.
Animation: A World History by Giannalberto Bendazzi Pdf
A continuation of 1994’s groundbreaking Cartoons, Giannalberto Bendazzi’s Animation: A World History is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. Bendazzi delves beyond just Disney, offering readers glimpses into the animation of Russia, Africa, Latin America, and other often-neglected areas and introducing over fifty previously undiscovered artists. Full of first-hand, never before investigated, and elsewhere unavailable information, Animation: A World History encompasses the history of animation production on every continent over the span of three centuries. Volume I traces the roots and predecessors of modern animation, the history behind Émile Cohl's Fantasmagorie, and twenty years of silent animated films. Encompassing the formative years of the art form through its Golden Age, this book accounts for animation history through 1950 and covers everything from well-known classics like Steamboat Willie to animation in Egypt and Nazi Germany. With a wealth of new research, hundreds of photographs and film stills, and an easy-to-navigate organization, this book is essential reading for all serious students of animation history. Key Features Over 200 high quality head shots and film stills to add visual reference to your research Detailed information on hundreds of never-before researched animators and films Coverage of animation from more than 90 countries and every major region of the world Chronological and geographical organization for quick access to the information you’re looking for
Historical Dictionary of Animation and Cartoons by Nichola Dobson Pdf
Historical Dictionary of Animation and Cartoons is intended to provide an overview of the animation industry and its historical development. The animation industry has been in existence as long (some would argue longer) than cinema, yet it has had less exposure in terms of the discourse of moving-image history. This book introduces animation by considering the various definitions that have been used to describe it over the years. A different perception of animation by producers and consumers has affected how the industry developed and changed over the past hundred years. This second edition of Historical Dictionary of Animation and Cartoons contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on animators, directors, studios, techniques, films, and some of the best-known characters. This book is an excellent resource for students, researchers, and anyone wanting to know more about animation and cartoons.
The A to Z of Animation and Cartoons by Nichola Dobson Pdf
Animation was once a relatively simple matter, using fairly primitive means to produce rather short films of subjects that were generally comedic and often quite childish. However, things have changed, and they continue changing at a maddening pace. One new technique after another has made it easier, faster, and above all cheaper to produce the material, which has taken on an increasing variety of forms. The A to Z of Animation and Cartoons is an introduction to all aspects of animation history and its development as a technology and industry beyond the familiar cartoons from the Disney and Warner Bros. Studios. This is done through a chronology, an introductory essay, photos, a bibliography, and over 200 cross-referenced dictionary entries on animators, directors, studios, techniques, films, and some of the best-known characters.
The Animated Film Collector's Guide by David Kilmer Pdf
In the age of video, nearly every film ever made is available on video somewhere. The only problem is finding it. This guide lists, both title and producer, nearly 3000 animated films, the sources of their video copies, with the sources' telephone, fax numbers, postal address, and e-mail. Included are many hard-to-find films. This is the only source of information you will need to track it down. An added bonus is a listing of more than 200 films that have won major prizes at animation festivals and/or placed on animation polls.
Reel Facts: Unbelievable Stuff About Famous Film Stars and Movies That Really Happened by Jeff Lenburg Pdf
ONLY IN HOLLYWOOD COULD THINGS THIS UNBELIEVABLE HAPPEN As any actor, producer, director, or screenwriter can attest, working in the movie business isn't easy. After Jack Nicholson filmed his first screen test for Metro-Goldwyn-Mayer, studio mogul Louis B. Mayer politely told him afterwards: "I don't know what we can use you for, but if we ever do need you, we'll need you real bad." In the late 1960s, Paul, John, George, and Ringo–better known as The Beatles–were set to star in a movie version of J.R.R. Tolkien's epic fantasy novel, The Lord of the Rings, until Tolkien objected over the loudness of their music. Steven Spielberg snubbed Charlton Heston for the lead role in Jaws believing his "save the day" disaster movie performances would overshadow the movie's real star–the killer shark. In prepping for his role of the psychotic Vietnam veteran-turned cab driver in Martin Scorsese's Taxi Driver, Robert De Niro obtained a New York taxicab driver's license and learned how to drive a cab working 12-hour shifts and picking up passengers for a New York cab company. What does this unbelievable stuff have in common? Scores of these and other tantalizing tidbits and scintillating stories that really happened to famous film stars and in the movies are meticulously detailed in one fun, fact-filled volume, REEL FACTS. This fascinating, full-color copiously illustrated treasury offers an inside the Hollywood grapevine look at it all—classic movie star rejections, remarkable movie ideas that misfired (or the greatest movies never made), amazing extremes actors have undertaken in preparing for film roles, unforeseen calamities that disrupted or delayed movies in production, fantastic film foolery perpetrated in popular movies on audiences, notable casting mishaps, the worst screen kissers, and much more. For avid movie lovers and film buffs alike, this entertaining chronicle shows filmdom's favorite stars and movies in general like you have never seen them before.
Discusses the distinctiveness of the cartoon form, as well as myriad other types of animation production, and examines animation's importance as a barometer of the social conditions in which it is made and which it reflects. [back cover].
This work covers ninety years of animation from James Stuart Blackton’s 1906 short Humorous Phases of Funny Faces, in which astonished viewers saw a hand draw faces that moved and changed, to Anastasia, Don Bluth’s 1997 feature-length challenge to the Walt Disney animation empire. Readers will come across such characters as the Animaniacs, Woody Woodpecker, Will Vinton’s inventive Claymation figures (including Mark Twain as well as the California Raisins), and the Beatles trying to save the happy kingdom of Pepperland from the Blue Meanies in Yellow Submarine (1968). Part One covers 180 animated feature films. Part Two identifies feature films that have animation sequences and provides details thereof. Part Three covers over 1,500 animated shorts. All entries offer basic data, credits, brief synopsis, production information, and notes where available. An appendix covers the major animation studios.
A Celebration of Animation by Martin Gitlin,Joe Wos Pdf
A Celebration of Animation explores the best-of-the-best cartoon characters from the 1920s to the 21st century. All the greats gracing this book are sure to trigger memories of carefree Saturday mornings or after-school hours in front of the TV.
The Cartoon Music Book by Daniel Goldmark,Yuval Taylor Pdf
The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.
Producing Animation by Catherine Winder,Zahra Dowlatabadi Pdf
This text is a comprehensive guide to the management of the animation production process, from the identification and sale of a concept, through development, pre-production, production and post-production, to completion.
