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Author : Daniel Garrison Brinton
Publisher : Philadelphia : D.G. Brinton
Page : 174 pages
File Size : 51,5 Mb
Release : 1883
Category : Indians of Central America
ISBN : BSB:BSB11646449
Author : Daniel Garrison Brinton,Horatio Hale,Albert Samuel Gatschet
Publisher : Unknown
Page : 158 pages
File Size : 55,9 Mb
Release : 1883
Category : Delaware language
ISBN : MINN:31951D003826606
Author : Anonim
Publisher : Rodopi
Page : 384 pages
File Size : 50,5 Mb
Release : 2009
Category : Drama
ISBN : 9789042026070
Preliminary Material -- Mapping Political Performances: A Note on the Structure of the Anthology /E.J. Westlake -- Performance as Sepulchre and Mousetrap: Global Encoding, Local Deciphering /Avraham Oz -- Witnesses in the Public Sphere: Bloody Sunday and the Redefinition of Political Theatre /Paola Botham -- Orality and the Ethics of Ownership in Community-Based Drama /David Grant -- The Théâtre du Soleil's Trajectory from “People's Theatre” to “Citizen Theatre:” Involvement or Renunciation? /Bérénice Hamidi-Kim -- Ways of Unseeing: Glass Wall on the Main Stage /Tal Itzhaki -- To Absent Friends: Ethics in the Field of Auto/Biography /Deirdre Heddon -- Reading the Blacks Through the 1956 Preface: Politics and Betrayal /Carl Lavery -- Barbarians and Babes: A Feminist Critique of a Postcolonial Persians /Sydney Cheek O'Donnell -- Performing Stereotypes at Home and Abroad /Tom Maguire -- The Comeback of Political Drama in Croatia: Or How to Kill a President by Miro Gavran /Sanja Nikčević -- Local Knowledges, Memories, and Community: From Oral History to Performance /David Watt -- Modalities of Israeli Political Theatre: Plonter, ARNA'S Children, and the Ruth Kanner Group /Shimon Levy -- Documenting the Invisible: Dramatizing the Algerian Civil War of the 1990S /Susan C. Haedicke -- The Erotic Politics of Critical Tits: Exhibitionism or Feminist Statement? /Wendy Clupper -- The Güegüence Effect: The National Character and the Nicaraguan Political Process /E.J. Westlake -- Do the Ends Justify the Means? Considering Homeless Lives as Propaganda and Product /Beverly Redman -- The Birabahn/Threlkeld Project: Place, History, Memory, Performance, and Coexistence /Kerrie Schaefer -- Non-Naturalistic Performance in Political Narrative Drama: Methodologies and Languages for Political Performance with Reference to the Rehearsal and Production of E to the Power 3--Education, Education, Education /Lloyd Peters -- Gay Muslims and Salty Meat Pies: The Limits of Performing Community /Sonja Arsham Kuftinec -- About the Contributors.
Author : E. Bradford Burns
Publisher : Harvard University Press
Page : 332 pages
File Size : 46,8 Mb
Release : 1991
Category : History
ISBN : 0674657969
The painful sixty-year process that brought Nicaragua from colonial status to incipient nation-state is the focus of this fresh examination of inner struggle in a key isthmian country. E. Bradford Burns shows how Nicaragua's elite was able to consolidate control of the state and form a stable government, resolving the bitter rivalry between the two cities Le&oacu;n and Granada, but at the same time began the destruction of the rich folk culture of the Indians, eventually reducing them to an impoverished and powerless agrarian proletariat. The history of this nation echoes that of other Latin American lands yet is peculiarly its own. Nicaragua emerged not from a war against Spain but rather from the violent interactions among the patriarchs of the dominant families, the communities of common people, and foreigners. Burns is eloquent on the subject of American adventurism in Nicaragua, which culminated in the outrageous expedition of the filibuster William Walker and his band of mercenaries in the 1850s. It was a major breach of the trust and friendship Nicaraguans had extended to the United States, and the Nicaraguans' subsequent victory over the foreign invaders helped forge their long-delayed sense of national unity. The decimation of Nicaraguan archives for the period prior to 1858 renders the study of early nineteenth-century history especially challenging, but Burns has made ingenious use of secondary sources and the few published primary materials available, including travelers' accounts and other memoirs, newspapers, government reports, and diplomatic correspondence. He provides valuable insight into Nicaraguan society of the time, of both the elite and the folk, including a perceptive section on the status and activities of women and the family in society. This book will appeal not only to professional historians but to general readers as well.
Author : E. J. Westlake
Publisher : SIU Press
Page : 196 pages
File Size : 44,8 Mb
Release : 2005
Category : History
ISBN : 0809326256
Examines the political and theatrical history of Nicaragua describing how the blending of races factors into nationalism.
Author : J. Darling
Publisher : Springer
Page : 226 pages
File Size : 48,5 Mb
Release : 2008-04-28
Category : Political Science
ISBN : 9780230612006
This book compares rebel media use in three Mesoamerican rebellions: the Nicaraguan Revolution, the Salvadoran civil war and the Zapatista uprising in Chiapas, Mexico. Directly comparing media use in all three rebellions provides a richer understanding of the role of media in social change, particularly violent change.
Author : Diego Santos Sánchez
Publisher : Routledge
Page : 412 pages
File Size : 47,9 Mb
Release : 2017-11-06
Category : Performing Arts
ISBN : 9781315405087
Theatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.
Author : Nadine George-Graves
Publisher : Oxford University Press
Page : 1056 pages
File Size : 51,6 Mb
Release : 2015-07-13
Category : Music
ISBN : 9780190273279
The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning.
Author : Basil Lanneau Gildersleeve,Charles William Emil Miller,Benjamin Dean Meritt,Tenney Frank,Harold Fredrik Cherniss,Henry Thompson Rowell
Publisher : Unknown
Page : 578 pages
File Size : 41,7 Mb
Release : 1884
Category : Classical philology
ISBN : IND:30000099671434
Each number includes "Reviews and book notices."
Author : Anonim
Publisher : Unknown
Page : 620 pages
File Size : 44,9 Mb
Release : 1884
Category : Electronic
ISBN : BSB:BSB11519751
Author : Daniel G. Brinton
Publisher : Unknown
Page : 164 pages
File Size : 52,7 Mb
Release : 1883
Category : Electronic
ISBN : ZBZH:ZBZ-00144693
Author : Randy Martin
Publisher : U of Minnesota Press
Page : 368 pages
File Size : 41,9 Mb
Release : 1994
Category : Drama
ISBN : 0816624801
Most discussions of socialist development within nation-states focus exclusively on the state, leaving civil society out of the picture. By looking into the realm of theater in two socialist countries, the author broadens this view.
Author : Les W. Field
Publisher : Unknown
Page : 328 pages
File Size : 49,5 Mb
Release : 1999
Category : History
ISBN : UCSC:32106014845033
An ethnographic account of indigenous artisans in Nicaragua and the complex ways they have understood and constructed their own identity from the period of the Sandanistas to the present.
Author : Daniel Garrison Brinton
Publisher : Unknown
Page : 174 pages
File Size : 46,5 Mb
Release : 1883
Category : Güegüence (Choreographic work)
ISBN : HARVARD:TZ1V31
Author : Don Rubin,Carlos Solorzano
Publisher : Routledge
Page : 644 pages
File Size : 46,6 Mb
Release : 2013-10-08
Category : Performing Arts
ISBN : 9781136359286
This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.
