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The hand-book of millinery. To which is appended an essay on corset making by Mary J. Howell Pdf
The Hand-Book of Millinery. To Which Is Appended an Essay on Corset Making by Mary Howell J., first published in 1847, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
The Hand-Book of Millinery. to Which Is Appended an Essay On Corset Making by Mary J Howell Pdf
Originally published in the late 19th century, this book is a classic guide to the art of millinery - the craft of making hats and other headwear. Featuring detailed instructions and illustrations, as well as a fascinating essay on the history and cultural significance of corsets, this book is a must-read for anyone interested in the intersection of fashion, history, and gender. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Hand-Book of Millinery. to Which Is Appended an Essay on Corset Making by Mary J. Howell Pdf
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1847 edition. Excerpt: ... Dress Hats are frequently made on Paris foundation net. The rule for making and covering the fronts of bonnet-shapes in general, will here apply in each detail, --although the form of the crown, as well as the covering, will require some further explanation. Crowns suitable to Dress-hats usually incline to the form of a dome; and these, as far as relates to the frame, are made indifferently of leno or stiff muslin. A strip of either will answer the purpose, and must be cut three nails and a-half in depth, and five-eighths in length. One edge of the strip must be plaited up to the size of about a crown-piece, -- having previously joined the strip so as to form a circle. The plaited part will now require to have a flat piece inserted at the top, --and the lower part must be slightly sloped away at the back and front, so as to fit correctly on to the brim, which has been already made. You may now attach the crown to the front, and, cut out a large round of whatever material your hat may be composed. The centre of this round should now be placed immediately over the small flat piece introduced at the top part of the foundation, which will allow you to dispose of it into distant and regular folds, so as to fit the lower part of the foundation. It is not unusual for the crown of dress-hats to be arranged on one side; and, in such cases, you have merely to cut your strip of leno or stiff muslin somewhat deeper on one side than the other, and to slope it off gradually to the opposite side, --plaiting it up as before shown, and completing it by the small flat round, which we suggest should not exceed the size of a crownpiece. Dress hats should at all times be made as small as possible in the head, --provided, of course, the size does not interfer
The Mr X Stitch Guide to Cross Stitch by Jamie Chalmers Pdf
If you think you know what cross stitch is, look again! Jamie Chalmers, aka Mr X Stitch, shows you how to cross stitch using simple step-by-step instructions and also takes you to the frontiers of cross stitch design. The book is aimed at stitchers of all abilities, from absolute beginners looking to learn a new craft to embroiderers and cross stitchers who want to do something different in cross stitching. For many, cross stitch conjures up images of cute kittens and country cottages, but this book shows people that theres a different side to cross stitching that its an art in its own right, and will encourage them to be a little braver with their art. Jamies writing style is fun, entertaining and highly inspirational. The book aims to appeal to men as well as women, encouraging one and all to take up the ancient craft. It teaches the basics of cross stitching, including information on materials, tools, techniques and colour blending, but also puts Jamies own individual spin on it, with urban flavours and the introduction of different materials such as glow-in-the-dark threads and stitching on metal. As well as providing exciting designs to stitch, there is guidance on how to create cross stitch designs of your own, for example by using photographs and other images for reference. Jamie also showcases the work of other contemporary cross stitchers who are pushing the boundaries of their craft, and introduces more than 20 stunning cutting-edge projects to make, showing that beauty, innovation and 'craftivism' are alive and kicking in this inspirational book.
The Hand-Book of Millinery - Comprised in a Series of Lessons for the Formation of Bonnets, Capotes, Turbans, Caps, Bows, Etc - To Which Is Appended a Treatise on Taste, and the Blending of Colours - Also an Essay on Corset Making by Mary J. Howell,Paul N. Hasluck Pdf
Originally published in 1847. INTRODUCTION: Treated as an art, Millinery is deservedly acknowledged to be one of no mean importance. Painters and sculptors, in all ages, have been more or less indebted to drapery as an admirable resource for producing effect. Raphael excelled in the flow of his draperies; and the phidiases of both ancient and modern times, have always closely attended to this particular, as being one of paramount importance. A cap or a bonnet, should not be considered merely as a covering for the head, but also an ornament, which by the aid of judicious managment, may be made subservient - as an adjunct - to render more interesting the countenance of which nature has lavished her most lovely graces...... Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Controversial and unconventional, this collection examines Canadian identity in terms of the fashion worn and designed over the last three centuries, and the internal and external influences of those socio-cultural decisions.
The Handbook of Style by Francine Maroukian,Sarah Woodruff Pdf
Provides advice and step-by-step instructions on fashion and beauty; addressing such topics as haircuts, pedicures, accessories, hats, choosing an overcoat, luggage, closet organization, and more.
Basic Hat Patterns by Brett Ours Drager,Betty Shipley Pdf
Basic millinery instruction on flat pattern hatmaking with illustrations and 29 pull-out hat patterns: including brims, crowns, sectional crowns and berets.
The Handbook of Textile Culture by Janis Jefferies,Diana Wood Conroy,Hazel Clark Pdf
In recent years, the study of textiles and culture has become a dynamic field of scholarship, reflecting new global, material and technological possibilities. This is the first handbook of specially commissioned essays to provide a guide to the major strands of critical work around textiles past and present and to draw upon the work of artists and designers as well as researchers in textiles studies. The handbook offers an authoritative and wide-ranging guide to the topics, issues, and questions that are central to the study of textiles today: it examines how material practices reflect cross-cultural influences; it explores textiles' relationships to history, memory, place, and social and technological change; and considers their influence on fashion and design, sustainable production, craft, architecture, curation and contemporary textile art practice. This illustrated volume will be essential reading for students and scholars involved in research on textiles and related subjects such as dress, costume and fashion, feminism and gender, art and design, and cultural history. Cover image: Anne Wilson, To Cross (Walking New York), 2014. Site-specific performance and sculpture at The Drawing Center, NYC. Thread cross research. Photo: Christie Carlson/Anne Wilson Studio.
