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Hardboiled and High Heeled by Linda Mizejewski Pdf
Can a gumshoe wear high heels? In a genre long dominated by men, women are now taking their place-as authors and as characters-alongside hard-boiled legends like Sam Spade and Mike Hammer. Hardboiled and High Heeled examines the meteoric rise of the female detective in contemporary film, television, and literature. Richly illustrated and written with a fan's love of the genre, Hardboiled and High Heeled is an essential introduction to women in detective fiction, from past to present, from pulp fiction to blockbuster films.
15 stories "reproduced from the original magazines--including the campy illustrations and advertisements--and supplemented by an introduction to the pulps and biographical notes on the writers."
The Hard-boiled Female Detective Novel by William R. Klink Pdf
This is a study that explores women heroines in detective fiction written by women authors. It features heroines who subvert pop culture's traditional stereotypes for women. It further examines how this sub-genre has changed over time as does the popular culture it embodies.
Detective Agency by Priscilla L. Walton,Manina Jones Pdf
Since the late 1970s, a subgenre of crime fiction, written by women and featuring a professional woman investigator, has exploded on the popular fiction market. Priscilla L. Walton and Manina Jones focus on this recent proliferation of women writers of detective fiction, providing the first book-length study of the historical and societal changes that fueled this popularity, along with insightful and entertaining readings of the texts themselves. Walton and Jones place the genre within its aesthetic, social, and economic contexts, reading it as an index of cultural beliefs. Addressing the ways that Sara Paretsky, Sue Grafton, Marcia Muller, and others work through the conventions of the "hard-boiled" genre made popular by writers such as Dashiell Hammett, Raymond Chandler, and Mickey Spillane, the authors show how the male hard-boiled tradition has been challenged and transformed. Issues of child, spousal, and sexual abuse are more likely to surface in women's detective novels, the authors show, and female sleuths face many of the same dilemmas as those who read about them—everyday problems with relationships, parenting, and money. Detective Agency also integrates interviews with authors and publishers, reader surveys, publication data, and analysis of internet discussion groups to present a fascinating picture of the "industry" of women's detective fiction. Authors of these works are powerful players in the publishing system as well as agents of cultural intervention, Walton and Jones claim. They conclude by examining the rise of female detectives in television and film.
2011 Edgar Award Winner for Best First Novel Liam Mulligan is as old school as a newspaper man gets. His beat is Providence, Rhode Island, and he knows every street and alley. He knows the priests and prostitutes, the cops and street thugs. He knows the mobsters and politicians—who are pretty much one and the same. Someone is systematically burning down the neighborhood Mulligan grew up in, people he knows and loves are perishing in the flames, and the public is on the verge of panic. With the whole city of Providence on his back, Mulligan must weed through a wildly colorful array of characters to find the truth. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A life-changing secret destroys an unlikely friendship in this "magnetic" (Meg Wolitzer) psychological thriller from the Edgar Award-winning author of Dare Me. You told each other everything. Then she told you too much. Kit has risen to the top of her profession and is on the brink of achieving everything she wanted. She hasn't let anything stop her. But now someone else is standing in her way - Diane. Best friends at seventeen, their shared ambition made them inseparable. Until the day Diane told Kit her secret - the worst thing she'd ever done, the worst thing Kit could imagine - and it blew their friendship apart. Kit is still the only person who knows what Diane did. And now Diane knows something about Kit that could destroy everything she's worked so hard for. How far would Kit go, to make the hard work, the sacrifice, worth it in the end? What wouldn't she give up? Diane thinks Kit is just like her. Maybe she's right. Ambition: it's in the blood . . .
Feminism in Women's Detective Fiction by Glenwood Irons Pdf
Names such as Sherlock Holmes, Hercule Poirot, and Sam Spade are perhaps better known than the names of the authors who created them. The woman detective has also had worldwide appeal; yet, with the exception of Christie's Miss Marple, the names of female detectives and their authors have only recently gained wide attention through the popularity of Marcia Muller, Sue Grafton, and Sara Paretsky. The essays in this collection grapple with a wide range of issues important to the female sleuth – the most important, perhaps, being the oft-heard challenge to her suitability for the job. Not surprisingly, gender issues are the main focus of all the essays; indeed, in detective novels with a woman protagonist, these issues are often right at the surface. Some of the papers see the female sleuth as an important force in popular fiction, but many also challenge the notion that the woman detective is a positive model for feminists. They argue that fictional female sleuths have lost the `otherness' that a feminine approach to the genre should encourage. Collectively, the essays also reveal the differences between British and American perspectives on the woman detective.
The Ned Kelly Award–winning master of Australian noir shows us the darker side of the Peninsula. A major meth-related crime confounds Inspector Hal Challis, while Sergeant Ellen Destry hunts down an elusive serial rapist. A pair of hit men have a very bad day, and the resulting bushfire draws attention to a meth lab and two burned bodies in a Mercedes. As Inspector Hal Challis of the Crime Investigation Unit struggles to link these events to major meth suppliers flooding the Peninsula with drugs, he also finds himself spending valuable time fending off jurisdictional challenges from Melbourne’s Major Drug Investigative Division. Meanwhile, Sgt. Ellen Destry, of CIU’s sex crimes unit, is hunting for a serial rapist who is extremely adept at not leaving clues. A tense, human, and at times darkly funny entry into Disher’s celebrated Ned Kelly Award–winning series.
Garry Disher's cool, enigmatic anti-hero Wyatt has a job--a jewel heist. The kind Wyatt likes. Nothing extravagant, nothing greedy. Stake out the international courier, one Alain Le Page, hold up the goods in transit and get away fast. Wyatt prefers to work alone, but this is Eddie Oberin's job. Eddie's very smart ex-wife Lydia has the inside information. Add Wyatt's planning genius and meticulous preparation, and what could possibly go wrong? Plenty. And when you wrong Wyatt, you don't get to just walk away. Taut plots, brilliant writing and relentless pace; plus an unforgettable cast, including the ever-elusive Wyatt himself: these are the hallmarks of Garry Disher's Wyatt series.
Cracking the Hard-Boiled Detective by Lewis D. Moore Pdf
The hard-boiled private detective is among the most recognizable characters in popular fiction since the 1920s--a tough product of a violent world, in which police forces are inadequate and people with money can choose private help when facing threatening circumstances. Though a relatively recent arrival, the hard-boiled detective has undergone steady development and assumed diverse forms. This critical study analyzes the character of the hard-boiled detective, from literary antecedents through the early 21st century. It follows change in the novels through three main periods: the Early (roughly 1927-1955), during which the character was defined by such writers as Carroll John Daly, Dashiell Hammett and Raymond Chandler; the Transitional, evident by 1964 in the works of John D. MacDonald and Michael Collins, and continuing to around 1977 via Joseph Hansen, Bill Pronzini and others; and the Modern, since the late 1970s, during which such writers as Loren D. Estleman, Liza Cody, Sara Paretsky, Sue Grafton and many others have expanded the genre and the detective character. Themes such as violence, love and sexuality, friendship, space and place, and work are examined throughout the text. Instructors considering this book for use in a course may request an examination copy here.
Kathleen Gregory Klein traces female paid, professional private investigators in British, Canadian, and American novels, revealing that the detective novel is both a reflection of and potential barrier to social change for women. This edition adds sixty new female private eyes to the roster and includes an afterword that assesses the current state of the genre's new and old novels. A comprehensive bibliography and a character list update the field through mid-1994.
For anyone interested in crime fiction and television, or for those wanting to understand America's idolization of the good guy with a gun, Detectives in the Shadows is essential reading.
Baker Somerset was a Scotland Yard Detective sent to Ottawa to help solve a brutal kidnapping case. After the suspect put four bullets in her, she decided to stay in Ottawa and open her own detective agency. One morning, the body of a British diplomat is found at her office door. Hunting his killer, she learns the murder is tied to the kidnapping that brought her to Canada, and in the process, she unearths bribery, fraud, and illegal activity in the military arms and equipment industry. With billions of dollars at stake, the perpetrators play rough; willing to kill anyone who stands in their way. As the risks to her life and career multiply and bodies begin to pile up, Somerset enlists her friends: Duchess “Keys” Brown, a vivacious Jamaican computer guru; Joe Manning, a martial arts expert; and Charles Stroud, her old Scotland Yard partner. They sift through a maze of conflicting evidence, numerous dead ends, and frightening danger to bring those responsible to justice. ONE BAD DAY AFTER ANOTHER is a book for crime and mystery enthusiasts. Infusing the fast pace and high stakes of modern thrillers and hard-boiled detectives’ ‘take no prisoners’ attitude into the traditional mystery genre, Folsom delivers a nail-biting story.
