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The History of the Future in Colonial Mexico by Matthew D. O'Hara Pdf
A prominent scholar of Mexican and Latin American history challenges the field’s focus on historical memory to instead examine colonial-era conceptions of the future Going against the grain of most existing scholarship, Matthew D. O’Hara explores the archives of colonial Mexico to uncover a history of "futuremaking." While historians and historical anthropologists of Latin America have long focused on historical memory, O’Hara—a Rockefeller Foundation grantee and the award-winning author of A Flock Divided: Race, Religion, and Politics in Mexico—rejects this approach and its assumptions about time experience. Ranging widely across economic, political, and cultural practices, O’Hara demonstrates how colonial subjects used the resources of tradition and Catholicism to craft new futures. An intriguing, innovative work, this volume will be widely read by scholars of Latin American history, religious studies, and historical methodology.
The Early History of Greater Mexico by Ida Altman,S. L. Cline,Juan Javier Pescador Pdf
Presented in an easy-to-follow chronological framework, this thorough and insightful survey offers a complete historical account of colonial Mexico from the period preceding European contact through the wars of independence in the early nineteenth century. Emphasizing regional diversity and development, it skillfully combines existing knowledge with the most recent scholarship in the field, guiding readers through Mexico's three centuries of colonial rule, and bringing history to life through the experiences of Mexico's indigenous peoples before, during and after the Spanish conquest. Considers the peoples and cultures who inhabited Mesoamerica before the arrival of Europeans; the Spanish conquest and subsequent c lashes and interactions among groups; the precocious economic and institutional development of the Kingdom of New Spain; the expansion of Hispanic society and culture from central Mexico into more remote areas; the growing complexity of society and economy over the centuries of Spanish rule. Presents intriguing recent trends in study, including the use of indigenous-produced documents and texts to study sociopolitical structures, language patterns, gender roles, economic activities and cultural change and continuity among Indian groups during the colonial period. For historians and general readers who wish to learn more of Mexico's early history and development.
Winner of the Oakland “Blue Collar” PEN Award A work of history, a manifesto, and an intergenerational story of resistance that shows how two centuries of Indigenous struggle created the movement proclaiming “Water is Life” In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan “Mni Wiconi”—Water is Life—was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anti-colonial struggle would continue. In Our History is the Future, Nick Estes traces traditions of Indigenous resistance leading to the #NoDAPL movement from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. While a historian by trade, Estes also draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires), making Our History is the Future at once a work of history, a personal story, and a manifesto.
Columbus arrived on North American shores in 1492, and Cortés had replaced Moctezuma, the Aztec Nahua emperor, as the major figurehead in central Mexico by 1521. Five centuries later, the convergence of “old” and “new” worlds and the consequences of colonization continue to fascinate and horrify us. In Transcending Conquest, Stephanie Wood uses Nahuatl writings and illustrations to reveal Nahua perspectives on Spanish colonial occupation of the Western Hemisphere. Mesoamerican peoples have a strong tradition of pictorial record keeping, and out of respect for this tradition, Wood examines multiple examples of pictorial imagery to explore how Native manuscripts have depicted the European invader and colonizer. She has combed national and provincial archives in Mexico and visited some of the Nahua communities of central Mexico to collect and translate Native texts. Analyzing and interpreting changes in indigenous views and attitudes throughout three hundred years of foreign rule, Wood considers variations in perspectives--between the indigenous elite and the laboring classes, and between those who resisted and those who allied themselves with the European intruders. Transcending Conquest goes beyond the familiar voices recorded by scribes in central colonial Mexico and the Spanish conquerors to include indigenous views from the outlying Mesoamerican provinces and to explore Native historical narratives from the sixteenth through the eighteenth century. Wood explores how evolving sentiments in indigenous communities about increasing competition for resources ultimately resulted in an anti-Spanish discourse, a trend largely overlooked by scholars--until now. Transcending Conquest takes us beyond the romantic focus on the deeds of the Spanish conqueror to show how the so-called “conquest” was limited by the ways that Native peoples and their descendants reshaped the historical narrative to better suit their memories, identities, and visions of the future.
Mexico: Volume 2, The Colonial Era by Alan Knight Pdf
This book is one in a three volume general history of Mexico, comprising (I) the PreConquest period to 1521, (II) the Colonial period from 1521 to 1821, and (III) the National period from 1821-present. These books give a comprehensive narrative and analysis of Mexican history, focusing especially on political, economic, and social organization. Balancing both a 'bottom-up'(popular) and a 'top-down' (elite) perspective, they seek, where possible, to locate Mexico within broader, comparative patterns of historical change and conflict.
NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly
Emotions and Daily Life in Colonial Mexico by Javier Villa-Flores,Sonya Lipsett-Rivera Pdf
The history of emotions is a new approach to social history, and this book is the first in English to systematically examine emotions in colonial Mexico. It is easy to assume that emotions are a given, unchanging aspect of human psychology. But the emotions we feel reflect the times in which we live. People express themselves within the norms and prescriptions particular to their society, their class, their ethnicity, and other factors. The essays collected here chart daily life through the study of sex and marriage, love, lust and jealousy, civic rituals and preaching, gambling and leisure, prayer and penance, and protest and rebellion. The first part of the book deals with how individuals experienced emotions on a personal level. The second group of essays explores the role of institutions in guiding and channeling the expression and the objects of emotions.
The Secret History of Gender by Steve J. Stern Pdf
In this study of gender relations in late colonial Mexico (ca. 1760-1821), Steve Stern analyzes the historical connections between gender, power, and politics in the lives of peasants, Indians, and other marginalized peoples. Through vignettes of everyday
Dangerous Speech is the first systematic treatment of blasphemous speech in colonial Mexico. This engaging social history examines the representation of blasphemy as a sin and a crime, and its repression by the Spanish Inquisition. The Spanish colonists viewed blasphemy not only as an insult against God but also as a dangerous misrepresentation of the deity, which could call down his wrath in a ruinous assault on the imperial enterprise. Why then, asks Villa-Flores, did Spaniards dare to blaspheme? Having mined the period’s moral literature—philosophical works as well as royal decrees and Inquisition treatises and trial records in Spanish, Mexican, and U.S. archives and research libraries—Villa-Flores deftly interweaves images of daily life in colonial Mexico with vivid descriptions of human interactions to illustrate the complexity of a culture profoundly influenced by the Catholic Church. In entertaining and sometimes horrifying vignettes, the reader comes face to face with individuals who used language to assert or manipulate their identities within that repressive society. Villa-Flores offers an innovative interpretation of the social uses of blasphemous speech by focusing on specific groups—conquistadors, Spanish settlers, Spanish women, and slaves of both genders—as a lens to examine race, class, and gender relations in colonial Mexico. He finds that multiple motivations led people to resort to blasphemy through a gamut of practices ranging from catharsis and gender self-fashioning to religious rejection and active resistance. Dangerous Speech is a valuable resource for students and scholars of colonialism, the social history of language, Mexican history, and the changing relations of gender, class, and ethnicity in colonial Latin America.
In the decades following the Mexican Revolution, nation builders, artists, and intellectuals manufactured ideologies that continue to give shape to popular understandings of indigeneity and mestizaje today. Postrevolutionary identity tropes emerged as part of broader efforts to reunify the nation and solve pressing social concerns, including what was posited in the racist rhetoric of the time as the “Indian problem.” Through a complex alchemy of appropriation and erasure, indigeneity was idealized as a relic of the past while mestizaje was positioned as the race of the future. This period of identity formation coincided with a boom in technology that introduced a sudden proliferation of images on the streets and in homes: there were more photographs in newspapers, movie houses cropped up across the country, and printing houses mass-produced calendar art and postcards. La Raza Cosmética traces postrevolutionary identity ideals and debates as they were dispersed to the greater public through emerging visual culture. Critically examining beauty pageants, cinema, tourism propaganda, photography, murals, and more, Natasha Varner shows how postrevolutionary understandings of mexicanidad were fundamentally structured by legacies of colonialism, as well as shifting ideas about race, place, and gender. This interdisciplinary study smartly weaves together cultural history, Indigenous and settler colonial studies, film and popular culture analysis, and environmental and urban history. It also traces a range of Indigenous interventions in order to disrupt top-down understandings of national identity construction and to “people” this history with voices that have all too often been entirely ignored.
Fifth Sun offers a comprehensive history of the Aztecs, spanning the period before conquest to a century after the conquest, based on rarely-used Nahuatl-language sources written by the indigenous people.
Revision & Resistance reveals the story of Kent Monkman's monumental 2019 diptych commission mistik?siwak (Wooden Boat People) for the Metropolitan Museum of Art. This book celebrates Monkman's historic achievement with essays and contributions by today's most prominent voices on Indigenous art and Canadian painting.
A History of Modern Brazil by Colin M. MacLachlan Pdf
Over time, Brazil has evolved into a well-defined nation with a strong sense of identity. From the natural beauty of the Amazon River to the exciting resort city of Rio de Janeiro, from soccer champion Pele to classical musician Villa Lobos, Brazil is known as a distinctive, diverse country. It is recognized worldwide for its World Cup soccer team, samba music, dancing, and celebrations of Carnival. This book provides a well-rounded, brief history of Brazil that uniquely focuses on both the politics and culture of the republic. Colin MacLachlan uses a political narrative to frame the evolution of national culture and the formation of national identity. He evaluates Brazilian myths, stereotypes, and icons such as soccer and dancing as part of the historical analysis. Brazil's history is presented from its colonial roots to the present, showing how the country developed its economic and social base, then struggled to modernize and secure a respected world role. Key issues are examined: immigration, slavery and race, territorial expansion, the military, and technology and industrialization. The integration of cultural material enriches the text. It provides handy points for classroom discussion and will help students remember particular aspects Brazil's history. The book includes fascinating side-bars on various aspects of Brazilian culture, including Copacabana Beach and the rain forests. A History of Modern Brazil will inform and entertain students in courses on Brazil and modern Latin America.
