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This book - the first major study of the Holland Park Circle of artists, architects, and their patrons - is both an engrossing narrative of their lives, works and influence and a perceptive analysis of the subtle relationships between high Victorian taste and mercantile values."--BOOK JACKET.
Artists at Home by Caroline Dakers,Leighton House (London, England) Pdf
Exhibition focusses on the Holland Park area of London which became home to the artists George Frederick Watts and Frederic Leighton, as well as to lesser-known artists such as Marcus Stone, Luke Fildes, Colin Hunter, William Burges, Albert Moore, Valentine Prinsep and Hamo Thornycroft.
Colin Hunter and the Holland Park Set by Godfrey Bell Pdf
Published 150 years following Hunter's first success at the Royal Academy. Colin Hunter (1841-1904) was a hugely successful Scottish Victorian artist who exhibited nearly one hundred works in the Royal Academy over thirty-five years. He lived at 14 Melbury Road, Kensington, in the heart of the Holland Park Circle of famous artists, including Lord Leighton, G F Watts and Sir Luke Fildes among others, most of whom were both Hunter's friends and neighbours. Born in Glasgow, and then growing up in Helensburgh, Hunter honed his craft painting landscapes in natural settings on the west coast and islands of Scotland and is best known for his seascapes. Painting largely with oil and occasionally watercolours, he was also an accomplished etcher. In the hundred or so years since Hunter's death he has - undeservedly - gradually faded into relative obscurity. This book is not just a biography of the artist, it is also the most comprehensive catalogue of his works to date.
Place and the Scene of Literary Practice by Angharad Saunders Pdf
The act of writing is intimately bound up with the flow and eddy of a writer’s being-within-the-world; the everyday practices, encounters and networks of social life. Exploring the geographies of literary practice in the period 1840-1910, this book takes as its focus the work, or craft, of authorship, exploring novels not as objects awaiting interpretation, but as spatial processes of making meaning. As such, it is interested in literary creation not only as something that takes place - the situated nature of putting pen to paper - but simultaneously as a process that escapes such placing. Arguing that writing is a process of longue durée, the book explores the influence of family and friends in the creative process, it draws attention to the role that travel and movement play in writing and it explores the wider commitments of authorial life, not as indicators of intertextuality, but as part of the creative process. In taking this seventy year period as its focus, this book moves beyond the traditional periodisations that have characterised literary studies, such as the Victorian or Edwardian novel, the nineteenth-century or early twentieth-century novel or Romanticism, social realism and modernism. It argues that the literary environment was not one of watershed moments; there were continuities between writers separated by several decades or writing in different centuries. At the same time, it draws attention to a seventy year period in which the value of literary work and culture were being contested and transformed. Place and the Scene of Literary Practice will be key reading for those working in Human Geography, particularly Cultural and Historical Geography, Literary Studies and Literary History.
This anonymous manuscript play has long been the subject of scholarly dispute regarding its relationship with Shakespeare's Richard II. This edition, which thoroughly re-examines the text, situates the play within its historical and political context, relating it to the genre of chronicle drama to which it belongs. The manuscript is of particular interest in that it appears to have been used in the playhouse over a considerable period of time and contains what seems to be evidence of the theatre practice of the time. The play is also of special interest for its skilful and original handling of source material which may well have influenced Shakespeare's Richard II. The extensive appendices drawn from Holinshed, Grafton and Stow provide the reader with the opportunity to investigate the manner in which the dramatist has shaped the material. The editors argue for the play's stage-worthiness and dramatic complexity, suggesting that its range both of dramatic tone and social inclusiveness indicate the work of a dramatist of considerable skill and subtlety, equal or superior to the Shakespeare of the Henry VI plays.
Shaping the Surface explores the history of modern British architecture through the lens of surface, materiality and decoration. Picking up on a trait that art historian Nikolaus Pevsner first identified as a 'national mania for beautiful surface quality', this book makes a new contribution to architectural history and visual culture in its detailed examination of the surfaces of British architecture from the middle of the 19th century up to the turn of the 21st century. Tracing this continuing sensibility to surface all the way through to the modern era, it explores how and why surface and materiality have featured so heavily in recent architectural tradition, examining the history of British architecture through a selection of key cultural moments and movements from Romanticism and the Arts and Crafts, to Brutalism, High-Tech, Post-Modernism, Neo-Vernacular, and the New Materiality. Embedded within the narrative is the question of whether such national characters can exist in architecture at all – and indeed the extent to which it is possible to identify a British architectural consciousness in an architectural tradition characterised by its continuous importation of theories, ideas, materials and people from around the globe. Shaping the Surface provides a deep critique and meditation on the importance of surface and materiality for architects, designers, and historians everywhere - in Britain and beyond - while it also serves as a thematic introduction to modern British architectural history, with in-depth readings of the works of many key British architects, artists, and critics from Ruskin and William Morris to Alison and Peter Smithson, Eduardo Paolozzi, Richard Rogers and Caruso St John.
Dickens's Artistic Daughter Katey by Lucinda Hawksley Pdf
A biography of a Victorian-era woman who grew up as the daughter of novelist Charles Dickens—and found a creative career of her own. Katey Dickens was born into a house of turbulent celebrity and grew up surrounded by fascinating, famous, and infamous people. From a very young age, she knew her vocation was to be an artist. Lucinda Hawksley charts the life of a celebrated portrait painter who redefines our preconceptions about Victorian women. Living to be almost ninety, Katey survived an unconventional marriage, love affairs, heartbreak, depression, and the challenges of being a female artist in a male-dominated era. Compelling and illuminating, this biography of Katey Dickens tells the story of a spirited woman who found fame at the center of the first celebrity phenomenon; it also uncovers the reality of what it was like to be a child of Charles and Catherine Dickens.
The Routledge Companion to William Morris by Florence S. Boos Pdf
William Morris (1834–96) was an English poet, decorative artist, translator, romance writer, book designer, preservationist, socialist theorist, and political activist, whose admirers have been drawn to the sheer intensity of his artistic endeavors and efforts to live up to radical ideals of social justice. This Companion draws together historical and critical responses to the impressive range of Morris’s multi-faceted life and activities: his homes, travels, family, business practices, decorative artwork, poetry, fantasy romances, translations, political activism, eco-socialism, and book collecting and design. Each chapter provides valuable historical and literary background information, reviews relevant opinions on its subject from the late-nineteenth century to the present, and offers new approaches to important aspects of its topic. Morris’s eclectic methodology and the perennial relevance of his insights and practice make this an essential handbook for those interested in art history, poetry, translation, literature, book design, environmentalism, political activism, and Victorian and utopian studies.
He could offer her only one thing — a week of intimate pleasure.... Samuel Lennox and Miss Alexandra Ionides cordially invite you to a most provocative game of seduction It shall last for seven days, during which Lennox, Viscount Ranelagh, will wield his celebrated prowess with the London ladies in an attempt to add Miss Alex’s name to his list of conquests. The infamous list is long, though the duration of each liaison has been brief — and as the viscount will assure anyone, that is precisely how he likes it. The lady, for her part, an accomplished artist and benefactress of various charities, has no wish to be a mere plaything. Although a week of intimate pleasure with a man of Ranelagh’s legendary skills would be memorable... As for the other players — irate parents, designing debutantes, a scheming ex-mistress, even a love-struck young man with ideals — all seem intent on meddling. But the viscount is single-minded when it comes to seduction, and Miss Alex is in his sights. Come see who wins in this amorous game!
The Boyce Papers by Sue Bradbury,Susan Miller Bradbury Pdf
The first full edition of the correspondence, between three artists Joanna Boyce, her brother George P. Boyce and Henry Wells, who she eventually married. It dates from the period 1845 to 1861, and covers artistic life in both Paris and London, including the Pre-Raphaelites.
A biography of James McNeill Whistler (1834-1903) that dispels the popular notion of Whistler as merely a combative, eccentric and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother.
Winner, Gold Award, Top Guidebook at the 2020 Wanderlust Magazine Reader Travel Awards. Planning a trip to London? Look no further. Whether you want to tread the footsteps of kings and queens in the royal palaces, catch a show in the vibrant West End theater district, or sample the tantalizing array of street food from around the world, your DK Eyewitness travel guide makes sure you experience all that London has to offer. Every corner of London is brimming with personality. Dripping in pomp and tradition, Whitehall and Westminster are best known for their iconic sights and regal architecture. The rolling fields and peaceful woodlands of Hampstead Heath feel a world apart from the financial district of the City, where corporate suits can be seen flocking into futuristic skyscrapers. And when the sun sets, Soho bursts into life - the perfect spot for an evening out. Our annually updated guide brings this cosmopolitan capital to life, transporting you there like no other travel guide does with expert-led insights and advice, detailed breakdowns of all the must-see sights, photographs on practically every page, and our trademark illustrations. You'll discover: - our pick of London's must-sees, top experiences, and hidden gems - the best spots to eat, drink, shop, and stay - detailed maps and walks which make navigating the city easy - easy-to-follow itineraries - expert advice: get ready, get around, and stay safe - color-coded chapters to every part of London, from Mayfair to Shoreditch, King's Cross to the South Bank - our new lightweight format, so you can take your guide with you wherever you go Have less time? Try our pocket-friendly Top 10 London for top 10 lists to all things London.
Phil May: His Life and Work 1864-1903 by Simon Houfe Pdf
This title was first published in 2002: Phil May (1864-1903) was one of the two outstanding British black and white artists of the 1890s - the other was Aubrey Beardsley. The work of both artists displays a masterly use of line to create character, but rather than focusing on subjects drawn from polite English society, May's world is that of ordinary people at the public house, the club, the race-course, the theatre and the East End. May spent some years in Australia before returning to achieve general acclaim as a foremost illustrator. He contributed humorous pen-and-ink drawings to popularist publications such as "The Daily Graphic" and "Punch", and became highly regarded by fellow artists James McNeill Whistler and Joseph Pennell. In this book, Simon Houfe offers insights into the interface between the artist's life and work, bringing into view an innovative figure working at the height of one of the most dazzling periods for black and white art.
Fonthill, in Wiltshire, is traditionally associated with the writer and collector William Beckford who built his Gothic fantasy house called Fonthill Abbey at the end of the eighteenth century. The collapse of the Abbey’s tower in 1825 transformed the name Fonthill into a symbol for overarching ambition and folly, a sublime ruin. Fonthill is, however, much more than the story of one man’s excesses. Beckford’s Abbey is only one of several important houses to be built on the estate since the early sixteenth century, all of them eventually consumed by fire or deliberately demolished, and all of them oddly forgotten by historians. Little now remains: a tower, a stable block, a kitchen range, some dressed stone, an indentation in a field. Fonthill Recovered draws on histories of art and architecture, politics and economics to explore the rich cultural history of this famous Wiltshire estate. The first half of the book traces the occupation of Fonthill from the Bronze Age to the twenty-first century. Some of the owners surpassed Beckford in terms of their wealth, their collections, their political power and even, in one case, their sexual misdemeanours. They include Charles I’s Chancellor of the Exchequer, and the richest commoner in the nineteenth century. The second half of the book consists of essays on specific topics, filling out such crucial areas as the complex history of the designed landscape, the sources of the Beckfords’ wealth and their collections, and one essay that features the most recent appearance of the Abbey in a video game.
