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The Homecoming Theme in Modern Drama by Leah Hadomi Pdf
This study begins with an examination of the archi-pattern of the Prodigal Son, then analyses the analogies and differences between this archi-pattern and its post-figuration in modern dramatic discourse as influenced by changes in the sociocultural code. Six modern plays are represented: Ibsen's Ghosts, O'Neill's Long Day's Journey into Night, Miller's Death of a Salesman, Albee's Who's Afraid of Virginia Woolf, Pinter's The Homecoming, and Shepard's Buried Child.
The Prodigal Son in English and American Literature by Alison M. Jack Pdf
The Parable of the Prodigal Son is one of the best-known stories in the Bible. It has captured the imagination of commentators, preachers and writers. Alison M. Jack explores the reconfiguring of the character of the Prodigal Son and his family in literature in English. She considers diverse literary periods and genres in which the paradigm is particularly prevalent, such as Elizabethan literature, the work of Shakespeare, the novels of female Victorian writers, the American short story tradition, novels focused on the lives of ordained ministers, and the poetry of Elizabeth Bishop and Iain Crichton Smith. Drawing on scholarship from biblical and literary studies, this study demonstrates the remarkable potency of the parable in generating new, and at times contradictory, meanings in different contexts. Historical and literary criticism are brought into dialogue to explore this remarkably resilient and nimble character as he dances through drama, novels and poetry across the centuries.
This study focuses on the representation of the family in American drama, in particular, on various uses and conventions of the figure of the prodigal husband or son. It considers the lineage and function of this figure from the writings of Augustine, medieval iconography, Renaissance prodigal son plays, and temperance melodramas to such contemporary manifestations as television talk shows, the Recovery Movement, and plays by contemporary writers including Spalding Gray, Ntozake Shange, and Cherrie Moraga.
Albee and Influence contains essays, written by leading Albee scholars, that focus on literary and philosophical influences on Edward Albee’s plays as well as essays on writers and works that Albee influenced.
A History of Modern Drama, Volume II by David Krasner Pdf
A History of Modern Drama: Volume II explores a remarkable breadth of topics and analytical approaches to the dramatic works, authors, and transitional events and movements that shaped world drama from 1960 through to the dawn of the new millennium. Features detailed analyses of plays and playwrights, examining the influence of a wide range of writers, from mainstream icons such as Harold Pinter and Edward Albee, to more unorthodox works by Peter Weiss and Sarah Kane Provides global coverage of both English and non-English dramas – including works from Africa and Asia to the Middle East Considers the influence of art, music, literature, architecture, society, politics, culture, and philosophy on the formation of postmodern dramatic literature Combines wide-ranging topics with original theories, international perspective, and philosophical and cultural context Completes a comprehensive two-part work examining modern world drama, and alongside A History of Modern Drama: Volume I, offers readers complete coverage of a full century in the evolution of global dramatic literature.
The Columbia History of Chinese Literature by Victor H. Mair Pdf
The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.
Study Guide to The Homecoming and Other Works by Harold Pinter by Intelligent Education Pdf
A comprehensive study guide offering in-depth explanation, essay, and test prep for selected works by Harold Pinter, receiver of the New York Critics' Antoinette Perry Award for Best Broadway Drama in 1967. Titles in this study guide include The Homecoming, The Comedies of Menace, The Birthday Party, The Dumb Waiter, A Slight Ache, The Caretaker, The Collection, The Lover, and other minor works. As an author of mid-twentieth-century drama, Pinter wrote about physical and psychological threats to the status quo in his stories, creating an atmosphere that simultaneously moves the plot forward and involves the audience in its implications. Moreover, his work portrayed themes discussing communication, domination, and an individual’s psychological needs. This Bright Notes Study Guide explores the context and history of Pinter’s classic work, helping students to thoroughly explore the reasons they have stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research
Harold Pinter and the Language of Cultural Power by Marc Silverstein Pdf
For all their attempts to "own" language, Pinter's characters discover that words constitute alienable property; that language forms, de-forms, and re-forms subjectivity; that, as a system preceding the individual, language carries embedded within it the values, desires, and imperatives of the Other - the dominant cultural order. By introducing questions of subject position and ideology into his discussion, author Marc Silverstein shows how the plays exhibit a political dimension largely ignored by the bulk of Pinter criticism, which attempts to classify his oeuvre as a form of absurdist drama. It is Silverstein's contention that Pinter does not concern himself with the fate of the individual lost in an incomprehensible and meaningless universe (the "absurdist" Pinter), but instead explores the vicissitudes of living within ideological, discursive, and social structures that always exceed the subject.
Twentieth-century Drama Dialogue as Ordinary Talk by Susan Mandala Pdf
This book investigates four modern plays, Harold Pinter's The Homecoming, Arnold Wesker's Roots, Terence Rattigan's In Praise of Love, and Alan Ayckbourn's Just Between Ourselves, and shows how the dialogue of each 'works' with respect to ordinary conversation. By considering both linguistic and literary perspectives, this work extends the boundaries of traditional criticism and demonstrates how the linguistic study of talk can contribute to our understanding of drama dialogue.
Dramatic Metaphors of Fascism and Antifascism by Leah Hadomi Pdf
"Yet the dark places are the centre" claims George Steiner in "The Bluebird's Castle". Any attempt to analyze rationally the predominating barbaric phenomenon of the 20th century, namely the Holocaust and its Fascist background, challenges the limits of human understanding. The phenomenon of the Holocaust is a consequence of these "dark places" where again in Steiner's words "we have passed out of the major order and symmetries of Western civilization". A final understanding of the theme is beyond the limits of rationality and may also be viewed in the light of Adorno's "no poetry after Auschwitz". Nevertheless, the need to attempt reflective and creative 'work' on this topic continues. The aim of the book is to study the relationship between ideology and myth as they function diversely in Fascist and Antifascist drama. All the plays discussed are constructed as a paradigmatic constellation between myth and ideology, coordinated by a central and homogeneous political intent. The difference between them lies in their Fascist or Antifascist attitude. The plays analyzed were chosen for the treatment of a common thematic Ur-myth: the post-figuration of the return of the prodigal son and the story of the crucifixion from the New Testament. The 'prodigal cluster' includes plays by Franz Theodor Csokor, Ernst Wiechert and Max Frisch, the 'sacrificial cluster' plays by Otto Erler, Rainer Werner Fassbinder and George Tabori. As an introductory analysis, the theme of the artist and his mission is treated in two plays written in the pre-Nationalsocialist period: "Der Einsame. Ein Menschenuntergang" by Hanns Johst and Bertold Brecht's reaction to this play in "Baal". A final analysis deals with the fusion of mythologems and ideologems as demonstrated in two plays dealing with the New Myth of Germania by Richard Eutinger and Heiner Müller.
The Plays of Harold Pinter by Andrew Wyllie,Catherine Rees Pdf
This Reader's Guide synthesises the key criticism on Pinter's work over the last half century. Andrew Wyllie and Catherine Rees examine critical approaches and reactions to the major plays, charting the controversies which have arisen in response to Pinter's critiques of political and sexual issues. They consider criticism from the press and academics, on the themes of Absurdism, politics and gender identity. By placing this criticism in its historical context, this guide illustrates a transition from bewilderment and outrage to affection, fascination - and more outrage.
