The Inarticulate Renaissance

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The Inarticulate Renaissance

Carla Mazzio
The Inarticulate Renaissance Book PDF

Author : Carla Mazzio
Publisher : University of Pennsylvania Press
Page : 359 pages
File Size : 46,9 Mb
Release : 2016-01-08
Category : Language Arts & Disciplines
ISBN : 9780812293401

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The Inarticulate Renaissance by Carla Mazzio Pdf

The Inarticulate Renaissance explores the conceptual potential of the disabled utterance in the English literary Renaissance. What might it have meant, in the sixteenth-century "age of eloquence," to speak indistinctly; to mumble to oneself or to God; to speak unintelligibly to a lover, a teacher, a court of law; or to be utterly dumfounded in the face of new words, persons, situations, and things? This innovative book maps out a "Renaissance" otherwise eclipsed by cultural and literary-critical investments in a period defined by the impact of classical humanism, Reformation poetics, and the flourishing of vernacular languages and literatures. For Carla Mazzio, the specter of the inarticulate was part of a culture grappling with the often startlingly incoherent dimensions of language practices and ideologies in the humanities, religion, law, historiography, print, and vernacular speech. Through a historical analysis of forms of failed utterance, as they informed and were recast in sixteenth-century drama, her book foregrounds the inarticulate as a central subject of cultural history and dramatic innovation. Playwrights from Nicholas Udall to William Shakespeare, while exposing ideological fictions through which articulate and inarticulate became distinguished, also transformed apparent challenges to "articulate" communication into occasions for cultivating new forms of expression and audition.

Medieval and Renaissance Drama in England

S. P. Cerasano
Medieval and Renaissance Drama in England Book PDF

Author : S. P. Cerasano
Publisher : Fairleigh Dickinson Univ Press
Page : 247 pages
File Size : 55,5 Mb
Release : 2012-09-30
Category : Literary Criticism
ISBN : 9780838643976

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Medieval and Renaissance Drama in England by S. P. Cerasano Pdf

Medieval and Renaissance Drama in England is an international volume published annually

Reformation Hermeneutics and Literary Language in Early Modern England

Jamie H. Ferguson
Reformation Hermeneutics and Literary Language in Early Modern England Book PDF

Author : Jamie H. Ferguson
Publisher : Springer Nature
Page : 258 pages
File Size : 43,6 Mb
Release : 2022-03-28
Category : Literary Criticism
ISBN : 9783030817954

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Reformation Hermeneutics and Literary Language in Early Modern England by Jamie H. Ferguson Pdf

The expressive and literary capacities of post-Reformation English were largely shaped in response to the Bible. Faith in the Language examines the convergence of biblical interpretation and English literature, from William Tyndale to John Donne, and argues that the groundwork for a newly authoritative literary tradition in early modern England is laid in the discourse of biblical hermeneutics. The period 1525-1611 witnessed a proliferation of English biblical versions, provoking a century-long debate about how and whether the Bible should be rendered in English. These public, indeed institutional accounts of biblical English changed the language: questions about the relation between Scripture and exegetical tradition that shaped post-Reformation hermeneutics bore strange fruit in secular literature that defined itself through varying forms of autonomy vis-a-vis prior tradition.

The Rhetoric of the Page

Laurie Maguire
The Rhetoric of the Page Book PDF

Author : Laurie Maguire
Publisher : Oxford University Press
Page : 321 pages
File Size : 42,6 Mb
Release : 2020-11-03
Category : Literary Criticism
ISBN : 9780192606693

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The Rhetoric of the Page by Laurie Maguire Pdf

This wide-ranging and entertaining book explores blank space from incunabula to Google books. Blanks are a paradox—simultaneously nothing and something, gesturing to what was once there or might be there. They are also a creative opportunity for readers as well as writers: readers respond to what is not there and writers come to anticipate that response. Thus, blank space develops literary and ludic applications. Each chapter focuses on one typographical form of what is not there on the page: physical gaps (Chapter One), marks of incompletion such as &c (Chapter Two), and the asterisk as a stand-in for things that cannot be said (Chapter Three). By looking at the early-modern page as a visual unit as well as a verbal unit, this volume shows how the relationship between textual layout and textual content is as productive for writers as it is for readers. Mise-en-page influences readers in the same way that rhetoric influences readers. It is thus possible to speak of 'the rhetoric of the page'.

Stupid Humanism

Christine Hoffmann
Stupid Humanism Book PDF

Author : Christine Hoffmann
Publisher : Springer
Page : 192 pages
File Size : 48,7 Mb
Release : 2017-11-08
Category : Literary Criticism
ISBN : 9783319637518

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Stupid Humanism by Christine Hoffmann Pdf

This book frames the undeniably copious 21st-century performances of stupidity that occur within social media as echoes of rhetorical experiments conducted by humanist writers of the Renaissance. Any historical overview of humanism will associate it with copia—abundance of expression—and the rhetorical practices essential to managing it. This book argues that stupidity was and is a synonym for copia, making the humanism of which copia is a central element an inherently stupid philosophy. A transhistorical exploration of stupidity demonstrates that not only is excess still the surest way to eloquence, but it is also just the kind of spammy, speculative undertaking to generate a more generous and inventive comprehension of human and nonhuman relationships. In chapters exploring the rhetorics of memes, attack ads, public shaming blogs, clickbait and gifs, Stupid Humanism outlines the possibilities for a humanism less invested in the normative logics that enshrine knowledge, eloquence and linear development as the chief indicators of an active, articulated selfhood and more supportive of a program for queer knowledge, trivial pursuits, anti-social ethics and the curious relationships that form around and in response to abundance of expression.

Theatre, Magic and Philosophy

Gabriela Dragnea Horvath
Theatre Magic and Philosophy Book PDF

Author : Gabriela Dragnea Horvath
Publisher : Routledge
Page : 256 pages
File Size : 52,5 Mb
Release : 2017-07-06
Category : Literary Criticism
ISBN : 9781134767786

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Theatre, Magic and Philosophy by Gabriela Dragnea Horvath Pdf

Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.

Unruly Audiences and the Theater of Control in Early Modern London

Eric Dunnum
Unruly Audiences and the Theater of Control in Early Modern London Book PDF

Author : Eric Dunnum
Publisher : Routledge
Page : 498 pages
File Size : 47,7 Mb
Release : 2019-09-18
Category : Performing Arts
ISBN : 9781351252638

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Unruly Audiences and the Theater of Control in Early Modern London by Eric Dunnum Pdf

Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience. This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama. Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London.

Outlaw Rhetoric

Jenny C. Mann
Outlaw Rhetoric Book PDF

Author : Jenny C. Mann
Publisher : Cornell University Press
Page : 264 pages
File Size : 52,9 Mb
Release : 2012-02-17
Category : Literary Criticism
ISBN : 9780801464102

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Outlaw Rhetoric by Jenny C. Mann Pdf

A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start. Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare.

Error in Shakespeare

Alice Leonard
Error in Shakespeare Book PDF

Author : Alice Leonard
Publisher : Springer Nature
Page : 209 pages
File Size : 48,8 Mb
Release : 2020-01-27
Category : Literary Criticism
ISBN : 9783030351809

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Error in Shakespeare by Alice Leonard Pdf

The traditional view of Shakespeare’s mastery of the English language is alive and well today. This is an effect of the eighteenth-century canonisation of his works, and subsequently Shakespeare has come to be perceived as the owner of the vernacular. These entrenched attitudes prevent us from seeing the actual substance of the text, and the various types of error that it contains and even constitute it. This book argues that we need to attend to error to interpret Shakespeare’s disputed material text, political-dramatic interventions and famous literariness. The consequences of ignoring error are especially significant in the study of Shakespeare, as he mobilises the rebellious, marginal, and digressive potential of error in the creation of literary drama.

Beyond Boundaries

Linda Phyllis Austern,Candace Bailey,Amanda Eubanks Winkler
Beyond Boundaries Book PDF

Author : Linda Phyllis Austern,Candace Bailey,Amanda Eubanks Winkler
Publisher : Indiana University Press
Page : 334 pages
File Size : 47,9 Mb
Release : 2017-02-13
Category : Music
ISBN : 9780253024978

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Beyond Boundaries by Linda Phyllis Austern,Candace Bailey,Amanda Eubanks Winkler Pdf

English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.

What You Will

Kathryn Schwarz
What You Will Book PDF

Author : Kathryn Schwarz
Publisher : University of Pennsylvania Press
Page : 317 pages
File Size : 53,5 Mb
Release : 2011-06-24
Category : Literary Criticism
ISBN : 9780812205039

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What You Will by Kathryn Schwarz Pdf

In What You Will Kathryn Schwarz traces a curious pattern in sixteenth- and seventeenth-century representations of femininity: women pose a threat when they conform too willingly to social conventions. Exemplary texts describe chaste women who kill their rapists, constant wives who make marriage a debilitating obligation, and devoted mothers who destroy the fitness of children. These cautionary tales draw attention to the more ordinary, necessary choices that take prescribed roles as a mandate for purposeful acts. For early modern narratives, writes Schwarz, intentional compliance poses a complex problem: it sustains crucial tenets of order and continuity but unsettles the hierarchical premises from which those tenets derive. Feminine will appears as a volatile force within heterosociality, lending contingent security to a system that depends less on enforced obedience than on contract and consent. The book begins with an examination of early modern disciplines that treat will as an aspect of the individual psyche, of rhetoric, and of sexual and gendered identities. Drawing on these readings, Schwarz turns to Shakespearean works in which feminine characters articulate and manage the values that define them, revealing the vital force of conventional acts. Her analysis engages with recent research that has challenged the premise of feminine subordination, both by identifying alternative positions and by illuminating resistance within repressive structures. Schwarz builds on this awareness of disparate modes and sites of action in formulating the book's central questions: With what agency, and to what effect, do feminine subjects inhabit the conventions of femininity? In what sense are authenticity and masquerade inseparable aspects of social performance? How might coercive systems produce effective actors? What possibilities emerge from the paradox of prescribed choice? Her conclusions have implications not only for early modern scholarship but also for histories of gender and sexuality, queer studies, and theories of the relationship between subjectivity and ideological constraint.

Conversational Exchanges in Early Modern England (1549-1640)

Kristen Abbott Bennett
Conversational Exchanges in Early Modern England 1549 1640 Book PDF

Author : Kristen Abbott Bennett
Publisher : Cambridge Scholars Publishing
Page : 290 pages
File Size : 48,7 Mb
Release : 2015-09-18
Category : Literary Criticism
ISBN : 9781443882910

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Conversational Exchanges in Early Modern England (1549-1640) by Kristen Abbott Bennett Pdf

Conversational Exchanges in Early Modern England (1549–1640) presents an opportunity to understand how texts, performances, politics, and historical topics intersected and informed cultural productions during this period. These analyses of conversational exchanges across genres permit readers to grasp how conversation functioned as both a compositional methodology and an interpretive hermeneutic in early modern England. The essays gathered here adopt eclectic critical approaches from the perspectives of historicism, gender studies, print culture studies, performance studies, object-oriented ontologies, and the digital humanities to collectively argue that “conversation” is not only a site of reproductive intercourse, but one of metamorphic between-ness. As this book demonstrates, conversation extends what is conventionally thought of as “source study” by treating multiple sources as active interlocutors. These essays discuss how writers of this period push the boundaries of conventional, diachronic imitation by engaging with ancient and/or contemporary sources to lend a sense of immediacy to the subject at hand. Each contribution examines the varying degrees to which “conversation” carries within itself a sense of internal crisis, a turning back and forth, a form of sexual and textual intercourse that does not simply reproduce, but metamorphoses with each interaction.

Robert Burton’s Rhetoric

Susan Wells
Robert Burton s Rhetoric Book PDF

Author : Susan Wells
Publisher : Penn State Press
Page : 125 pages
File Size : 46,8 Mb
Release : 2020-04-14
Category : Language Arts & Disciplines
ISBN : 9780271085487

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Robert Burton’s Rhetoric by Susan Wells Pdf

Published in five editions between 1621 and 1651, The Anatomy of Melancholy marks a unique moment in the development of disciplines, when fields of knowledge were distinct but not yet restrictive. In Robert Burton’s Rhetoric, Susan Wells analyzes the Anatomy, demonstrating how its early modern practices of knowledge and persuasion can offer a model for transdisciplinary scholarship today. In the first decades of the seventeenth century, Robert Burton attempted to gather all the existing knowledge about melancholy, drawing from professional discourses including theology, medicine, and philology as well as the emerging sciences. Examining this text through a rhetorical lens, Wells provides an account of these disciplinary exchanges in all their subtle variety and abundant wit, showing that questions of how knowledge is organized and how it is made persuasive are central to rhetorical theory. Ultimately, Wells argues that in addition to a book about melancholy, Burton’s Anatomy is a meditation on knowledge. A fresh interpretation of The Anatomy of Melancholy, this volume will be welcomed by scholars of early modern English and the rhetorics of health and medicine, as well as those interested in transdisciplinary work and rhetorical theory.

A Monster with a Thousand Hands

Amy J. Rodgers
A Monster with a Thousand Hands Book PDF

Author : Amy J. Rodgers
Publisher : University of Pennsylvania Press
Page : 240 pages
File Size : 55,6 Mb
Release : 2018-09-06
Category : Literary Criticism
ISBN : 9780812295207

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A Monster with a Thousand Hands by Amy J. Rodgers Pdf

A Monster with a Thousand Hands makes visible a figure that has been largely overlooked in early modern scholarship on theater and audiences: the discursive spectator, an entity distinct from the actual bodies attending early modern English playhouses. Amy J. Rodgers demonstrates how the English commercial theater's rapid development and prosperity altered the lexicon for describing theatergoers and the processes of engagement that the theater was believed to cultivate. In turn, these changes influenced and produced a cultural projection—the spectator—a figure generated by social practices rather than a faithful recording of those who attended the theater. The early modern discursive spectator did not merely develop alongside the phenomenological one, but played as significant a role in shaping early modern viewers and viewing practices as did changes to staging technologies, exhibition practices, and generic experimentation. While audience and film studies have theorized the spectator, these fields tend to focus on the role of twentieth-century media (film, television, and the computer) in producing mass-culture viewers. Such emphases lead to a misapprehension that the discursive spectator is modernity's creature. Fearing anachronism, early modern scholars have preferred demographic studies of audiences to theoretical engagements with the "effects" of spectatorship. While demographic work provides an invaluable snapshot, it cannot account for the ways that the spectator is as much an idea as a material presence. And, while a few studies pursue the dynamics that existed among author, text, and audience using critical tools sharpened by film studies, they tend to obscure how early modern culture understood the spectator. Rather than relying exclusively on historical or theoretical methodologies, A Monster with a Thousand Hands reframes spectatorship as a subject of inquiry shaped both by changes in entertainment technologies and the interaction of groups and individuals with different forms of cultural production.

Shakespeare's Contagious Sympathies

Eric Langley
Shakespeare s Contagious Sympathies Book PDF

Author : Eric Langley
Publisher : Oxford University Press, USA
Page : 333 pages
File Size : 43,9 Mb
Release : 2018
Category : Drama
ISBN : 9780198821847

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Shakespeare's Contagious Sympathies by Eric Langley Pdf

Understanding the early-modern subject to be constituted, as Shakespeare's Ulysses explains, by its communications with others, this study considers what happens when these conceptions of compassionate communication and sympathetic exchange are comprehensively undermined by period anxieties concerning contagion and the transmission of disease. Allowing that 'no man is . . . any thing' until he has 'communicate[d] his parts to others', can these formative communications still be risked in a world preoccupied by communicable sickness, where every contact risks contraction, where every touch could be the touch of plague, where kind interaction could facilitate cruel infection, and where to commiserate is to risk 'miserable dependence'? Counting the cost of compassion, this study of Shakespeare's plays and poetry analyses how medical explanations of disease impact upon philosophical conceptions and literary depictions of his characters who find themselves precariously implicated within a world of ill communications. It examines the influence of scientific thought upon the history of the subject, and explores how Shakespearealive to both the importance and dangers of sympathetic communicationarticulates an increasing sense of both the pragmatic benefits of monadic thought, emotional isolation, and subjective quarantine, while offering his account of the considerable loss involved when we lose faith in vulnerable, tender, and open existence.