Unruly Audiences And The Theater Of Control In Early Modern London

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Unruly Audiences and the Theater of Control in Early Modern London

Author : Eric Dunnum
Publisher : Routledge
Page : 498 pages
File Size : 51,8 Mb
Release : 2019-09-18
Category : Performing Arts
ISBN : 9781351252638

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Unruly Audiences and the Theater of Control in Early Modern London by Eric Dunnum Pdf

Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience. This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama. Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London.

Shakespeare’s Audiences

Author : Matteo Pangallo,Peter Kirwan
Publisher : Routledge
Page : 341 pages
File Size : 53,6 Mb
Release : 2021-03-28
Category : Literary Collections
ISBN : 9781000352573

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Shakespeare’s Audiences by Matteo Pangallo,Peter Kirwan Pdf

Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare’s plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The chapters in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media. The approaches that these contributors take look at Shakespeare’s audiences through a variety of lenses, including theater history, dramaturgy, film studies, fan studies, popular culture, and performance. Together, they provide both close studies of particular moments in the history of Shakespeare’s audiences and a broader understanding of the various, often complex, connections between and among those audiences across the long history of Shakespearean performance.

Reflections of an Age on the Early Modern Stage

Author : Doré Ripley
Publisher : Doré Ripley
Page : 105 pages
File Size : 53,9 Mb
Release : 2024-01-14
Category : Literary Criticism
ISBN : 8210379456XXX

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Reflections of an Age on the Early Modern Stage by Doré Ripley Pdf

Step into the world of Renaissance drama where comedy, passion, power, and romance take center stage in London’s playhouses. Get a closeup view of the emerging middle class and their penchant for murder, mayhem, and revenge in this snapshot of Elizabethan theater and its contemporary audience. Doré Ripley illuminates the women featured in works by William Shakespeare and his contemporaries as these playwrights sometimes ridicule, but often admire feminine entrepreneurial spirit and intelligence. Come along and embrace the pastimes produced by Renaissance culture to discover how early modern drama remains relevant today.

Teachers in Early Modern English Drama

Author : Jean Lambert
Publisher : Routledge
Page : 236 pages
File Size : 52,7 Mb
Release : 2019-11-11
Category : Drama
ISBN : 9780429647673

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Teachers in Early Modern English Drama by Jean Lambert Pdf

Starting from the early modern presumption of the incorporation of role with authority, Jean Lambert explores male teachers as representing and engaging with types of authority in English plays and dramatic entertainments by Shakespeare and his contemporaries from the late sixteenth to the early seventeenth century. This book examines these theatricalized portraits in terms of how they inflect aspects of humanist educational culture and analyzes those ideas and practices of humanist pedagogy that carry implications for the traditional foundations of authority. Teachers in Early Modern English Drama is a fascinating study through two centuries of teaching Shakespeare and his contemporaries and will be a valuable resource for undergraduates, postgraduates, and scholars interested in sixteenth- and seventeenth-century drama, writing, and culture.

Civic Performance

Author : J. Caitlin Finlayson,Amrita Sen
Publisher : Routledge
Page : 205 pages
File Size : 45,5 Mb
Release : 2020-01-28
Category : Performing Arts
ISBN : 9781315392684

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Civic Performance by J. Caitlin Finlayson,Amrita Sen Pdf

Civic Performance: Pageantry and Entertainments in Early Modern London brings together a group of essays from across multiple fields of study that examine the socio-cultural, political, economic, and aesthetic dimensions of pageantry in sixteenth and seventeenth-century London. This collection engages with modern interest in the spectacle and historical performances of pageantry and entertainments, including royal entries, progresses, coronation ceremonies, Lord Mayor’s Shows, and processions. Through a discussion of the extant texts, visual records, archival material, and emerging projects in the digital humanities, the chapters elucidate the forms in which the period itself recorded its public rituals, pageantry, and ephemeral entertainments. The diversity of approaches contained in these chapters reflects the collaborative nature of pageantry and civic entertainments, as well as the broad socio-cultural resonances of this form of drama, and in doing so offers a study that is multi-faceted and wide-ranging, much like civic performance itself. Ideal for scholars of Early Modern global politics, economics, and culture; literary and performance studies; print culture; and the digital humanities, Civic Performance casts a new lens on street pageantry and entertainments in the historically and culturally significant locus of Early Modern London.

The Self-Centred Art

Author : Jakub Boguszak
Publisher : Routledge
Page : 397 pages
File Size : 44,8 Mb
Release : 2021-03-30
Category : Performing Arts
ISBN : 9781000344196

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The Self-Centred Art by Jakub Boguszak Pdf

The Self-Centred Art is a study of the plays of Ben Jonson and the actors who first performed in them. Jakub Boguszak shows how the idiosyncrasies of Jonson’s comic characters were thrown into relief in actors’ part-scripts—scrolls containing a single actor’s lines and cues—some five hundred of which are reconstructed here from Jonson’s seventeen extant plays. Reading Jonson’s spectating parts, humorous parts, apprentice parts, and plotting parts, Boguszak argues that the kind of self-absorption which defines so many of Jonson’s famous comic creations would have come easily to actors relying on these documents. Jonson’s actors would have moreover worked on their cues, studied their speeches, and thought about the information excluded from their parts differently, depending on the type they had to play. Boguszak thus shows that Jonson brilliantly adapted his comedies to the way the actors worked, making the actors’ self-centredness serve his art. This book addresses Jonson’s dealings with the actors as well as the printers of his plays and supplements the discussion of different types of parts with a colourful range of case studies. In doing so, it presents a new way of understanding not just Ben Jonson, but early modern theatre at large.

Strangeness in Jacobean Drama

Author : Callan Davies
Publisher : Routledge
Page : 314 pages
File Size : 42,5 Mb
Release : 2020-09-15
Category : Drama
ISBN : 9781000174311

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Strangeness in Jacobean Drama by Callan Davies Pdf

Callan Davies presents “strangeness” as a fresh critical paradigm for understanding the construction and performance of Jacobean drama—one that would have been deeply familiar to its playwrights and early audiences. This study brings together cultural analysis, philosophical enquiry, and the history of staged special effects to examine how preoccupation with the strange unites the verbal, visual, and philosophical elements of performance in works by Marston, Shakespeare, Middleton, Dekker, Heywood, and Beaumont and Fletcher. Strangeness in Jacobean Drama therefore offers an alternative model for understanding this important period of English dramatic history that moves beyond categories such as “Shakespeare’s late plays,” “tragicomedy,” or the home of cynical and bloodthirsty tragedies. This book will be of great interest to students and scholars of early modern drama and philosophy, rhetorical studies, and the history of science and technology.

Imagining the Audience in Early Modern Drama, 1558-1642

Author : J. Low,N. Myhill
Publisher : Springer
Page : 218 pages
File Size : 51,6 Mb
Release : 2011-04-25
Category : Performing Arts
ISBN : 9780230118393

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Imagining the Audience in Early Modern Drama, 1558-1642 by J. Low,N. Myhill Pdf

This essay collection builds on the latest research on the topic of theatre audiences in early modern England. In broad terms, the project answers the question, 'How do we define the relationships between performance and audience?'.

The Politics of Obscenity in the Age of the Gutenberg Revolution

Author : Peter Frei,Nelly Labère
Publisher : Routledge
Page : 331 pages
File Size : 47,6 Mb
Release : 2021-12-30
Category : History
ISBN : 9781000530438

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The Politics of Obscenity in the Age of the Gutenberg Revolution by Peter Frei,Nelly Labère Pdf

What does obscene mean? What does it have to say about the means through which meaning is produced and received in literary, artistic and, more broadly, social acts of representation and interaction? Early modern France and Europe faced these questions not only in regard to the political, religious and artistic reformations for which the Renaissance stands, but also in light of the reconfiguration of its mediasphere in the wake of the invention of the printing press. The Politics of Obscenity brings together researchers from Europe and the United States in offering scholars of early modern Europe a detailed understanding of the implications and the impact of obscene representations in their relationship to the Gutenberg Revolution which came to define Western modernity.

Horrid Spectacle

Author : Deborah G. Burks
Publisher : Duquesne
Page : 472 pages
File Size : 40,5 Mb
Release : 2003
Category : Drama
ISBN : UOM:39015061136928

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Horrid Spectacle by Deborah G. Burks Pdf

In early modern England, scenes of torture, murder, and infidelity were often graphically depicted on the stage. In this study, Burks examines the trope of violation in the theater of early modern England and explores the connections between these theatrical representations and the use of violation imagery in a range of other public and private discourses. Her analysis encompasses texts such as Shakespeare's Measure for Measure, Aphra Behn's The City Heiress, Arbella Stuart Seymour's letters, and Margaret Cavendish's fiction and drama. This study of violation, one of the most potent, ubiquitous, and durable tropes of the English Reformation, explores the connections between these theatrical representations and the use of violation imagery in a range of public and private discourses, from Protestant polemic, parliamentary legislation and political pamphlets, to aristocratic letters, royalist fiction and "regicidal" histories. Burks considers private and political writing alongside literary texts; the disparate motives, modes of address and methods of transmission of each type of writing thus serve as foils for one another. Burks also places women writers in the company of their male peers without segregating or prioritizing either gender group.

Blackfriars in Early Modern London

Author : Christopher Highley
Publisher : Oxford University Press
Page : 299 pages
File Size : 41,6 Mb
Release : 2022
Category : History
ISBN : 9780192846976

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Blackfriars in Early Modern London by Christopher Highley Pdf

Blackfriars: Theater, Church, and Neighborhood in Early Modern London is a cultural history of an urban enclave best known in the later sixteenth and seventeenth centuries for the incongruous juxtaposition of playing and godly preaching. As the former site of one of London's great religious houses, the post-Reformation Blackfriars was a Liberty free from mayoral control. The legal exemptions and privileges enjoyed by its residents helped attract an unusual mix of groups and activities. Zealous preachers and puritan parishioners mingled with playhouse workers and playgoers, as well as with the immigrant 'strangers' who settled here. The book focuses on local playhouse-church relations and asks how a theatrical culture was able to flourish in a parish dominated by committed puritans. Physically, the church of St Anne's and the playhouse were virtually next-door, but ideologically they seemed poles apart. Yet despite the occasional efforts of some residents to close the playhouse, godly religion and commercial playing managed to coexist. In explanation, the book examines the conflicting economic and ideological priorities of residents and the overriding desire to promote order and neighborliness. More provocatively, I argue that the Blackfriars pulpit and stage could be mutually reinforcing sites of performance. Preachers as well as playwrights exploited the Liberty's vexed relations with authority to air satirical and dissident views of the established church and state. By examining Blackfriars sermons and plays side-by-side, the book reveals a synergy between two institutions usually considered implacable enemies.

A Monster with a Thousand Hands

Author : Amy J. Rodgers
Publisher : University of Pennsylvania Press
Page : 240 pages
File Size : 50,9 Mb
Release : 2018-09-06
Category : Literary Criticism
ISBN : 9780812295207

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A Monster with a Thousand Hands by Amy J. Rodgers Pdf

A Monster with a Thousand Hands makes visible a figure that has been largely overlooked in early modern scholarship on theater and audiences: the discursive spectator, an entity distinct from the actual bodies attending early modern English playhouses. Amy J. Rodgers demonstrates how the English commercial theater's rapid development and prosperity altered the lexicon for describing theatergoers and the processes of engagement that the theater was believed to cultivate. In turn, these changes influenced and produced a cultural projection—the spectator—a figure generated by social practices rather than a faithful recording of those who attended the theater. The early modern discursive spectator did not merely develop alongside the phenomenological one, but played as significant a role in shaping early modern viewers and viewing practices as did changes to staging technologies, exhibition practices, and generic experimentation. While audience and film studies have theorized the spectator, these fields tend to focus on the role of twentieth-century media (film, television, and the computer) in producing mass-culture viewers. Such emphases lead to a misapprehension that the discursive spectator is modernity's creature. Fearing anachronism, early modern scholars have preferred demographic studies of audiences to theoretical engagements with the "effects" of spectatorship. While demographic work provides an invaluable snapshot, it cannot account for the ways that the spectator is as much an idea as a material presence. And, while a few studies pursue the dynamics that existed among author, text, and audience using critical tools sharpened by film studies, they tend to obscure how early modern culture understood the spectator. Rather than relying exclusively on historical or theoretical methodologies, A Monster with a Thousand Hands reframes spectatorship as a subject of inquiry shaped both by changes in entertainment technologies and the interaction of groups and individuals with different forms of cultural production.

At Work in the Early Modern English Theater

Author : Matthew Kendrick
Publisher : Rowman & Littlefield
Page : 207 pages
File Size : 52,8 Mb
Release : 2015-06-11
Category : Literary Criticism
ISBN : 9781611478259

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At Work in the Early Modern English Theater by Matthew Kendrick Pdf

At Work in the Early Modern English Theater: Valuing Labor explores the economics of the theater by examining how drama seeks to make sense of changing conceptions of labor. With the growth of commerce and market relations in sixteenth- and seventeenth-century England came the corresponding degradation and exploitation of workers, many of whom made their frustrations known through petitions and pamphlets. Poverty affected all sectors of society in early modern England and many laborers, even London citizens from more prosperous trades, could expect to experience periods of impoverishment. This group of precarious laborers included actors and playwrights, many of whom had direct connections to London’s more established trades and occupations. Scholars have argued that dispossessed laborers turned to other forms of labor in lieu of their traditional livelihoods, including brigandage, piracy, begging, and cozening. To this list of alternative communities and applications of labor in the early modern period, Matthew Kendrick’s scholarship adds the London theaters. Each chapter is guided by the central premise that anxiety over the objectification and dispossession of labor in its various forms is enacted on stage, and that drama helps to formulate, by merit of the theater’s socioeconomic identity, an emerging laboring subjectivity engendered by the violent development of capitalism. As the nexus of a declining feudal social structure and an emerging capitalist regime of commodity production, a location in which dispossessed labor intersected with traditions of skilled labor and the unwieldy consumerist energies of the marketplace, the space of the theater was uniquely situated to channel and give dramatic form to the growing antagonisms and tensions that shaped labor. The stage offers a space in which to negotiate the value and meaning of labor in an increasingly exploitative society.

London in Early Modern English Drama

Author : D. Grantley
Publisher : Springer
Page : 231 pages
File Size : 50,6 Mb
Release : 2008-04-04
Category : Literary Criticism
ISBN : 9780230583764

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London in Early Modern English Drama by D. Grantley Pdf

This book explores the changing representation on the early modern stage of the built environment of London. It covers a period in which the city underwent rapid growth to become the country's first metropolis, and it examines how the urban environment becomes part of the frame of reference of the drama that is set there.

Publicity and the Early Modern Stage

Author : Allison K. Deutermann,Matthew Hunter,Musa Gurnis
Publisher : Springer Nature
Page : 299 pages
File Size : 47,5 Mb
Release : 2021-05-07
Category : Literary Criticism
ISBN : 9783030523329

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Publicity and the Early Modern Stage by Allison K. Deutermann,Matthew Hunter,Musa Gurnis Pdf

What did publicity look like before the eighteenth century? What were its uses and effects, and around whom was it organized? The essays in this collection ask these questions of early modern London. Together, they argue that commercial theater was a vital engine in celebrity’s production. The men and women associated with playing—not just actors and authors, but playgoers, characters, and the extraordinary local figures adjunct to playhouse productions—introduced new ways of thinking about the function and meaning of fame in the period; about the networks of communication through which it spread; and about theatrical publics. Drawing on the insights of Habermasean public sphere theory and on the interdisciplinary field of celebrity studies, Publicity and the Early Modern Stage introduces a new and comprehensive look at early modern theories and experiences of publicity.