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The Indian Portrait, 1560-1860 by Rosemary Crill,Kapil Jariwala Pdf
The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.
The ninth exhibition in the Indian Portrait series focuses on the introduction of Parsi portraiture in India and an insight on their art, culture and education etc. Paintings, photographs, CDVs, cabinet card albums, engravings, lithographs, prints & collectibles etc. are the different mediums that helped to preserve history. It contains over 170 portraits and was exhibited in December 2018.
The Indian Portrait - 10 by Anil Relia,Julian Roberts Pdf
The tenth exhibition in the series will showcase classical paintings from all across India. The exhibition will cover 300 years and a vast geographic region from Jammu to Thanjavur, allowing viewers to compare how different patrons wished to be remembered and observe how historical events shaped India’s painting traditions.
India and the Early Modern World by Jagjeet Lally Pdf
India and the Early Modern World provides an authoritative and wide-ranging survey of the Indian subcontinent over the fifteenth to eighteenth centuries, set within a global context. This book explores questions critical to our understanding of early modern India. How, for instance, were Indians’ religious beliefs, their ways of life, and the horizons of their learning changing over this period? What was happening in the countryside and towns, to culture and the arts, and to the state and its power? Were such experiences comparable or linked to those in other parts of the world? Can we speak of a global early modernity, therefore, within which India played an important role? Organised thematically, each chapter engages with such key issues, debates, and concepts, covering wide ground as it connects, compares, and contrasts developments witnessed across early modern South Asia to those around the globe. Drawing on the fruits of research in numerous fields over the past fifty years and rich in detail, India and the Early Modern World is a pathbreaking volume written engagingly and accessibly with scholars, students, and non-specialists in mind.
Portraiture in South Asia since the Mughals by Crispin Branfoot Pdf
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early seventeenth century of portraits of identifiable individuals, unprecedented in both South Asia and the Islamic world. Appearing at a time of increasing contact between Europe and Asia, portraits from the reigns of the great Mughal emperor-patrons Akbar, Jahangir and Shah Jahan are among the best-known paintings produced in South Asia. In the following centuries portraiture became more widespread in the visual culture of South Asia, especially in the rich and varied traditions of painting, but also in sculpture and later prints and photography. This collection seeks to understand the intended purpose of a range of portrait traditions in South Asia and how their style, setting and representation may have advanced a range of aesthetic, social and political functions. The chapters range across a wide historical period, exploring ideals of portraiture in Sanskrit and Persian literature, the emergence and political symbolism of Mughal portraiture, through to the paintings of the Rajput courts, sculpture in Tamil temples and the transformation of portraiture in colonial north India and post-independence Pakistan. This specially commissioned collection of studies from a strong list of established scholars and rising stars makes a significant contribution to South Asian history, art and visual culture.
A History of India through 75 Objects by Sudeshna Guha Pdf
With a curation of objects from the prehistoric ages through twenty-first century India, Sudeshna Guha provides a panoramic view of the rich histories of the subcontinent. The incisive essays in this collection detail not just the objects but the histories of their reception: examining how changing times and attitudes cast their shadow on the ways in which the past is interpreted and narrated. In doing so, A History of India through 75 Objects inspires us to interrogate our own notions of a knowable past and fixed national history. Teeming with thought-provoking insights and surprising anecdotes, the essays instill a sense of wonder about the continuous processes by which histories are constructed.
This magnificent, lavishly illustrated book by India’s most eminent and perceptive art historian, B.N. Goswamy, will open readers’ eyes to the wonders of Indian painting, and show them new ways of seeing and appreciating art. An illuminating introductory essay, ‘A Layered World’, explains the themes and emotions that inspired Indian painters, the values and influences that shaped their work, and the unique ways in which they depicted time and space. It describes, too, the characteristics of the different regional styles, the relationship between patrons and painters, the milieu in which they created their works, and the tools and techniques the painters used. The second part of this book consists of ‘Close Encounters with 101 Great Works’. Carefully selected by Prof. Goswamy and spanning nearly a thousand years, these works range from Jain manuscripts, and Rajasthani, Mughal, Pahari and Deccani miniatures, to Company School paintings. His description and analysis of these works unlock the treasures that lie within them and show us how to ‘read’ each painting, as he points out its finest features, explains its visual vocabulary and symbolism, and recounts the story, legend or event that inspired it. Combining deep scholarship with great storytelling, this is a book of enduring value that will both educate and delight the reader. It is destined to become a classic.
The Voice of the Indian Mona Lisa by Heidi Rika Maria Pauwels Pdf
The 'Indian Mona Lisa' is an eighteenth-century portrait of the goddess Radha from the Kishangarh school of Rajput Painting. It was purportedly modelled after a young enslaved woman and court-performer, Banī-ṭhanī, who became a concubine of the patron of the painting, crown-prince Savant Singh. Tracing her career, Heidi Pauwels recovers her role as a composer of devotional songs in multiple registers of Classical Hindi and shows how she was a conduit for trend-setting styles from Delhi, including the new vogue of Urdu. Through a combination of literary, historical, and art-historical analysis, she brings to life the vibrant cultural production center of Kishangarh in the eighteenth century by reconstructing how Banī-ṭhanī came to be acclaimed as the devotional poetess Rasikbihārī and as 'India's Mona Lisa'. This major new study conveys important new insights in the history of Hindi literature and devotion, the family, palace women and the social mobility of the enslaved.
The Indian Ocean in the Making of Early Modern India by Pius Malekandathil Pdf
This volume looks into the ways Indian Ocean routes shaped the culture and contours of early modern India. IT shows how these and other historical processes saw India rebuilt and reshaped during late medieval times after a long age of relative ‘stagnation’, ‘isolation’ and ‘backwardness’. The various papers deal with such themes including interconnectedness between Africa and India, trade and urbanity in Golconda, the changing meanings of urbanization in Bengal, commercial and cultural contact between Aceh and India, changing techniques of warfare, representation of early modern rulers of India in contemporary European paintings, the impact of the Indian Ocean on the foreign policies of the Mughals, the meanings of piracy, labour process in the textile sector, Indo-Ottoman trade, Maratha-French relations, Bible translations and religious polemics, weapon making and the uses of elephants. The book will be of interest to students and scholars of early modern Indian history in general and those working on aspects of connected histories in particular.
A catalogue showcasing the artistic journey of portraits from miniature to modern art. It starts with the miniature paintings done by different schools like Pahadi, Rajasthani, Central Province, Deccan, Company period, Bengal, Colonial Influence and goes all the way up to modern art. The catalogue has 37 portraits which were exhibited in October 2010.
In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history from the 1580s-1630s
The Indian Portrait - 8 by Anil Relia,Sonika Soni Pdf
This exhibition catalogue covers the art of portraiture which flourished in the royal courts of Rajasthan. Rajput rulers, warriors, heads of religious institutions and rich and influential merchants were the major patrons or art and had their portraits painted for visual documentation, political gifts and also as valuable art objects.
