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The Indian Portrait, 1560-1860 by Rosemary Crill,Kapil Jariwala Pdf
The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.
The ninth exhibition in the Indian Portrait series focuses on the introduction of Parsi portraiture in India and an insight on their art, culture and education etc. Paintings, photographs, CDVs, cabinet card albums, engravings, lithographs, prints & collectibles etc. are the different mediums that helped to preserve history. It contains over 170 portraits and was exhibited in December 2018.
One of this century's greatest surprises has been the economic and social revolution in India. A country long characterized by such adjectives as 'timeless', 'spiritual' and 'backward' is now viewed through a new set of clichés: 'hi-tech', 'materialistic', 'go-getting'. But what is the real nature of this rapid change, and what are its roots? Patrick French has spent much of his life engaged with India, and his landmark new book is filled with the qualities that have won his writing exceptional praise: his love of narrative, sympathy for the individual's experience, scepticism about official claims, and relish for the mayhem of political life. His account of Indian independence, Liberty or Death, is an acclaimed bestseller. Now he gives us an encompassing social, political and economic history of India from partition to the present day. Examining the cultural foundations that made India's accelerated transformation from socialist economy to capitalist powerhouse possible, French creates a vivid, surprising picture of what it is like to live at a time when millions have pulled themselves free of poverty - with fortunes made almost overnight - but where violence, corruption and caste prejudice have equally been given new outlets. He delves into Indian society and politics, including the personal story of one of the most powerful women in the world, Sonia Gandhi. And he travels the country's regions to show how Nehru's vision of a democratic, secular India has continued to attempt - in the face of conflict and setbacks - to hold this vast, implacably diverse nation together. French has spoken to everyone from the nation's political leadership to Maoist revolutionaries and mafia dons, from chained quarry workers to self-made billionaire entrepreneurs and technological innovators. The result is a richly detailed, wide-ranging and hugely rewarding portrait of India.
The Indian Portrait - 10 by Anil Relia,Julian Roberts Pdf
The tenth exhibition in the series will showcase classical paintings from all across India. The exhibition will cover 300 years and a vast geographic region from Jammu to Thanjavur, allowing viewers to compare how different patrons wished to be remembered and observe how historical events shaped India’s painting traditions.
The seventh exhibition in the series, focuses on the development of portraiture after the coming of the camera to India. It fuelled the enthusiasm of the Indian artists and photographic studios mushroomed across the country. Artists started using photographs to enhance portrait paintings, they developed a new aesthetic that integrated aspects of painting and photography in one image.
A Compelling Work On The Cultural Character Of The Indian People&Both Provocative And Revealing -Shyam Benegal In Outlook A Remarkably Perceptive Analysis Of Indian Character -Khushwant Singh In This Bold, Illuminating And Superbly Readable Study, India S Foremost Psychoanalyst And Cultural Commentator Sudhir Kakar And Anthropologist Katharina Kakar Investigate The Nature Of Indian-Ness . What Makes An Indian Recognizably So To The Rest Of The World, And, More Importantly, To His Or Her Fellow Indians? For, As The Authors Point Out, Despite Ethnic Differences That Are Characteristic More Of Past Empires Than Modern Nation States, There Is An Underlying Unity In The Great Diversity Of India That Needs To Be Recognized. Looking At What Constitutes A Common Indian Identity, The Authors Examine In Detail The Predominance Of Family, Community And Caste In Our Everyday Lives, Our Attitudes To Sex And Marriage, Our Prejudices, Our Ideas Of The Other (Explored In A Brilliant Chapter On Hindu-Muslim Conflict), And Our Understanding Of Health, Right And Wrong, And Death. In The Final Chapter, They Provide Fascinating Insights Into The Indian Mind, Shaped Largely By The Culture S Dominant, Hindu World View. Drawing Upon Three Decades Of Original Research And Sources As Varied As The Mahabharata, The Kamasutra, The Writings Of Mahatma Gandhi, Bollywood Movies And Popular Folklore, Sudhir And Katharina Kakar Have Produced A Rich And Revealing Portrait Of The Indian People. An Important Book&A Readable And Carefully Considered Statement On The Issue Of Identity Pavan Varma In India Today
A catalogue showcasing the artistic journey of portraits from miniature to modern art. It starts with the miniature paintings done by different schools like Pahadi, Rajasthani, Central Province, Deccan, Company period, Bengal, Colonial Influence and goes all the way up to modern art. The catalogue has 37 portraits which were exhibited in October 2010.
Returning to 1960s' India after decades beyond its borders, Ved Mehta explores his native country with two sets of eyes: those of the man educated in the West, and those of the child raised under the Raj. Travelling from the Himalayas in the east to Kerala in the west, Ved Mehta's observations and insights into India and some of its most interesting figures - including Indira Gandhi, Jaya Prakash Narayan and Satyajit Ray - create one of the twentieth century's most thought-provoking travel memoirs.
The Red Man's Bones: George Catlin, Artist and Showman by Benita Eisler Pdf
The first biography in over sixty years of a great American artist whose paintings are more famous than the man who made them. George Catlin has been called the “first artist of the West,” as none before him lived among and painted the Native American tribes of the Northern Plains. After a false start as a painter of miniatures, Catlin found his calling: to fix the image of a “vanishing race” before their “extermination”—his word—by a government greedy for their lands. In the first six years of the 1830s, he created over six hundred portraits—unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin’s ambition to sell what he called his “Indian Gallery” as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, his exhibitions and writings made him the most celebrated American expatriate in London and Paris. He was toasted by Queen Victoria and breakfasted with King Louis-Philippe, who created a special gallery in the Louvre to show his pictures. But when he started to tour “live” troupes of Ojibbewa and Iowa, Catlin and his fortunes declined: He changed from artist to showman, and from advocate to exploiter of his native performers. Tragedy and loss engulfed both. This brilliant and humane portrait brings to life George Catlin and his Indian subjects for our own time. An American original, he still personifies the artist as a figure of controversy, torn by conflicting demands of art and success.
Reversing his parents immigrant path, a young writer returns to India and discovers an old country making itself new. Anand Giridharadas sensed something was afoot as his plane prepared to land in Bombay. An elderly passenger looked at him and said, Were all trying to go that way, pointing to the rear. You, youre going this way. Giridharadas was...
The Indian Portrait - 5 by Anil Relia,Dr Ratan Parimoo Pdf
This catalog details the journey of the academic realism and colonial influence that impacted Raja Ravi Varma’s works and his contemporaries like Rustom Siodia, Pestonji Bomanji, Abalal Rahiman, M V Dhurandhar, A X Trindade, M F Pithawalla, Fyzee Rahamin, Ravi Shankar Raval, Ghasiram Sharma and many others.
A New Republic Editors' and Writers' Pick 2012 A New Yorker Contributors' Pick 2012 A portrait of incredible change and economic development, of social and national transformation told through individual lives The son of an Indian father and an American mother, Akash Kapur spent his formative years in India and his early adulthood in the United States. In 2003, he returned to his birth country for good, eager to be part of its exciting growth and modernization. What he found was a nation even more transformed than he had imagined, where the changes were fundamentally altering Indian society, for better and sometimes for worse. To further understand these changes, he sought out the Indians experiencing them firsthand. The result is a rich tapestry of lives being altered by economic development, and a fascinating insider's look at many of the most important forces shaping our world today. Much has been written about the rise of Asia and a rebalancing of the global economy, but rarely does one encounter these big stories with the level of nuance and detail that Kapur gives us in India Becoming. Among the characters we meet are a broker of cows who must adapt his trade to a modernizing economy; a female call center employee whose relatives worry about her values in the city; a feudal landowner who must accept that he will not pass his way of life down to his children; and a career woman who wishes she could "outsource" having a baby. Through these stories and many others, Kapur provides a fuller understanding of the complexity and often contradictory nature of modern India. India Becoming is particularly noteworthy for its emphasis on rural India-a region often neglected in writing about the country, though 70 percent of the population still lives there. In scenes reminiscent of R. K. Narayan's classic works on the Indian countryside, Kapur builds intimate portraits of farmers, fishermen, and entire villages whose ancient ways of life are crumbling, giving way to an uncertain future that is at once frightening and full of promise. Kapur himself grew up in rural India; his descriptions of change and modernization are infused with a profound-at times deeply poignant- firsthand understanding of the loss that must accompany all development and progress. India Becoming is essential reading for anyone interested in our changing world and the newly emerging global order. It is a riveting narrative that puts the personal into a broad, relevant and revelational context.
