The Interrogative Mood Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Interrogative Mood book. This book definitely worth reading, it is an incredibly well-written.
'If Duchamp or maybe Magritte wrote a novel it might look something like this remarkable little book of Padgett Powell's: immensely readable, ingenious, witty, and ultimately important-feeling in a way you can't quite describe but don't need to' Richard Ford Are your emotions pure? Are your nerves adjustable? How do you stand in relation to the potato? Should it still be Constantinople? Does a nameless horse make you more nervous or less nervous than a named horse? In your view, do children smell good? ... Does your doorbell ever ring? Is there sand in your craw? Is it a novel? Whatever it is, The Interrogative Mood is stubbornly memorable. Through a seemingly random but infinitely artful series of questions this small masterpiece mysteriously, elusively, hilariously, compellingly lights up life.
“If Duchamp or maybe Magritte wrote a novel (and maybe they did. Did they?) it might look something like this remarkable little book of Padgett Powell’s.” —Richard Ford The Interrogative Mood is a wildly inventive, jazzy meditation on life and language by the novelist that Ian Frazier hails as “one of the best writers in America, and one of the funniest, too.” A novel composed entirely of questions, it is perhaps the most audacious literary high-wire act since Nicholson Baker’s The Mezzanine or David Foster Wallace’s stories;a playful and profound book that, as Jonathan Safran Foer says, “will sear the unlucky volumes shelved on either side of it. How it doesn’t, itself, combust in flames is a mystery to me.”
Whatever floats your boat, go ahead and float it. Do not have large untenable quantities of despair. Do not go to parades. When you feed orphaned wild animals, do not expect them to make it. Be forewarned. Be careful that your genitals do not show outside the strict confines of your underwear. Learn at least three racquet games during your lifetime. In this brand new short, Padgett Powell takes the reader on a completely new kind of journey. Just as The Interrogative Mood was stubbornly memorable and persistently illuminating, The Imperative Mood is surprising, funny, sneakily cumulative, charming, and artful. As well as just a little bit bossy. The imperative is darker than the interrogative mood, we learn.
DIVDIVFinalist for the National Book Award: Through the eyes of a precocious twelve-year-old in a seaside South Carolina town, the world of love, sex, friendship, and betrayal blossoms/divDIV/divDIV Simons Everson Manigault is not a typical twelve-year-old boy in tiny Edisto, South Carolina, in the late 1960s. At the insistence of his challenging mother (known to local blacks as “the Duchess”), who believes her son to possess a capacity for genius, Simons immerses himself in great literature and becomes as literate and literary as any English professor./divDIV When Taurus, a soft-spoken African American stranger, moves into the cabin recently vacated by the Manigaults’ longtime maid, a friendship forms. The lonely, excitable Simons and the quiet, thoughtful Taurus, who has appointed himself Simons’s guide in the ways of the grown-up world, bond over the course of a hot Southern summer./div But Taurus may be playing a larger role in the Manigaults’ life than he is willing to let on—a suspicion that is confirmed when Simons’s absent father suddenly returns to the family fold. An evocative, thoughtful novel about growing up, written in language that sparkles and soars, Padgett Powell’s Edisto is the first novel of one of the most important southern writers of the last quarter century. /div
Padgett Powell, author of the acclaimed The Interrogative Mood and “one of the few truly important American writers of our time” (Sam Lipsyte), returns with a hilarious Southern send-up of Samuel Beckett’s classic Waiting for Godot. Truly a master of envelope-pushing, post-postmodern American fiction, in a class with Nicholas Baker and Lydia Davis, Powell brilliantly blends the sublime, the trivial, and the oddball in You & Me, as two loquacious gents on a porch discuss all manner of subjects, from the mundane to the spiritual to the downright ridiculous. At once outrageously funny and profound, You & Me is yet another brilliant, boundary-bursting masterwork, proving once again that, “there are few writers who understand both the beauty and the absurdity of language as well as Padgett Powell” (Kevin Wilson, author of The Family Fang) and that, “Padgett Powell is one of the best writers in America, and one of the funniest, too” (Ian Frazier). You & Me: A Novel won the James Tait Black Prize for Fiction.
In Edgar Allan Poe's "The Tell-Tale Heart", the narrator tries to prove his sanity after murdering an elderly man because of his "vulture eye". His growing guilt leads him to hear the old man's heart beating under the floorboards, which drives him to confess the crime to the police.
The Blue Book of Grammar and Punctuation by Lester Kaufman,Jane Straus Pdf
The bestselling workbook and grammar guide, revised and updated! Hailed as one of the best books around for teaching grammar, The Blue Book of Grammar and Punctuation includes easy-to-understand rules, abundant examples, dozens of reproducible quizzes, and pre- and post-tests to help teach grammar to middle and high schoolers, college students, ESL students, homeschoolers, and more. This concise, entertaining workbook makes learning English grammar and usage simple and fun. This updated 12th edition reflects the latest updates to English usage and grammar, and includes answers to all reproducible quizzes to facilitate self-assessment and learning. Clear and concise, with easy-to-follow explanations, offering "just the facts" on English grammar, punctuation, and usage Fully updated to reflect the latest rules, along with even more quizzes and pre- and post-tests to help teach grammar Ideal for students from seventh grade through adulthood in the US and abroad For anyone who wants to understand the major rules and subtle guidelines of English grammar and usage, The Blue Book of Grammar and Punctuation offers comprehensive, straightforward instruction.
**A Globe and Mail Best Book of the Year** From one of Canada’s most distinctive and intelligent emerging voices, a heartfelt collection of essays in Durga Chew-Bose’s captivating and truly inimitable style. In Too Much and Not the Mood, Durga Chew-Bose flings us headlong into her most intimate philosophical, and occasionally brooding, thoughts. The result is a lyrical and piercingly insightful collection of essays and her own brand of essay-meets-prose poetry about identity and culture. Reflective and highly astute, Chew-Bose invites readers to join in her search for a clearer understanding of who we are and the world we live in. This is a beautiful and surprising exploration of what it means to be a young first-generation writer today, shutting out the din in order to find her own voice. Exhibiting the confidence of Lena Dunham, the honesty of Chimamanda Ngozi Adichie, and the extraordinary vision of Zadie Smith, Too Much and Not the Mood is a stunning debut from an author who is sure to become one of this generation’s most esteemed voices.
Un romanzo? Una provocazione pop? Un libro giocoso e serissimo, un divertissement letterario, una sfida. Un libro che interroga, e che ha unito nell’entusiasmo scrittori come Richard Ford e Jonathan Safran Foer. «Sei felice? Ti fidi almeno di te stesso? Conosci le differenze, empiriche o teoriche, tra muschi e licheni?» A quante di queste domande riuscirai a rispondere? Quante ti strapperanno un sorriso, o un moto di esasperazione, o ti costringeranno a riflettere? Sono importanti, le risposte? O è più importante avere il coraggio di farsi delle domande? Ed è vero che le domande aiutano a sentirsi vivi? Hai voglia di lasciarti contagiare da questo spirito interrogativo, da questo interrogative mood?
The phenomenon returns! Originally published in 1987, The Book of Questions, a New York Times bestseller, has been completely revised and updated to incorporate the myriad cultural shifts and hot-button issues of the past twenty-five years, making it current and even more appealing. This is a book for personal growth, a tool for deepening relationships, a lively conversation starter for the family dinner table, a fun way to pass the time in the car. It poses over 300 questions that invite people to explore the most fascinating of subjects: themselves and how they really feel about the world. The revised edition includes more than 100 all-new questions that delve into such topics as the disappearing border between man and machine—How would you react if you learned that a sad and beautiful poem that touched you deeply had been written by a computer? The challenges of being a parent—Would you completely rewrite your child’s college-application essays if it would help him get into a better school? The never-endingly interesting topic of sex—Would you be willing to give up sex for a year if you knew it would give you a much deeper sense of peace than you now have? And of course the meaning of it all—If you were handed an envelope with the date of your death inside, and you knew you could do nothing to alter your fate, would you look? The Book of Questions may be the only publication that challenges—and even changes—the way you view the world, without offering a single opinion of its own.
“Like Richard Russo’s Straight Man this book has a lot to say about the humanities in American colleges and universities…. Very funny and also moving.” —Tom Perrotta, New York Post A BEST BOOK OF THE YEAR: NPR and Boston Globe Finally a novel that puts the "pissed" back into "epistolary." Jason Fitger is a beleaguered professor of creative writing and literature at Payne University, a small and not very distinguished liberal arts college in the midwest. His department is facing draconian cuts and squalid quarters, while one floor above them the Economics Department is getting lavishly remodeled offices. His once-promising writing career is in the doldrums, as is his romantic life, in part as the result of his unwise use of his private affairs for his novels. His star (he thinks) student can't catch a break with his brilliant (he thinks) work Accountant in a Bordello, based on Melville's Bartleby. In short, his life is a tale of woe, and the vehicle this droll and inventive novel uses to tell that tale is a series of hilarious letters of recommendation that Fitger is endlessly called upon by his students and colleagues to produce, each one of which is a small masterpiece of high dudgeon, low spirits, and passive-aggressive strategies. We recommend Dear Committee Members to you in the strongest possible terms. Don’t miss Julie Schumacher's new novel, The English Experience, coming soon.
The Structure and Interpretation of Imperatives by Chung-hye Han Pdf
The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.
This grammar provides the first comprehensive grammatical description of Moloko, a Chadic language spoken by about 10,000 speakers in northern Cameroon. The grammar was developed from hours and years that the authors spent at friends’ houses hearing and recording stories, hours spent listening to the tapes and transcribing the stories, then translating them and studying the language through them. Time was spent together and with others speaking the language and talking about it, translating resources and talking to Moloko people about them. Grammar and phonology discoveries were made in the office, in the fields while working, and at gatherings. In the process, the four authors have become more and more passionate about the Moloko language and are eager to share their knowledge about it with others. Intriguing phonological aspects of Moloko include the fact that words have a consonantal skeleton and only one underlying vowel (but with ten phonetic variants). The simplicity of the vowel system contrasts with the complexity of the verb word, which can include information (in addition to the verbal idea) about subject, direct object (semantic Theme), indirect object (recipient or beneficiary), direction, location, aspect (Imperfective and Perfective), mood (indicative, irrealis, iterative), and Perfect aspect. Some of the fascinating aspects about the grammar of Moloko include transitivity issues, question formation, presupposition, and the absence of simple adjectives as a grammatical class. Most verbs are not inherently transitive or intransitive, but rather the semantics is tied to the number and type of core grammatical relations in a clause. Morphologically, two types of verb pronominals indicate two kinds of direct object; both are found in ditransitive clauses. Noun incorporation of special ‘body-part’ nouns in some verbs adds another grammatical argument and changes the lexical characteristics of the verb. Clauses of zero transitivity can occur in main clauses due to the use of dependent verb forms and ideophones. Question formation is interesting in that the interrogative pronoun is clause-final for most constructions. The clause will sometimes be reconfigured so that the interrogative pronoun can be clause-final. Expectation is a foundational pillar for Moloko grammar. Three types of irrealis mood relate to speaker’s expectation concerning the accomplishment of an event. Clauses are organised around the concept of presupposition, through the use of the na-construction. Known or expected elements are marked with the na particle. There are no simple adjectives in Moloko; all adjectives are derived from nouns. The authors invite others to further explore the intricacies of the phonology and grammar of this intriguing language.
The first book to examine Ryan McGinley’s early photographs and Polaroids—raw, visceral portraits of his coterie of friends and artists in downtown New York City. Published to accompany an exhibition at Museum of Contemporary Art Denver, Ryan McGinley: The Kids Were Alright focuses on the photographer’s early work from 1998 to 2003, the year of his solo exhibition at the Whitney Museum of American Art. These early photographs and Polaroids—many of which have never been exhibited or published— document his friends and collaborators in downtown New York City. In the process, McGinley created a powerful portrait of his generation and their often debauched lifestyle: gritty, daring, and focused on moments of both pleasure and tedium. McGinley’s singular ability to capture the mood and emotional depth of a moment is evident even from the earliest years of his career. Curator Nora Burnett Abrams offers the most comprehensive consideration to date of this important work in her essay, and other contributions— including an interview with McGinley and artist Dan Colen and several short reminiscences from many of his subjects and social circle at the time— will provide context and commentary on the more than 100 works in the volume.
"Dictionary Stories isn’t just a book for word nerds, but for anyone for whom language and story matter. Everybody will find themselves thoroughly in love with this book." —Kory Stamper, editor for Merriam-Webster, and author of Word by Word Everyone has looked up a word in the dictionary. Some of us have even asked for it to be used in a sentence during our 2nd grade spelling bee. But few of us have ever really considered those example sentences: where they come from, how they’re generated…and why in heaven’s name they are so darn weird. Jez Burrows opened the New Oxford American Dictionary and sat, mystified. Instead of the definition of "study" he was looking for, he found himself drawn to the strangely conspicuous, curiously melodramatic sentence that followed it: "He perched on the edge of the bed, a study in confusion and misery." It read like a tiny piece of fiction on the lam and hiding out in the dictionary—and it wasn’t alone. Was it possible to reunite these fugitive fictions? To combine and remix example sentences to form new works? With this spark and a handful of stories shared online, Dictionary Stories was born. This genre-bending and wildly inventive collection glows with humor, emotion, and intellect. Effortlessly transcending sentence level, Burrows lights between the profound and the absurd, transporting readers into moments, worlds, and experiences of remarkable variety. Featuring original illustrations by the author, Dictionary Stories is a giddy celebration of the beauty and flexibility of language.