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The Knight of the Burning Pestle by Francis Beaumont Pdf
This play is a celebration of London life and theatre in which Francis Beaumont's comic genius is given free rein. This edition presents an accurate modern-spelling text, with full historical and critical introduction and a detailed commentary. It also places "The Knight" in the contexts of Jacobean comedy and the work of the children's theatrical troupes. An appendix on the songs and a concern for details of production make this edition especially useful to actors and directors, as well as students of Renaissance drama.
The Knight of the Burning Pestle by Francis Beaumont,Michael Hattaway Pdf
'Let him kill a lion with a pestle, husband; let him kill a lion with a pestle.' So exclaims the Grocer's wife who, with her husband and servants, is attending one of the London's elite playhouses where a theatre comany has just begun to perform. Peeved at the fact that all the plays they see are satires on the lives and values of London's citizenry, the Grocer and his wife interrupt and demand a play that instead contains chivalric quests and courtly love. What's more, they nominate their apprentice Rafe to take on the hero's role of the knight in this entirely new play. The author, Francis Beaumont, ends up not just satirising the grocers' naive taste for romance but parodying his own example of citizen comedy. This play-within-a-play becomes a pastiche of contemporary plays that scorned those who were not courtiers or at least gentlemen or ladies. Like Cervantes in Don Quixote, Beaumont exposes the folly of those that take representations for realities, but also celebrates their idealism and love of adventure. The editor, Michael Hattaway, is editor of plays by Shakespeare and Jonson as well as of several volumes of critical essays, and author of Elizabethan Popular Theatre, Hamlet: The Critics Debate, and Renaissance and Reformations: An Introduction to Early Modern English Literature. He is Professor Emeritus of English Literature in the University of Sheffield.
The Knight of the Burning Pestle by Francis Beaumont Pdf
This volume presents a fresh new edition of the most important play by one of Shakespeare’s most creative contemporaries. Francis Beaumont’s The Knight of the Burning Pestle is a free-wheeling, satirical romp through the world of early modern theatre. Hilarious, outrageous, and unpredictable, Beaumont’s comedy confounded its first audiences, but has since been recognized as a rare comedic gem from the golden age of English playmaking.
The Knight of the Burning Pestle by Francis Beaumont,John Fletcher,Frederic William Moorman Pdf
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Knight of the Burning Pestle by Henry Holt and Company Pdf
The Knight of the Burning Pestle is a comedic play by Francis Beaumont that follows the story of a grocer and his wife who interrupt a staged performance with their own desires and commentary. Henry Holt and Company's edition of this classic play includes a modern introduction and a glossary of terms to help readers navigate the language of the original text. With biting wit and clever satire, The Knight of the Burning Pestle is a timeless piece of English literature that will delight readers of all ages. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
With the publication of Brian Gibbons's Jacobean City Comedy thirty-five years ago, the urban satires by Ben Jonson, John Marston and Thomas Middleton attained their 'official status as a Renaissance subgenre' that was distinct, by its farcical humour and ironic tone, from 'citizen comedy' or 'London drama' more generally. This retrospective genre-building has proved immensely fruitful in the study of early modern English drama; and although city comedies may not yet rival Shakespeare's plays in the amount of editorial work and critical acclaim they receive, both the theatrical contexts and the dramatic complexity of the genre itself, and its interrelations with Shakespearean drama justly command an increasing level of attention. Looking at a broad range of plays written between the 1590s and the 1630s - master-pieces of the genre like Eastward Ho, A Trick to Catch the Old One, The Dutch Courtesan and The Devil is an Ass, blends of romance and satire like The Shoemaker's Holiday and The Knight of the Burning Pestle, and bourgeois oddities in the Shakespearean manner like The London Prodigal - the twelve essays in this volume re-examine city comedy in the light of recently foregrounded historical contexts such as early modern capitalism, urban culture, the Protestant Reformation, and playhouse politics. Further, they explore the interrelations between city comedy and Shakespearean comedy both from the perspective of author rivalry and in terms of modern adaptations: the twenty-first-century concept of 'popular Shakespeare' (above all in the movie sector) seems to realign the comparatively time- and placeless Shakespearean drama with the gritty, noisy and bustling urban scene that has been city comedy's traditional preserve.
Thinking Through Place on the Early Modern English Stage by Andrew Bozio Pdf
Thinking Through Place on the Early Modern English Stage argues that environment and embodied thought continually shaped one another in the performance of early modern English drama. It demonstrates this, first, by establishing how characters think through their surroundings — not only how they orient themselves within unfamiliar or otherwise strange locations, but also how their environs function as the scaffolding for perception, memory, and other forms of embodied thought. It then contends that these moments of thinking through place theorise and thematise the work that playgoers undertook in reimagining the stage as the setting of the dramatic fiction. By tracing the relationship between these two registers of thought in such plays as The Malcontent, Dido Queen of Carthage, Tamburlaine, King Lear, The Knight of the Burning Pestle, and Bartholomew Fair, this book shows that drama makes visible the often invisible means by which embodied subjects acquire a sense of their surroundings. It also reveals how, in doing so, theatre altered the way that playgoers perceived, experienced, and imagined place in early modern England.
