The Lady Of The Jewel Necklace The Lady Who Shows Her Love
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The Lady of the Jewel Necklace & The Lady who Shows her Love by Harsha Pdf
King Harsha, who reigned over the kingdom of Kanauj from 606 to 647 CE, composed two Sanskrit plays about the mythical figures of King Udayana, his queen, Vásava·datta, and two of his co-wives. The plays abound in mistaken identities, both political and erotic. The characters masquerade as one another and, occasionally, as themselves, and each play refers simultaneously to itself and to the other. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
The Ring of Truth and Other Myths of Sex and Jewelry by Wendy Doniger Pdf
In 'The Ring of Truth', Wendy Doniger expertly unfolds the cultural and historical significance of rings and other kinds of circular jewelry through timeless stories taken from mythology, religious traditions, and literature.
Jewels, Jewelry, and Other Shiny Things in the Buddhist Imaginary by Vanessa R. Sasson Pdf
Renunciation is a core value in the Buddhist tradition, but Buddhism is not necessarily austere. Jewels—along with heavenly flowers, rays of rainbow light, and dazzling deities—shape the literature and the material reality of the tradition. They decorate temples, fill reliquaries, are used as metaphors, and sprout out of imagined Buddha fields. Moreover, jewels reflect a particular type of currency often used to make the Buddhist world go round: merit in exchange for wealth. Regardless of whether the Buddhist community has theoretically transcended the need for them or not, jewels—and the paradox they represent—are everywhere. Scholarship has often looked past this splendor, favoring the theory of renunciation instead, but in this volume, scholars from a wide range of disciplines consider the role jewels play in the Buddhist imaginary, putting them front and center for the first time. Following an introduction that relates the colorful story of the Emerald Buddha, one of the most famous jewels in the world, chapters explore the function of jewels as personal identifiers in Buddhist and other Indian religious traditions; Buddhaghosa’s commentary on the Jewel Sutta; the paradox of the Buddha’s bejeweled status before and after renunciation; and the connection in early Buddhism between jewels, magnificence, and virtue. The Newars of Nepal are the focus of a chapter that looks at their gemology and associations between gems and celestial deities. Contributors analyze the Fifth Dalai Lama’s reliquary, known as the “sole ornament of the world”; the transformation of relic jewels into precious substances and their connection to the Piprahwa stupa in Northern India and the Nanjing Porcelain Pagoda. Final chapters offer detailed studies of ritual engagement with the deity known as Wish-Fulfilling Jewel Avalokiteśvara and its role in the new Japanese lay Buddhist religious movement Shinnyo-en. Engaging and accessible, Jewels, Jewelry, and Other Shiny Things in the Buddhist Imaginary will provide readers with an opportunity to look beyond a common misconception about Buddhism and bring its lived tradition into wider discussion.
Twenty-two-year-old Wendy Doniger arrived in Calcutta in August 1963 on a scholarship to study Sanskrit and Bengali. It was her first visit to the country. Over the coming year—a lot of it spent in Tagore’s Shantiniketan—she would fall completely in love with the place she had, until then, known only through books. The India she describes in her letters back home to her parents is young, like her, still finding its feet and learning to come to terms with the violence of Partition. But it is also a mature civilization that allows Vishnu to be depicted on the walls in a temple to Shiva; a culture of contradictions where extreme eroticism is tied to extreme chastity; and a land of the absurd where sociable station masters don’t let train schedules stand in the way of hospitality. The country comes alive though her vivid prose—introspective and yet playful—and her excitement is on full display whether she is telling of the paradoxes of Indian life, the picturesque countryside, the peculiarities of Indian languages, or simply the mechanics of a temple ritual that she doesn’t understand. Those who have read and admired Wendy Doniger will be delighted to find much of her later work anticipated in these letters, and the few who haven't will get to see, through her keen eyes and able pen, India as they have never seen it before.
One of the three surviving plays by Kali dasa (fifth century), universally acknowledged as the supreme poet in classical Sanskrit, How Urvashi Was Won, like the other two, is a masterpiece of lyricism, subtle characterization, and the working through of a bold theme. How Urvashi Was Won is the story of King Puru ravas and his love for an immortal, the dancer Urvashi, who normally lives in the heaven of the gods but who has come down to earth in order to realize her passion for the alltoo- mortal king. The tragic love of this asymmetrical couple was described already in the ancient "Rig Veda" and later often expanded. Kali dasa has reworked the narrative so as to depict a goddess in the process of becoming fully, and dangerously, human—since only human beings (at their best) are, in Kali dasa’s vision, truly capable of the depths and intricacies of loving. This great work of love, loss, and eventual restoration speaks to the human condition generally in highly nuanced verses, accessible to any modern reader.
A richly diverse collection of classical Indian terms for expressing the many moods and subtleties of emotional experience Words for the Heart is a captivating treasury of emotion terms drawn from some of India’s earliest classical languages. Inspired by the traditional Indian genre of a “treasury”—a wordbook or anthology of short texts or poems—this collection features 177 jewel-like entries evoking the kinds of phenomena English speakers have variously referred to as emotions, passions, sentiments, moods, affects, and dispositions. These entries serve as beautiful literary and philosophical vignettes that convey the delightful texture of Indian thought and the sheer multiplicity of conversations about emotions in Indian texts. An indispensable reference, Words for the Heart reveals how Indian ways of interpreting human experience can challenge our assumptions about emotions and enrich our lives. Brings to light a rich lexicon of emotion from ancient IndiaUses the Indian genre of a “treasury,” or wordbook, to explore the contours of classical Indian thought in three of the subcontinent’s earliest languages—Sanskrit, Pali, and PrakritFeatures 177 alphabetical entries, from abhaya (“fearlessness”) to yoga (“the discipline of calm”)Draws on a wealth of literary, religious, and philosophical writings from classical IndiaIncludes synonyms, antonyms, related words, and suggestions for further readingInvites readers to engage in the cross-cultural study of emotionsReveals the many different ways of naming and interpreting human experience
Author : Philip F. Kennedy,Marilyn Lawrence Publisher : Peter Lang Page : 278 pages File Size : 53,8 Mb Release : 2009 Category : Literary Criticism ISBN : 1433102560
Recognition by Philip F. Kennedy,Marilyn Lawrence Pdf
This interdisciplinary collection of essays advances the study of anagnorisis («recognition»), a quintessential concept in Aristotelian poetics. This book explores narrative structure and epistemology by examining how anagnorisis works in narrative fiction, music, and film. Contributors hail from the fields of cinema; opera; religion; medieval and modern English, German, and French literatures; comparative literature; and Indian (Sanskrit) and Islamic (Arabic) literatures, both classical and modern.
From the fifteenth to the eighteenth centuries, the major cultures of southern India underwent a revolution in sensibility reminiscent of what had occurred in Renaissance Italy. During this time, the imagination came to be recognized as the defining feature of human beings. More than Real draws our attention to a period in Indian history that signified major civilizational change and the emergence of a new, proto-modern vision. In general, India conceived of the imagination as a causative agent: things we perceive are real because we imagine them. David Shulman illuminates this distinctiveness and shows how it differed radically from Western notions of reality and models of the mind. Shulman's explication offers insightful points of comparison with ancient Greek, medieval Islamic, and early modern European theories of mind, and returns Indology to its rightful position of intellectual relevance in the humanities. At a time when contemporary ideologies and language wars threaten to segregate the study of pre-modern India into linguistic silos, Shulman demonstrates through his virtuoso readings of important literary works—works translated lyrically by the author from Sanskrit, Tamil, Telugu, and Malayalam—that Sanskrit and the classical languages of southern India have been intimately interwoven for centuries.
The life and legacy of Xuanzang: a Buddhist seeker, philosopher, and intrepid traveler who became the world's most famous pilgrim. In the fall of 629, Xuanzang (600–662), a twenty-nine-year-old Buddhist monk, left the capital of China to begin an epic pilgrimage across the country, through the deserts of Central Asia, and into India. His goal was to locate and study authentic Buddhist doctrine and practice, then bring the true teachings back to his homeland. Over the course of nearly seventeen years, he walked thousands of miles and visited hundreds of Buddhist monasteries and monuments. He studied with the leading teachers of his day and compiled a written account of his travels that remains a priceless record of premodern Indian history, religion, and culture. When Xuanzang finally returned to China in 645, he brought with him a treasure trove of new texts, relics, and icons. This transmission of Indian Buddhist teachings to China, made possible by Xuanzang’s unparalleled vision and erudition, was a landmark moment in the history of East Asian Buddhism. As with many great pre-modern religious figures, the legends surrounding Xuanzang’s life have taken on lives of their own. His story has been retold, reshaped, and repurposed by generations of monastics and laypeople. In this comprehensive and engaging account, Benjamin Brose charts a course between the earliest, most reliable accounts of Xuanzang’s biography and the fantastic legends that later developed, such as those in the classic Chinese novel Journey to the West. Xuanzang remains one of the most consequential monks in the rich history of Buddhism in East Asia. This book is an indispensable introduction to his extraordinary life and enduring legacies.
What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta’s thorough investigation of performance aesthetics, now presented to the modern reader.
Jayadeva’s Gitagovínda is a lyrical account of the illicit springtime love affair of Krishna and Radha, a god and goddess manifesting on earth as a cowherd and milkmaid for the sake of relishing the sweet miseries and rapturous delights of erotic love. The narrative framing their bucolic songs was composed under royal patronage in northeastern India in the twelfth century. It was to be performed for connoisseurs of poetry and the erotic arts, for aesthetes and voluptuaries who, while sensually engaged, were at the same time devoted to Krishna as Lord of the Universe. The text at once celebrates the vicissitudes of carnal love and the transports of religious devotion, merging and reconciling those realms of emotion and experience. Erotic and religious sensibilities serve, and are served by, the pleasures of poetry. In the centuries following its composition, the courtly text became a vastly popular inspirational hymnal. Jayadeva's songs continue to be sung throughout India in fervent devotional adoration of Krishna.
How the Nagas Were Pleased by Harsha & The Shattered Thighs by Bhasa by Harṣa,Bhāsa Pdf
"Two plays that break the rules: both show the hero dying on stage, an inauspicious scenario forbidden in Sanskrit dramaturgy. From widely different ideological and social backgrounds, each evokes intense emotion in an exploration of love and heroism, conflict and peace, idealism and pragmatic reconciliation. Each portrays the reconciliation of hate and retaliation in love and mercy." "King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga)." "Attributed to Bhasa, the illustrious predecessor to Kali-dasa, The Shattered Thighs transforms a crucial episode of the Maha-bharata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryodhana's infamous character is here inverted, where he is depicted as a noble and gracious exemplar amidst the wreckage of the fearsome battle scene. An ignoble man dies a hero's death." --Book Jacket.
The great war of the Maha bharata is over. Or is it? This is a single extended family wracked in conflict. Both sides succumbed to treachery. Ashva tthaman, the young leader of the three survivors on the losing side, is incensed at his father’s murder. He returns after dark to the now sleeping encampment. The sacrifice of the unsuspecting champions, the "Dead of Night," ensues. The five sons of Pandu have escaped. After a final confrontation, a missile crisis, Ashva tthaman concedes defeat but redirects his missile into the wombs of the victors’ women. They miscarry, and cannot hope for more children. Now the survivors, victors and vanquished, must struggle to comprehend their loss. "The Women" of both sides are confronted by their men’s mangled corpses in a masterpiece of horror and pathos. But their potent curses must be curbed to usher in a new era. Maha bharata Books Ten and Eleven give voice to the vanquished, to the psychology of loss and the conflicting desires for understanding and revenge.
On Hinduism is a penetrating analysis of many of the most crucial and contested issues in Hinduism, from the Vedas to the present day. In a series of 63 connected essays, it discusses Hindu concepts of polytheism, death, gender, art, contemporary puritanism, non-violence, and much more.
Cultural Approaches to Studying Religion by Sarah J. Bloesch,Meredith Minister Pdf
This is the first book to provide an introduction to contemporary cultural approaches to the study of religion. This book makes sophisticated ideas accessible at an introductory level, and examines the analytic tools of scholars in religious studies, as well as in related disciplines that have shaped the field including anthropology, history, literature, and critical studies in race, sexuality, and gender. Each chapter is written by a leading scholar and includes: · the biographical and historical context of each theorist · their approaches and key writings · analysis and evaluation of each theory · suggested further reading. Part One: Comparative Approaches considers how major features such as taboo, texts, myths and ritual work across religious traditions by exploring the work of Mary Douglas, Phyllis Trible, Wendy Doniger and Catherine Bell. Part Two: Examining Particularities analyzes the comparative approach through the work of Alice Walker, Charles Long and Caroline Walker Bynum, who all suggest that the specifics of race, body, place and time must be considered. Part Three: Expanding Boundaries examines Gloria Anzaldúa's language of religion, as well as the work of Judith Butler on performative, queer theories of religion, and concludes with Saba Mahmood, whose work considers postcolonial religious encounters, secularism, and the relationship between "East†? and "West.†? Reflecting the cultural turn and challenging the existing canon, this is the anthology instructors have been waiting for. For primary texts by the theorists discussed, please consult The Bloomsbury Reader in Cultural Approaches to the Study of Religion, edited by Sarah J. Bloesch and Meredith Minister.