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"A can't-put-it-down modern Western." —Kirk Siegler, NPR Longlisted for the PEN/ESPN Award for Literary Sports Writing The Last Cowboys is Pulitzer Prize-winning reporter John Branch’s epic tale of one American family struggling to hold on to the fading vestiges of the Old West. For generations, the Wrights of southern Utah have raised cattle and world-champion saddle-bronc riders—many call them the most successful rodeo family in history. Now they find themselves fighting to save their land and livelihood as the West is transformed by urbanization, battered by drought, and rearranged by public-land disputes. Could rodeo, of all things, be the answer? Written with great lyricism and filled with vivid scenes of heartache and broken bones, The Last Cowboys is a powerful testament to the grit and integrity that fuel the American Dream.
In this romantic, humorous and harrowing novel, the acclaimed author of Make Believe Love returns to the epic skies and straight roads of Broken Head, Saskatchewan, and takes us into a very modern Western. Sam McMahon can’t understand why his banker colleagues in Toronto keep calling him “cowboy,” when he prefers opera to C&W and fine wine to beer. Sam’s wife is in love with his brother Vern, who has followed the family tradition and works their parents’ farm, a mixed cattle and crop operation inherited from his grandfather, Old Sam. When his wife leaves him stranded by the side of a Saskatchewan highway, Sam is rescued by a woman, Ai Lee, in a rented Toyota. Ai is a film location scout who’s searching for the perfect cliff for legendary director James Aspen’s new film, The Last Cowboy. Thirty years previously, Old Sam dreams of better days in an older West, mending fences, riding horses, raising cattle. To save young Sam, then 10 years old, from what he considers the malaise of the late-20th century, Old Sam drags him off into a blizzard on horseback. His goal is to save a lost cow and her new calf, which may or may not exist. Sam’s parents fear he’ll only manage to kill his grandson. When, only days later, the old cowboy wanders out of doors without his parka in the freezing cold, muttering about a lost boy, he’s rescued by a Native couple out in a “borrowed” car, who run afoul of the police and end up driving into their final sunset. When Ai hears their story from Sam, she thinks she’s found her perfect location. The Last Cowboy does much more than update the Western; it weaves together stories and generations and unveils, with beauty and compassion, the leap or fall that awaits us all. So I stretch back in permanent recline and do my best to travel off to a better day, a summer day back fifty years past, a few days after a big rain, so that everything was green except for the cuts in the draws where the runoff had chewed right through the grass. There was a glow to the world back then that has long since been lost. It is painfully elusive, that particular luminescence, but I sit here stubbornly trying to restore the shine of it. I begin with a sky that was as blue as the better skies now, and work my way down to the green, only a breath of a line of white dividing the earth from the heavens. -- from The Last Cowboy
In a series of letters to his grandson, an elderly gentleman relates how he and his remarkable little dog traveled to America on an expedition to the Wild West to find the dog's grandfather, rumored to be living among cowboys following a successful moviecareer.
“An eloquent, honest tribute to a sports genius.” —Publishers Weekly, Best 100 Books of 2013 As the coach during professional football’s most storied era, Tom Landry transformed the gridiron from a no-holds-barred battlefield to the highly-technical chess match it is today. With his trademark fedora and stoic facade, he was a man of faith and few words, for twenty-nine years guiding “America’s Team” from laughingstock to well-oiled machine, with an unprecedented twenty consecutive winning seasons and two Super Bowl titles. Now, more than a decade after Landry’s death, acclaimed biographer Mark Ribowsky takes a fresh look at this misunderstood legend, telling us as much about our country’s obsession with football as about Landry himself, the likes of whom we’ll never see again.
Leroy Webb represents the vanishing era of the open-range cowboy. For six decades he has rounded up, roped, chased, wrestled, and cajoled cattle while riding over vast ranchlands and sleeping under the stars in New Mexico and Texas. Besides tackling the daily back-breaking chores of the cowboy, he has tirelessly worked to breed, train, and show horses while keeping up with the rodeo circuit. And despite frequent moves from ranch to ranch, his devotion to family has remained unquestioned. He may not have filled his pockets with the life he chose, but his heart is filled with riches.
'The West that Henry mourned belonged to the Western movie, where the land and the cattle went to their proper guardians and brought a fortune in respect and power. It was a West where the best cowboy got to shoot the meanest outlaw, woo the prettiest schoolteacher, bed her briefly to produce sons, and then ignore her for the finer company of other cowboys - a West as sentimental and as brutal as the people who made a virtue of that curious combination of qualities and called it the American experience. ' From the Introduction Henry Blanton is the 'last cowboy' of Jane Kramer's classic portrait, the failed hero of his own mythology, the man who ends an era for himself. His story - his flawed, funny, and in the end tragic efforts to be a proper cowboy, 'expressin' right' in a world where the range is a feed yard and college boys run ranches from air-conditioned Buicks -is the story of a country coming of age in great promise and greater disappointment. A hundred and fifty miles up the highway from agri-business Amarillo, Henry claimed the extravagant prerogatives of a free man on a horse. He rode his own frontier, decked out in his vigilance and his honour, until the shocking moment when in the person of Henry Blanton the West and the Western had a showdown.
In the world of Western films, Randolph Scott, Joel McCrea, and Audie Murphy have frequently been overlooked in favor of names like Roy Rogers and John Wayne. Yet these three actors played a crucial role in the changing environment of the post–World War II Western, and, in the process, made many excellent middle-budget films that are still a pleasure to watch. This account of these three Western stars’ careers begins in 1946, when Scott and McCrea committed themselves to the Western roles they would play for nearly twenty years. Murphy, who also joined them in 1946, would continue his Western career for a few years after his cohorts rode into the film sunset. Arranged chronologically, and balanced among the three actors, the text concludes with Audie Murphy’s last Western in 1967. Covering both the personal and professional lives of these three Hollywood cowboys, the book provides both their stories and the story of a Hollywood whose attitude toward the Western was in a time of transition and transformation. The text is complemented by 60 photographs and a filmography for each of the three.
Last Chance Cowboys: The Drifter by Anna Schmidt Pdf
"A feisty heroine and a hero eager to make everything right. What more could a reader want?"—Leigh Greenwood, USA Today bestselling author of To Love and to Cherish First in a historical Western series set in the sweeping 1885 Arizona Territory, Maria is in for the fight of her life keeping a greedy corporate conglomerate off her land and drifter cowboy Chet out of her heart. Caught between a greedy corporation and a desperate love of the land, Maria Porterfield barely has time to mourn her father's death. If her family is to survive, it'll be up to her to take charge—but she can't do it alone. When a mysterious drifter rides into town, the handsome cowboy seems like an answer to her prayers. But Chet isn't interested in settling down, no matter how tempting the offer... Chet made his way West looking for a fresh start—the last thing he wants is to get involved in someone else's fight. But something about Maria awakens a powerful need to protect the fierce beauty at all costs. He never thought he'd find love, but as danger presses in, he may find there's more beyond the next horizon than just another long and dusty trail. Where the Trail Ends Series: Last Chance Cowboys: The Drifter (Book 1) Last Chance Cowboys: The Lawman (Book 2) Last Chance Cowboys: The Outlaw (Book 3) Last Chance Cowboys: The Rancher (Book 4)
USA Today bestselling author Caitlin Crews returns to the Cold River Ranch series with The Last Real Cowboy! In Cold River, sometimes forbidden love is the sweetest of them all... Perennial good girl Amanda Kittredge knows that her longtime crush on Brady Everett was never really supposed to go anywhere. But when Brady comes home during Amanda’s first attempt at independence, well, who better to teach her about rebellion than her older brother’s bad-boy best friend? Brady’s plans did not include being forced to work the family homestead for a year—and yet, here he is. And, to make matters worse, his best friend’s innocent little sister is making a menace of herself in the most grown-up, tempting ways. When Amanda begs Brady to teach her about men, he knows he should refuse. But could Brady’s greatest temptation be his salvation? “Loaded with charming characters [and] wit....will win the heart of any romance fan.”—Publishers Weekly (starred review) on A True Cowboy Christmas
This book details the story of a young man, a fictional character, Clem Barnett, during the late 1940's and 1950's, raised as a boy in the mid-west with dreams and visions, based on romantic books and movies, of being a cowboy in the West. He finds himself venturing far from his home in northeastern Oklahoma to hire-out on two very different ranches; first, one in Montana and later, one in Idaho. There, he learns about ranching, the cattle business, and most importantly, about life. He also learns what the modern, for the time period, cowboy is and how it differs greatly from his romantic vision. He faces many adventures and interacts with a host of colorful characters in search of his dreams. Because the story occurs in the early 1950's, the young man is faced with the horrors of participating in the Korean War, and more importantly, facing the emotional effects thereafter. Unlikely characters assist in his recovery and he gains respect and love for the people of the Basque culture who helped him. The story ends with a simple love story and a realization that dreams can be elusive. In the end, he finds peace and happiness and seems to come close to living the life of the romantic cowboy he envisioned. Others see in him a person who so loves the life of a cowboy and confers upon him the title of the last romantic, real life, American Cowboy.
Old Cowboys Never Die by William W. Johnstone,J.A. Johnstone Pdf
From the legendary, bestselling authors of Forever Texas comes a thrilling, action-packed novel that proves old cowboys not only get wiser with age – they get bolder and tougher too… After thirty hard years of chasing stampedes into storms and pushing herds of half-crazy cows across the plains, longtime buddies and cattle drivers Casey Tubbs and Eli Doolin are ready to hang up their spurs. But when they get to Abilene with their final delivery of two thousand cows, the company lawyer has skipped town with their crew’s entire wages. That means there’s just one last job Eli and Casey will have to do… Steal it back. Sure, pulling off a robbery is a new challenge for these old boys. But they’ve learned a lot of tricks over the years —and they’re one hell of a team. Between the two of them, they devise a scheme to hold up the lawyer on the noon train and deliver the money to the men who earned it. Except after pulling off the perfect crime—and getting away with it—an honest, peaceful retirement stops sounding so good. Casey and Eli start thinking they may have missed their calling in life. This could be the start of a whole new career . . . as outlaws. “Superb from start to finish. An instant classic. “ —New York Times Bestselling Author Marc Cameron on Forever Texas
Two rodeo stars get a second chance at high school love when they meet again on a California ranch in a romance by the New York Times bestselling author. Ry Morgan has always had a thing for Avery Hayes—one more hope his twin wrecked for him, kissing her at the high school prom while pretending to be Ry. Eight years later, Ry has had enough: he’s quitting the pro rodeo circuit, moving home to California to mend fences, and letting his brother clean up his own messes for a change. Reclaiming Avery’s stolen kiss is at the top of his agenda. But Avery isn’t the girl she used to be. At the height of her rodeo career, a bad fall left Avery lucky to be alive, let alone walking. Between surgeries and fighting off everybody’s pity, she hasn’t been on a horse since. Ry is strong, confident, and sexy as hell—exactly what she thought she wanted at seventeen. Now, she’ll have to protect the safe space she’s made for herself—or risk it all for a dream she thought would never come again. “If you love cowboys—and who doesn’t—you’ll love the Morgans!” --Cora Seton, New York Times bestselling author on The Reluctant Cowboy
The Compton Cowboys by Walter Thompson-Hernandez Pdf
“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”—Margot Lee Shetterly, New York Times bestselling author of Hidden Figures “Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose Her A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities. In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph. The Compton Cowboys is illustrated with 10-15 photographs.