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Author : Museum of Modern Art (New York, N.Y.),Lincoln Kirstein
Publisher : Unknown
Page : 126 pages
File Size : 44,7 Mb
Release : 1943
Category : Art
ISBN : UTEXAS:059173023286869
Author : Museum of Modern Art (New York, N.Y.),Museo del Barrio (New York, N.Y.)
Publisher : Unknown
Page : 188 pages
File Size : 48,8 Mb
Release : 2004
Category : Art
ISBN : UOM:39015060132787
Katalog til udstilling på El Museo del Barrio, New York. March 4-July 25, 2004
Author : Museum of Modern Art of Latin America
Publisher : General Secretariat Organization of American States
Page : 240 pages
File Size : 43,7 Mb
Release : 1985
Category : Art
ISBN : UTEXAS:059173023286982
Author : Museum of Modern Art (New York, N.Y.)
Publisher : Unknown
Page : 432 pages
File Size : 50,9 Mb
Release : 1993
Category : Art
ISBN : UOM:39076001341614
Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art, New York.
Author : Antonio Castro Leal
Publisher : Unknown
Page : 200 pages
File Size : 44,6 Mb
Release : 2013-10
Category : Electronic
ISBN : 149404157X
This is a new release of the original 1940 edition.
Author : Michele Greet,Gina McDaniel Tarver
Publisher : Routledge
Page : 333 pages
File Size : 44,9 Mb
Release : 2018-03-08
Category : Art
ISBN : 9781351777902
Since the late nineteenth century, art museums have played crucial social, political, and economic roles throughout Latin America because of the ways that they structure representation. By means of their architecture, collections, exhibitions, and curatorial practices, Latin American art museums have crafted representations of communities, including nation states, and promoted particular group ideologies. This collection of essays, arranged in thematic sections, will examine the varying and complex functions of art museums in Latin America: as nation-building institutions and instruments of state cultural politics; as foci for the promotion of Latin American modernities and modernisms; as sites of mediation between local and international, private and public interests; as organizations that negotiate cultural construction within the Latin American diaspora and shape constructs of Latin America and its nations; and as venues for the contestation of elitist and Eurocentric notions of culture and the realization of cultural diversity rooted in multiethnic environments.
Author : Miriam Basilio
Publisher : Routledge
Page : 160 pages
File Size : 44,5 Mb
Release : 2014-06-15
Category : Art
ISBN : 0415843669
The Museum of Modern Art (MoMA) is widely recognized as the preeminent institution that defined twentieth-century art through its collection – shaping our understandings of the history of art, with its hierarchies and exclusions, as they sediment over time. MoMA’s lesser-known holdings of art from Latin America shed light on a key period which created stylistic categories that have since come to be accepted by many today as the Modernist canon. This study sheds light on an as yet unstudied aspect of MoMA’s preeminent role in establishing the definition of the problematic term "Latin American art" in the United States. In examining shifting categorization of these works according to stylistic and geographic taxonomies, we gain a greater understanding of the organization of the Museum’s collections as a whole during the 1940s and 1950s. This book is the first to document these institutional precedents, crucial for the understanding of the articulation of a Modernist canon and its contested legacy today. MoMAs early collection displays suggest ways in which artists from areas of the world formerly excluded from collections can be incorporated within today’s increasingly global museums. Its approach prefigured attitudes adopted by several museums since the 1990s, creating geographically-defined curatorial positions as a way to redress gaps in collecting art from Latin America and other areas of the world. In this book, author Miriam Basilio offers a closer study of the history of collection displays as a means to understand canon-formation in modern art museums.
Author : Edward J. Sullivan
Publisher : Penn State University Press
Page : 0 pages
File Size : 49,6 Mb
Release : 2018
Category : Art, Latin American
ISBN : 0271079525
Explores the formation of public and private collections of Spanish Colonial and modern Latin American art throughout the United States, and the impact of the ever-changing political landscape of Latin American countries.
Author : Barry Bergdoll,Carlos Eduardo Comas,Jorge Francisco Liernur,Patricio Del Real
Publisher : Museum of Modern Art, New York
Page : 320 pages
File Size : 46,6 Mb
Release : 2015
Category : Architecture
ISBN : 0870709631
In 1955 The Museum of Modern Art staged Latin American Architecture since 1945, a landmark survey of modern architecture in Latin America. Published in conjunction with a new exhibition that revisits the region on the 60th anniversary of that important show, Latin America in Construction: Architecture 1955-1980 offers a complex overview of the positions, debates, and architectural creativity from Mexico and Cuba to the Southern Cone between 1955 and the early 1980s. The publication features a wealth of original materials that have never before been brought together to illustrate a period of self-questioning, exploration and complex political shifts that saw the emergence of the notion of Latin America as a landscape of development. Richly illustrated with architectural drawings, vintage photographs, sketches and newly commissioned photographs, the catalogue presents the work of architects who met the challenges of modernization with innovative formal, urbanistic and programmatic solutions. Today, when Latin America is again providing exciting and challenging architecture and urban responses, Latin America in Construction brings this vital post-war period to light.
Author : Stephanie D'Alessandro,Luis Pérez Oramas
Publisher : Yale University Press
Page : 385 pages
File Size : 48,7 Mb
Release : 2017-01-01
Category : Art
ISBN : 9780300228618
An exploration of the innovative, quintessentially Brazilian painter who merged modernism with the brilliant energy and culture of her homeland Tarsila do Amaral (1886-1973) was a central figure at the genesis of modern art in her native Brazil, and her influence reverberates throughout 20th- and 21st-century art. Although relatively little-known outside Latin America, her work deserves to be understood and admired by a wide contemporary audience. This publication establishes her rich background in European modernism, which included associations in Paris with artists Fernand Léger and Constantin Brancusi, dealer Ambroise Vollard, and poet Blaise Cendrars. Tarsila (as she is known affectionately in Brazil) synthesized avant-garde aesthetics with Brazilian subjects, creating stylized, exaggerated figures and landscapes inspired by her native country that were powerful emblems of the Brazilian modernist project known as Antropofagía. Featuring a selection of Tarsila's major paintings, this important volume conveys her vital role in the emerging modern-art scene of Brazil, the community of artists and writers (including poets Oswald de Andrade and Mário de Andrade) with whom she explored and developed a Brazilian modernism, and how she was subsequently embraced as a national cultural icon. At the same time, an analysis of Tarsila's legacy questions traditional perceptions of the 20th-century art world and asserts the significant role that Tarsila and others in Latin America had in shaping the global trajectory of modernism.
Author : Patricio del Real
Publisher : Unknown
Page : 320 pages
File Size : 45,5 Mb
Release : 2022-05-24
Category : Architecture
ISBN : 0300254563
A nuanced look at how the Museum of Modern Art's carefully curated treatment of Latin American architecture promoted U.S. political, economic, and cultural interests In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of "Americanness" and "modernity" in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA's role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
Author : Smithsonian American Art Museum
Publisher : Giles
Page : 374 pages
File Size : 54,7 Mb
Release : 2014
Category : Art
ISBN : UCSD:31822040874976
Explores how one group of Latin American artists express their relationship to American art, history and culture.
Author : Anonim
Publisher : Unknown
Page : 34 pages
File Size : 55,6 Mb
Release : 1873
Category : Electronic
ISBN : OCLC:492776104
Author : Alexandra Schwartz
Publisher : The Museum of Modern Art
Page : 266 pages
File Size : 53,6 Mb
Release : 2010
Category : Art, Modern
ISBN : 9780870706608
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
Author : Juliet Kinchin,Aidan O'Connor
Publisher : The Museum of Modern Art
Page : 89 pages
File Size : 55,9 Mb
Release : 2011
Category : Antiques & Collectibles
ISBN : 9780870708084
Catalog of an exhibition held at the Museum of Modern Art, New York, Sept. 15, 2010-May 2, 2011.
