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The Life and Times of Peter Ilyich Tchaikovsky by Jim Whiting Pdf
The most popular of all Russian composers, Peter Tchaikovsky is probably best known for his ballets. Swan Lake, Sleeping Beauty, and Nutcracker are still performed worldwide. But a good part of Tchaikovsky s career was spent writing operas. Eugene Onegin and The Queen of Spades are two of his better-known works. A precocious child, Peter could read French and German by the age of six. At seven, he wrote verses in French. In school, he studied to be a lawyer. It was not until he was twenty-one years old that he turned his focus to music. But this man who made such beautiful melodies was unhappy most of his life. He was terrified when he stood in front of an orchestra. He had an unrealistic fear that his head would fall off and he actually held his left hand under his chin to keep his head attached! However, he left a great legacy of beautiful music. From the diaries and letters he wrote, we know about the life of Peter Tchaikovsky. In this book, young adults are introduced to one of the greatest composers of all time.
The Life and Times of Peter Ilych Tchaikovsky by Jim Whiting Pdf
Chronicles the troubled life of the nineteenth-century Russian composer. Includes sidebars about such topics as serfs, Leo Tolstoy, and the invention of the phonograph.
Robert Sarkissian offers biographical information about the Russian composer Pyotr Ilich Tchaikovsky (1840-1893), as part of the Island of Freedom resource. Tchaikovsky composed many types of compositions and is well known for his ballet works that include "The Nutcracker" and "Sleeping Beauty." Sarkissian features an image of the composer and a list of variant spellings of Tchaikovsky's name.
Written for the layman, this new biography of the world's most popular composer contains previously unrevealed material gathered from Russian files about his probable suicide at the age of 53 after being threatened with the exposure of his homosexuality. of photos.
When Pyotr Ilyich Tchaikovsky died of cholera in 1893, he was without a doubt Russia’s most celebrated composer. Drawing extensively on Tchaikovsky’s uncensored letters and diaries, this richly documented biography explores the composer’s life and works, as well as the larger and richly robust artistic culture of nineteenth-century Russian society, which would propel Tchaikovsky into international spotlight. Setting aside clichés of Tchaikovsky as a tortured homosexual and naively confessional artist, Philip Ross Bullock paints a new and vivid portrait of the composer that weaves together insights into his music with a sensitive account of his inner emotional life. He looks at Tchaikovsky’s appeal to wealthy and influential patrons such as Nadezhda von Meck and Tsar Alexander III, and he examines Russia’s growing hunger at the time for serious classical music. Following Tchaikovsky through his celebrity up until his 1891 performance at New York’s Carnegie Hall and his honorary doctorate at the University of Cambridge, Bullock offers an accessible but deeply informed window onto Tchaikovsky’s life and works.
This biography looks at the life and work of Pyotr Tchaikovsky, with illustrations from his life and the Russia in which he lived. Simple keyboard arrangements of some of his work, including "Romeo and Juliet", the "1812 Overture" and the "Pathetique" symphony are included.
The Life & Letters of Pete Ilich Tchaikovsky by Rosa Harriet Jeaffreson Newmarch,Modest Ilich Chaikovskii Pdf
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The Life & Letters of Peter Ilich Tchaikovsky by Modeste Tchaikovsky Pdf
IN offering to English and American readers this abridged edition of The Life and Letters of Peter Ilich Tchaikovsky, my introduction must of necessity take the form of some justification of my curtailments and excisions. The motives which led to this undertaking, and the reasons for my mode of procedure, may be stated in a few words. In 1900 I published a volume dealing with Tchaikovsky, which was, I believe, the first attempt to embody in book form all the literatureÑscattered through the byways of Russian journalismÑconcerning the composer of the Pathetic Symphony. In the course of a year or twoÑthe book having sold out in England and AmericaÑa proposal was made to me to prepare a new edition. Meanwhile, however, the authorised Life and Letters, compiled and edited by the composerÕs brother, Modeste Ilich Tchaikovsky, was being issued in twenty-five parts by P. I. Jurgenson, of Moscow. This original Russian edition was followed almost immediately by a German translation, published in Leipzig by the same firm. In November, 1901, the late P. I. Jurgenson approached me on the subject of a translation, but his negotiations with an American firm eventually fell through. He then requested me to find, if possible, an English publisher willing to take up the book. Both in England and America the public interest in Tchaikovsky seemed to be steadily increasing. Frequent calls for copies of my small bookÑby this time out of printÑtestified that this was actually the case. An alternative course now lay before me: to revise my own book, with the help of the material furnished by the authorised Life and Letters, or to take in hand an English translation of the latter. The first would have been the less arduous and exacting task; on the other hand, there was no doubt in my mind as to the greater value and importance of Modeste TchaikovskyÕs work. The simplestÑand in many ways most satisfactoryÑcourse seemed at first to be the translation of the Russian edition in its entirety. Closer examination, however, revealed the fact that out of the 3,000 letters included in this book a large proportion were addressed to persons quite unknown to the English and American publics; while at the same time it contained a mass of minute and almost local particulars which could have very little significance for readers unversed in every detail of Russian musical life.Ê
Tchaikovsky has long intrigued music-lovers as a figure who straddles many borders--between East and West, nationalism and cosmopolitanism, tradition and innovation, tenderness and bombast, masculine and feminine. In this book, through consideration of his music and biography, scholars from several disciplines explore the many sides of Tchaikovsky. The volume presents for the first time in English some of Tchaikovsky's own writings about music, as well as three influential articles, previously available only in German, from the 1993 Tübingen conference commemorating the centennial of Tchaikovsky's death. Tchaikovsky's distinguished biographer, Alexander Poznansky, reveals new findings from his most recent archival explorations in Kiln, Tchaikovsky's home. Poznansky makes accessible for the first time the full text of perviously censored letters, clarifying issues about the composer's life that until now have remained mere conjecture. Leon Botstein examines the world of realist art that was so influential in Tchaikovsky's day, while Janet Kennedy describes how interpretations of Tchaikovsky's ballet Sleeping Beauty act as a barometer of the aesthetic and even political climate of several generations. Natalia Minibayeva elucidates the First Orchestral Suite as a workshop for Tchaikovsky's composition of large-scale works, including symphony, opera, and ballet, while Susanne Dammann discusses the problematic Fourth Symphony as a work perfectly poised between East and West. Arkadii Klimovitsky considers Tchaikovsky's role as a link between Russia's Golden and Silver Ages. The extensive interaction between music and literature in this period forms the basis for Rosamund Bartlett's essay on creative parallels between Tchaikovsky and Chekhov. Richard Wortman describes the political climate at the end of Tchaikovsky's life, including Alexander III's mania for re-creating seventeenth-century Russian culture. Caryl Emerson, Kadja Grönke, and Leslie Kearney examine a number of issues raised by Tchaikovsky's operas. Marina Kostalevsky translates Nikolai Kashkin's 1899 review of Tchaikovsky's controversial opera Orleanskaia Deva (The Maid of Orleans). The book concludes with examples of theoretical writing by Tchaikovsky and Rimsky-Korsakov, authors of Russia's first two systematic books on music theory. Lyle Neff translates and provides commentary on compositional issues that Tchaikovsky discusses in personal correspondence, as well as Rimsky-Korsakov's analysis of his own opera Snegurochka (The Snow Maiden). Tchaikovsky and His World will change how we understand the life, works, and intellectual milieu of one of the most important and beloved composers of the nineteenth century. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
He changed ballet forever. And hid his wounds even longer. Pyotr Ilyich Tchaikovsky was a tortured soul. Bestowed with a rare musical gift, but burdened by demons of self-doubt and passions forbidden in 19th century Russia, Pyotr struggled to release the music inside his head. And equally, to find romantic fulfillment that always remained just beyond his reach. He was deeply affected by the women in his life - those he loved, those he despised, and those whose affection he longed so badly to hold. Yet, aside from music, his truest passion was reserved only for men. Tchaikovsky refused to abide by the rules of the musical establishment of his time. Assailed by critics as being 'neither Russian nor German, ' he endured scathing criticism which he often took to heart, destroying many of his own 'imperfect' compositions. This compelling new work takes you inside the head of Pyotr - from age seven to his untimely death at fifty-three. It also provides a layman's guide to his music and his musical influences, and the techniques Tchaikovsky used to chart his musical destiny. Reader comments: "I love it! It's moving and makes me want to hear the music." "You cry out in anguish as your mother and sisters disappear in to the distance, leaving you all alone in a strange place, at such a tender young age; or wince in pain with lashings from the tutor." "As a musician myself, I nodded in understanding as Pyotr describes how the music of Mozart moves him to tears, while the notes appear as pictures in his mind." "I appreciated the intimate focus on Pyotr." "I felt compelled to play some Tchaikovsky after reading this, and settled on the first movement of the Manfred symphony." Go behind the scenes and journey into the life and music of one of the world's most popular composers with Pyotr - The Life and Music of Pyotr Ilyich Tchaikovsky.
The Story of Peter Tchaikovsky by Opal Wheeler Pdf
Little Peter was born in the small mining town of Votkinsk, Russia, not far from the border of Asia. His father was a mine inspector. Miss Wheeler has shown sympathetically yet quite frankly what a nervous, unpredictable child Peter was and how his love for music, even as a very little boy, was almost greater than he could bear. Any sort of routine or application to work was impossible for him, and as a result, when a young man he could not bring himself to practice law. However, music still beckoned, and under the great Anton Rubinstein, he made certain progress. Here again, though, he broke all the established rules for composing and drove his master to despair. It was early one morning, seated at a table in the deserted dining room of an inn, that he wrote the first draft of his first symphony. Here is a fascinating picture of Tchaikovsky the brilliant composer and delightful companion. It is perfect for young readers.
Pyotr Ilyich Tchaikovsky's works have established him among the first rank of European composers. Under the repressive autocratic rule of the Tsars, the educated middle classes in 19th-century Russia explored their own folk tradition to discover a cultural identity. Fusing this musical heritage with the traditions of the Western symphony, Tchaikovsky fashioned eloquent, passionate, & supremely tuneful music with a direct emotional appeal. This lavishly illustrated biography recreates the dramatic events of Tchaikovsky's controversial career. Included are extracts, in simple keyboard arrangements, from some of his most popular works, including the Pathetique Symphony,Ó the 1812 Overture,Ó & the First Piano Concerto.Ó
