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The Lost Notebooks of Loren Eiseley by Loren C. Eiseley Pdf
This indispensable collection is filled with marvelous autobiographical glimpses of Loren Eiseley at different points in his life-as a young, inquisitive man during the Depression, as an astute archaeologist, as a blossoming writer, and lastly, as a world-renowned observer and essayist. Also included are poems, short stories, an array of Eiseley's absorbing observations on the natural world, and his always startling reflections on the nature and future of humankind and the universe.
Fox at the Wood's Edge by Gale E. Christianson Pdf
Presents a biography of the naturalist and writer, describing how his work stems from his loveless childhood with a mentally ill mother and traveling salesman father and his determination to succeed.
Loren Eiseley’s Writing across the Nature and Culture Divide by Qianqian Cheng Pdf
For the twentieth-century naturalist and poet Loren Eiseley, the relationship between human beings and the natural world has become unnatural, divided by the era of modern technology. Loren Eiseley’s Writing across the Nature and Culture Divide analyses how the philosopher of science becomes a boundary crosser in time and space. Qianqian Cheng points to Eiseley’s method of uniting science and the humanities to reflect on human evolution and the past and future role of science with a visionary and poetic imagination. Seizing the connectedness of living beings, Eiseley, and now Cheng, makes us aware of the presence of nature even in daily urban life. Qianqian Cheng unveils Eiseley’s merits, showing the poet as a necessary voice in the urgent mission to make individuals realize their responsibility to respond ethically to the living world.
A native of Lincoln, Nebraska, Loren Eiseley began his lifelong exploration of nature in the salt flats and ponds around his hometown and in the mammoth bone collection hoarded in the old red brick museum at the University of Nebraska, where heøconducted his studies in anthropology. It was in pursuit of this interest, and in the expression of his natural curiosity and wonder, that Eiseley sprang to national fame with the publication of such works as The Immense Journey and The Firmament of Time. In All the Strange Hours, Eiseley turns his considerable powers of reflection and discovery on his own life to weave a compelling story, related with the modesty, grace, and keen eye for a telling anecdote that distinguish his work. His story begins with his childhood experiences as a sickly afterthought, weighed down by the loveless union of his parents. From there he traces the odyssey that led to his search for early postglacial man?and into inspiriting philosophical territory?culminating in his uneasy achievement of world renown. Eiseley crafts an absorbing self-portrait of a man who has thought deeply about his place in society as well as humanity?s place in the natural world.
Emerson and Environmental Ethics by Susan Dunston Pdf
At the core of Emerson’s philosophy is his view as a naturalist that we are “made of the same atoms as the world is.” In counterpoint to this identity, he noted the fluid evolution and diversity of combinations and configurations of those atoms. Thus, he argued, our “relation and connection” to the world are not occasional or recreational, but “everywhere and always,” and also reciprocal, ongoing, and creative. He declared he would be a naturalist, which for him meant being a knowledgeable “lover of nature.” Emerson’s famous insistence on an “original relation to the universe” centered on morally creative engagement with the environment. It took the form of a nature literacy that has become central to contemporary environmental ethics. The essential argument of this book is that Emerson’s integrated philosophy of nature, ethics, and creativity is a powerful prototype for a diverse range of contemporary environmental ethics. After describing Emerson’s own environmental literacy and ethical, aesthetic, and creative practices of relating to the natural world, Dunston delineates a web of environmental ethics that connects Emerson to contemporary eco-feminism, living systems theory, Native American science, Asian philosophy, and environmental activism.
This important and urgent environmentalist text examines the origins and possible futures of humankind within the context of the Space Age To read Loren Eiseley is to renew a sense of wonder at the miracles and paradoxes of evolution and the ever-changing diversity of life. In this brilliant collection, he considers the cosmological significance and ultimate meanings of our evolutionary history, offering a series of profound, lyrical meditations on the origins and possible futures of humankind against the backdrop of the Apollo landings. As Western civilization attains new heights of scientific awareness and technological skill, he asks, is it also blind to its own limits and destructive capacities? Always a fond observer of the natural world, Eiseley makes a newly urgent, environmentalist plea in The Invisible Pyramid: we must protect the fragile “world island” against our unchecked power to pollute and consume it.
A lyrical and meditative tour de force that traces the evolution of man and science, including the rise of scientific inquiry In The Firmament of Time—nominated for a National Book Award—Loren Eiseley offers a series of brilliant, provocative excursions through the history of science. A paleontologist with the soul and skill of a poet, he reflects on the many ways in which the quest for knowledge has been shaped by the changing cultures in which it emerged and developed. Examining the role of metaphor in scientific thought, anticipations of scientific discoveries in the works of poets and novelists, and the “unconscious conformity” of scientific theory to prevailing orthodoxies, he argues for the ongoing relevance of dreams, the imagination, and the irrational to scientific progress.
In 1910 young Loren Eiseley watched the passage of Halley?s Comet with his father. The boy who became a famous naturalist was never again to see the spectacle except in his imagination. That childhood event contributed to the profound sense of time and space that marks The Invisible Pyramid. This collection of essays, first published shortly after Americans landed on the moon, explores inner and outer space, the vastness of the cosmos, and the limits of what can be known. Bringing poetic insight to scientific discipline, Eiseley makes connections between civilizations past and present, multiple universes, humankind, and nature.
Artifacts & Illuminations by Tom Lynch,Susan Naramore Maher Pdf
Loren Eiseley (1907?77) is one of the most important American nature writers of the twentieth century and an admired practitioner of creative nonfiction. A native of Lincoln, Nebraska, Eiseley was a professor of anthropology and a prolific writer and poet who worked to bring an understanding of science to the general public, incorporating religion, philosophy, and science into his explorations of the human mind and the passage of time. As a writer who bridged the sciences and the humanities, Eiseley is a challenge for scholars locked into rigid disciplinary boundaries. Artifacts and Illuminations, the first full-length collection of critical essays on the writing of Eiseley, situates his work in the genres of creative nonfiction and nature writing. The contributing scholars apply a variety of critical approaches, including ecocriticism and place-oriented studies ranging across prairie, urban, and international contexts. Contributors explore such diverse topics as Eiseley?s use of anthropomorphism and Jungian concepts and examine how his work was informed by synecdoche. Long overdue, this collection demonstrates Eiseley?s continuing relevance as both a skilled literary craftsman and a profound thinker about the human place in the natural world.
In this profoundly original book, Jennifer Bloomer addresses important philosophical questions concerning the relation between writing and architecture. Drawing together two cultural fantasies from different periods--one literary and one architectural--Bloomer uses the allegorical strategies she finds in James Joyce's Finnegans Wake to analyze three works of Giambattista Piranesi (Campo Marzio, Collegio, and the Carceri). Bloomer argues that architecture is a system of representation, with signifying possibilities that go beyond the merely symbolic. Bloomer reads the texts and ideas of Joyce and Piranesi against one another, further illuminating them with insights from myth, religion, linguistics, film theory, nursery rhymes, and personal anecdotes, as well as from poststructuralist, Marxist, and feminist criticism. Combining the strategies of Finnegans Wake, which Joyce himself called architectural, with conventional strategies of architectural thinking, Bloomer creates a new way of thinking architecturally that is not dominated by linear models and that appropriates ideas, parts, and theoretical frameworks from many other disciplines. Demonstrating her argument by dramatic example, Bloomer's treatise--like Joyce's word-play and Piranesi's play with visual representation--offers the pleasure of ongoing discovery.