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The Making and Unmaking of a University Museum by Brian J. Young Pdf
In The Making and Unmaking of a University Museum Young elucidates the relationship between museums and communities by examining the nineteenth-century social context of the family who bequeathed their collection to McGill University and the collection's fate in an academic institution. Tracing the museum's history from its founding by David Ross McCord, he emphasizes the centrality of elite women to the culture of the museum and its survival in the twentieth century, the museum's importance as the collective memory of Montreal's English-speaking elite, and the difficulty academic historians have had in dealing with material history.
The Making and Unmaking of a University Museum by Brian Young Pdf
Museums and cultural institutions across North America and Europe are being transformed by budget cuts, re-evaluation of their cultural missions, evolving concepts of museology, and changing audiences, making Brian Young's trenchant history of a prestigious university museum, Montreal's McCord Museum of Canadian History, especially pertinent. In The Making and Unmaking of a University Museum Young elucidates the relationship between museums and communities by examining the nineteenth-century social context of the family who bequeathed their collection to McGill University and the collection's fate in an academic institution. Tracing the museum's history from its founding by David Ross McCord, he emphasizes the centrality of elite women to the culture of the museum and its survival in the twentieth century, the museum's importance as the collective memory of Montreal's English-speaking elite, and the difficulty academic historians have had in dealing with material history. He recounts a sorry tale of mismatched institutional and intellectual cultures that culminated in the university's transfer of custodial responsibility to a corporate museum board and the collapse of the museum's central research and conservation mandates. The Making and Unmaking of a University Museum reveals the complex and often conflicting relationships between private collectors, curators, museum and university officials, volunteers, researchers, philanthropic foundations, the state, and the public. It shows how the makeup, interests, and perspectives of these groups have changed over the course of the century, leading to the current crisis in which many museums are forced to function according to a corporate culture in which the dictates of audience size, marketing, and public relations experts dominate the priorities of curators and collections, the needs of scholars and students, and the interests of communities. Young exposes the present-day conflict between cultural institutions operating ahistorically and often without any social vision and a public demanding greater help in understanding the past. It will be of interest to everyone who cares about culture, museums, and public memory.
Patrician Families and the Making of Quebec by Brian Young Pdf
History has often ignored the influence in modern Quebec of family dynasties, patriarchy, seigneurial land, and traditional institutions. Following the ascent of four generations from two families through eighteenth-century New France to the onset of the First World War, Patrician Families and the Making of Quebec compares the French Catholic Taschereaus and the Anglican and English-speaking McCords. Consulting private, institutional, and legal archives, Brian Young studies eight family patriarchs. Working as merchants or colonial administrators in the first generation, they became seigneurial proprietors, officeholders, and prelates. The heads of both families used marriage arrangements, land stewardship, and judgeships to position their heirs. Young shows how patriarchy was a central force in both domestic and public life, as well as the ways in which Taschereau and McCord family strategies extended into the marrow of Quebec society through moral authority, influence on national identities, and their positions within senior offices in religious, judicial, and university institutions. Through courthouses, cemeteries, belfries, and their own chapels and neoclassical estates, they created encompassing cultural landscapes. Later generations used museums, archives, historian collaborators, photography, and modern print to elevate family achievement to the status of heroic national narratives. Sagas of the monied and entrepreneurial, nationalist imperatives to protect a vulnerable people, and skepticism about the lasting power of great families and historical institutions have relegated the influence of the Taschereaus and McCords to obscurity. Patrician Families and the Making of Quebec resuscitates the central role these elite families played in English and French Quebec.
Museum Matters by Miruna Achim,Susan Deans-Smith,Sandra Rozental Pdf
Museum Matters tells the story of Mexico's national collections through the trajectories of its objects. The essays in this book show the many ways in which things matter and affect how Mexico imagines its past, present, and future.
Partiendo del museo público más antiguo de Canadá, el New Brunswick Museum en Saint John, la autora realiza un estudio de los museos como instituciones culturales entre 1842 y 1950, enfatizando sus relaciones con las escuelas, las bibliotecas o las agencias gubernamentales.
In the 1960s, Canadians could step through time to eighteenth-century trading posts or nineteenth-century pioneer towns. These living history museums promised authentic reconstructions of the past but, as Time Travel shows, they revealed more about mid-twentieth-century interests and perceptions of history than they reflected historical fact. These museums became important components of post-war government economic growth and employment policies. Shaped by political pressures and the need to balance education and entertainment, they reflected Canadians’ struggle to establish a pan-Canadian identity in the context of multiculturalism, competing nationalisms, First Nations resistance, and the growth of the state.
First Nations, First Thoughts by Annis May Timpson Pdf
Countless books and articles have traced the impact of colonialism and public policy on Canada's First Nations, but few have explored the impact of Aboriginal thought on public discourse and policy development in Canada. First Nations, First Thoughts brings together Aboriginal and non-Aboriginal scholars who cut through the prevailing orthodoxy to reveal Indigenous thinkers and activists as a pervasive presence in diverse political, constitutional, and cultural debates and arenas, including urban spaces, historical texts, public policy, and cultural heritage preservation. This innovative, thought-provoking collection contributes to the decolonization process by encouraging us to imagine a stronger, fairer Canada in which Aboriginal self-government and expression can be fully realized.
Author : Jeff Webb Publisher : University of Toronto Press Page : 377 pages File Size : 43,8 Mb Release : 2024-05-01 Category : History ISBN : 9781487555375
In 1949, Newfoundland and Labrador had a widely celebrated oral culture but little visual art. After entering the Canadian federation, recreational painters worked to create a venue for the display of art. The Cause of Art tells the story of the advocates, curators, and professional artists who laid the foundation for an artistic community in the province. The Memorial University Art Gallery was the site of a struggle between recreational painters who aspired to express their creative impulse and develop a Newfoundland art, and curators who wanted artists to participate in the Canadian art market and international artistic movements. The book recounts the history of passionate and strong-willed curators and cultural administrators who fought for control of the gallery. It reveals how they appealed to competing conceptions of professionalization, as well as diverse political and aesthetic preferences. Based on extensive archival research in previously unexamined collections, and oral interviews with key informants, this book examines a cultural institution that is widely remembered as the centre of the cultural renaissance in late twentieth-century Newfoundland and Labrador. As a result, The Cause of Art illuminates the relationship between the state and the university during a key period in the modernization of the province.
Assessing the Contributions of Higher Education by Simon Marginson,Brendan Cantwell,Daria Platonova,Anna Smolentseva Pdf
This is an open access title available under the terms of a CC BY-NC-ND 4.0 License. It is free to read, download and share on Elgaronline.com. Despite the broad engagement of higher education institutions in most social sectors, limited thinking and hyper-individualistic approaches have dominated discussions of their value to society. Advocating a more rigorous and comprehensive approach, this insightful book discusses the broad range of contributions made by higher education and the many issues entailed in theorising, observing, measuring and evaluating those contributions.
A Short History of Quebec by John A. Dickinson,Brian J. Young Pdf
In a new chapter on contemporary Quebec, the book examines the 1995 referendum, discusses the ideological shifts and societal changes in Quebec under the Bouchard government, and considers Quebec's place in North America in the wake of NAFTA. A Short History of Quebec offers a concise yet comprehensive overview of the province from the pre-contact native period to the death of Pierre Trudeau in 2001. The authors provide an insightful perspective on the history of Quebec, focusing on the social, economic, and political development of the region and its peoples. Engagingly written, this expanded and updated third edition is an ideal starting place to learn about Quebec.
Collecting Mesoamerican Art before 1940 by Andrew D. Turner,Megan E. O'Neil Pdf
The untold chronicles of the looting and collecting of ancient Mesoamerican objects. This book traces the fascinating history of how and why ancient Mesoamerican objects have been collected. It begins with the pre-Hispanic antiquities that first entered European collections in the sixteenth century as gifts or seizures, continues through the rise of systematic collecting in Europe and the Americas during the nineteenth and twentieth centuries, and ends in 1940—the start of Europe’s art market collapse at the outbreak of World War II and the coinciding genesis of the large-scale art market for pre-Hispanic antiquities in the United States. Drawing upon archival resources and international museum collections, the contributors analyze the ways shifting patterns of collecting and taste—including how pre-Hispanic objects changed from being viewed as anthropological and scientific curiosities to collectible artworks—have shaped modern academic disciplines as well as public, private, institutional, and nationalistic attitudes toward Mesoamerican art. As many nations across the world demand the return of their cultural patrimony and ancestral heritage, it is essential to examine the historical processes, events, and actors that initially removed so many objects from their countries of origin.
Art Museums of Latin America by Michele Greet,Gina McDaniel Tarver Pdf
Since the late nineteenth century, art museums have played crucial social, political, and economic roles throughout Latin America because of the ways that they structure representation. By means of their architecture, collections, exhibitions, and curatorial practices, Latin American art museums have crafted representations of communities, including nation states, and promoted particular group ideologies. This collection of essays, arranged in thematic sections, will examine the varying and complex functions of art museums in Latin America: as nation-building institutions and instruments of state cultural politics; as foci for the promotion of Latin American modernities and modernisms; as sites of mediation between local and international, private and public interests; as organizations that negotiate cultural construction within the Latin American diaspora and shape constructs of Latin America and its nations; and as venues for the contestation of elitist and Eurocentric notions of culture and the realization of cultural diversity rooted in multiethnic environments.
Unmaking the Public University by Christopher Newfield Pdf
An essential American dream—equal access to higher education—was becoming a reality with the GI Bill and civil rights movements after World War II. But this vital American promise has been broken. Christopher Newfield argues that the financial and political crises of public universities are not the result of economic downturns or of ultimately valuable restructuring, but of a conservative campaign to end public education’s democratizing influence on American society. Unmaking the Public University is the story of how conservatives have maligned and restructured public universities, deceiving the public to serve their own ends. It is a deep and revealing analysis that is long overdue. Newfield carefully describes how this campaign operated, using extensive research into public university archives. He launches the story with the expansive vision of an equitable and creative America that emerged from the post-war boom in college access, and traces the gradual emergence of the anti-egalitarian “corporate university,” practices that ranged from racial policies to research budgeting. Newfield shows that the culture wars have actually been an economic war that a conservative coalition in business, government, and academia have waged on that economically necessary but often independent group, the college-educated middle class. Newfield’s research exposes the crucial fact that the culture wars have functioned as a kind of neutron bomb, one that pulverizes the social and culture claims of college grads while leaving their technical expertise untouched. Unmaking the Public University incisively sets the record straight, describing a forty-year economic war waged on the college-educated public, and awakening us to a vision of social development shared by scientists and humanists alike.
National Museums in Africa by Raymond Silverman,George Abungu,Peter Probst Pdf
National Museums in Africa brings the voices of African museum professionals into dialogue with scholars and, by so doing, is able to consider the state of African national museums from fresh perspectives. Covering all regions of the continent, the volume’s thirteen chapters allow for a deep and nuanced understanding of the intricate interplay between past and present in contemporary Africa. Taking stock of the shifting museum landscape in Africa, with new players like China and South Korea challenging the conditions of cultural exchange, the book demonstrates that national museums are being rediscovered as important sites of political engagement and cultural negotiation. This is the first book to critically examine the roles national museums in Africa have played in the societies in which they are situated, but it is also the first to consider the roles that national museums might play in current debates concerning the restitution and repatriation of cultural patrimony taken from Africa during the colonial era. Informed by a comparative and interdisciplinary perspective, this ground-breaking book will appeal to anyone interested in museums in Africa. It will be particularly useful to scholars and students working in the areas of museum and heritage studies, African studies, anthropology, archaeology, history, art history and cultural studies.