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The behind-the-scenes story of a television classic, presenting a full illustrated account of the show's history, the program's remarkable surge in popularity, and the factors that led to the show's cancellation. Includes a complete episode guide. 80 black-and-white photographs.
One of a series of novels based on the cult 1960s TV spy series, The Man From UNCLE. The series was conceived as a Bond pastiche, pitting Napoleon Solo (Robert Vaughan) and Illya Kuryaki (David McCallum) of the secret organization UNCLE against their evil counterparts THRUSH.
One of a series of novels based on the cult 1960s TV spy series, The Man From UNCLE. The series was conceived as a Bond pastiche, pitting Napoleon Solo (Robert Vaughan) and Illya Kuryaki (David McCallum) of the secret organization UNCLE against their evil counterparts THRUSH.
James Bond and Popular Culture by Michele Brittany Pdf
The most recognizable fictional spy and one of the longest running film franchises, James Bond has inspired a host of other pop culture contributions, including Doctor Who (the Jon Pertwee era), the animated television comedy series Archer, Matt Kindt's comic book series Mind MGMT, Japan's Nakano Spy School Films, the 1960s Italian Eurospy genre, and the recent 007 Legends video game. This collection of new essays analyzes Bond's phenomenal literary and filmic influence over the past 50-plus years. The 14 essays are categorized into five parts: film, television, literature, lifestyle (emphasis on fashion and home decor), and the Bond persona reinterpreted.
Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.
Fandom, the Next Generation by Bridget Kies,Megan Connor Pdf
This collection is the first to offer a close study of fan generations, which are defined not only by fans’ ages, but by their entry point into a canon or their personal politics. The contributors further the conversation about how generational fandom is influenced by and, in turn, influences technologies, industry practices, and social and political changes. As reboot culture continues, as franchises continue expanding over time, and as new technologies enable easier access to older media, Fandom, the Next Generation offers a necessary investigation into transgenerational fandoms and intergenerational fan relationships. Contributors: Maria Alberto, University of Utah Mélanie Bourdaa, University of Bordeaux Montaigne Meredith Dabek, Maynooth University Simone Driessen, Erasmus University Rotterdam Yektanurşin Duyan, Mardin Artuklu University Dan Golding, Swinburne University of Technology Bethan Jones, Aberdale, Wales (UK) Siobhan Lyons, Sydney, New South Wales (Australia) L. N. Rosales, University of Nebraska, Lincoln Andrew Scahill, University of Colorado, Denver Janelle Vermaak, Nelson Mandela University Cynthia W. Walker, St. Peter’s University Dawn Walls-Thumma, independent scholar Neta Yodovich, University of Haifa
Though science fiction certainly existed prior to the surge of television in the 1950s, the genre quickly established roots in the new medium and flourished in subsequent decades. In Channeling the Future: Essays on Science Fiction and Fantasy Television, Lincoln Geraghty has assembled a collection of essays that focuses on the disparate visions of the past, present, and future offered by science fiction and fantasy television since the 1950s and that continue into the present day. These essays not only shine new light on often overlooked and forgotten series but also examine the 'look' of science fiction and fantasy television, determining how iconography, location and landscape, special effects, set design, props, and costumes contribute to the creation of future and alternate worlds. Contributors to this volume analyze such classic programs as The Twilight Zone, Voyage to the Bottom of the Sea, and The Man from U.N.C.L.E., as well as contemporary programs, including Star Trek: The Next Generation, Angel, Firefly, Futurama, and the new Battlestar Galactica. These essays provide a much needed look at how science fiction television has had a significant impact on history, culture, and society for the last sixty years.
Batman '66 Meets the Man From U.N.C.L.E. by Jeff Parker Pdf
Two of the best-loved TV series of the 1960s collide in a pop art, action-packed thrill ride from the acclaimed writer of BATMAN ’66! Napoleon Solo is the man from U.N.C.L.E.—the United Network Command for Law and Enforcement. Together with his partner, the Soviet agent Illya Kuryakin, Solo defends the globe from the sinister agents of T.H.R.U.S.H. Batman and Robin are the Dynamic Duo, ready to protect Gotham City from their dastardly rogues gallery whenever Commissioner Gordon calls. But when a mysterious T.H.R.U.S.H. agent engineers a mass breakout from Arkham Asylum, Solo and Kuryakin find themselves in Gotham, hot on the trail of villains like Poison Ivy, Egghead and Mr. Freeze. Their main suspect in the breakout? None other than millionaire playboy Bruce Wayne! Only a globe-trotting adventure to discover the real mastermind can clear Bruce Wayne’s good name. And when Batman and Robin team up with Solo and Kuryakin, evil doesn’t stand a chance! Writer Jeff Parker (BATMAN ’66, FUTURE QUEST) and artist David Hahn (FABLES) bring these titanic icons of the small screen together for the first Bat-time! Collects BATMAN ’66 MEETS THE MAN FROM U.N.C.L.E. digital chapters 1-12.
Television, Social Media, and Fan Culture by Alison F. Slade,Amber J. Narro,Dedria Givens-Carroll Pdf
Television, Social Media, and Fan Culture examines how fans use social media to engage with television programming, characters, and narrative as well as how television uses social media to engage fan cultures. The contributors review the history and impact of social media and television programming; analyze specific programs and the impact of related social media interactions; and scrutinize the past fan culture to anticipate how social media programming will develop in the future. The contributors explore a diverse array of television personalities, shows, media outlets, and fan activities in their analysis, including: Jon Stewart, Stephen Colbert, and Paula Deen; Community, Game of Thrones, Duck Dynasty, Toddlers and Tiaras, Talking Dead, Breaking Bad, Firefly, Buffy the Vampire Slayer, Army Wives, The Newsroom, Doctor Who, Twin Peaks, and The Man from U.N.C.L.E.; as well as ESPN’s TrueHoop Network and Yahoo’s Ball Don’t Lie; and cosplay.
This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.
The man from MENSA - 1 of the 600 by Bernard Mulholland Pdf
The first volume: 'the man from MENSA' - 1 of 600: Mensa research, had as its focus STEM research. This second volume in the series takes as its subject politics and the social sciences. Bernard Mulholland was born in West Germany during 1957 to a German mother and a Northern Irish father who was serving in the British Army. Having left the army, the family relocated during 1965 to the town of Portadown in Northern Ireland. Shortly afterwards Northern Ireland was to descend into sectarian turmoil associated with ‘the Troubles’ and the British Army’s Operation Banner.For thirty years Bernard Mulholland worked as a heating technician for all sections of society in Northern Ireland across counties Fermanagh, Armagh and Down, which encompass ‘Bandit Country’ and also ‘the Murder Triangle’. Portadown itself was later to become synonymous first with sectarian and political violence over ‘the Tunnel’, and then later with Drumcree.After joining British Mensa during the late eighties Mulholland joined its politics interest group and wrote for its monthly journal Poliphony for almost thirty years. This tome includes many of these texts from 1990-1995 in its Appendix. It also explores the outworking of some of the thoughts and ideas expressed therein which came to have real world applications, and that also feed into Brexit. Arguably this volume provides a unique political and historical insight that informs the narrative leading up to the first ceasefires by the Provisional IRA and the loyalist groups that later developed into the ongoing peace process.But it is in many ways also a history of British Mensa at a time when its membership peaked at forty thousand. There is little in the public domain about this élite international high-IQ society, MENSA, which boasts a membership tested to have an IQ among the highest two per cent of the population. MENSA was originally conceived of as a third pillar intended to complement the Royal Society and the British Academy. When it was founded in Oxford during 1946 its original goal was to gather six hundred of the most intelligent people in Britain as scientifically measured through an IQ test who the government and its agencies could contact for advice on matters of government. This book was written by an insider who as a member of MENSA contributed extensively to this high-IQ society over a span of almost thirty years, and it is hoped that it helps to fill a gaping void in the history of this quintessential post-WWII British institution.
American Rivals of James Bond by Graham Andrews Pdf
This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.
The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.
