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The Marquis de Sade spent more than half his life in prison, which gave him the excuse to take his revenge on society through evocations of sexual cruelty. Excluded from normal life, he developed an extremist vision of the world through stories, dialogues, and historical novels. Included here are extracts from his major fiction, including Les Cents Vingt Journees de Sodome, Justine, and the compulsively vicious Juliette. Other titles by Margaret Crosland, available from Dufour, include Sade's Wife and de Sade's Crimes of Love.
John Philips introduces the Marquis de Sade's highly original and thoroughly subversive depiction of human sexuality and the philosophical and political thinking that underpins it. He shows how, though Sade's work continues to shock, it can also be seen as the logical conclusion of eighteenth-century materialism. As the only writer of his time who dared to put the body at the centre of philosophy, Sade has a unique place in the history of modern thought. Extracts are taken form the whole range of Sade's writings, including The 120 Days of Sodom, Philosophy in the Boudoir, Juliette and his Last Will and Testament.
The 120 Days of Sodom by Marquis de Sade relates the story of four wealthy men who enslave 24 mostly teenaged victims and sexually torture them while listening to stories told by old prostitutes. The book was written while Sade was imprisoned in the Bastille and the manuscript was lost during the storming of the Bastille. Sade wrote that he "wept tears of blood" over the manuscript's loss. Many consider this to be Sade crowing acheivement.
John (Department of French Literature and Culture Phillips, London Metropolitan University),John Phillips
Author : John (Department of French Literature and Culture Phillips, London Metropolitan University),John Phillips Publisher : Oxford University Press Page : 161 pages File Size : 43,8 Mb Release : 2005-07-28 Category : Literary Criticism ISBN : 9780192804693
The Marquis de Sade: A Very Short Introduction by John (Department of French Literature and Culture Phillips, London Metropolitan University),John Phillips Pdf
Discussing the 'real' Marquis de Sade from his mythical and demonic reputation, John Phillips examines Sade's life and work his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy.
The Philosophy of the Marquis de Sade by Timo Airaksinen Pdf
The Marquis de Sade is famous for his forbidden novels like Justine, Juliette, and the 120 Days of Sodom. Yet, despite Sade's immense influence on philosophy and literature, his work remains relatively unknown. His novels are too long, repetitive, and violent. At last in The Philosophy of the Marquis de Sade, a distinguished philosopher provides a theoretical reading of Sade. Airaksinen examines Sade's claim that in order to be happy and free we must do evil things. He discusses the motivations of the typical Sadean hero, who leads a life filled with perverted and extreme pleasures, such as stealing, murder, rape, and blasphemy. Secondary sources on Sade, such as Hobbes, Erasmusm, and Brillat-Savarin are analyzed, and modern studies are evaluated. The Philosophy of the Marquis de Sade greatly enhances our understanding of Sade and his philosophy of pain and perversion.
The Marquis de Sade and the Avant-Garde by Alyce Mahon Pdf
"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--
In 1775, the young Count de Sade decided to turn a flight from legal trouble into an opportunity to undertake the "grand tour." He transformed his sojourns in Florence, Rome, Naples, and their environs into a philosophical travelogue; alongside advice on where to go and what to see, his Journey to Italy would include analyses of local customs and institutions, history and politics, natural phenomena, and the development of the arts. For today’s readers, Journey to Italy provides remarkable portraits of major Italian cities and the surrounding countryside, vivid accounts of aristocratic and popular entertainments, and a clear sense of what it was like to be a tourist in eighteenth-century Italy – from scams, rough roads, and unreliable guidebooks to learned interlocutors, balls, and nights at the opera. We witness Sade learning about the lives of Roman emperors, the machinations and misdeeds of pontiffs, the power struggles of the Medici, the ancient libertine world revealed by the excavations of Herculaneum and Pompeii, and a host of artistic examples and cultural practices – the material he would soon metamorphose into trenchant satire, gothic horror, and violent sexual fantasy. This book presents the first English translation of Sade’s unfinished and unpolished Journey to Italy along with his extensive dossiers of notations, sketches, plans, and correspondence. The translation is accompanied by extensive explanatory annotations and preceded by a critical introduction that provides biographical, artistic, historical, and intellectual context for Sade’s fascinating project, connecting his travels in and writings about Italy to his later famous and controversial works.
A wholly original, compellingly human portrait of the "divine Marquis," the enigmatic legend whose name is synonymous with brutal perversion and desirous cruelty. Against a magnificently embroidered backdrop of eighteenth-century France, Neil Schaeffer reconstructs the almost incredible adventures of Donatien-Alphonse-Francois de Sade. When he was a young man, married off against his wishes to a middle-class heiress, his insatiable sexual appetites and disdain for all forms of convention drew him into a series of scandals, first with prostitutes and then with his sister-in-law. His enraged, social-climbing mother-in-law conspired with the authorities, and the result was Sade's thirteen-year imprisonment without trial. Later, freed by the Revolution, the brilliantly protean Marquis became a revolutionary leader himself and then narrowly escaped the guillotine. But with the publication of the novels he wrote behind bars, books denounced as lewd and blasphemous, he was again imprisoned. Under Napoleon, Sade spent almost twelve years in an insane asylum, where he died at the age of seventy-four following a final dalliance with a teenage girl. Schaeffer reveals the surprisingly unsadistic Sade: his capacity for deep romantic love, his passionate adherence to Enlightenment principles, his inexhaustible charm, his delusional paranoia. And through a dazzling reading of his novels, including the notorious masterpiece 120 Days of Sodom, he argues powerfully for Sade as one of the great literary imaginations of the eighteenth century, one who maintained a lifelong, ultimately self-destructive argument against the limitations of authority and morality. Based on a decade of research, TheMarquis de Sade is a definitive work that shatters nearly two hundred years of myth to reveal an irresistible Promethean figure of astonishing complexity.
The 1990s have seen a resurgence of interest in the Marquis de Sade, with several biographies competing to put their version of his life story before the public. But Sadean scholar Richard Seaver takes us directly to the source, translating Sade's prison correspondence. Seaver's translations retain the aristocratic hauteur of Sade's prose, which still possesses a clarity that any reader can appreciate. "When will my horrible situation cease?" he wrote to his wife shortly after his incarceration began in 1777. "When in God's name will I be let out of the tomb where I have been buried alive? There is nothing to equal the horror of my fate!" But he was never reduced to pleading for long, and not always so solicitous of his wife's feelings; a few years later, he would write, "This morning I received a fat letter from you that seemed endless. Please, I beg of you, don't go on at such length: do you believe that I have nothing better to do than to read your endless repetitions?" For those interested in learning about the man responsible for some of the most infamous philosophical fiction in history, Letters from Prison is an indispensable collection.
Screening the Marquis de Sade by Lindsay Anne Hallam Pdf
Since their publication, the works of the Marquis de Sade have challenged the reading public with a philosophy of relentless physical transgression. This is the first book-length academic study by a single author that applies the philosophy of the Marquis de Sade to the analysis of a wide array of film texts. By employing Sade's controversial body-oriented philosophy within film analysis, this book provides a new understanding of notions of pain, pleasure, and the representation of the transgressive body in film. Whereas many analyses have used theory to excuse and thus dilute the power of sexual and violent images, the author has here sought to examine cinematic representations of human relations as unflinchingly as Sade did in his novels.
The Misfortunes of Virtue and Other Early Tales by Marquis de Sade Pdf
The name of the Marquis de Sade is synonymous with the blackest corners of the human soul, a byword for all that is foulest in human conduct. In his bleak, claustrophobic universe, there is no God, no morality, no human affection, and no hope. Power is given to the strong, and the strong are murderers, torturers, and tyrants. No quarter is given; compassion is the virtue of the weak. Yet Sade was a man of savage intelligence who carried the philosophy of the French Enlightenment to its logical extreme. His writings effectively release the individual from all social and moral constraint: for many, Sade is the Great Libertarian. The Victorians considered him `Divine' and Apollinaire called him `the freest spirit'; the Surrealists recognised him as a founding father, and he is a key figure in the history of modernism and post-modernism. With Freud and Marx, Sade has been one of the crucial shaping influences on this century, and reactions to him continue to be extreme. But he has always been more talked about than read. This selection of his early writings, some making their first appearance in this new translation, reveals the full range of Sade's sobering moods and considerable talents. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Marquise de Gange by The Marquis de Sade,Will McMorran Pdf
'It is time to die, Madame: there shall be no mercy for you..!' It was one of the most shocking crimes of the seventeenth century, and would provide Sade with the inspiration for the last novel he published. The beautiful and virtuous Euphrasie, admired by the King himself, falls in love with the young and handsome Alphonse, Marquis de Gange. Within the forbidding walls of his castle in Provence, however, sinister forces are conspiring against the young couple. Alphonse's brothers, the Abbé and the Chevalier, want Euphrasie for themselves. Published in English for the first time, The Marquise de Gange is a neglected Gothic classic by one of the most notorious authors in the literary canon. Although a departure from his earlier pornographic and libertine works, beneath the novel's thin veneer of respectability lurks the same subversive presence of an author plotting against virtue in distress.
Philosophy in the Bedroom Marquis De Sade - Philosophy in the Bedroom is a 1795 book by the Marquis de Sade written in the form of a dramatic dialogue. Though initially considered a work of pornography, the book has come to be considered a socio-political drama. Set in a bedroom, the seven dialogues concern Eugenie, a virgin, who has been sent to the house of Madame de Saint-Ange by her father, to be instructed in the ways of the libertine. Along with Le Chevalier de Mirval, (Madame de Saint-Ange's 20-year-old brother), and Dolmancé, a 36-year-old atheist and bisexual, they all teach her their ways. When her mother shows up, she is punished for bringing her daughter up with 'false virtues'.
A detailed, analytical study of the life and times of this brilliant but bizarre personality (and the sexually erotic times he lived in), containing the essence of all his writings, based on research by Bloch in private archives of the French Government, and Bloch's discovery of de Sade's unpublished manuscript of 120 Days of Sodom in Marseilles. The work contains a precis of the 120 Days of Sodom, the first attempt systematically to catalog and describe abnormal sexual behavior -- 100 years before Krafft-Ebing. A serious academic study of France during de Sade's time, its sexual morality, de Sade's works, and the role of sadism in literature, etc., this biography precedes de Beauvoir's Faut-il Brule de Sade? and began the resuscitation and modern study of De Sade. The author Iwan Bloch, a German physician, won a distinguished name in the world of science in the fields, of medical history and anthropology.
