The Masterwork In Music Volume Ii 1926

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The Masterwork in Music: Volume II, 1926

Author : Heinrich Schenker
Publisher : Courier Corporation
Page : 162 pages
File Size : 55,9 Mb
Release : 2014-11-19
Category : Music
ISBN : 9780486780030

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The Masterwork in Music: Volume II, 1926 by Heinrich Schenker Pdf

The three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr. William Drabkin and his translators offer additional insights. This volume features a major essay on Mozart's Symphony No. 40 in G minor; studies of Bach keyboard and solo cello pieces; works by Haydn and Reger; theoretical writings on sonata form and fugue; and many examples of Schenkerian theory. Volume One includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven, and Handel and solo violin music by Bach, along with studies of other works. Volume Three's contents include Schenker's celebrated analysis of Beethoven's "Eroica" Symphony and other works.

The Masterwork in Music: Volume II, 1926

Author : Heinrich Schenker
Publisher : Courier Corporation
Page : 162 pages
File Size : 52,6 Mb
Release : 2014-10-13
Category : Music
ISBN : 9780486799360

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The Masterwork in Music: Volume II, 1926 by Heinrich Schenker Pdf

Volume II of three-volume set features an essay on Mozart's Symphony No. 40 in G Minor, studies of Bach keyboard and solo cello works, and theoretical writings on sonata form and fugue and Schenkerian theory.

Schenker: The Masterwork in Music:

Author : Heinrich Schenker
Publisher : Cambridge University Press
Page : 149 pages
File Size : 55,7 Mb
Release : 1996-04-04
Category : Music
ISBN : 0521455421

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Schenker: The Masterwork in Music: by Heinrich Schenker Pdf

Heinrich Schenker is regarded as one of the leading music theorists of the twentieth century. The Masterwork in Music was written in three volumes between 1925 and 1930 and is distinguished from earlier writings by its depth of vision, demonstrated here both graphically and verbally. Although the concept of structural hierarchy is already present in Der Tonwille (1921-4), the idea of a network of layers becomes particularly prominent in Das Meisterwerk. This volume contains a major essay on Mozart's Symphony No. 40 in G minor and other studies of Bach keyboard and solo cello works, Haydn and Reger, as well as theoretical writings on sonata form and fugue and Schenkerian theory. These essays are translated by a team of specialists with ample editoral annotations including comparisons with earlier and later writings.

The Masterwork in Music

Author : Heinrich Schenker,Ian Bent
Publisher : CUP Archive
Page : 158 pages
File Size : 42,6 Mb
Release : 1996
Category : Schenkerian analysis
ISBN : 8210379456XXX

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The Masterwork in Music by Heinrich Schenker,Ian Bent Pdf

The Masterwork in Music

Author : Heinrich Schenker
Publisher : Unknown
Page : 128 pages
File Size : 55,6 Mb
Release : 1994
Category : Schenkerian analysis
ISBN : LCCN:93033355

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The Masterwork in Music by Heinrich Schenker Pdf

Volume I of this work is translated here by a team of distinguished theorists. It includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven and Handel and solo violin music by Bach, as well as more general essays on aspects of Schenkerian theory. Volume 2 (1926) and Volume 3 (1930) were published in 1995/6. Long awaited in English translation, this edition will also be invaluable to scholars for the editorial annotations and elucidations provided by Dr Drabkin and his translators.

The Masterwork in Music

Author : Heinrich Schenker
Publisher : Unknown
Page : 128 pages
File Size : 48,6 Mb
Release : 1994
Category : Schenkerian analysis
ISBN : LCCN:93033355

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The Masterwork in Music by Heinrich Schenker Pdf

Volume I of this work is translated here by a team of distinguished theorists. It includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven and Handel and solo violin music by Bach, as well as more general essays on aspects of Schenkerian theory. Volume 2 (1926) and Volume 3 (1930) were published in 1995/6. Long awaited in English translation, this edition will also be invaluable to scholars for the editorial annotations and elucidations provided by Dr Drabkin and his translators.

Aspects of Music

Author : Ford Mylius Lallerstedt
Publisher : Archway Publishing
Page : 284 pages
File Size : 49,5 Mb
Release : 2023-11-23
Category : Science
ISBN : 9781665747400

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Aspects of Music by Ford Mylius Lallerstedt Pdf

This study focuses on a continued evaluation and integration of Schenker’s work, specifically the role of his ever-deepening understanding of counterpoint in musicalistic structures, both horizontal (melodic) and vertical (‘chordal’). It reformulates the role of this understanding in discerning the atomic, primitive elements of an abstract human species-specific, cognitive-computational process. We conjecture that the fundamental technical concepts of counterpoint plausibly form the basis of natural musical logic and coherence and somehow reflect the basis of a representing system for a generative capacity evidenced in the creation and interpretation of musicalistic expressions. It is plausible to assume that a thorough investigation of the musical generating principles of consonance and dissonance, as developed through the technical perspective of species counterpoint, can lead to surprising insights necessary for the formulation of a general theory of music. Music, like language, is obviously an extremely complex system. Music theory must simplify this complexity and endeavour to discover its primitive elements which can be used to develop a systematic representation of levels that contributes to greater descriptive and explanatory salience of musicalistic structure.

Reading Renaissance Music Theory

Author : Cristle Collins Judd
Publisher : Cambridge University Press
Page : 370 pages
File Size : 44,7 Mb
Release : 2000-11-30
Category : Music
ISBN : 0521771447

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Reading Renaissance Music Theory by Cristle Collins Judd Pdf

Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).

Gendering Musical Modernism

Author : Ellie M. Hisama
Publisher : Cambridge University Press
Page : 221 pages
File Size : 43,5 Mb
Release : 2006-11-02
Category : Music
ISBN : 9780521028431

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Gendering Musical Modernism by Ellie M. Hisama Pdf

This book explores the work of three significant American women composers of the twentieth century: Ruth Crawford, Marion Bauer and Miriam Gideon. It offers information on both their lives and music and skillfully interweaves history and musical analysis in ways that both the specialist and the more general reader will find compelling. Ellie Hisama suggests that recognising the impact of a composer's identity on the music itself imparts valuable ways of hearing and understanding these works and breaks important new ground towards constructing a feminist music theory.

Stravinsky's Late Music

Author : Joseph N. Straus
Publisher : Cambridge University Press
Page : 284 pages
File Size : 41,6 Mb
Release : 2004-03-25
Category : Music
ISBN : 0521602882

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Stravinsky's Late Music by Joseph N. Straus Pdf

The first book to be devoted to the music of Stravinsky's last compositional period.

Franz Schubert

Author : Lawrence Kramer
Publisher : Cambridge University Press
Page : 200 pages
File Size : 48,8 Mb
Release : 2003-09-18
Category : Music
ISBN : 0521542162

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Franz Schubert by Lawrence Kramer Pdf

The first book to examine Schubert's songs as active shaping forces in the culture of their era rather than a mere reflection of it. His songs project a kaleidoscopic array of unexpected human types, all of whom are eligible for a sympathetic response. Kramer shows how Schubert sought to validate these types in his songs.

The Masterwork in Music: Volume III, 1930

Author : Heinrich Schenker
Publisher : Courier Corporation
Page : 144 pages
File Size : 54,8 Mb
Release : 2014-10-13
Category : Music
ISBN : 9780486799377

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The Masterwork in Music: Volume III, 1930 by Heinrich Schenker Pdf

Volume III of this three-volume set is dominated by one of the eminent theorist's most celebrated studies: the analysis of Beethoven's "Eroica" Symphony. All four movements are discussed in painstaking detail.

The Masterwork in Music: Volume I, 1925

Author : Heinrich Schenker,Richard Kramer,Hedi Siegel
Publisher : Courier Corporation
Page : 160 pages
File Size : 44,7 Mb
Release : 2014-10-13
Category : Music
ISBN : 9780486799353

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The Masterwork in Music: Volume I, 1925 by Heinrich Schenker,Richard Kramer,Hedi Siegel Pdf

Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.

Schenker's Argument and the Claims of Music Theory

Author : Leslie David Blasius
Publisher : Cambridge University Press
Page : 176 pages
File Size : 45,6 Mb
Release : 1996-10-03
Category : Music
ISBN : 9780521550857

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Schenker's Argument and the Claims of Music Theory by Leslie David Blasius Pdf

Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the twentieth century. The rhetoric of this stance, however, conceals a sophisticated programme wherein Schenker situates his project in relation to these sciences, arguing his reading of the musical text as a synthesis of a descriptive psychology and an explanatory historiography (which itself embeds both paleographic and philological assumptions). This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the empirical musical sciences of the later nineteenth century.

Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata

Author : Nicholas Marston
Publisher : Routledge
Page : 186 pages
File Size : 47,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351563956

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Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata by Nicholas Marston Pdf

In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erlerungsausgabe) of Beethoven's last five piano sonatas. Each publication would comprise a score, newly edited by Schenker and using the composer's autograph manuscript as principal source, together with a substantial commentary combining analytical, text-critical and performance-related matter. Four of the five editions appeared between 1913 and 1921, but that of the 'Hammerklavier' Sonata, op. 106, was never published. It has generally been assumed that this was simply because Schenker was unable to locate the autograph manuscript, which remains missing to this day. But as Nicholas Marston shows in a detailed history of the Erlerungsausgabe project, other factors were involved also, including financial considerations, Schenker's health concerns, and his broader theoretical ambitions. Moreover, despite the missing autograph he nevertheless developed a voice-leading analysis of the complete sonata during the years 1924-1926, a crucial period in the development of his mature theory of tonal music. Marston's book provides the first in-depth study of this rich analysis, which is reproduced in full in high-quality digital images. The book draws on hundreds of letters and documents from Schenker's Nachla it both adds to our biographical knowledge of Schenker and illuminates for the first time the response of this giant of music theory to one of the most significant masterworks in all music.