The Material Image

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The Material Image

Author : Brigitte Peucker
Publisher : Stanford University Press
Page : 276 pages
File Size : 44,7 Mb
Release : 2007
Category : Literary Criticism
ISBN : 0804754314

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The Material Image by Brigitte Peucker Pdf

Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the body—images and the real—are juxtaposed and entwined in a set of relations.

The Material Image

Author : Donald H. Wacome
Publisher : Rowman & Littlefield
Page : 347 pages
File Size : 40,6 Mb
Release : 2020-09-29
Category : Religion
ISBN : 9781978703919

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The Material Image by Donald H. Wacome Pdf

In The Material Image, Donald H. Wacome sets out to reconcile the Christian faith and contemporary science by embracing, rather than evading, its naturalistic implications. The sciences are our best way to know ourselves and the world we inhabit, Wacome argues, but this does not make belief in miracles unreasonable. The sciences reveal that we are fully material beings, the product of unguided natural selection. God created human persons for the vocation of sharing in the everlasting Triune life and work, but this creation does not involve design. The mind is the embodied, socially situated brain. There is no immaterial soul; we are the material image of our transcendent Creator. This materialist conception does not preclude the resurrection of the body. The freedom that matters for the human creature is compatible with our being governed by the laws of nature. Morality and religion are natural, merely human, legacies of our evolutionary history, which God employs in pursuit of fellowship with us. Christians can faithfully and enthusiastically welcome the image of human beings given in contemporary science.

Image and Logic

Author : Peter Galison
Publisher : University of Chicago Press
Page : 1002 pages
File Size : 51,9 Mb
Release : 1997-10
Category : History
ISBN : 0226279170

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Image and Logic by Peter Galison Pdf

Engages with the impact of modern technology on experimental physicists. This study reveals how the increasing scale and complexity of apparatus has distanced physicists from the very science which drew them into experimenting, and has fragmented microphysics into different technical traditions.

The Material Image

Author : Brigitte Peucker
Publisher : Unknown
Page : 272 pages
File Size : 54,8 Mb
Release : 2022
Category : Art and motion pictures
ISBN : 1503626075

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The Material Image by Brigitte Peucker Pdf

Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the body--images and the real--are juxtaposed and entwined in a set of relations.

The Image of the City

Author : Kevin Lynch
Publisher : MIT Press
Page : 212 pages
File Size : 49,5 Mb
Release : 1964-06-15
Category : Architecture
ISBN : 0262620014

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The Image of the City by Kevin Lynch Pdf

The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.

Cataloging Musical Moving Image Material

Author : Music Library Association. Working Group on Bibliographic Control of Music Video Material
Publisher : Scarecrow Press
Page : 130 pages
File Size : 45,5 Mb
Release : 1996
Category : Language Arts & Disciplines
ISBN : 0914954512

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Cataloging Musical Moving Image Material by Music Library Association. Working Group on Bibliographic Control of Music Video Material Pdf

Addresses the cataloging of videos and films of multifaceted performances and presentations where music is an important component of the production.

Into the White

Author : Christopher P. Heuer
Publisher : Zone Books
Page : 265 pages
File Size : 54,8 Mb
Release : 2019-05-14
Category : Art
ISBN : 9781942130147

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Into the White by Christopher P. Heuer Pdf

How the far North offered a different kind of terra incognita for the Renaissance imagination. European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, sun-drenched populations for Europeans to mythologize or exploit. Yet, as Christopher Heuer explains, between 1500 and 1700, one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North—a different kind of terra incognita for the Renaissance imagination—offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “non-site,” spurring dozens of previously unknown works, objects, and texts—and this all in an intellectual and political milieu crackling with Reformation debates over art's very legitimacy. In Into the White, Heuer uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates over perception and matter, representation, discovery, and the time of the earth—long before the nineteenth century Romanticized the polar landscape. In the far North, he argues, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and impossible to be mastered, something beyond the idea of image itself.

Material Theory of Induction

Author : John D. Norton
Publisher : Bsps Open
Page : 544 pages
File Size : 40,7 Mb
Release : 2021-12-15
Category : Philosophy
ISBN : 1773852752

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Material Theory of Induction by John D. Norton Pdf

The fundamental burden of a theory of inductive inference is to determine which are the good inductive inferences or relations of inductive support and why it is that they are so. The traditional approach is modeled on that taken in accounts of deductive inference. It seeks universally applicable schemas or rules or a single formal device, such as the probability calculus. After millennia of halting efforts, none of these approaches has been unequivocally successful and debates between approaches persist. The Material Theory of Induction identifies the source of these enduring problems in the assumption taken at the outset: that inductive inference can be accommodated by a single formal account with universal applicability. Instead, it argues that that there is no single, universally applicable formal account. Rather, each domain has an inductive logic native to it.The content of that logic and where it can be applied are determined by the facts prevailing in that domain. Paying close attention to how inductive inference is conducted in science and copiously illustrated with real-world examples, The Material Theory of Induction will initiate a new tradition in the analysis of inductive inference.

Image Objects

Author : Jacob Gaboury
Publisher : MIT Press
Page : 323 pages
File Size : 49,5 Mb
Release : 2021-08-03
Category : Computers
ISBN : 9780262045032

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Image Objects by Jacob Gaboury Pdf

How computer graphics transformed the computer from a calculating machine into an interactive medium, as seen through the histories of five technical objects. Most of us think of computer graphics as a relatively recent invention, enabling the spectacular visual effects and lifelike simulations we see in current films, television shows, and digital games. In fact, computer graphics have been around as long as the modern computer itself, and played a fundamental role in the development of our contemporary culture of computing. In Image Objects, Jacob Gaboury offers a prehistory of computer graphics through an examination of five technical objects--an algorithm, an interface, an object standard, a programming paradigm, and a hardware platform--arguing that computer graphics transformed the computer from a calculating machine into an interactive medium. Gaboury explores early efforts to produce an algorithmic solution for the calculation of object visibility; considers the history of the computer screen and the random-access memory that first made interactive images possible; examines the standardization of graphical objects through the Utah teapot, the most famous graphical model in the history of the field; reviews the graphical origins of the object-oriented programming paradigm; and, finally, considers the development of the graphics processing unit as the catalyst that enabled an explosion in graphical computing at the end of the twentieth century. The development of computer graphics, Gaboury argues, signals a change not only in the way we make images but also in the way we mediate our world through the computer--and how we have come to reimagine that world as computational.

The Image in Early Cinema

Author : Scott Curtis,Philippe Gauthier,Tom Gunning,Joshua Yumibe
Publisher : Indiana University Press
Page : 406 pages
File Size : 45,5 Mb
Release : 2018-03-22
Category : Performing Arts
ISBN : 9780253034427

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The Image in Early Cinema by Scott Curtis,Philippe Gauthier,Tom Gunning,Joshua Yumibe Pdf

In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.

Medical Image Computing and Computer-Assisted Intervention - MICCAI'99

Author : Chris Taylor,Alan Colchester
Publisher : Springer
Page : 1242 pages
File Size : 42,9 Mb
Release : 2006-09-10
Category : Computers
ISBN : 9783540482321

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Medical Image Computing and Computer-Assisted Intervention - MICCAI'99 by Chris Taylor,Alan Colchester Pdf

This book constitutes the refereed proceedings of the Second International Conference on Medical Image Computing and Computer-Assisted Intervention, MICCAI'99, held in Cambridge, UK, in September 1999. The 133 revised full papers presented were carefully reviewed and selected from a total of 213 full-length papers submitted. The book is divided into topical sections on data-driven segmentation, segmentation using structural models, image processing and feature detection, surfaces and shape, measurement and interpretation, spatiotemporal and diffusion tensor analysis, registration and fusion, visualization, image-guided intervention, robotic systems, and biomechanics and simulation.

Aby Warburg and the Image in Motion

Author : Philippe-Alain Michaud
Publisher : Princeton University Press
Page : 408 pages
File Size : 52,5 Mb
Release : 2024-09-10
Category : Art
ISBN : 9781890951818

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Aby Warburg and the Image in Motion by Philippe-Alain Michaud Pdf

A compelling analysis of the work of art historian Aby Warburg and its radical implications for the study of visual images Aby Warburg (1866–1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included some of the celebrated art historians of the twentieth century, such as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the decipherment and interpretation of symbolic material. As Philippe-Alain Michaud demonstrates in this important book, Warburg’s project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Friedrich Nietzsche and Jacob Burckhardt, Warburg fashioned a “critical iconology” to reveal the irrationality of the image in Western culture. Opposing the grand teleological narratives of art inaugurated by Giorgio Vasari, Warburg’s method operated through historical anachronisms and discontinuities. Using procedures of “montage-collision” he brought together pagan artifacts with masterpieces of Florentine Renaissance art, the astrology of the ancient Near East with the Lutheran Reformation, Mannerist festivals with the sacred dances of Native Americans. Michaud insists that for Warburg, the practice of art history was not only the recognition of the radical heterogeneity of objects but the discovery within the art work itself of lines of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism. Michaud provides us with a book that not only is about Warburg but also extends his intuitions and discoveries into analyses of other categories of imagery like the daguerreotype, the chronophotography of Étienne-Jules Marey, early cinema, and the dances of Loïe Fuller. This edition also includes a foreword by Georges Didi-Huberman and texts by Warburg not previously translated into English. Chosen as one of the best art books of 2004 by the Washington Post and Bookforum.

Image Analysis and Processing -- ICIAP 2009

Author : Pasquale Foggia,Carlo Sansone,Mario Vento
Publisher : Springer
Page : 1056 pages
File Size : 47,6 Mb
Release : 2009-08-29
Category : Computers
ISBN : 9783642041464

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Image Analysis and Processing -- ICIAP 2009 by Pasquale Foggia,Carlo Sansone,Mario Vento Pdf

This book constitutes the refereed proceedings of the 15th International Conference on Image Analysis and Processing, ICIAP 2009, held in Vietri sul Mare, Italy, in September 2009. The 107 revised full papers presented together with 3 invited papers were carefully reviewed and selected from 168 submissions. The papers are organized in topical sections on computer graphics and image processing, low and middle level processing, 2D and 3D segmentation, feature extraction and image analysis, object detection and recognition, video analysis and processing, pattern analysis and classification, learning, graphs and trees, applications, shape analysis, face analysis, medical imaging, and image analysis and pattern recognition.

Deblurring Images

Author : Per Christian Hansen,James G. Nagy,Dianne P. O'Leary
Publisher : SIAM
Page : 144 pages
File Size : 48,7 Mb
Release : 2006-01-01
Category : Technology & Engineering
ISBN : 0898718872

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Deblurring Images by Per Christian Hansen,James G. Nagy,Dianne P. O'Leary Pdf

Describes the deblurring algorithms and techniques collectively known as spectral filtering methods, in which the singular value decomposition, or a similar decomposition with spectral properties, is used to introduce the necessary regularization or filtering in the reconstructed image. The concise MATLAB® implementations described in the book provide a template of techniques that can be used to restore blurred images from many applications.