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Author : Cristina Acidini Luchinat
Publisher : Unknown
Page : 128 pages
File Size : 46,9 Mb
Release : 2002
Category : Electronic
ISBN : OCLC:1140264012
Author : Cristina Acidini,Cristina Acidini Luchinat,Palazzo Strozzi,Art Institute of Chicago,Palazzo Strozzi (Florence, Italie).,Detroit Institute of Arts,Art institute (Chicago, Ill.).,Marco Chiarini
Publisher : Yale University Press
Page : 406 pages
File Size : 41,7 Mb
Release : 2002-01-01
Category : Art
ISBN : 0300094957
"Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
Author : Cristina Acidini Luchinat,Palazzo Strozzi,Art Institute of Chicago,Detroit Institute of Arts
Publisher : Unknown
Page : 381 pages
File Size : 43,6 Mb
Release : 2002-01-01
Category : Art patronage
ISBN : 0895581582
"Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
Author : Martin Gayford
Publisher : Penguin UK
Page : 464 pages
File Size : 40,7 Mb
Release : 2013-11-07
Category : Biography & Autobiography
ISBN : 9780141932255
At thirty one, Michelangelo was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser). For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works - including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David and the Last Judgment - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue he carved in his youth - he was subject to constant trials and labours. In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.
Author : Lia Markey
Publisher : Penn State Press
Page : 261 pages
File Size : 46,8 Mb
Release : 2016-11-30
Category : Art
ISBN : 9780271078243
The first full-length study of the impact of the discovery of the Americas on Italian Renaissance art and culture, Imagining the Americas in Medici Florence demonstrates that the Medici grand dukes of Florence were not only great patrons of artists but also early conservators of American culture. In collecting New World objects such as featherwork, codices, turquoise, and live plants and animals, the Medici grand dukes undertook a “vicarious conquest” of the Americas. As a result of their efforts, Renaissance Florence boasted one of the largest collections of objects from the New World as well as representations of the Americas in a variety of media. Through a close examination of archival sources, including inventories and Medici letters, Lia Markey uncovers the provenance, history, and meaning of goods from and images of the Americas in Medici collections, and she shows how these novelties were incorporated into the culture of the Florentine court. More than just a study of the discoveries themselves, this volume is a vivid exploration of the New World as it existed in the minds of the Medici and their contemporaries. Scholars of Italian and American art history will especially welcome and benefit from Markey’s insight.
Author : Maurizio Buora
Publisher : L'ERMA di BRETSCHNEIDER
Page : 164 pages
File Size : 44,9 Mb
Release : 2006
Category : Art
ISBN : 8882654109
At head of title: Comune di Udine. Assessorato alla cultura. Civici musei di storia ed arte, Gabinetto numismatico.
Author : Tamara Smithers
Publisher : Taylor & Francis
Page : 335 pages
File Size : 47,9 Mb
Release : 2022-07-29
Category : Art
ISBN : 9781000624380
This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century. These two artists inspired fervent followings like no other artists before them. The affective response of those touched by the potency of the physical presence of their art- works, personal effects, and remains—or even touched by the power of their creative legacy—opened up new avenues for artistic fame, divination, and commemoration. Within this cultural framework, this study charts the elevation of the status of dozens of other artists in Italy through funerals and tomb memorialization, many of which were held and made in response to those of Raphael and Michelangelo. By bringing together disparate sources and engaging material as well as a variety of types of artworks and objects, this book will be of great interest to anyone who studies early modern Italy, art history, cultural history, and Italian studies.
Author : Linda Wolk-Simon,Carmen Bambach,Stijn Alsteens,Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 270 pages
File Size : 44,8 Mb
Release : 2010
Category : Art
ISBN : 9781588393791
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.
Author : Horst Bredekamp
Publisher : Walter de Gruyter GmbH & Co KG
Page : 375 pages
File Size : 50,6 Mb
Release : 2019-04-01
Category : Art
ISBN : 9783110539219
Contemporary biographies of Galilei emphasize, in several places, that he was a masterful draughtsman. In fact, Galilei studied at the art academy, which is where his friendship with Ludovico Cigoli developed, who later became the official court artist. The book focuses on this formative effect – it tracks Galilei’s trust in the epistemological strength of drawings. It also looks at Galilei’s activities in the world of art and his reflections on art theory, ending with an appreciation of his fame; after all, he was revered as a rebirth of Michelangelo. For the first time, this publication collects all aspects of the appreciation of Galilei as an artist, contemplating his art not only as another facet of his activities, but as an essential element of his research.
Author : Carolyn Vaughan
Publisher : Black Dog & Leventhal
Page : 384 pages
File Size : 48,8 Mb
Release : 2016-05-03
Category : Art
ISBN : 9780316353786
Michelangelo's Notebooks is an intimate celebration of the artist's sketches, architectural drawings, letters, and love poems. Michelangelo Buonarroti is considered to be one of the greatest artists of the sixteenth century, not only in painting but in writing and poetry as well. He filled hundreds of sheets of paper with exquisite drawings, many of which would eventually become some of the most celebrated masterpieces of all time, and he wrote over 300 poems and sonnets on admiration and spirituality. Organized chronologically, Michelangelo's Notebooks is an illustrated record of the artist's life and work, and combines the artists's own words with his sketches and finished compositions. His letters about the Sistine Chapel and Pope Julius, for example, are illustrated with sketches that he produced while he was writing. Edited and curated by Carolyn Vaughan, former editor at the Metropolitan Museum of Art, she provides fascinating commentary and insights into the material presented throughout the book.
Author : Francesca Fiorani
Publisher : Yale University Press
Page : 368 pages
File Size : 41,9 Mb
Release : 2005-01-01
Category : Art
ISBN : 0300107277
Among the most beautiful and compelling works of Renaissance art, painted maps adorned the halls and galleries of princely palaces. This book is the first to discuss in detail the three-dimensional display of these painted map cycles and their full meaning in Renaissance culture. Art historian Francesca Fiorani focuses on two of the most significant and marvelous surviving Italian map murals--the Guardaroba Nuova of the Palazzo Vecchio, Florence, commissioned by Duke Cosimo de’ Medici, and the Gallery of Maps in the Vatican, commissioned by Pope Gregory XIII. Both cycles were not only pioneering cartographic enterprises but also powerful political and religious images. Presenting an original interpretation of the interaction between art, science, politics, and religion in Renaissance culture, the book also offers fresh insights into the Medici and papal courts.
Author : Andrea M. Gáldy,Adriana Turpin
Publisher : Cambridge Scholars Publishing
Page : 250 pages
File Size : 43,8 Mb
Release : 2013-09-11
Category : Art
ISBN : 9781443852593
If collecting the rare and valuable is an entirely normal trait of human behaviour, amassing objects from far-away places has also long played a role in the history of collecting. “East” and “West”, or “North” and “South”, for that matter, are of course entirely relative to one’s particular geographical position. Therefore, it is interesting that collecting exotic objects is an endeavour that unites humanity over millennia and round the globe. The ancient Assyrians did so as assiduously as eighteenth-century collectors in Paris or London; Chinese emperors collected Western art and artefacts at a time when Western collectors started to gather ceramics, lacquered furniture, or South-East Asian prints. Key factors were, of course, increasingly frequent contact and an ever growing knowledge about the “other” and about the other’s artistic production. Of particular interest to the mission of this working group is the fact that the building of collections was only part of the endeavour but that, in many cases, the objects imported at huge cost and logistic effort were meant to be displayed in surroundings reminiscent of their original habitat, even though their exact original context may have been open to debate and their final exhibition surroundings may have been unrecognisable to anyone from their former home. Western collectors built Chinese cabinets for their exotic treasures, often complemented by depictions of Oriental tea parties. Less familiar is perhaps the fact that, from the seventeenth century onwards, Chinese emperors displayed their European collectibles in palaces built for them for this purpose in Western architectural style. The essays in the present volume, therefore, attempt to connect the collections of exotic objects with the forms of display adopted by collectors and institutions and thus chart the levels of increasingly informed and intimate encounters between East and West, scholars and collectors, art lovers and institutions from the early first millennium BC to the early twentieth century and from South-East Asia to North-Western Europe.
Author : Carla Zecher
Publisher : University of Toronto Press
Page : 255 pages
File Size : 42,6 Mb
Release : 2007-12-15
Category : Music
ISBN : 9781442659629
Often abstracted by the aesthetic implications of music itself, musical instruments can be seen as physical signifiers apart from the music that they produce. In Sounding Objects, Carla Zecher studies the representation of musical instruments in French Renaissance poetry and art, arguing that the efficacy of these material objects as literary and pictorial images was derived from their physical characteristics and acoustic properties, as well as from their aesthetic product. Sounding Objects is concerned with ways in which musical culture provided poets with a rich, nuanced vocabulary for reflecting on their own art and its roles in courtly life, the civic arena, and salon society. Poets not only depicted the world of musical practice but also appropriated it, using musical instruments figuratively to establish their literary identities. Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this unique study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality to Renaissance culture. Electronic Format Disclaimer: Images removed at the request of the rights holder.
Author : Larry J. Feinberg
Publisher : Cambridge University Press
Page : 217 pages
File Size : 49,7 Mb
Release : 2014-04-21
Category : History
ISBN : 9781139502740
Leonardo da Vinci is often presented as the 'transcendent genius', removed from or ahead of his time. This book, however, attempts to understand him in the context of Renaissance Florence. Larry J. Feinberg explores Leonardo's origins and the beginning of his career as an artist. While celebrating his many artistic achievements, the book illuminates his debt to other artists' works and his struggles to gain and retain patronage, as well as his career and personal difficulties. Feinberg examines the range of Leonardo's interests, including aerodynamics, anatomy, astronomy, botany, geology, hydraulics, optics, and warfare technology, to clarify how the artist's broad intellectual curiosity informed his art. Situating the artist within the political, social, cultural, and artistic context of mid- and late-fifteenth-century Florence, Feinberg shows how this environment influenced Leonardo's artistic output and laid the groundwork for the achievements of his mature works.
Author : Margaret Shewring
Publisher : Routledge
Page : 474 pages
File Size : 47,8 Mb
Release : 2017-03-02
Category : History
ISBN : 9781351873581
As the first book-length study of waterborne festivities in Renaissance and early modern Europe, this collection of essays draws on a rich array of sources, many previously un-researched, to explore aspects of scenography, choreography, music, fashion, painting, sculpture, architecture, stage-and personnel-management and urban planning as evinced in spectacles staged on water. Bodies of water in all their variety are explored here: seas, rivers, fountains, lakes and canals and flooded improvised locations within or adjacent to great buildings all provided stages for elaborate and costly performances, utilising the particular qualities of water to reflect light and distort sound. The volume encompasses festivals marking a wide range of occasions from the election of civic officials, the welcome of a monarch, an investiture or coronation, to ambassadorial visits or the arrival of a royal or ducal bride or bridegroom. Often taking the form of re-enactments of naval battles or legendary seaborne quests, these festivals seek to buttress civic and national pride, make claims to mastery over the sea and landscape, and explore the imaginative as well as practical life of performance space which has been a hallmark of the research and publication of this volume's honorand, J.R. (Ronnie) Mulryne.
