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Author : Richard Southern
Publisher : New York : Theatre Arts Books
Page : 304 pages
File Size : 55,6 Mb
Release : 1975
Category : Arena theater
ISBN : UOM:39076006841071
Author : William C. McDonald
Publisher : Camden House
Page : 312 pages
File Size : 45,8 Mb
Release : 1998-09
Category : History
ISBN : 157113266X
15th-c. adaptations of Chrétien de Troyes, the use of motifs, and standard features including current state of research and book review section. Setting the tone for volume 24 is a trio of articles on 15th-century French adaptations of Chrétien de Troyes's Arthurian romances. Norris Lacy examines adaptation and reception in Cligés, Jane Taylor writes on the importance of cultural details to reception studies of both Erec and Cligés, and Maria Timelli on structural aspects of Erec. Other studies of romance include MaryLynn Saul's article on courtly love and patriarchal marriage institutions in Malory, and Anne Caillaud's piece on gender conventions of courtly love as a vehicle for misogyny in Antoine de la Sale's Petit Jehan de Saintre. Hans-Joachim Behr deals with an adaptation of the 12th-century historical figure of Heinrich von der Löwe in his article on the poetic workof Michel Wyssenherre. Roxana Recio's article on Spanish "amplifications and glosses" draws connections between translation, reception, and interpretation.Moving from romance to legend, Peter De Wilde, in his article on the legendary matter of St. Patrick's journeys to Purgatory, relates a 15th-century account of one Englishman's "visionary pilgrimage" to that destination.A second area of concentration in the volume is the thematic and structural use of motifs. Rainer Goetz discusses archery in Spanish poetry of love and death; Georg Roellenbleck courtly pastimes and the term passe temps inFrench poetry. James Wilkins focuses on the "body as currency" in French passion plays. Kristine Patz moves into art history, examining the importance of the Pythagorean ypsilonin the work of the Italian painter Mantegna.Dealing with the turn to Renaissance humanism are articles by Grady Smith on the short literary career and Latin dramas of Titus Livius Frulovisi, and by Christiane Raynaudon humanism and good government in the Latin Romuleon. Franco Mormando investigates a darker moment: the 1426 witch trial in Rome and the role of Bernardino of Siena as its instigator and chronicler. Rouben Choulakian writes on the poetry of Charles d'Orlean
Author : Sydney Higgins
Publisher : CreateSpace
Page : 192 pages
File Size : 43,8 Mb
Release : 2013-10-31
Category : Drama
ISBN : 1484947053
The important and rich collection of medieval plays from Cornwall has, in the past, been all but ignored by the majority of drama historians and critics. In this book, Sydney Higgins shows why this is a mistaken and ill-informed view. The oldest of the three surviving manuscripts is the Cornish Cycle - performed on three consecutive days - that is probably the earliest surviving British drama script. Next is 'Buenans Meriasek' ('The Life of St. Meriasek') that is the only full-length medieval saint's play to have survived in the literature of Great Britain. The last of the three, 'The Creation of the World' is the first day of another Biblical play. In the manuscript of the Cornish Cycle, there is a plan of the theatre for each of the three days and there are two similar ones in 'St. Meriasek'. Apart from these five, the only other other plan of a British medieval theatre that has survived is of 'The Castle of Perseverance'. Like those for the Cornish plays, it is circular. Among the many important conclusions in the detailed and meticulously researched examination of the staging of the Cornish plays is that the medieval circular theatres are far more likely to have been the inspiration for the circular theatres of Shakespeare's age than the highly unlikely notion that their origin arose from a pageant waggon being parked in a rectangular inn yard. * * * Winner of the 2014 HOLYER AN GOF PUBLISHERS' AWARD for Non-Fiction - History, Language and Creative Arts. * * * This reviewer found of particular interest Sydney Higgins's lucid reconstruction of the playing in the round. 'Theatre Research International'. vol. 26, no. 1, p.117 Insightful scrutiny of staging ... a full and detailed analysis. 'European Medieval Drama - 2', Brepols, p.200.
Author : Glynne William Gladstone Wickham
Publisher : Cambridge University Press
Page : 306 pages
File Size : 54,9 Mb
Release : 1987-07-09
Category : Drama
ISBN : 0521312485
This is a thoroughly revised edition of Glynne Wickham's important history of the development of dramatic art in Christian Europe. Professor Wickham surveys the foundations on which this dramatic art was built: the architecture, costumes and ceremonial of the imperial court at Byzantium, the liturgies of countires in the Eastern and Western Empires and the triumph of the Roman rite and the Romanesque style in Western art. Within this context Professor Wickham describes three major influences upon the drama: religion, recreation and commerce. The first produced the liturgical music drama rooted in praise of Christ the King, vernacular Corpus Christi drama, Saint Plays and Moralities centred on the humanity of Christ. The second gave rise to the secular theatres of social recreation based on the games and dances of village communities ad the more sophisticated sex and war games of the nobility. The section on commerce shows how the development of the drama was intimately related to questions of funding and management which led, during the sixteenth century, to the substitution of a professional for an amateur theatre, and to a growing emphasis on stage spectacle. For this third edition the author has added a substantial section on monastic reform and its effect on Biblical translation and the use of allegory; a final chapter charts the transition in different European countries from this medieval Gothic theatre to the neoclassical methods of play construction and representation which flourished for the next two hundred years. The book gorges a coherent pattern through a very large and complicated subject. It is an excellent introduction to medieval theatre for undergraduates and to the growing number of theatregoers who enjoy contemporary revivals of medieval plays. A large plate section gives a pictorial version of the story, using photographs of contemporary manuscript illuminations, mosaics, frescoes, paintings and sculptures.
Author : Ronald W. Vince
Publisher : Bloomsbury Publishing USA
Page : 458 pages
File Size : 53,6 Mb
Release : 1989-03-27
Category : Performing Arts
ISBN : 9781440808050
Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.
Author : Tyrone Guthrie
Publisher : Manchester University Press
Page : 152 pages
File Size : 51,6 Mb
Release : 1964
Category : Theater
ISBN : 0719000114
Includes the talks given at Manchester University during the 1962 Theatre week, sponsored by the Dept.of Drama.
Author : Sidney E. Berger
Publisher : Routledge
Page : 425 pages
File Size : 45,5 Mb
Release : 2019-07-05
Category : Literary Criticism
ISBN : 9780429514678
Originally published in 1990, Medieval English Drama is an exhaustive bibliography of scholarship on medieval English drama. Each item has been annotated in the bibliography with considerable care; these annotations are descriptive rather than critical and give a clear synopsis of the content of each reference, the texts with which it deals, and a brief indication of its critical position. The bibliography is divided into two sections; editions and collections of plays, and critical works. The bibliography is exhaustive rather than selective and provides English annotations for foreign language works, as well as a list of reviews for most books. The book covers liturgical and folk drama, other forms of entertainment, and related material useful to researchers in the field. The book provides an update of sources not listed in Carl J. Stratman's comprehensive Bibliography of Medieval Drama published in 1972.
Author : John Marshall
Publisher : Routledge
Page : 383 pages
File Size : 40,8 Mb
Release : 2019-10-08
Category : Drama
ISBN : 9780429765018
Covering a period of nearly 40 years’ work by the author this collection of essays in the Shifting Paradigms in Early English Drama Studies series brings the perspective of a Drama academic and practitioner of early English plays to the understanding of how medieval plays and Robin Hood games of the fifteenth and sixteenth centuries were performed. It explores why, where, when, and how the plays happened, who took part, and who were the audiences. The insights are informed by a combination of research and the public presentation of surviving texts. The research included in the volume unites the early English experiences of religious and secular performance. This recognition challenges the dominant critical distinction of the past between the two and the consequent privileging of biblical and moral plays over secular entertainments. What further binds, rather than separates, the two is that the destination of funds raised by the different activities maintained the civic and parochial needs of the institutions upon which the people depended. This collection redefines the inclusive nature and common interests of the purposes that lay behind generically different undertakings. They shared an extraordinary investment of human and financial resources in the anticipation of a profit that was pious and practical. (CS1081).
Author : Stephen Joseph
Publisher : Unknown
Page : 208 pages
File Size : 50,9 Mb
Release : 1968
Category : Performing Arts
ISBN : STANFORD:36105034851266
Author : Andrea Louise Young
Publisher : Springer
Page : 228 pages
File Size : 45,8 Mb
Release : 2016-04-29
Category : Literary Criticism
ISBN : 9781137446077
The earliest complete morality play in English, The Castle of Perseverance depicts the culture of medieval East Anglia, a region once known for its production of artistic objects. Discussing the spectator experience of this famed play, Young argues that vision is the organizing principle that informs this play's staging, structure, and narrative.
Author : John Harris
Publisher : Routledge
Page : 306 pages
File Size : 44,5 Mb
Release : 2016-09-17
Category : Performing Arts
ISBN : 9781134961894
First Published in 1992. Medieval Theatre in Context is the first systematic attempt to relate the development of medieval drama - both Christian and pagan - to contemporary society and the Christian church.
Author : William Tydeman
Publisher : Cambridge University Press
Page : 798 pages
File Size : 46,7 Mb
Release : 2001-09-27
Category : Drama
ISBN : 0521246091
This volume brings together a wide selection of primary source materials from the theatrical history of the Middle Ages. The focus is on Western Europe between the fall of the Roman Empire and the emergence of markedly Renaissance forms in Italy. Early sections of the volume are devoted to the survival of Classical tradition and the development of the liturgical drama of the Roman Catholic Church, but the main concentration is on the genesis and growth of popular religious drama in the vernacular. Each of the major medieval regions is featured, while a final section covers the pastimes and customs of the people, a record of whose traditional activities often only survives in the margins of official recognition. The documents are compiled by a team of leading scholars in the field and the over 700 documents are all presented in modern English translation.
Author : Philip Butterworth,Katie Normington
Publisher : Boydell & Brewer
Page : 298 pages
File Size : 52,9 Mb
Release : 2017
Category : Literary Criticism
ISBN : 9781843844761
Investigations into the realities of staging dramatic performances, of a variety of kinds, in the middle ages.
Author : Sumiko Miyajima
Publisher : Unknown
Page : 208 pages
File Size : 48,9 Mb
Release : 1977
Category : Drama
ISBN : UCAL:B3506158
Author : David Bevington
Publisher : Hackett Publishing
Page : 1105 pages
File Size : 40,5 Mb
Release : 2012-06-15
Category : Drama
ISBN : 9781624665660
This reprint (with updated 'Suggestions for Further Reading') of the Houghton Mifflin edition makes David Bevington's classic anthology of medieval drama available again at an affordable price.
