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In the sixty years following the Spanish conquest, indigenous communities in central Mexico suffered the equivalent of three Black Deaths, a demographic catastrophe that prompted them to rebuild under the aegis of Spanish missions. Where previous histories have framed this process as an epochal spiritual conversion, The Mexican Mission widens the lens to examine its political and economic history, revealing a worldly enterprise that both remade and colonized Mesoamerica. The mission exerted immense temporal power in struggles over indigenous jurisdictions, resources, and people. Competing communities adapted the mission to their own designs; most notably, they drafted labor to raise ostentatious monastery complexes in the midst of mass death. While the mission fostered indigenous recovery, it also grounded Spanish imperial authority in the legitimacy of local native rule. The Mexican mission became one of the most extensive in early modern history, with influences reverberating on Spanish frontiers from New Mexico to Mindanao.
In the sixty years following the Spanish conquest, indigenous communities in central Mexico suffered the equivalent of three Black Deaths, a demographic catastrophe that prompted them to rebuild under the aegis of Spanish missions. Where previous histories have framed this process as an epochal spiritual conversion, The Mexican Mission widens the lens to examine its political and economic history, revealing a worldly enterprise that both remade and colonized Mesoamerica. The mission exerted immense temporal power in struggles over indigenous jurisdictions, resources, and people. Competing communities adapted the mission to their own designs; most notably, they drafted labor to raise ostentatious monastery complexes in the midst of mass death. While the mission fostered indigenous recovery, it also grounded Spanish imperial authority in the legitimacy of local native rule. The Mexican mission became one of the most extensive in early modern history, with influences reverberating on Spanish frontiers from New Mexico to Mindanao.
A Decade of Mission Life in Mexican Mission Homes (Classic Reprint) by Nannie Emory Holding Pdf
Excerpt from A Decade of Mission Life in Mexican Mission Homes As our Mexican work drew toward the close of its tenth year I involuntarily began to incorporate into my annual report the principal features of its growth. As the writing grew under the iiispiration Of the moment, I jestingly said to Miss Harper, Mrs. Mcgavock will think I have sent her a book. She ah swered, Put it aside and make it a book. Her suggestion gave birth to this simple story Of our daily life in the Mission homes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
DECADE OF MISSION LIFE IN MEXI by Nannie Holding Pdf
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A Decade of Mission Life in Mexican Mission Homes; 1 by Nannie Emory Holding Pdf
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book celebrates a number of Guadalupan sermons that serve as the fundamental source of the Mexican people's unique spiritual devotion and identity. These sermons were preached, published, and circulated among the populace of Mexico in the seventeenth and eighteenth centuries. They proclaim an unshakable conviction that the peoples of the American continent are the uniquely blessed recipients of God's, and especially Mary's, favor. In their modern sense, these sermons provide a wealth of information on Mexican theology, spirituality, and religious self-understanding at a pivotal time in a people's culture.
Saints and Citizens is a bold new excavation of the history of Indigenous people in California in the late eighteenth and nineteenth centuries, showing how the missions became sites of their authority, memory, and identity. Shining a forensic eye on colonial encounters in Chumash, Luiseño, and Yokuts territories, Lisbeth Haas depicts how native painters incorporated their cultural iconography in mission painting and how leaders harnessed new knowledge for control in other ways. Through her portrayal of highly varied societies, she explores the politics of Indigenous citizenship in the independent Mexican nation through events such as the Chumash War of 1824, native emancipation after 1826, and the political pursuit of Indigenous rights and land through 1848.
Everyone in fourteen-year-old Cecilia’s Mexican-American community has a don—a special gift or talent. Her father, who’s named after St. Anthony, helps people find things, or parts of themselves, that they’ve lost. Paco, the janitor in the building where she lives, can tell fortunes. Cecilia can’t figure out hers, and she really needs to since her confirmation is coming up. The truth is, Cecilia doesn’t really believe people have celestial gifts. Her opinion begins to change when she gets apprenticed to Dona Faustina, who has a magic way with coffee. Soon Cecilia realizes that her apprenticeship involves something more sinister than a mystical brew! And on a trip back to the special Mexican village of Santa Cecilia, she and her friends Julie and Lebna learn something about friendship, community and the powers of good and evil. Award-winning author Viola Canales returns with an appealing novel for teens that highlights a Mexican-American immigrant community and the conflict first-generation young adults experience caught between contemporary American life and their parents’ traditional ways.
NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly
