The Morphology Of African American English In African American Rap Lyrics

Author : Yasemin Genc
Publisher : GRIN Verlag
Page : 19 pages
File Size : 55,9 Mb
Release : 2009-11-06
Category : Literary Collections
ISBN : 9783640465965

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The Morphology of African American English in African American rap lyrics by Yasemin Genc Pdf

Seminar paper from the year 2009 in the subject English Language and Literature Studies - Linguistics, grade: 1,7, University of Cologne (Englisches Seminar), course: B-Seminar: Morphology , language: English, abstract: This term paper will mainly focus on the morphological studies of Lisa J. Green who is a Professor in the Department of Linguistics at the University of Texas and who published a linguistic introduction to African American English which focuses on the phonological, morphological, syntactical and semantic properties of this variety of American English. In this paper we will firstly have a closer look at the well researched areas of African American English like origins and (social)history. Subsequently, certain morphological features like verbal –s, past morphology, genetive marking and copula absence will be illustrated. To bring evidence for the linguistic theses concerning morphology that will have been made in the first part, rap texts by two well-known African American rap artists will be taken into account. This is due to the fact that authentic texts with sufficient morphological features of African American English are not easy to find. However, rap lyrics offer a wide range of morphological features that can provide evidence for many linguistic theses illustrated in this paper. On account of this, this paper will analyze 60 rap texts by the African American artists Kanye West and Talib Kweli. The aim hereby is to see whether African American English consequently pursues a morphological pattern or if the features occur optionally. Is the widespread prejudice among many non-linguists true? Namley that African American English is a non-rule-based variety of English?

Author : Seda Evirgen
Publisher : GRIN Verlag
Page : 20 pages
File Size : 43,7 Mb
Release : 2016-05-10
Category : Literary Collections
ISBN : 9783668214682

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Features of African American Vernacular English in Snoop Dogg’s Rap Lyrics by Seda Evirgen Pdf

Seminar paper from the year 2016 in the subject English Language and Literature Studies - Linguistics, grade: 1,0, , course: Varieties of English: New Englishes, language: English, abstract: First of all, this term paper will give some general information about the variety African American Vernacular English itself, its origins and who the speakers of AAVE are. Furthermore, it will give an overview of some features of AAVE and finally the analysis of two of the features on different rap songs from the famous rapper Snoop Dogg. The first feature that I will be looking at is zero copula and the second feature is the omission of the third-person singular –s in the present tense. In this term paper I will investigate the occurrence of these two features in Snoop Dogg’s lyrics from his first album “Doggystyle” and his latest album “Bush” and if they decreased or increased with time. Since music plays such a huge part in African American culture it should be possible to see these features of AAVE in the lyrics. The analysis will contain 16 rap songs from Snoop Dogg’s first album Doggystyle from 1993 and 10 rap songs from his latest album Bush from 2015. English is a language with many varieties and also one of the most spoken languages in the world. The varieties of English are results of colonial expansion and may differ from each other in terms of pronunciation, vocabulary and grammar. African American Vernacular English (AAVE) is the variety that people associate with as the language used by the black community. The additional term vernacular refers to the speech style in everyday communication and differentiates black African American Vernacular English speakers from black speakers of Standard English. Especially in rap and hip-hop music the number of black performers is very high since it was introduced as a new music genre. The style of language that is used in hip-hop lyrics is highly influenced by the African Americans. AAVE is a variant of English that you can hear every day on the radio or television for example and that also makes it so interesting to analyze its use, features and origin.

Author : Seda Evirgen
Publisher : Unknown
Page : 20 pages
File Size : 49,6 Mb
Release : 2016-05-20
Category : Electronic
ISBN : 3668214697

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Features of African American Vernacular English in Snoop Dogg's Rap Lyrics by Seda Evirgen Pdf

Seminar paper from the year 2016 in the subject English Language and Literature Studies - Linguistics, grade: 1,0, course: Varieties of English: New Englishes, language: English, abstract: First of all, this term paper will give some general information about the variety African American Vernacular English itself, its origins and who the speakers of AAVE are. Furthermore, it will give an overview of some features of AAVE and finally the analysis of two of the features on different rap songs from the famous rapper Snoop Dogg. The first feature that I will be looking at is zero copula and the second feature is the omission of the third-person singular -s in the present tense. In this term paper I will investigate the occurrence of these two features in Snoop Dogg's lyrics from his first album "Doggystyle" and his latest album "Bush" and if they decreased or increased with time. Since music plays such a huge part in African American culture it should be possible to see these features of AAVE in the lyrics. The analysis will contain 16 rap songs from Snoop Dogg's first album Doggystyle from 1993 and 10 rap songs from his latest album Bush from 2015. English is a language with many varieties and also one of the most spoken languages in the world. The varieties of English are results of colonial expansion and may differ from each other in terms of pronunciation, vocabulary and grammar. African American Vernacular English (AAVE) is the variety that people associate with as the language used by the black community. The additional term vernacular refers to the speech style in everyday communication and differentiates black African American Vernacular English speakers from black speakers of Standard English. Especially in rap and hip-hop music the number of black performers is very high since it was introduced as a new music genre. The style of language that is used in hip-hop lyrics is highly influenced by the African Americans. AAVE is a variant of English that you can

Author : Jan Skordos
Publisher : GRIN Verlag
Page : 25 pages
File Size : 46,9 Mb
Release : 2011-02-23
Category : Literary Collections
ISBN : 9783640840960

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African-American Vernacular English within American ‘Gangsta Rap’ by Jan Skordos Pdf

Seminar paper from the year 2009 in the subject American Studies - Linguistics, grade: 2,7, University of Münster (Anglistik/Amerikanistik), course: Proseminar American English, language: English, abstract: This abstract shall give another piece of the puzzle to what is considered to be African-American Vernacular English. With scientific aid of well-known concepts by linguists such as Green in particular but also Wolfram, Schilling-Estes, Mufwene and Poplack we want to focus on specific grammatical features of AAVE and to what extend these can be recovered in the Hip-Hop subgenre of American West Coast Gangsta Rap. A small but significant text corpus of four representative songs (added to the appendix in the shape of lyrics) cover the source for a quantitative and qualitative evaluation. The given text shall give a short overview about the origin and different theories on AAVE first and will further on primarily adapt the characteristic linguistic features L. Green and Wolfram & Schilling-Estes worked out and apply them to our little song text corpus.

Author : Janine Lacombe
Publisher : GRIN Verlag
Page : 31 pages
File Size : 49,9 Mb
Release : 2014-01-08
Category : Literary Collections
ISBN : 9783656569930

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Features of African American English in the Context of Language Varieties by Janine Lacombe Pdf

Seminar paper from the year 2012 in the subject English Language and Literature Studies - Linguistics, grade: 1,3, University of Koblenz-Landau (Anglistik), course: Varieties of English, language: English, abstract: African American English in general is used to describe a wide range of language varieties spoken mostly by the black population in the United States. During the past decades however multiple names and definitions have been established including Black English (BE), Ebonics, Black Vernacular English (BVE), and African American Vernacular English (AAVE). The term “Negro Non-standard English” used until the late 1960s has been abolished by now due to the fact that it insinuates the presence of a superior “White Standard English” In the preface of her book African American English: A Linguistic Introduction Lisa GREEN points out that there has been a substantial amount of linguistic research on AAE, oftentimes however neglecting a closer look at the structural patterns and features. This is where the focus of the paper presented shall be on. After some developmental and socio-historical background information concerning AAE, phonological, morphological, and grammatical attributes will be examined and subsequently illustrated by an exemplary analysis of three different rap songs. The focal point here lies in the lyrical/ textual presentation of AAE in rap music and not in the actual vocal performance. The aim of this paper and the entailed analyses is to ascertain whether AAE consequently aims for persistent, stable patterns on some or even all linguistic levels or if certain features occur in a more elective, non-obligatory way. The rap songs chosen for the analyses offer a creditable alternative to hard to find authentic text material and display sufficient characteristic of AAE. A complete version of each rap text is attached in the appendix of this work. The textual extend of this paper is substantiated in the amount of examples given to illustrate features of AAE.

Author : Jan Skordos
Publisher : GRIN Verlag
Page : 61 pages
File Size : 50,5 Mb
Release : 2011-02
Category : Electronic
ISBN : 9783640840250

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African-American Vernacular English Within American 'Gangsta Rap' by Jan Skordos Pdf

Seminar paper from the year 2009 in the subject American Studies - Linguistics, grade: 2,7, University of Münster (Anglistik/Amerikanistik), course: Proseminar American English, language: English, abstract: This abstract shall give another piece of the puzzle to what is considered to be African-American Vernacular English. With scientific aid of well-known concepts by linguists such as Green in particular but also Wolfram, Schilling-Estes, Mufwene and Poplack we want to focus on specific grammatical features of AAVE and to what extend these can be recovered in the Hip-Hop subgenre of American West Coast Gangsta Rap. A small but significant text corpus of four representative songs (added to the appendix in the shape of lyrics) cover the source for a quantitative and qualitative evaluation. The given text shall give a short overview about the origin and different theories on AAVE first and will further on primarily adapt the characteristic linguistic features L. Green and Wolfram & Schilling-Estes worked out and apply them to our little song text corpus.

Author : Enver Kazic
Publisher : Unknown
Page : 36 pages
File Size : 43,7 Mb
Release : 2016-08-25
Category : Electronic
ISBN : 3668249490

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A Sociolinguistic Study of Hip Hop. AAVE Features in Songs by Tupac Shakur and Eminem by Enver Kazic Pdf

Seminar paper from the year 2016 in the subject American Studies - Linguistics, grade: A, course: Teaching studies, language: English, abstract: Sociolinguistics of Hip Hop music is a relatively new field in sociolinguistics and deals with both social and linguistic aspects of AAVE. Many studies were conducted to analyse Hip Hop lyrics, with both Tupac and Eminem as the target artists; Tupac being the explicitly angry rebel against racial segregation and Eminem being the sarcastic and incredibly eloquent young man who had managed to enter the Hip Hop safe zone of African-Americans and strike them dumb. However, a detailed comparison study of AAVE features and variations between the two was not yet conducted, or at least published. This small-scale research study aims to analyse five of the most popular songs by each artist, to quantify, compare and contrast AAVE features in some of the most popular lyrics globally and to provide an option for the social background of each song, analysing their purpose, message and language. This paper will answer two of the most obvious questions in Hip Hop sociolinguistics, i.e. whether there is any difference in use of AAVE features between a black rapper and a white rapper, where both are considered masters of their profession. Another question is whether any of them is linguistically "better" than the other, i.e. leaning towards SE. A common string of features was analysed and quantified for the purpose of comparison and the results were somewhat surprising. However, the songs which were selected have a serious background to them, possibly affecting both artists' use of language.

Author : A. Glatz
Publisher : GRIN Verlag
Page : 81 pages
File Size : 52,9 Mb
Release : 2012-02
Category : Biography & Autobiography
ISBN : 9783656109815

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African American Vernacular English in Contemporary Music by A. Glatz Pdf

This thesis investigates the use of African American Vernacular English in contemporary music. AAVE is an ethnic variety spoken by many, though not all, African Americans living in the United States. This dialect does not have one name only, but is also called "Negro dialect," "Nonstandard Negro English," "Black English," "Black Street Speech," "Black Vernacular English," "Black Vernacular English," or "African American English."

Author : Kim Vahnenbruck
Publisher : GRIN Verlag
Page : 19 pages
File Size : 50,7 Mb
Release : 2011-01-27
Category : Literary Collections
ISBN : 9783640811922

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The Variety in the Lexicon of Rap and Gospel by Kim Vahnenbruck Pdf

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Linguistics, grade: 1,0, University of Wuppertal, course: Varieties of English, language: English, abstract: At first sight, Rap and Gospel music do not seem to have much in common. That is why I attempt to analyze whether there are any similarities or just discrepancies. The topic deals with The Variety in the Lexicon of Rap and Gospel and therefore, the aim of this paper is the linguistic description of the special lexicon. The foundation of this paper is provided by the presentation held on the 13th of July 2010 in the seminar "Varieties of English". I have chosen this topic, because the two styles of music have a similar history, but developed into opposite directions and they are, furthermore, both mostly sung by people of African American descent. Another reason for my choice is that I want to know if the images of Rap and Gospel I have in mind are really true or just prejudices: Are Rap lyrics full of swear words? Is Gospel by some means or other related to Rap? One of the images I have in mind, are the lexicons of Rap and Gospel, because when you listen to two typical song you will clearly hear the differences in speaking and in the choice of words. For my analysis I chose two representative songs: Only God Can Judge Me by the ’gangster rapper’ Tupac Shakur (1971-1996) and Judge Me Not by the baptist preacher Timothy Wright (1947-2009). I will start with a general overview of Rap and Gospel, give a short history of their development, so that the same roots of the styles of music become more obvious. In the following, I will present the results of the analyzed domains of register, commencing with the use of swear words and the application to the five types of linguistic forms of swearwords. Then I will go on with the use of slang, and especially the phonological representation of the features of African American Vernacular English, due to the descent of the two singers. Finally, I will summarize my results in a conclusion at the end of this paper.

Author : Salikoko S. Mufwene,John R. Rickford,Guy Bailey,John Baugh
Publisher : Routledge
Page : 368 pages
File Size : 55,7 Mb
Release : 2021-09-30
Category : Language Arts & Disciplines
ISBN : 9781000428162

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African-American English by Salikoko S. Mufwene,John R. Rickford,Guy Bailey,John Baugh Pdf

This book was the first to provide a comprehensive survey of linguistic research into African-American English and is widely recognised as a classic in the field. It covers both the main linguistic features, in particular the grammar, phonology, and lexicon as well as the sociological, political and educational issues connected with African-American English. The editors have played key roles in the development of African-American English and Black Linguistics as overlapping academic fields of study. Along with other leading figures, notably Geneva Smitherman, William Labov and Walt Wolfram, they provide an authoritative diverse guide to these vitally important subject areas. Drawing on key moments of cultural significance from the Ebonics controversy to the rap of Ice-T, the contributors cover the state of the art in scholarship on African-American English, and actively dispel misconceptions, address new questions and explore new approaches. This classic edition has a new foreword by Sonja Lanehart, setting the book in context and celebrating its influence. This is an essential text for courses on African-American English, key reading for Varieties of English and World Englishes modules and an important reference for students of linguistics, black studies and anthropology at both undergraduate and postgraduate level.

Author : Oriana Palusci
Publisher : Tangram Ediz. Scientifiche
Page : 305 pages
File Size : 44,9 Mb
Release : 2010
Category : Language Arts & Disciplines
ISBN : 9788864580074

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English, But Not Quite by Oriana Palusci Pdf

Author : Sonja L. Lanehart
Publisher : John Benjamins Publishing
Page : 391 pages
File Size : 48,7 Mb
Release : 2001-01-01
Category : Language Arts & Disciplines
ISBN : 9789027248862

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Sociocultural and Historical Contexts of African American English by Sonja L. Lanehart Pdf

This volume, based on presentations at a 1998 state of the art conference at the University of Georgia, critically examines African American English (AAE) socially, culturally, historically, and educationally. It explores the relationship between AAE and other varieties of English (namely Southern White Vernaculars, Gullah, and Caribbean English creoles), language use in the African American community (e.g., Hip Hop, women's language, and directness), and application of our knowledge about AAE to issues in education (e.g., improving overall academic success). To its credit (since most books avoid the issue), the volume also seeks to define the term 'AAE' and challenge researchers to address the complexity of defining a language and its speakers. The volume collectively tries to help readers better understand language use in the African American community and how that understanding benefits all who value language variation and the knowledge such study brings to our society.

Author : Garnett S. Huguley
Publisher : AuthorHouse
Page : 245 pages
File Size : 52,5 Mb
Release : 2003-07-07
Category : Family & Relationships
ISBN : 9781410763754

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Growing up African American by Garnett S. Huguley Pdf

I was born in a small Kentucky town named, Richmond. I had no concept of color or cultural differences during the first four years of my life. The one common background of African Americans is our Antebellum Slave heritage. Antebellum Slavery replaced the culture of African people brought into the system with a new aberrant slave culture. Remnants of this culture appear to exist in the modern African American culture due to the continued isolation of the culture during Jim Crow Segregation. I found these remnants were in me. I was subjected to many of the negative images of race during my early life in Jim Crow Segregation. Initially my scope of our race, self perception, and self-definition were affected by the molding of Jim Crow Segregation. My experience again demonstrated to me that self-determination is the best possible scenario for success in life. We can prosper by embracing the positives of the American culture and benefit from the American Dream. I survived the violence, social and psychological impacts of Jim Crow Segregation. I resisted the social and psychological molding of Jim Crow Segregation therefore; I am not the product of Jim Crow Segregation. I am not perpetuating the legacy of Antebellum Slavery or Jim Crow Segregation in everyday life. I am proud of my heritage. Genetically I am African, Welsh English-Caucasian and Cherokee-Native American. I am an American.

Author : George Elliott Clarke
Publisher : University of Toronto Press
Page : 504 pages
File Size : 41,7 Mb
Release : 2017-06-22
Category : Literary Criticism
ISBN : 9781487516789

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Odysseys Home by George Elliott Clarke Pdf

Odysseys Home: Mapping African-Canadian Literature is a pioneering study of African-Canadian literary creativity, laying the groundwork for future scholarly work in the field. Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key creators and texts. Scholarly and sophisticated, the survey cites and interprets the works of several major African-Canadian writers, including André Alexis, Dionne Brand, Austin Clarke, Claire Harris, and M. Nourbese Philip. In so doing, Clarke demonstrates that African-Canadian writers and critics explore the tensions that exist between notions of universalism and black nationalism, liberalism and conservatism. These tensions are revealed in the literature in what Clarke argues to be – paradoxically – uniquely Canadian and proudly apart from a mainstream national identity. Clarke has unearthed vital but previously unconsidered authors, and charted the relationship between African-Canadian literature and that of Africa, African America, and the Caribbean. In addition to the essays, Clarke has assembled a seminal and expansive bibliography of texts – literature and criticism – from both English and French Canada. This important resource will inevitably challenge and change future academic consideration of African-Canadian literature and its place in the international literary map of the African Diaspora.

Author : Melanie W.
Publisher : GRIN Verlag
Page : 34 pages
File Size : 42,7 Mb
Release : 2014-10-29
Category : Literary Collections
ISBN : 9783656826323

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Meaning and Intension of Slang Terms in American Rap Music by Melanie W. Pdf

Studienarbeit aus dem Jahr 2012 im Fachbereich Anglistik - Linguistik, Note: 1,7, Ernst-Moritz-Arndt-Universität Greifswald, Sprache: Deutsch, Abstract: In this term paper, a part of a song by the African American rapper 50 Cent will be analyzed with regard to the use of slang words. Importance will receive the questions what these slang words mean, where they come from and why they are used. It is to find out to whom the rapper speaks and why he does it in this way. Slang is a crucial part of every language. It is used by different groups to send a social signal, to indicate informality, irreverence or defiance, to add humor or to mark someone’s inclusion in, admiration for or identification with a social group which is often non-mainstream. A slang word cannot be identified by its pronunciation or construction due to the fact that a word is often just differently used to create a new sense through metaphor, metonymy, irony etc. or part of existing words are differently mixed together. Slang is mostly used by the youth so that it is also an important part in the music scene especially in the genre of Hip Hop and Rap Music. The language used in Rap Music in the United States of America is highly influenced by the African American culture so that a lot of slang words came from the African American language.