African American Vernacular English Within American Gangsta Rap

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African-American Vernacular English within American ‘Gangsta Rap’

Author : Jan Skordos
Publisher : GRIN Verlag
Page : 25 pages
File Size : 54,8 Mb
Release : 2011-02-23
Category : Literary Collections
ISBN : 9783640840960

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African-American Vernacular English within American ‘Gangsta Rap’ by Jan Skordos Pdf

Seminar paper from the year 2009 in the subject American Studies - Linguistics, grade: 2,7, University of Münster (Anglistik/Amerikanistik), course: Proseminar American English, language: English, abstract: This abstract shall give another piece of the puzzle to what is considered to be African-American Vernacular English. With scientific aid of well-known concepts by linguists such as Green in particular but also Wolfram, Schilling-Estes, Mufwene and Poplack we want to focus on specific grammatical features of AAVE and to what extend these can be recovered in the Hip-Hop subgenre of American West Coast Gangsta Rap. A small but significant text corpus of four representative songs (added to the appendix in the shape of lyrics) cover the source for a quantitative and qualitative evaluation. The given text shall give a short overview about the origin and different theories on AAVE first and will further on primarily adapt the characteristic linguistic features L. Green and Wolfram & Schilling-Estes worked out and apply them to our little song text corpus.

African-American Vernacular English Within American 'Gangsta Rap'

Author : Jan Skordos
Publisher : GRIN Verlag
Page : 61 pages
File Size : 42,9 Mb
Release : 2011-02
Category : Electronic
ISBN : 9783640840250

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African-American Vernacular English Within American 'Gangsta Rap' by Jan Skordos Pdf

Seminar paper from the year 2009 in the subject American Studies - Linguistics, grade: 2,7, University of Münster (Anglistik/Amerikanistik), course: Proseminar American English, language: English, abstract: This abstract shall give another piece of the puzzle to what is considered to be African-American Vernacular English. With scientific aid of well-known concepts by linguists such as Green in particular but also Wolfram, Schilling-Estes, Mufwene and Poplack we want to focus on specific grammatical features of AAVE and to what extend these can be recovered in the Hip-Hop subgenre of American West Coast Gangsta Rap. A small but significant text corpus of four representative songs (added to the appendix in the shape of lyrics) cover the source for a quantitative and qualitative evaluation. The given text shall give a short overview about the origin and different theories on AAVE first and will further on primarily adapt the characteristic linguistic features L. Green and Wolfram & Schilling-Estes worked out and apply them to our little song text corpus.

African American Vernacular English in Contemporary Music

Author : A. Glatz
Publisher : GRIN Verlag
Page : 42 pages
File Size : 53,7 Mb
Release : 2012-01-25
Category : Literary Collections
ISBN : 9783656110019

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African American Vernacular English in Contemporary Music by A. Glatz Pdf

Bachelor Thesis from the year 2011 in the subject English Language and Literature Studies - Linguistics, grade: 2,0, Justus-Liebig-University Giessen, language: English, abstract: This thesis investigates the use of African American Vernacular English in contemporary music. AAVE is an ethnic variety spoken by many, though not all, African Americans living in the United States. This dialect does not have one name only, but is also called “Negro dialect,” “Nonstandard Negro English,” “Black English,” “Black Street Speech,” “Black Vernacular English,” “Black Vernacular English,” or “African American English.” I would like to add that some terms are historical. It is crucial to know that researchers call it differently because to a large degree it depends on the time he/she conducted research on this topic. Today, the dialect is either called African American Vernacular English or African American English. The words “contemporary music” in the title refer to Hip Hop. This music genre was chosen to be investigated because out of the music genres African Americans are involved in, it is the one that generates most of the sales and is the most popular one. The rappers which are going to be analyzed in this thesis use many of the features of the African American vernacular. Given the huge number of AAVE features, only one of them will be analyzed, the copula verb to be, which in the following will only be called “the copula.” According to Wolfram, the copula is “one of the most often described structures of AAVE” (2008: 517). For this reason, the copula might be an interesting feature to look at. When researchers examined AAVE in the past, they did not necessarily take music as a source of data, but rather spoken language. One has to know that language in music is a different genre of language use, which differs from the usual use of the language. Music can be considered an artistic expression, but not “real” speech. Nevertheless, as music has always been and presumably will always be a big part in African American culture, it should be possible to recognize features of AAVE and use music as a reliable source. In the analysis conducted in this thesis, the use of the copula will be examined by having a look at the lyrics of three famous rappers from the US: Tupac, Jay-Z and 50 Cent. Even though the three of them can be assigned to “gangsta rap”, they all differ from each other. They all started their careers in different decades, come from different cities and have a different style of rapping. What they have in common is that they are African American rappers from a lower class who grew up in poverty and have become successful musicians.

African American, Creole, and Other Vernacular Englishes in Education

Author : John R. Rickford
Publisher : Routledge
Page : 327 pages
File Size : 47,8 Mb
Release : 2013
Category : Education
ISBN : 9780805860504

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African American, Creole, and Other Vernacular Englishes in Education by John R. Rickford Pdf

This comprehensive bibliography provides more than 1600 references to publications from the past half century on education in relation to African American Vernacular English, English-based pidgins and creoles and other vernacula Englishes, with accompanying abstracts for many.

Haiti and the Americas

Author : Carla Calargé,Raphael Dalleo,Luis Duno-Gottberg,Clevis Headley
Publisher : Univ. Press of Mississippi
Page : 242 pages
File Size : 54,9 Mb
Release : 2013-04-23
Category : History
ISBN : 9781617037580

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Haiti and the Americas by Carla Calargé,Raphael Dalleo,Luis Duno-Gottberg,Clevis Headley Pdf

Haiti has long played an important role in global perception of the western hemisphere, but ideas about Haiti often appear paradoxical. Is it a land of tyranny and oppression or a beacon of freedom as site of the world's only successful slave revolution? A bastion of devilish practices or a devoutly religious island? Does its status as the second independent nation in the hemisphere give it special lessons to teach about postcolonialism, or is its main lesson one of failure? Haiti and the Americas brings together an interdisciplinary group of essays to examine the influence of Haiti throughout the hemisphere, to contextualize the ways that Haiti has been represented over time, and to look at Haiti's own cultural expressions in order to think about alternative ways of imagining its culture and history. Thinking about Haiti requires breaking through a thick layer of stereotypes. Haiti is often represented as the region's nadir of poverty, of political dysfunction, and of savagery. Contemporary media coverage fits very easily into the narrative of Haiti as a dependent nation, unable to govern or even fend for itself, a site of lawlessness that is in need of more powerful neighbors to take control. Essayists in Haiti and the Americas present a fuller picture developing approaches that can account for the complexity of Haitian history and culture.

Nuthin' but a "G" Thang

Author : Eithne Quinn
Publisher : Columbia University Press
Page : 269 pages
File Size : 43,8 Mb
Release : 2005-01-05
Category : Music
ISBN : 9780231124096

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Nuthin' but a "G" Thang by Eithne Quinn Pdf

Struggling to create an identity distinct from the European tradition but lacking an established system of support, early painting in America received little cultural acceptance in its own country or abroad. Yet despite the initial indifference with which it was first met, American art flourished against the odds and founded the aesthetic consciousness that we equate with American art today. In this exhilarating study David Rosand shows how early American painters transformed themselves from provincial followers of the established traditions of Europe into some of the most innovative and influential artists in the world. Moving beyond simple descriptions of what distinguishes American art from other movements and forms, The Invention of Painting in America explores not only the status of artists and their personal relationship to their work but also the larger dialogue between the artist and society. Rosand looks to the intensely studied portraits of America's early painters -- especially Copley and Eakins and the landscapes of Homer and Inness, among others -- each of whom grappled with conflicting cultural attitudes and different expressive styles in order to reinvent the art of painting. He discusses the work of Davis, Gorky, de Kooning, Pollock, Rothko, and Motherwell and the subjects and themes that engaged them. While our current understanding of America's place in art is largely based on the astonishing success of a handful of mid-twentieth-century painters, Rosand unearths the historical and artistic conditions that both shaped and inspired the phenomenon of Abstract Expressionism.

Hip Hop Headphones

Author : James Braxton Peterson
Publisher : Bloomsbury Publishing USA
Page : 296 pages
File Size : 48,5 Mb
Release : 2016-08-25
Category : Music
ISBN : 9781501308277

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Hip Hop Headphones by James Braxton Peterson Pdf

Hip Hop Headphones is a crash course in Hip Hop culture. Featuring definitions, lectures, academic essays, and other scholarly discussions and resources, Hip Hop Headphones documents the scholarship of Dr. James B. Peterson, founder of Hip Hop Scholars-an organization devoted to developing the educational potential of Hip Hop. Defining Hip Hop from multi-disciplinary perspectives that embrace the elemental forms of Hip Hop Culture (b-boying, dj-ing, rapping, and graffiti art), Hip Hop Headphones is the definitive guide to how Hip Hop culture can be used in the classroom to engage and inspire students.

Encyclopedia of the African Diaspora [3 volumes]

Author : Carole Boyce Davies
Publisher : Bloomsbury Publishing USA
Page : 1269 pages
File Size : 51,7 Mb
Release : 2008-07-29
Category : Social Science
ISBN : 9781851097050

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Encyclopedia of the African Diaspora [3 volumes] by Carole Boyce Davies Pdf

The authoritative source for information on the people, places, and events of the African Diaspora, spanning five continents and five centuries. The field of African Diaspora studies is rapidly growing. Until now there was no single, authoritative source for information on this broad, complex discipline. Drawing on the work of over 300 scholars, this encyclopedia fills that void. Now the researcher, from high school level up, can go to a single reference for information on the historical, political, economic, and cultural relations between people of African descent and the rest of the world community. Five hundred years of relocation and dislocation, of assimilation and separation have produced a rich tapestry of history and culture into which are woven people, places, and events. This authoritative, accessible work picks out the strands of the tapestry, telling the story of diverse peoples, separated by time and distance, but retaining a commonality of origin and experience. Organized in A–Z sections covering global topics, country of origin, and destination country, the work is designed for easy use by all.

Droppin' Science

Author : William Eric Perkins
Publisher : Temple University Press
Page : 292 pages
File Size : 42,8 Mb
Release : 1996
Category : Biography & Autobiography
ISBN : 1566393620

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Droppin' Science by William Eric Perkins Pdf

Rap and hip hop, the music and culture rooted in African American urban life, bloomed in the late 1970s on the streets and in the playgrounds of New York City. This critical collection serves as a historical guide to rap and hip hop from its beginnings to the evolution of its many forms and frequent controversies, including violence and misogyny. These wide-ranging essays discuss white crossover, women in rap, gangsta rap, message rap, raunch rap, Latino rap, black nationalism, and other elements of rap and hip hop culture like dance and fashion. An extensive bibliography and pictorial profiles by Ernie Pannicolli enhance this collection that brings together the foremost experts on the pop culture explosion of rap and hip hop. Author note: William Eric Perkins is a Faculty Fellow at the W.E.B. DuBois House at the University of Pennsylvania, and an Adjunct Professor of Communications at Hunter College, City University of New York.

Come On People

Author : Bill Cosby,Alvin F. Poussaint
Publisher : Thomas Nelson Inc
Page : 284 pages
File Size : 48,7 Mb
Release : 2009-01-05
Category : Political Science
ISBN : 9781418572051

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Come On People by Bill Cosby,Alvin F. Poussaint Pdf

In Come On, People, Bill Cosby and Alvin F. Poussaint tell an inspiring story about human beings fighting hardships and succeeding. It is a story about strong, resilient people who have overcome poverty and mistreatment. Do not be surprised if you find yourself identifying personally with the stories because you see the same struggle in either yourself or in an acquaintance or a relative. It is a stirring call for us all to complete the daunting transition from victims to victors, from helplessness to hope. Come On, People will encourage you to set aside excuses and make a better life today—for you, for your children, for your community, and for your future.

How We Talk

Author : Allan A. Metcalf
Publisher : Houghton Mifflin Harcourt
Page : 228 pages
File Size : 53,8 Mb
Release : 2000
Category : Language Arts & Disciplines
ISBN : 0618043624

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How We Talk by Allan A. Metcalf Pdf

In short, delightful essays, a professor of English explains the key features that make American speech so expressive and distinct. With chapters on ethnic dialects and dialects in the movies, the author reveals the resplendence of one of our nation's greatest natural resources--its endless and varied talk.

Hip Hop's Amnesia

Author : Reiland Rabaka
Publisher : Lexington Books
Page : 386 pages
File Size : 44,7 Mb
Release : 2012-05-18
Category : Social Science
ISBN : 9780739174937

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Hip Hop's Amnesia by Reiland Rabaka Pdf

What did rap music and hip hop culture inherit from the spirituals, classic blues, ragtime, classic jazz, and bebop? What did rap music and hip hop culture inherit from the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Hipster Movement, and Black Muslim Movement? How did black popular music and black popular culture between 1900 and the 1950s influence white youth culture, especially the Lost Generation and the Beat Generation, in ways that mirror rap music and hip hop culture’s influence on contemporary white youth music, culture, and politics? In Hip Hop’s Amnesia award-winning author, spoken-word artist, and multi-instrumentalist Reiland Rabaka answers these questions by rescuing and reclaiming the often-overlooked early twentieth century origins and evolution of rap music and hip hop culture. Hip Hop’s Amnesia is a study about aesthetics and politics, music and social movements, as well as the ways in which African Americans’ unique history and culture has consistently led them to create musics that have served as the soundtracks for their socio-political aspirations and frustrations, their socio-political organizations and nationally-networked movements. The musics of the major African American social and political movements of the 1950s, 1960s, and 1970s were based and ultimately built on earlier forms of “African American movement music.” Therefore, in order to really and truly understand rap music and hip hop culture we must critically examine both classical African American musics and the classical African American movements that these musics served as soundtracks for. This book is primarily preoccupied with the ways in which post-enslavement black popular music and black popular culture frequently served as a soundtrack for and reflected the grassroots politics of post-enslavement African American social and political movements. Where many Hip Hop Studies scholars have made clever allusions to the ways that rap music and hip hop culture are connected to and seem to innovatively evolve earlier forms of black popular music and black popular culture, Hip Hop’s Amnesia moves beyond anecdotes and witty allusions and earnestly endeavors a full-fledged critical examination and archive-informed re-evaluation of “hip hop’s inheritance” from the major African American musics and movements of the first half of the twentieth century: classic blues, ragtime, classic jazz, swing, bebop, the Black Women’s Club Movement, the New Negro Movement, the Harlem Renaissance, the Bebop Movement, the Hipster Movement, and the Black Muslim Movement.

Teaching African American Literature

Author : Maryemma Graham,Sharon Pineault-Burke,Marianna White Davis
Publisher : Routledge
Page : 268 pages
File Size : 48,7 Mb
Release : 2013-12-16
Category : Education
ISBN : 9781136671982

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Teaching African American Literature by Maryemma Graham,Sharon Pineault-Burke,Marianna White Davis Pdf

This book is written by teachers interested in bringing African American literature into the classroom. Documented here is the learning process that these educators experienced themselves as they read and discussed the stories & pedagogical.

English Linguistics

Author : Christian Mair
Publisher : Narr Francke Attempto Verlag
Page : 295 pages
File Size : 55,6 Mb
Release : 2022-03-07
Category : Literary Criticism
ISBN : 9783823394488

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English Linguistics by Christian Mair Pdf

bachelor-wissen "English Linguistics" is a compact and easy-to-use introduction to English linguistics which - is tailored to the needs of students of English at German, Austrian and Swiss universities - contains graded exercises to motivate students to carry out independent research, and - bridges the gap between linguistics and the literary and cultural-studies components of the typical BA in English Studies. Bachelor-wissen "English Linguistics" goes beyond the usual introduction in offering accompanying web resources which provide additional material and multi-media illustration. The new edition includes current theoretical approaches in the fields of sociolinguistics and World Englishes.

The Hip Hop Movement

Author : Reiland Rabaka
Publisher : Lexington Books
Page : 432 pages
File Size : 46,6 Mb
Release : 2013-04-04
Category : Social Science
ISBN : 9780739181171

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The Hip Hop Movement by Reiland Rabaka Pdf

The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this book’s remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely “popular music” and “popular culture” in the conventional sense and reflect a broader social, political, and cultural movement. With this in mind, sociologist and musicologist Reiland Rabaka critically reinterprets rap and neo-soul as popular expressions of the politics, social visions, and cultural values of a contemporary multi-issue movement: the Hip Hop Movement. Rabaka argues that rap music, hip hop culture, and the Hip Hop Movement are as deserving of critical scholarly inquiry as previous black popular musics, such as the spirituals, blues, ragtime, jazz, rhythm & blues, rock & roll, soul, and funk, and previous black popular movements, such as the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Civil Rights Movement, Black Power Movement, Black Arts Movement, and Black Women’s Liberation Movement. This volume, equal parts alternative history of hip hop and critical theory of hip hop, challenges those scholars, critics, and fans of hip hop who lopsidedly over-focus on commercial rap, pop rap, and gangsta rap while failing to acknowledge that there are more than three dozen genres of rap music and many other socially and politically progressive forms of hip hop culture beyond DJing, MCing, rapping, beat-making, break-dancing, and graffiti-writing.