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Author : Gyorgy Kepes
Publisher : Chicago : P. Theobald
Page : 396 pages
File Size : 43,7 Mb
Release : 1956
Category : Science
ISBN : UOM:39015007566113
"Invaluable in pointing the way toward a complete, integrated vision of the inner world of thought a nd feeling and the outer world of external nature"--Inside jacket.
Author : Gyorgy 1906-2001 Kepes
Publisher : Hassell Street Press
Page : 392 pages
File Size : 55,7 Mb
Release : 2021-09-09
Category : Electronic
ISBN : 1013646169
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Gyorgy Kepes
Publisher : Unknown
Page : 383 pages
File Size : 49,8 Mb
Release : 1956
Category : Electronic
ISBN : OCLC:1193439425
Author : Jelle Zeilinga de Boer
Publisher : Wesleyan University Press
Page : 180 pages
File Size : 41,8 Mb
Release : 2013-07-19
Category : Art
ISBN : 9780819573759
West Rock and East Rock are bold and beautiful features around New Haven, Connecticut. They resemble monumental gateways (or time-tried sentinels) and represent a moment in geologic time when the North American and African continents began to separate and volcanism affected much of Connecticut. The rocks attracted the attention of poets, painters, and naturalists when beliefs rose about the spiritual dimensions of nature in the early 19th century. More than two dozen artists, including Frederick Church, George Durrie, and John Weir, captured their magic and produced an assortment of classic American landscapes. In the same period, the science of geology evolved rapidly, triggered by the controversy between proponents and opponents of biblical explanations for the origin of rocks. Lavishly illustrated, featuring over sixty paintings and prints, this book is a perfect introduction to understanding the relationship of geology and art. It will delight those who appreciate landscape painting, and anyone who has seen the grandeur of East and West Rock.
Author : Gyorgy Kepes
Publisher : Unknown
Page : 383 pages
File Size : 47,8 Mb
Release : 1956
Category : Art
ISBN : LCCN:57000576
"The New Landscape is invaluable in pointing the way toward a complete, integrated vision of the inner world of thought and feeling and the outer world of external nature"--dust jacket blurb.
Author : Rachael Z. DeLue
Publisher : University of Chicago Press
Page : 353 pages
File Size : 50,9 Mb
Release : 2008-09-15
Category : Art
ISBN : 9780226142319
George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen." Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry—including optics, psychology, physiology, and mathematics—with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's George Inness and the Science of Landscape—the first in-depth examination of Inness's career to appear in several decades—demonstrates how the artistic, spiritual, and scientific aspects of Inness's art found expression in his masterful landscapes. In fact, Inness's practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right. This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America. Long-awaited, this reevaluation of one of the major figures of nineteenth-century American art will prove to be a seminal text in the fields of art history and American studies.
Author : Charlotte Klonk
Publisher : Paul Mellon Ctr for Studies
Page : 198 pages
File Size : 52,7 Mb
Release : 1996
Category : Art
ISBN : 0300069502
Charlotte Klonk's deeply researched accounts of the complex and often ambiguous interactions that took place between artists and scientists challenge simplistic accounts of developments in art as mere by-products of scientific progress as well as reductive socio-economic interpretations. For Klonk, the common thread running through the changes in both art and science is the emergence of a new phenomenalist conception of experience around the turn of the century. Phenomenalism involved a commitment to the scrupulous observation of particular phenomena, without making prior assumptions about meaning or underlying causes, and this ideal was common to both artists and scientists. In this way, Klonk argues, the period represents a brief moment of balance before the concerns of science and art split apart into objectivity and subjectivity, respectively.
Author : Stephen Wilson
Publisher : MIT Press
Page : 980 pages
File Size : 45,6 Mb
Release : 2003-02-28
Category : Social Science
ISBN : 0262731584
An introduction to the work and ideas of artists who use—and even influence—science and technology. A new breed of contemporary artist engages science and technology—not just to adopt the vocabulary and gizmos, but to explore and comment on the content, agendas, and possibilities. Indeed, proposes Stephen Wilson, the role of the artist is not only to interpret and to spread scientific knowledge, but to be an active partner in determining the direction of research. Years ago, C. P. Snow wrote about the "two cultures" of science and the humanities; these developments may finally help to change the outlook of those who view science and technology as separate from the general culture. In this rich compendium, Wilson offers the first comprehensive survey of international artists who incorporate concepts and research from mathematics, the physical sciences, biology, kinetics, telecommunications, and experimental digital systems such as artificial intelligence and ubiquitous computing. In addition to visual documentation and statements by the artists, Wilson examines relevant art-theoretical writings and explores emerging scientific and technological research likely to be culturally significant in the future. He also provides lists of resources including organizations, publications, conferences, museums, research centers, and Web sites.
Author : Glenn Randall
Publisher : Rocky Nook, Inc.
Page : 396 pages
File Size : 43,7 Mb
Release : 2015-03-16
Category : Photography
ISBN : 9781457189036
The Art, Science, and Craft of Great Landscape Photography teaches photographers how to convert their visual peak experiences-moments of extraordinary natural beauty that evoke a sense of wonder and awe-into stunning images that elicit the same awestruck emotion in their viewers. Randall is an experienced wilderness photographer, and whether you want to venture into the mountains for once-in-a-lifetime shots of raw nature, or simply hone your landscape photography skills from the safety of your back deck, Randall explains the art, science and craft of creating astounding images.Randall begins by focusing on the art of landscape photography. He describes his three-step process for composing a photograph and shows how good composition is an organic process that begins with rules but ultimately transcends them. Randall then explores the science behind successful landscape photographs, which requires understanding key concepts from geography, optics, vision, and psychology. These concepts include: Understanding how the position of the sun at sunrise and sunset varies throughout the year, which will help you plan when and where to shoot. Understanding optics to predict where rainbows will appear, how polarizers will interact with reflections, and where to find spectacular light. Understanding how to use topographic maps and computerized mapping tools to help you find the most promising shooting locations in the wilderness. Understanding how our visual system analyzes images and the psychology of how we view art. These insights will help you produce successful photographs. Exposure is a central aspect of the craft of landscape photography, and Randall tackles the challenges of this topic from every angle-from tips on calculating exposures in the field, to achieving correct exposure in high-contrast lighting situations, to the best digital darkroom techniques.Great landscape photography can be mastered with practice and by applying the techniques taught in this book. The Art, Science, and Craft of Great Landscape Photography is intended for those who already understand the basics of photography and who are ready to master the finer nuances of creating magnificent landscape photographs. Foreword by Reid Callanan Director, Santa Fe Photographic Workshops
Author : E.B. Guttmann-Bond,S.J. Kluiving
Publisher : Amsterdam University Press
Page : 562 pages
File Size : 44,9 Mb
Release : 2015-12-15
Category : History
ISBN : 9789048516070
Researchers in landscape archaeology use two different definitions of landscape. One definition (landscape as territory) is used by the processual archaeologists, earth scientists, and most historical geographers within this volume. By contrast, post-processual archaeologists, new cultural geographers and anthropologists favour a more abstract definition of landscape, based on how it is perceived by the observer. Both definitions are addressed in this book, with 35 papers that are presented here and that are divided into six themes: 1) How did landscape change?; 2) Improving temporal, chronological and transformational frameworks; 3) Linking landscapes of lowlands with mountainous areas; 4) Applying concepts of scale; 5) New directions in digital prospection and modelling techniques, and 6) How will landscape archaeology develop in the future? This volume demonstrates a worldwide interest in landscape archaeology, and the research presented here draws upon and integrates the humanities and sciences. This interdisciplinary approach is rapidly gaining support in new regions where such collaborations were previously uncommon.
Author : Timothy Mitchell
Publisher : Oxford University Press, USA
Page : 266 pages
File Size : 48,6 Mb
Release : 1993
Category : Art
ISBN : UOM:39015032874177
This book is the first study to trace the relationship between the artistic changes in landscape art and the revolution taking place in the natural sciences. As various theories about the earth's history were presented, artists began to render nature in new ways. This topic is more iconography than connoisseurship as the paintings are presented as reflecting in both image and style the radical upheavals which mark intellectual history during those decades.
Author : John R. Blakinger
Publisher : Unknown
Page : 480 pages
File Size : 50,6 Mb
Release : 2019
Category : Art and science
ISBN : 0262352990
How Gyorgy Kepes, the last disciple of Bauhaus modernism, became the single most significant artist within a network of scientific experts and elites. Gyorgy Kepes (1906-2001) was the last disciple of Bauhaus modernism, an acolyte of Lszlo Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to the arts, established a new paradigm for creative practice: the artist as technocrat. First at Chicago's New Bauhaus and then for many years at MIT, Kepes pioneered interdisciplinary collaboration between the arts and sciences--what he termed "interthinking" and "interseeing." Kepes and his colleagues--ranging from metallurgists to mathematicians--became part of an important but little-explored constellation: the Cold War avant-garde. Blakinger traces Kepes's career in the United States through a series of episodes: Kepes's work with the military on camouflage techniques; his development of a visual design pedagogy, as seen in the exhibition The New Landscape and his book The New Landscape in Art and Science ; his encyclopedic Vision + Value series; his unpublished magnum opus, the Light Book ; the Center for Advanced Visual Studies (CAVS), an art-science research institute established by Kepes at MIT in 1967; and the Center's proposals for massive environmental installations that would animate the urban landscape. CAVS was entangled in the antiwar politics of the late 1960s, as many students and faculty protested MIT's partnerships with defense contractors--some of whom had ties to the Center. In attempting to "undream" the Bauhaus into existence in the postwar world, Kepes faced profound resistance. Generously illustrated, drawing on the vast archive of Kepes's papers at Stanford and MIT's CAVS Special Collection, this book supplies a missing chapter in our understanding of midcentury modern and Cold War visual culture.
Author : Lucius Burckhardt
Publisher : Birkhäuser
Page : 320 pages
File Size : 46,7 Mb
Release : 2015-05-19
Category : Architecture
ISBN : 9783035604139
Lucius Burckhardt (1925-2003) taught architectural theory at Kassel University and, in the 1980s, coined the term "Promenadology"or the science of Strollology and developed this into a complex and far-sighted planning and design discipline. Given that "the landscape" as an idea only exists in our heads, Burckhardt's writings (and drawings) are not so much concerned with beautiful vistas, but focus instead on the multi-faceted interaction a simple walk-taker has with his environment. To those who observe the environment with their eyes wide open, interesting questions will arise again and again; for example, why "city" and "country" can no longer be separated so easily in the face of progressive urbanization. Or why we consider a viaduct to be beautiful, but a nuclear power station an intrusion. And also, why gardens are works of art and should therefore be appraised as such. This book contains 28 texts by the design and planning critic, for the first time in English, with the focus on landscapes, gardens as an art form and the science of strollology.
Author : Anna Lowenhaupt Tsing,Nils Bubandt,Elaine Gan,Heather Anne Swanson
Publisher : U of Minnesota Press
Page : 709 pages
File Size : 44,6 Mb
Release : 2017-05-30
Category : Science
ISBN : 9781452954493
Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch. Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.
Author : Elizabeth Finch
Publisher : Unknown
Page : 920 pages
File Size : 53,5 Mb
Release : 2005
Category : Art and science
ISBN : OCLC:170972075