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The New William Faulkner Studies by Sarah Gleeson-White,Pardis Dabashi Pdf
This volume situates Faulkner within a range of current and emerging critical fields, such as African American studies, visual culture studies, world literatures, modernist studies, gender studies, and the energy humanities. The essays are written with the Faulkner expert and general reader in mind, and covers the full range of Faulkner's opus.
The New William Faulkner Studies by Sarah Gleeson-White,Pardis Dabashi Pdf
William Faulkner remains one of the most important writers of the twentieth century, and Faulkner Studies offers up seemingly endless ways to engage anew questions and problems that continue to occupy literary studies into the twenty-first century, and beyond the compass of Faulkner himself. His corpus has proved particularly accommodating of a range of perspectives and methodologies that include Black studies, visual culture studies, world literatures, modernist studies, print culture studies, gender and sexuality studies, sound studies, the energy humanities, and much else. The fifteen essays collected in The New William Faulkner Studies charts these developments in Faulkner scholarship over the course of this new century and offers prospects for further interrogation of his oeuvre.
Faulkner Studies in Japan by Thomas L. McHaney,Kenzaburo Ohashi,Kiyoyuki Ono Pdf
The universality of William Faulkner's vision was perhaps most formally recognized in 1950, when he was awarded the Nobel Prize for Literature. But even beyond the basic human truths embodied in the people and terrain of Yoknapatawpha County, there is a special kinship between Faulkner's novels and stories of the defeated South and the culture of postwar Japan, itself reeling from the shock of surrender and reconstruction at the hands of a foreign army. Reflecting this kinship, Faulkner Studies in Japan brings together some of the finest critical essays on Faulkner published in Japan in recent years along with discussions by several of Japan's leading novelists of Faulkner's influence on their work. The collection includes essay on broad aspects of Faulkner's writing-the influence of T.S. Eliot on the fiction, the pervasive use of motion imagery-and on such individual works as Light in August and the story of "Was" from Go Down, Moses. The book also presents an overview of Faulkner scholarship in Japan by Kiyoyuki Ono and an Afterword by Carvel Collins that recalls Faulkner's visit to Japan in 1955. At the time of Faulkner's visit, Japanese scholarly interest in his works was already firmly established and in the succeeding years the fascination has, if anything, increased. Commemorating the thirtieth anniversary of Faulkner's four-week tour, Faulkner Studies in Japan explore the natural literary sympathy that the novelist himself recognized when he stated: "I believe that something very like [what happened in the American South] will happen here in Japan in the next few years--that out of your despair and disaster will come a group of Japanese writers whom all the world will want to listen to, who will speak not a Japanese truth but a universal truth.
A Companion to Faulkner Studies by Charles Peek,Robert W. Hamblin Pdf
Faulkner scholarship is one of the largest critical enterprises currently at work. Because of its size and scope, accessing that scholarship has become difficult for scholars, students, and general readers alike. This reference includes chapters on individual approaches to Faulkner studies, including archetypal, historical, biographical, feminist, and psychological criticism, among others. Each chapter is written by an expert contributor and surveys the contributions of that approach to Faulkner scholarship. The volume concludes with a selected, general bibliography and glossary of critical terms. William Faulkner is one of the most widely read and studied American writers. His works have also generated a vast body of scholarship and elicited criticism from a wide range of approaches. Because of its size, scope, and diversity, accessing that scholarship has become difficult for scholars, students, and general readers alike. This reference comprehensively overviews the present state of Faulkner studies. The volume includes chapters written by expert contributors. Each chapter defines a particular critical approach and surveys the contributions of that approach to Faulkner studies. Some of the approaches covered are archetypal, biographical, feminist, historical, and psychological, among others. The book closes with a selected, general bibliography and glossary of critical terms.
Martin Kreiswirth challenges the accepted notion that The Sound and the Fury, Faulkner's fourth and possibly finest novel, represented an unprecedented turning point in the writer's literary career, a quantum leap in his imaginative development. He argues that Faulkner's earlier work, both published and unpublished, not only distinctly prefigured techniques, narrative strategies, and creative procedures used in the writing of his fourth novel, but also provided him with materials and methods to which he could return. Viewed in the context of his literary development, the author says, the writing of The Sound and the Fury constituted for Faulkner not so much a mysterious leap as a moment of initiation; it marks that crucial point in his career at which he revisited his past, saw it anew, and reworked it into his future. Focusing his attention on the works that preceded The Sound and the Fury--and specifically on the strategies and conventions that informed those works--Kreiswirth reassesses Faulkner's imaginative growth and offers new insights into the place and significance of The Sound and the Fury itself. He provides detailed analyses of such works as the New Orleans short fiction, the abandoned novel Elmer, Mosquitoes, Flags in the Dust, and particularly Faulkner's neglected first novel, Soldier's Pay. These texts are reexamined not only as anticipations of later developments but as literary achievements in their own right.
William Faulkner and the Faces of Modernity by Jay Watson Pdf
William Faulkner has enjoyed a secure reputation as American modernism's foremost fiction writer, and as a landmark figure in international literary modernism, for well over half a century. Less secure, however, has been any scholarly consensus about what those modernist credentials actually entail. Over recent decades, there have been lively debates in modernist studies over the who, what, where, when, and how of the surprisingly elusive phenomena of modernism and modernity. This book broadens and deepens an understanding of Faulkner's oeuvre by following some of the guiding questions and insights of new modernism studies scholarship into understudied aspects of Faulkner's literary modernism and his cultural modernity. William Faulkner and the Faces of Modernity explores Faulkner's rural Mississippians as modernizing subjects in their own right rather than mere objects of modernization; traces the new speed gradients, media formations, and intensifications of sensory and affective experience that the twentieth century brought to the cities and countryside of the US South; maps the fault lines in whiteness as a racial modernity under construction and contestation during the Jim Crow period; resituates Faulkner's fictional Yoknapatawpha County within the transnational counter-modernities of the Black Atlantic; and follows the author's imaginative engagement with modern biopolitics through his late work A Fable, a novel Faulkner hoped to make his 'magnum o.' By returning to the utterly uncontroversial fact of Faulkner's modernism with a critical sensibility sharpened by new modernism studies, William Faulkner and the Faces of Modernity aims to spark further reappraisal of a distinguished and quite dazzling body of fiction. Perhaps even make it new.
New Directions in Faulkner Studies by Doreen Fowler,Ann J. Abadie Pdf
What has Faulkner criticism so far accomplished? Where have scholars wandered far afield? What directions now should meaningful scholarship take? These questions are considered in this volume of papers presented at the Tenth Annual Faulkner and Yoknapatawpha Conference held in 1983 at the University of Mississippi. The authors, some of the leading names in Faulkner scholarship, point out that William Faulkner too often has been classified as a southern traditionalist, a primitive, a romantic realist, or a realist with a moral message. They share the view that too few critics have given sufficient attention to Faulkner's aesthetic dimensions and to his modernism, as well as to a careful study of his multitude of short stories, his letters, his nonfiction prose, and his speeches, essays, and interviews. The essays in this volume encourage Faulkner scholarship that gives attention to these new directions. - Back cover.
Faulkner at 100 by Donald M. Kartiganer,Ann J. Abadie Pdf
William Faulkner was born September 25, 1897. In honor of his centenary the Faulkner and Yoknapatawpha Conference of 1997 brought together twenty-five of the most important Faulkner scholars to examine the achievement of this writer generally regarded as the finest American novelist of the twentieth century. The essays and panel discussions that make up Faulkner at 100: Retrospect and Prospect provide a comprehensive account of the man and his work, including discussions of his life, the shape of his career, and his place in American literature, as well as fresh readings of such novels as The Sound and the Fury, Absalom, Absalom!, If I Forget Thee, Jerusalem, and Go Down, Moses. What emerges from this commemorative volume is a plural Faulkner, a writer of different value and meaning to different readers, a writer still challenging readers to accommodate their highly varied approaches to what André Bleikasten calls Faulkner's abiding “singularity.”
Drawn from the pages of Modern Fiction Studies—with its distinguished tradition of publishing scholarship on William Faulkner—this landmark volume collects nineteen seminal essays that focus on Faulkner’s most popular fiction, reflecting the enduring relevance of his canon. The essays are grouped thematically into four categories—Myth and Religion; Temporality, History, and Trauma; Gender and Race: Affect, the Body, and Identity; and Modernity and Modernist Technique. For ease of use in the classroom, MFS editor John N. Duvall has also included two appendixes. The first is an alternative table of contents that arranges the critiques by major novels. The second appendix lists all of the essays chronologically, and provides a full list of all seventy-three Faulkner essays published by MFSover the years. Duvall’s introduction explains the critical role of MFS in the evolution of Faulkner studies. His organization of the works and his supplementary material provide both students and scholars with a concise overview of Faulkner studies from its New Critical beginnings through its current engagements with theory and history.
Critical Essays on William Faulkner by Robert W. Hamblin Pdf
Critical Essays on William Faulkner compiles scholarship by noted Faulkner studies scholar Robert W. Hamblin. Ranging from 1980 to 2020, the twenty-one essays present a variety of approaches to Faulkner’s work. While acknowledging Faulkner as the quintessential southern writer—particularly in his treatment of race—the essays examine his work in relation to American and even international contexts. The volume includes discussions of Faulkner’s techniques and the psychological underpinnings of both the origin and the form of his art; explores how his writing is a means of “saying 'no' to death"; examines the intertextual linkages of his fiction with that of other writers like Shakespeare, Twain, Steinbeck, Warren, and Salinger; treats Faulkner’s use of myth and his fondness for the initiation motif; and argues that Faulkner’s film work in Hollywood is much better and of far greater value than most scholars have acknowledged. Taken as a whole, Hamblin’s essays suggest that Faulkner’s overarching themes relate to time and consequent change. The history of Faulkner’s Yoknapatawpha stretches from the arrival of the white settlers on the Mississippi frontier in the early 1800s to the beginnings of the civil rights movement in the 1940s. Caught in this world of continual change that produces a great degree of uncertainty and ambivalence, the Faulkner character (and reader) must weigh the traditions of the past with the demands of the present and the future. As Faulkner acknowledges, this process of discovery and growth is a difficult and sometimes painful one; yet, as Hamblin attests, to engage in that quest is to realize the very essence of what it means to be human.
Through detailed analyses of individual texts, from the earliest poetry through Go Down, Moses, Singal traces Faulkner's attempt to liberate himself from the powerful and repressive Victorian culture in which he was raised by embracing the Modernist culture of the artistic avant-garde. Most important, it shows how Faulkner accommodated the conflicting demands of these two cultures by creating a set of dual identities - one, that of a Modernist author writing on the most daring and subversive issues of his day, and the other, that of a southern country gentleman loyal to the conservative mores of his community. It is in the clash between these two selves, Singal argues, that one finds the key to making sense of Faulkner.
William Faulkner emerged from the ravaged South—half backwoods, half defeated empire—transforming his corner of Mississippi into the fictional Yoknapatawpha County and bestowing on the world some of the most revolutionary and enduring literature of the twentieth century. The personal story behind the work has fascinated readers nearly as much as the great novels, but Faulkner has remained elusive despite numerous biographies that have attempted to decipher his private life and his wild genius. In an ambitious biography that will encompass two volumes, Carl Rollyson has created a life of Faulkner for the new millennium. Rollyson has drawn on an unprecedented amount of material to present the richest rendering of Faulkner yet published. In addition to his own extensive interviews, Rollyson consults the complete—and never fully shared—research of pioneering Faulkner biographer Joseph Blotner, who discarded from his authorized biography substantial findings in order to protect the Faulkner family. Rollyson also had unrivaled access to the work of Carvel Collins, whose decades-long inquiry produced one of the greatest troves of primary source material in American letters. This first volume follows Faulkner from his formative years through his introduction to Hollywood. Rollyson sheds light on Faulkner’s unpromising, even bewildering youth, including a gift for tall tales that blossomed into the greatest of literary creativity. He provides the fullest portrait yet of Faulkner’s family life, in particular his enigmatic marriage, and offers invaluable new insight into the ways in which Faulkner’s long career as a screenwriter influenced his iconic novels. Integrating Faulkner’s screenplays, fiction, and life, Rollyson argues that the novelist deserves to be reread not just as a literary figure but as a still-relevant force, especially in relation to issues of race, sexuality, and equality. The culmination of years of research in archives that have been largely ignored by previous biographers, The Life of William Faulkner offers a significant challenge and an essential contribution to Faulkner scholarship. .
