The Oxford Handbook Of Sound And Image In Digital Media

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The Oxford Handbook of Sound and Image in Digital Media

Carol Vernallis,Amy Herzog,John Richardson
The Oxford Handbook of Sound and Image in Digital Media Book PDF

Author : Carol Vernallis,Amy Herzog,John Richardson
Publisher : Oxford University Press
Page : 833 pages
File Size : 40,9 Mb
Release : 2015-08
Category : Music
ISBN : 9780190258177

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The Oxford Handbook of Sound and Image in Digital Media by Carol Vernallis,Amy Herzog,John Richardson Pdf

The Oxford Handbook of Sound and Image in Digital Media surveys the contemporary landscape of audiovisual media. Contributors to the volume look not only to changes brought by digital innovations, but to the complex social and technological past that informs, and is transformed by, new media. This collection is conceived as a series of dialogues and inquiries by leading scholars from both image- and sound-based disciplines. Chapters explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media, digital visualization technologies, experimental film, documentaries, video art, pornography, immersive theater, and electronic music. Sound, music, and noise emerge within these studies as integral forces within shifting networks of representation. The essays in this collection span a range of disciplinary approaches (film studies, musicology, philosophy, cultural studies, the digital humanities) and subjects of study (Iranian documentaries, the Twilight franchise, military combat footage, and Lady Gaga videos). Thematic sections and direct exchanges among authors facilitate further engagement with the debates invoked by the text.

The Oxford Handbook of Sound and Image in Digital Media

Carol Vernallis,Amy Herzog,John Richardson
The Oxford Handbook of Sound and Image in Digital Media Book PDF

Author : Carol Vernallis,Amy Herzog,John Richardson
Publisher : Unknown
Page : 817 pages
File Size : 52,5 Mb
Release : 2013
Category : Digital media
ISBN : 0199984719

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The Oxford Handbook of Sound and Image in Digital Media by Carol Vernallis,Amy Herzog,John Richardson Pdf

This collection surveys the contemporary landscape of audiovisual media. Contributors from image and sound studies explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media, experimental film, video art, pornography, theatre, and electronic music.

The Oxford Handbook of Sound and Image in Western Art

Yael Kaduri
The Oxford Handbook of Sound and Image in Western Art Book PDF

Author : Yael Kaduri
Publisher : Oxford University Press
Page : 553 pages
File Size : 41,6 Mb
Release : 2016
Category : Art
ISBN : 9780199841547

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The Oxford Handbook of Sound and Image in Western Art by Yael Kaduri Pdf

Résumé en 4ème de couverture: "This book examines different kinds of analogies, mutual influences, integrations, and collaborations of the audio and the visual in different art forms. The contributions, written by key theoreticians and practitioners, represent state-of-the-art case studies in contemporary art, integrating music, sound, and image with key figure of modern thinking constitute a foundation for the discussion. It thus emphasizes avant-garde and experimental tendencies, while analyzing them in historical, theoretical, and critical frameworks. The book is organized around three core subjects, each of which constitutes one section of the book. The first concentrates on the interaction between seeing and hearing. Examples of classic and digital animation, video art, choreography, and music performance, which are motivated by the issue of eye versus ear perception are examined in this section. The second section explores experimental forms emanating from the expansion of the concepts of music and space to include environmental sounds, vibrating frequencies, language, human habitats, the human body, and more. The reader will find here an analysis of different manifestations of this aesthetic shift in sound art, fine art, contemporary dance, multimedia theatre, and cinema. The last section shows how the new light shed by modernism on the performative aspect of music has led it-together with sound, voice, and text-to become active in new ways in postmodern and contemporary art creation. In addition to examples of real-time performing arts such as music theatre, experimental theatre, and dance, it includes case studies that demonstrate performativity in visual poetry, short film, and cinema. Sittingat the cutting edge of the field of music and visual arts, this book offers a unique, and at times controversial, view of this rapidly envolving area of study. Artists, curators, students, and scholars will find here a panoramic view of discourse in the field, presented by an international roster of scholars and practitioners."

Unruly Media

Carol Vernallis
Unruly Media Book PDF

Author : Carol Vernallis
Publisher : Oxford University Press, USA
Page : 366 pages
File Size : 51,6 Mb
Release : 2013-11
Category : Business & Economics
ISBN : 9780199767007

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Unruly Media by Carol Vernallis Pdf

Unruly Media is the first book to account for the current audiovisual landscape across media and platform. It includes new theoretical models and close readings of current media as well as the oeuvre of popular and influential directors.

The Oxford Handbook of Sound and Imagination

Mark Grimshaw-Aagaard,Mads Walther-Hansen,Martin Knakkergaard
The Oxford Handbook of Sound and Imagination Book PDF

Author : Mark Grimshaw-Aagaard,Mads Walther-Hansen,Martin Knakkergaard
Publisher : Oxford University Press
Page : 752 pages
File Size : 50,7 Mb
Release : 2019-07-26
Category : Music
ISBN : 9780190460181

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The Oxford Handbook of Sound and Imagination by Mark Grimshaw-Aagaard,Mads Walther-Hansen,Martin Knakkergaard Pdf

Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.

The Oxford Handbook of Cinematic Listening

Carlo Cenciarelli
The Oxford Handbook of Cinematic Listening Book PDF

Author : Carlo Cenciarelli
Publisher : Oxford University Press
Page : 789 pages
File Size : 48,6 Mb
Release : 2021
Category : Music
ISBN : 9780190853617

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The Oxford Handbook of Cinematic Listening by Carlo Cenciarelli Pdf

The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established and emergent scholars from musicology, film studies, and literary studies, ethnomusicology and sound studies, popular music,sociology, media and communications, and psychology, this Handbook offers a wide range of case studies and methodological perspectives on the archaeologies, aesthetics, and extensions of cinematic listening.Chapters are structured around six themes: Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing genres such as opera and shadow theatre, and explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations andRelocations") focuses on specific venues and presentational practices (from roadshow movies to and contemporary live-score screenings). Part III ("Representations and Re-presentations") zooms into the formal properties of specific films, analysing representations of listening on screen as well as onthe role of sound as a representational surplus. Part IV ("The Listening Body") focuses on cinematic sound as a powerful and sensual stimulus that has the power to engage the full body sensorium. Part V ("Listening again") discusses a range of ways in which film sound is encountered andreinterpreted outside the cinema, through ancillary materials like songs and soundtrack albums, in experimental conditions, and in pedagogical contexts. Part VI ("Between Media") compares the listening protocols of cinema with those of TV series and music video, promenade theatre and personalstereos, video games and Virtual Reality.

Theories of the Soundtrack

James Buhler
Theories of the Soundtrack Book PDF

Author : James Buhler
Publisher : Oxford University Press
Page : 432 pages
File Size : 45,5 Mb
Release : 2018-10-03
Category : Performing Arts
ISBN : 9780190913236

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Theories of the Soundtrack by James Buhler Pdf

A theory of the soundtrack is concerned with what belongs to the soundtrack, how a soundtrack is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, and the interpretive regime that the theory mandates for determining the meaning, sense, and structure that sound and music bring to film and other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound and music, classify the types of relations that films have used for image and sound, identify the central problems, and reflect on and describe effective uses of sound in film. This book summarizes and critiques major theories of the soundtrack from roughly 1929 until today. Rather than providing an exhaustive historical survey, it sketches out the range of theoretical approaches that have been applied to the soundtrack since the commercial introduction of the sound film. The basic theoretical framework of each approach is presented, taking into account the explicit and implicit claims about the soundtrack and its relation to other theories. The organization is both chronological and topical, the former in that the chapters move steadily from early film theory through models of the classical system to more recent critical theories; the latter in that the chapters highlight central issues for each generation: the problem of film itself, then of image and sound, of adequate analytical-descriptive models, and finally of critical-interpretative models.

The Oxford Handbook of New Audiovisual Aesthetics

John Richardson,Claudia Gorbman,Carol Vernallis
The Oxford Handbook of New Audiovisual Aesthetics Book PDF

Author : John Richardson,Claudia Gorbman,Carol Vernallis
Publisher : Oxford University Press
Page : 752 pages
File Size : 51,8 Mb
Release : 2013-08-20
Category : Music
ISBN : 9780199985104

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The Oxford Handbook of New Audiovisual Aesthetics by John Richardson,Claudia Gorbman,Carol Vernallis Pdf

This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This essay collection by recognized scholars, practitioners and non-academic writers opens discussion in exciting new directions.

The Oxford Handbook of New Audiovisual Aesthetics

John Richardson,Claudia Gorbman,Carol Vernallis
The Oxford Handbook of New Audiovisual Aesthetics Book PDF

Author : John Richardson,Claudia Gorbman,Carol Vernallis
Publisher : Oxford University Press, USA
Page : 749 pages
File Size : 43,5 Mb
Release : 2013-10-03
Category : Computers
ISBN : 9780199733866

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The Oxford Handbook of New Audiovisual Aesthetics by John Richardson,Claudia Gorbman,Carol Vernallis Pdf

Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This essay collection by recognized scholars, practitioners and non-academic writers opens discussion in exciting new directions.

Composing Audiovisually

Louise Harris
Composing Audiovisually Book PDF

Author : Louise Harris
Publisher : CRC Press
Page : 228 pages
File Size : 40,7 Mb
Release : 2021-07-20
Category : Computers
ISBN : 9781000407365

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Composing Audiovisually by Louise Harris Pdf

What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offer possible starting points for future, genuinely transdisciplinary thinking in the field.

The Routledge Companion to Screen Music and Sound

Miguel Mera,Ronald Sadoff,Ben Winters
The Routledge Companion to Screen Music and Sound Book PDF

Author : Miguel Mera,Ronald Sadoff,Ben Winters
Publisher : Taylor & Francis
Page : 634 pages
File Size : 52,8 Mb
Release : 2017-05-25
Category : Music
ISBN : 9781317398981

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The Routledge Companion to Screen Music and Sound by Miguel Mera,Ronald Sadoff,Ben Winters Pdf

The Routledge Companion to Screen Music and Sound provides a detailed and comprehensive overview of screen music and sound studies, addressing the ways in which music and sound interact with forms of narrative media such as television, videogames, and film. The inclusive framework of "screen music and sound" allows readers to explore the intersections and connections between various types of media and music and sound, reflecting the current state of scholarship and the future of the field. A diverse range of international scholars have contributed an impressive set of forty-six chapters that move from foundational knowledge to cutting edge topics that highlight new key areas. The companion is thematically organized into five cohesive areas of study: Issues in the Study of Screen Music and Sound—discusses the essential topics of the discipline Historical Approaches—examines periods of historical change or transition Production and Process—focuses on issues of collaboration, institutional politics, and the impact of technology and industrial practices Cultural and Aesthetic Perspectives—contextualizes an aesthetic approach within a wider framework of cultural knowledge Analyses and Methodologies—explores potential methodologies for interrogating screen music and sound Covering a wide range of topic areas drawn from musicology, sound studies, and media studies, The Routledge Companion to Screen Music and Sound provides researchers and students with an effective overview of music’s role in narrative media, as well as new methodological and aesthetic insights.

Voicing the Cinema

James Buhler,Hannah Lewis
Voicing the Cinema Book PDF

Author : James Buhler,Hannah Lewis
Publisher : University of Illinois Press
Page : 461 pages
File Size : 47,8 Mb
Release : 2020-03-16
Category : Performing Arts
ISBN : 9780252051869

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Voicing the Cinema by James Buhler,Hannah Lewis Pdf

Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack. The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in Brave and Frozen. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from The Martian and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism. Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell

The Bloomsbury Handbook of Popular Music Video Analysis

Lori A. Burns,Stan Hawkins
The Bloomsbury Handbook of Popular Music Video Analysis Book PDF

Author : Lori A. Burns,Stan Hawkins
Publisher : Bloomsbury Publishing USA
Page : 465 pages
File Size : 47,9 Mb
Release : 2019-10-17
Category : Music
ISBN : 9781501342349

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The Bloomsbury Handbook of Popular Music Video Analysis by Lori A. Burns,Stan Hawkins Pdf

Music videos promote popular artists in cultural forms that circulate widely across social media networks. With the advent of YouTube in 2005 and the proliferation of handheld technologies and social networking sites, the music video has become available to millions worldwide, and continues to serve as a fertile platform for the debate of issues and themes in popular culture. This volume of essays serves as a foundational handbook for the study and interpretation of the popular music video, with the specific aim of examining the industry contexts, cultural concepts, and aesthetic materials that videos rely upon in order to be both intelligible and meaningful. Easily accessible to viewers in everyday life, music videos offer profound cultural interventions and negotiations while traversing a range of media forms. From a variety of unique perspectives, the contributors to this volume undertake discussions that open up new avenues for exploring the creative changes and developments in music video production. With chapters that address music video authorship, distribution, cultural representations, mediations, aesthetics, and discourses, this study signals a major initiative to provide a deeper understanding of the intersecting and interdisciplinary approaches that are invoked in the analysis of this popular and influential musical form.

Music and Sound in Documentary Film

Holly Rogers
Music and Sound in Documentary Film Book PDF

Author : Holly Rogers
Publisher : Routledge
Page : 210 pages
File Size : 46,5 Mb
Release : 2014-11-20
Category : Music
ISBN : 9781317916048

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Music and Sound in Documentary Film by Holly Rogers Pdf

This collection of fourteen essays provides a rich and detailed history of the relationship between and music and image in documentary films, exploring the often overlooked role of music in the genre and its subsequent impact on an audience’s perception of reality and fiction. Exploring examples of documentary films which make use of soundtrack music, from an interdisciplinary perspective, Music and Sound in Documentary Film is the first in-depth treatment on the use of music in the nonfiction film and will appeal to scholars and students working in the intersection of music and film and media studies.

What You See Is What You Hear

Dario Martinelli
What You See Is What You Hear Book PDF

Author : Dario Martinelli
Publisher : Springer Nature
Page : 282 pages
File Size : 43,8 Mb
Release : 2020-01-01
Category : Art
ISBN : 9783030325947

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What You See Is What You Hear by Dario Martinelli Pdf

What You See Is What You Hear develops a unique model of analysis that helps students and advanced scholars alike to look at audiovisual texts from a fresh perspective. Adopting an engaging writing style, the author draws an accessible picture of the field, offering several analytical tools, historical background, and numerous case studies. Divided into five main sections, the monograph covers problems of definitions, history, and most of all analysis. The first part raises the main problems related to audiovisuality, including taxonomical and historical questions. The second part provides the bases for the understanding of audiovisual creative communication as a whole, introducing a novel theoretical model for its analysis. The next three part focus elaborate on the model in all its constituents and with plenty of case studies taken from the field of cinema, TV, music videos, advertising and other forms of audiovisuality. Methodologically, the book is informed by different paradigms of film and media studies, multimodality studies, structuralism, narratology, “auteur theory” in the broad sense, communication studies, semiotics, and the so-called “Numanities.” What You See Is What You Hear enables readers to better understand how to analyze the structure and content of diverse audiovisual texts, to discuss their different idioms, and to approach them with curiosity and critical spirit.