The Oxford Handbook Of Sound And Image In Western Art

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The Oxford Handbook of Sound and Image in Western Art

Yael Kaduri
The Oxford Handbook of Sound and Image in Western Art Book PDF

Author : Yael Kaduri
Publisher : Oxford University Press
Page : 553 pages
File Size : 51,9 Mb
Release : 2016
Category : Art
ISBN : 9780199841547

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The Oxford Handbook of Sound and Image in Western Art by Yael Kaduri Pdf

Résumé en 4ème de couverture: "This book examines different kinds of analogies, mutual influences, integrations, and collaborations of the audio and the visual in different art forms. The contributions, written by key theoreticians and practitioners, represent state-of-the-art case studies in contemporary art, integrating music, sound, and image with key figure of modern thinking constitute a foundation for the discussion. It thus emphasizes avant-garde and experimental tendencies, while analyzing them in historical, theoretical, and critical frameworks. The book is organized around three core subjects, each of which constitutes one section of the book. The first concentrates on the interaction between seeing and hearing. Examples of classic and digital animation, video art, choreography, and music performance, which are motivated by the issue of eye versus ear perception are examined in this section. The second section explores experimental forms emanating from the expansion of the concepts of music and space to include environmental sounds, vibrating frequencies, language, human habitats, the human body, and more. The reader will find here an analysis of different manifestations of this aesthetic shift in sound art, fine art, contemporary dance, multimedia theatre, and cinema. The last section shows how the new light shed by modernism on the performative aspect of music has led it-together with sound, voice, and text-to become active in new ways in postmodern and contemporary art creation. In addition to examples of real-time performing arts such as music theatre, experimental theatre, and dance, it includes case studies that demonstrate performativity in visual poetry, short film, and cinema. Sittingat the cutting edge of the field of music and visual arts, this book offers a unique, and at times controversial, view of this rapidly envolving area of study. Artists, curators, students, and scholars will find here a panoramic view of discourse in the field, presented by an international roster of scholars and practitioners."

The Oxford Handbook of Sound and Image in Digital Media

Carol Vernallis,Amy Herzog,John Richardson
The Oxford Handbook of Sound and Image in Digital Media Book PDF

Author : Carol Vernallis,Amy Herzog,John Richardson
Publisher : Oxford University Press
Page : 833 pages
File Size : 42,7 Mb
Release : 2015-08
Category : Music
ISBN : 9780190258177

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The Oxford Handbook of Sound and Image in Digital Media by Carol Vernallis,Amy Herzog,John Richardson Pdf

The Oxford Handbook of Sound and Image in Digital Media surveys the contemporary landscape of audiovisual media. Contributors to the volume look not only to changes brought by digital innovations, but to the complex social and technological past that informs, and is transformed by, new media. This collection is conceived as a series of dialogues and inquiries by leading scholars from both image- and sound-based disciplines. Chapters explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media, digital visualization technologies, experimental film, documentaries, video art, pornography, immersive theater, and electronic music. Sound, music, and noise emerge within these studies as integral forces within shifting networks of representation. The essays in this collection span a range of disciplinary approaches (film studies, musicology, philosophy, cultural studies, the digital humanities) and subjects of study (Iranian documentaries, the Twilight franchise, military combat footage, and Lady Gaga videos). Thematic sections and direct exchanges among authors facilitate further engagement with the debates invoked by the text.

The Oxford Handbook of Sound and Imagination

Mark Grimshaw-Aagaard,Mads Walther-Hansen,Martin Knakkergaard
The Oxford Handbook of Sound and Imagination Book PDF

Author : Mark Grimshaw-Aagaard,Mads Walther-Hansen,Martin Knakkergaard
Publisher : Oxford University Press
Page : 752 pages
File Size : 50,7 Mb
Release : 2019-07-26
Category : Music
ISBN : 9780190460181

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The Oxford Handbook of Sound and Imagination by Mark Grimshaw-Aagaard,Mads Walther-Hansen,Martin Knakkergaard Pdf

Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.

Composing Audiovisually

Louise Harris
Composing Audiovisually Book PDF

Author : Louise Harris
Publisher : CRC Press
Page : 228 pages
File Size : 41,9 Mb
Release : 2021-07-20
Category : Computers
ISBN : 9781000407365

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Composing Audiovisually by Louise Harris Pdf

What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offer possible starting points for future, genuinely transdisciplinary thinking in the field.

The Oxford Handbook of Cinematic Listening

Carlo Cenciarelli
The Oxford Handbook of Cinematic Listening Book PDF

Author : Carlo Cenciarelli
Publisher : Oxford University Press
Page : 576 pages
File Size : 46,8 Mb
Release : 2021-03-29
Category : Performing Arts
ISBN : 9780190853631

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The Oxford Handbook of Cinematic Listening by Carlo Cenciarelli Pdf

The Oxford Handbook of Cinematic Listening explores the place of cinema in the history of listening. It looks at the ways in which listening to film is situated in textual, spatial, and social practices, and also studies how cinematic modes of listening have extended into other media and everyday experiences. Chapters are structured around six themes. Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing practices such as opera and shadow theatre, and also explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations and Relocations") focuses on specific venues and presentational practices from roadshow movies to contemporary live-score screenings. Part III ("Representations and Re-Presentations") zooms into the formal properties of specific films, analyzing representations of listening on screen as well as the role of sound as a representational surplus. Part IV ("The Listening Body") focuses on the power of cinematic sound to engage the full body sensorium. Part V ("Listening Again") discusses a range of ways in which film sound is encountered and reinterpreted outside the cinema, whether through ancillary materials such as songs and soundtrack albums, or in experimental conditions and pedagogical contexts. Part VI ("Across Media") compares cinema with the listening protocols of TV series and music video, promenade theatre and personal stereos, video games and Virtual Reality.

Film Music in the Sound Era

Jonathan Rhodes Lee
Film Music in the Sound Era Book PDF

Author : Jonathan Rhodes Lee
Publisher : Routledge
Page : 994 pages
File Size : 49,9 Mb
Release : 2020-02-13
Category : Music
ISBN : 9781351190770

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Film Music in the Sound Era by Jonathan Rhodes Lee Pdf

Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume.

Practices of Projection

Gabriel Menotti,Virginia Crisp
Practices of Projection Book PDF

Author : Gabriel Menotti,Virginia Crisp
Publisher : Oxford University Press
Page : 288 pages
File Size : 44,9 Mb
Release : 2020-02-05
Category : Performing Arts
ISBN : 9780190934132

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Practices of Projection by Gabriel Menotti,Virginia Crisp Pdf

To many, the technological aspects of projection often go unnoticed, only brought to attention during moments of crisis or malfunction. For example, when a movie theater projector falters, the audience suddenly looks toward the back of the theater to see a sign of mechanical failure. The history of cinema similarly shows that the attention to projection has been most focused when the whole medium is hanging in suspension. During Hollywood's economic consolidation in the '30s, projection defined the ways that sync-sound technologies could be deployed within the medium. Most recently, the digitization of cinema repeated this process as technology was reworked to facilitate mobility. These examples show how projection continually speaks to the rearrangement of media technology. Projection therefore needs to be examined as a pivotal element in the future of visual media's technological transition. In Practices of Projection: Histories and Technologies, volume editors Gabriel Menotti and Virginia Crisp address the cultural and technological significance of projection. Throughout the volume, chapters reiterate that projection cannot, and must not, be reduced to its cinematic functions alone. Borrowing media theorist Siegfried Zielinksi's definition, Menotti and Crisp refer to projection as the "heterogeneous array of artefacts, technical systems, and particularly visual praxes of experimentation and of culture." From this, readers can understand the performative character of the moving image and the labor of the different actors involved in the utterance of the film text. Projection is not the same everywhere, nor equal all the time. Its systems are in permanent interaction with environmental circumstances, neighboring structures, local cultures, and social economies. Thus the idea of projection as a universal, fully autonomous operation cannot hold. Each occurrence of projection adds nuance to a wider understanding of film screening technologies.

Staying Open: Charles Olson’s Sources and Influences

Joshua S. Hoeynck
Staying Open Charles Olson s Sources and Influences Book PDF

Author : Joshua S. Hoeynck
Publisher : Vernon Press
Page : 324 pages
File Size : 43,9 Mb
Release : 2019-05-03
Category : Literary Collections
ISBN : 9781622734306

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Staying Open: Charles Olson’s Sources and Influences by Joshua S. Hoeynck Pdf

“Staying Open, Charles Olson’s Sources and Influences” investigates the inter-disciplinary influences on the work of the mid-Century American poet, Charles Olson. This edited collection of essays covers Olson’s diverse non-literary interests, including his engagement with the music of John Cage and Pierre Boulez, his interests in abstract expressionism, and his readings of philosopher Alfred North Whitehead. The essays also examine Olson’s pedagogy, which he developed in the experimental environment at Black Mountain College, as well as his six-month archeological journey through the Yucatan Peninsula in 1950 to explore the culture of the Maya. This book will, therefore, be a strong research aid to scholars working in diverse fields – music, archeology, pedagogy, philosophy, art, and psychology – as it outlines methods for close inter-disciplinary work that can uncover the mechanics of Olson’s creative, literary processes. Building on the straightforward scholarship of George Butterick, whose Guide to the Maximus Poems remains indispensable for readers of Olson’s work, the essays in this volume will also guide readers through the thick allusions within The Maximus Poems itself. New interest in the wide-ranging and non-literary nature of Olson’s thought in several recent academic works makes this book both timely and necessary. Physics Envy: American Poetry and Science in the Cold War and After by Peter Middleton as well as Contemporary Olson edited by David Herd have started the process of uncovering the extent to which Olson’s inter-disciplinary interests inflected his poetic compositions. “Staying Open” extends the preliminary investigations of Olson’s non-literary sources in those volumes by bringing together a community of scholars working across disciplines and within a wide variety of humanistic concerns.

The Oxford Handbook of Religion and the Arts

Frank Burch Brown
The Oxford Handbook of Religion and the Arts Book PDF

Author : Frank Burch Brown
Publisher : Oxford University Press
Page : 565 pages
File Size : 52,7 Mb
Release : 2018-01-02
Category : Art
ISBN : 9780190871192

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The Oxford Handbook of Religion and the Arts by Frank Burch Brown Pdf

Nearly every form of religion or spirituality has a vital connection with art. Religions across the world, from Hinduism and Buddhism to Eastern Orthodox Christianity, have been involved over the centuries with a rich array of artistic traditions, both sacred and secular. In its uniquely multi-dimensional consideration of the topic, The Oxford Handbook of Religion and the Arts provides expert guidance to artistry and aesthetic theory in religion. The Handbook offers nearly forty original essays by an international team of leading scholars on the main topics, issues, methods, and resources for the study of religious and theological aesthetics. The volume ranges from antiquity to the present day to examine religious and artistic imagination, fears of idolatry, aesthetics in worship, and the role of art in social transformation and in popular religion-covering a full array of forms of media, from music and poetry to architecture and film. An authoritative text for scholars and students, The Oxford Handbook of Religion and the Arts will remain an invaluable resource for years to come.

The Oxford Handbook of Interactive Audio

Karen Collins,Bill Kapralos,Holly Tessler
The Oxford Handbook of Interactive Audio Book PDF

Author : Karen Collins,Bill Kapralos,Holly Tessler
Publisher : Oxford Handbooks
Page : 625 pages
File Size : 49,9 Mb
Release : 2014
Category : Computers
ISBN : 9780199797226

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The Oxford Handbook of Interactive Audio by Karen Collins,Bill Kapralos,Holly Tessler Pdf

What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What does the future hold for interactive musical and sonic experiences? This book answers these questions with newly-commissioned chapters that explore the full range of interactive audio in games, performance, design, and practice.

Fantasy/Animation

Christopher Holliday,Alexander Sergeant
Fantasy Animation Book PDF

Author : Christopher Holliday,Alexander Sergeant
Publisher : Routledge
Page : 327 pages
File Size : 45,5 Mb
Release : 2018-04-27
Category : Performing Arts
ISBN : 9781351681407

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Fantasy/Animation by Christopher Holliday,Alexander Sergeant Pdf

This book examines the relationship that exists between fantasy cinema and the medium of animation. Animation has played a key role in defining our collective expectations and experiences of fantasy cinema, just as fantasy storytelling has often served as inspiration for our most popular animated film and television. Bringing together contributions from world-renowned film and media scholars, Fantasy/Animation considers the various historical, theoretical, and cultural ramifications of the animated fantasy film. This collection provides a range of chapters on subjects including Disney, Pixar, and Studio Ghibli, filmmakers such as Ralph Bakshi and James Cameron, and on film and television franchises such as Dreamworks’ How To Train Your Dragon (2010–) and HBO’s Game of Thrones (2011–).

The Oxford Handbook of Sound and Imagination

Mark Grimshaw-Aagaard,Mads Walther-Hansen,Martin Knakkergaard
The Oxford Handbook of Sound and Imagination Book PDF

Author : Mark Grimshaw-Aagaard,Mads Walther-Hansen,Martin Knakkergaard
Publisher : Oxford Handbooks
Page : 704 pages
File Size : 46,6 Mb
Release : 2019
Category : Music
ISBN : 9780190460242

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The Oxford Handbook of Sound and Imagination by Mark Grimshaw-Aagaard,Mads Walther-Hansen,Martin Knakkergaard Pdf

Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true forthe role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors address this tendency head-on, correcting the currentbias towards visual imagination to instead highlight the many forms of sonic and musical imagination. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination inarchitectural design; and the design of sound artifacts for cinema and computer games.

The Oxford Handbook of New Audiovisual Aesthetics

John Richardson,Claudia Gorbman,Carol Vernallis
The Oxford Handbook of New Audiovisual Aesthetics Book PDF

Author : John Richardson,Claudia Gorbman,Carol Vernallis
Publisher : Oxford University Press, USA
Page : 749 pages
File Size : 46,8 Mb
Release : 2013-10-03
Category : Computers
ISBN : 9780199733866

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The Oxford Handbook of New Audiovisual Aesthetics by John Richardson,Claudia Gorbman,Carol Vernallis Pdf

Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This essay collection by recognized scholars, practitioners and non-academic writers opens discussion in exciting new directions.

The Oxford Handbook of Biblical Narrative

Danna Nolan Fewell
The Oxford Handbook of Biblical Narrative Book PDF

Author : Danna Nolan Fewell
Publisher : Oxford University Press
Page : 657 pages
File Size : 53,6 Mb
Release : 2016
Category : Religion
ISBN : 9780199967728

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The Oxford Handbook of Biblical Narrative by Danna Nolan Fewell Pdf

Comprised of contributions from scholars across the globe, The Oxford Handbook of Biblical Narrative is a state-of-the-art anthology, offering critical treatments of both the Bible's narratives and topics related to the Bible's narrative constructions. The Handbook covers the Bible's narrative literature, from Genesis to Revelation, providing concise overviews of literary-critical scholarship as well as innovative readings of individual narratives informed by a variety of methodological approaches and theoretical frameworks. The volume as a whole combines literary sensitivities with the traditional historical and sociological questions of biblical criticism and puts biblical studies into intentional conversation with other disciplines in the humanities. It reframes biblical literature in a way that highlights its aesthetic characteristics, its ethical and religious appeal, its organic qualities as communal literature, its witness to various forms of social and political negotiation, and its uncanny power to affect readers and hearers across disparate time-frames and global communities.

The Bloomsbury Handbook of Popular Music Video Analysis

Lori A. Burns,Stan Hawkins
The Bloomsbury Handbook of Popular Music Video Analysis Book PDF

Author : Lori A. Burns,Stan Hawkins
Publisher : Bloomsbury Publishing USA
Page : 465 pages
File Size : 50,5 Mb
Release : 2019-10-17
Category : Music
ISBN : 9781501342349

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The Bloomsbury Handbook of Popular Music Video Analysis by Lori A. Burns,Stan Hawkins Pdf

Music videos promote popular artists in cultural forms that circulate widely across social media networks. With the advent of YouTube in 2005 and the proliferation of handheld technologies and social networking sites, the music video has become available to millions worldwide, and continues to serve as a fertile platform for the debate of issues and themes in popular culture. This volume of essays serves as a foundational handbook for the study and interpretation of the popular music video, with the specific aim of examining the industry contexts, cultural concepts, and aesthetic materials that videos rely upon in order to be both intelligible and meaningful. Easily accessible to viewers in everyday life, music videos offer profound cultural interventions and negotiations while traversing a range of media forms. From a variety of unique perspectives, the contributors to this volume undertake discussions that open up new avenues for exploring the creative changes and developments in music video production. With chapters that address music video authorship, distribution, cultural representations, mediations, aesthetics, and discourses, this study signals a major initiative to provide a deeper understanding of the intersecting and interdisciplinary approaches that are invoked in the analysis of this popular and influential musical form.