The Oxford Handbook Of Voice Studies

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The Oxford Handbook of Voice Studies

Nina Eidsheim,Katherine Meizel
The Oxford Handbook of Voice Studies Book PDF

Author : Nina Eidsheim,Katherine Meizel
Publisher : Oxford University Press
Page : 960 pages
File Size : 50,7 Mb
Release : 2019-05-22
Category : Music
ISBN : 9780199982301

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The Oxford Handbook of Voice Studies by Nina Eidsheim,Katherine Meizel Pdf

More than 200 years after the first speaking machine, we are accustomed to voices that speak from any- and everywhere. We interact daily with voices that emit from house alarm systems, cars, telephones, and digital assistants, such as Alexa and Google Home. However, vocal events still have the capacity to raise age-old questions about the human, the animal, the machine, and the spiritual-or in non-metaphysical terms-questions about identity and authenticity. In The Oxford Handbook of Voice Studies, contributors look to the metaphorical voice as well as the clinical understanding of the vocal apparatus to answer the seemingly innocuous question: What is voice? From a range of disciplines including the humanities, biology, culture, and technology studies, contributors draw on the unique methodologies and values each has at hand to address the uses, meanings, practices, theories, methods, and sounds of the voice. Together, they assess the ways that discipline-specific, ontological, and epistemological assumptions of voice need to shift in order to take the findings of other fields into account. This Handbook thus enables a lively discussion as multifaceted and complex as the voice itself has proven to be.

The Oxford Handbook of Voice Studies

Nina Eidsheim,Katherine Meizel
The Oxford Handbook of Voice Studies Book PDF

Author : Nina Eidsheim,Katherine Meizel
Publisher : Oxford Handbooks
Page : 586 pages
File Size : 47,9 Mb
Release : 2019
Category : Music
ISBN : 9780199982295

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The Oxford Handbook of Voice Studies by Nina Eidsheim,Katherine Meizel Pdf

More than 200 years after the first speaking machine, we are accustomed to voices that speak from any- and everywhere. We interact daily with voices that emit from house alarm systems, cars, telephones, and digital assistants, such as Alexa and Google Home. However, vocal events still have the capacity to raise age-old questions about the human, the animal, the machine, and the spiritual-or in non-metaphysical terms-questions about identity and authenticity. In The Oxford Handbook of Voice Studies, contributors look to the metaphorical voice as well as the clinical understanding of the vocal apparatus to answer the seemingly innocuous question: What is voice? From a range of disciplines including the humanities, biology, culture, and technology studies, contributors draw on the unique methodologies and values each has at hand to address the uses, meanings, practices, theories, methods, and sounds of the voice. Together, they assess the ways that discipline-specific, ontological, and epistemological assumptions of voice need to shift in order to take the findings of other fields into account. This Handbook thus enables a lively discussion as multifaceted and complex as the voice itself has proven to be.

The Oxford Handbook of Voice Perception

Sascha ühholz,Pascal Belin
The Oxford Handbook of Voice Perception Book PDF

Author : Sascha ühholz,Pascal Belin
Publisher : Oxford University Press, USA
Page : 977 pages
File Size : 41,7 Mb
Release : 2019-01-29
Category : Medical
ISBN : 9780198743187

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The Oxford Handbook of Voice Perception by Sascha ühholz,Pascal Belin Pdf

Speech perception has been the focus of innumerable studies over the past decades. While our abilities to recognize individuals by their voice state plays a central role in our everyday social interactions, limited scientific attention has been devoted to the perceptual and cerebral mechanisms underlying nonverbal information processing in voices. The Oxford Handbook of Voice Perception takes a comprehensive look at this emerging field and presents a selection of current research in voice perception. The forty chapters summarise the most exciting research from across several disciplines covering acoustical, clinical, evolutionary, cognitive, and computational perspectives. In particular, this handbook offers an invaluable window into the development and evolution of the 'vocal brain', and considers in detail the voice processing abilities of non-human animals or human infants. By providing a full and unique perspective on the recent developments in this burgeoning area of study, this text is an important and interdisciplinary resource for students, researchers, and scientific journalists interested in voice perception.

The Oxford Handbook of Sound Studies

Trevor Pinch,Karin Bijsterveld
The Oxford Handbook of Sound Studies Book PDF

Author : Trevor Pinch,Karin Bijsterveld
Publisher : OUP USA
Page : 610 pages
File Size : 41,7 Mb
Release : 2012-01-05
Category : Music
ISBN : 9780195388947

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The Oxford Handbook of Sound Studies by Trevor Pinch,Karin Bijsterveld Pdf

Written by the world's leading scholars and researchers in sound studies, this handbook offers new and engaging perspectives on the significance of sound in its material and cultural forms.

The Oxford Handbook of Country Music

Travis D. Stimeling
The Oxford Handbook of Country Music Book PDF

Author : Travis D. Stimeling
Publisher : Oxford University Press
Page : 800 pages
File Size : 52,9 Mb
Release : 2017-06-01
Category : Music
ISBN : 9780190683856

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The Oxford Handbook of Country Music by Travis D. Stimeling Pdf

Now in its sixth decade, country music studies is a thriving field of inquiry involving scholars working in the fields of American history, folklore, sociology, anthropology, musicology, ethnomusicology, cultural studies, and geography, among many others. Covering issues of historiography and practice as well as the ways in which the genre interacts with media and social concerns such as class, gender, and sexuality, The Oxford Handbook of Country Music interrogates prevailing narratives, explores significant lacunae in the current literature, and provides guidance for future research. More than simply treating issues that have emerged within this subfield, The Oxford Handbook of Country Music works to connect to broader discourses within the various fields that inform country music studies in an effort to strengthen the area's interdisciplinarity. Drawing upon the expertise of leading and emerging scholars, this Handbook presents an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century.

The Oxford Handbook of Music and Disability Studies

Blake Howe,Stephanie Jensen-Moulton,Neil William Lerner,Joseph Nathan Straus
The Oxford Handbook of Music and Disability Studies Book PDF

Author : Blake Howe,Stephanie Jensen-Moulton,Neil William Lerner,Joseph Nathan Straus
Publisher : Oxford Handbooks
Page : 953 pages
File Size : 47,7 Mb
Release : 2016
Category : Music
ISBN : 9780199331444

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The Oxford Handbook of Music and Disability Studies by Blake Howe,Stephanie Jensen-Moulton,Neil William Lerner,Joseph Nathan Straus Pdf

Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, and mobility impairment often coupled with bodily deformity. Cultural Disability Studies has, from its inception, been oriented toward physical and sensory disabilities, and has generally been less effective in dealing with cognitive and intellectual impairments and with the sorts of emotions and behaviors that in our era are often medicalized as "mental illness." In that context, it is notable that so many of these essays are centrally concerned with madness, that broad and ever-shifting cultural category. There is also in impressive diversity of subject matter including YouTube videos, Ghanaian drumming, Cirque du Soleil, piano competitions, castrati, medieval smoking songs, and popular musicals. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments.0First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.

The Oxford Handbook of Singing

Graham F. Welch,David Martin Howard,John Nix
The Oxford Handbook of Singing Book PDF

Author : Graham F. Welch,David Martin Howard,John Nix
Publisher : Oxford Library of Psychology
Page : 1201 pages
File Size : 55,6 Mb
Release : 2019
Category : Medical
ISBN : 9780199660773

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The Oxford Handbook of Singing by Graham F. Welch,David Martin Howard,John Nix Pdf

This handbook is currently in development, with individual articles publishing online in advance of print publication. The table of contents will continue to grow as additional articles pass through the review process and are added to the site.

Vocal, Instrumental, and Ensemble Learning and Teaching

Gary McPherson,Graham F. Welch
Vocal Instrumental and Ensemble Learning and Teaching Book PDF

Author : Gary McPherson,Graham F. Welch
Publisher : Oxford University Press
Page : 401 pages
File Size : 55,7 Mb
Release : 2018
Category : Music
ISBN : 9780190674625

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Vocal, Instrumental, and Ensemble Learning and Teaching by Gary McPherson,Graham F. Welch Pdf

"Volume editors: Susan Hallam, Jere T. Humphreys, & John Nix"--Page 4 of cover.

The Oxford Handbook of Community Singing

Esther M. Morgan-Ellis,Kay Norton
The Oxford Handbook of Community Singing Book PDF

Author : Esther M. Morgan-Ellis,Kay Norton
Publisher : Oxford University Press
Page : 1009 pages
File Size : 42,7 Mb
Release : 2024
Category : Music
ISBN : 9780197612460

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The Oxford Handbook of Community Singing by Esther M. Morgan-Ellis,Kay Norton Pdf

"The Oxford Handbook of Community Singing shows in abundant detail that singing with others is thriving. Using an array of interdisciplinary methods, chapter authors prioritize participation rather than performance and provide finely grained accounts of group singing in community, music therapy, religious, and music education settings. Themes associated with protest, incarceration, nation, hymnody, group bonding, identity, and inclusivity infuse the 47 chapters. Written almost wholly during the 2020-21 COVID-19 pandemic, the Handbook features a section dedicated to collective singing facilitated by audiovisual or communications media (mediated singing), some of it quarantine-mandated. The last of eight substantial sections is a repository of new theories about how group singing practices work. Throughout, the authors problematize the limitations inherited from the western European choral music tradition and report on workable new remedies to counter those constraints"--

The Oxford Handbook of Musical Repatriation

Frank Gunderson,Robert C. Lancefield,Bret D. Woods
The Oxford Handbook of Musical Repatriation Book PDF

Author : Frank Gunderson,Robert C. Lancefield,Bret D. Woods
Publisher : Oxford University Press, USA
Page : 833 pages
File Size : 43,7 Mb
Release : 2019
Category : Music
ISBN : 9780190659806

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The Oxford Handbook of Musical Repatriation by Frank Gunderson,Robert C. Lancefield,Bret D. Woods Pdf

The Oxford Handbook of Musical Repatriation is a significant edited volume that critically explores issues surrounding musical repatriation, chiefly of recordings from audiovisual archives. The Handbook provides a dynamic and richly layered collection of stories and critical questions for anyone engaged or interested in repatriation or archival work. Repatriation often is overtly guided by an ethical mandate to "return" something to where it belongs, by such means as working to provide reconnection and Indigenous control and access to cultural materials. Essential as these mandates can be, this remarkable volume reveals dimensions to repatriation beyond those which can be understood as simple acts of "giving back" or returning an archive to its "homeland." Musical repatriation can entail subjective negotiations involving living subjects, intangible elements of cultural heritage, and complex histories, situated in intersecting webs of power relations and manifold other contexts. The forty-eight expert authors of this book's thirty-eight chapters engage with multifaceted aspects of musical repatriation, situating it as a concept encompassing widely ranging modes of cultural work that can be both profoundly interdisciplinary and embedded at the core of ethnographic and historical scholarship. These authors explore a rich variety of these processes' many streams, making the volume a compelling space for critical analysis of musical repatriation and its wider significance. The Handbook presents these chapters in a way that offers numerous emergent perspectives, depending on one's chosen trajectory through the volume. From retracing the paths of archived collections to exploring memory, performance, research goals, institutional power, curation, preservation, pedagogy and method, media and transmission, digital rights and access, policy and privilege, intellectual property, ideology, and the evolving institutional norms that have marked the preservation and ownership of musical archives-The Oxford Handbook of Musical Repatriation addresses these key topics and more in a deep, richly detailed, and diverse exploration.

The Oxford Handbook of Timbre

Emily I. Dolan,Alexander Rehding
The Oxford Handbook of Timbre Book PDF

Author : Emily I. Dolan,Alexander Rehding
Publisher : Oxford University Press
Page : 740 pages
File Size : 52,6 Mb
Release : 2021-09-15
Category : Music
ISBN : 9780190637255

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The Oxford Handbook of Timbre by Emily I. Dolan,Alexander Rehding Pdf

Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.

Somatic Voices in Performance Research and Beyond

Christina Kapadocha
Somatic Voices in Performance Research and Beyond Book PDF

Author : Christina Kapadocha
Publisher : Routledge
Page : 252 pages
File Size : 55,9 Mb
Release : 2020-10-21
Category : Performing Arts
ISBN : 9780429780783

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Somatic Voices in Performance Research and Beyond by Christina Kapadocha Pdf

Somatic Voices in Performance Research and Beyond brings together a community of international practitioner-researchers who explore voice through soma or soma through voice. Somatic methodologies offer research processes within a new area of vocal, somatic and performance praxis. Voice work and theoretical ideas emerge from dance, acting and performance training while they also move beyond commonly recognized somatics and performance processes. From philosophies and pedagogies to ethnic-racial and queer studies, this collection advances embodied aspects of voices, the multidisciplinary potentialities of somatic studies, vocal diversity and inclusion, somatic modes of sounding, listening and writing voice. Methodologies that can be found in this collection draw on: eastern traditions body psychotherapy-somatic psychology Alexander Technique, Feldenkrais Method Authentic Movement, Body-Mind Centering, Continuum Movement, Integrative Bodywork and Movement Therapy Fitzmaurice Voicework, Linklater Technique, Roy Hart Method post-Stanislavski and post-Grotowski actor-training traditions somaesthetics The volume also includes contributions by the founders of: Shin Somatics, Body and Earth, Voice Movement Integration SOMart, Somatic Acting Process This book is a polyphonic and multimodal compilation of experiential invitations to each reader’s own somatic voice. It culminates with the "voices" of contributing participants to a praxical symposium at East 15 Acting School in London (July 19–20, 2019). It fills a significant gap for scholars in the fields of voice studies, theatre studies, somatic studies, artistic research and pedagogy. It is also a vital read for graduate students, doctoral and postdoctoral researchers.

The Oxford Handbook of Music Performance, Volume 2

Gary McPherson
The Oxford Handbook of Music Performance Volume 2 Book PDF

Author : Gary McPherson
Publisher : Oxford University Press
Page : 649 pages
File Size : 40,8 Mb
Release : 2022-02-03
Category : Music
ISBN : 9780190058869

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The Oxford Handbook of Music Performance, Volume 2 by Gary McPherson Pdf

The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.

The Oxford Handbook of Music Therapy

Jane Edwards
The Oxford Handbook of Music Therapy Book PDF

Author : Jane Edwards
Publisher : Oxford University Press
Page : 1009 pages
File Size : 40,5 Mb
Release : 2017
Category : Music
ISBN : 9780198817147

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The Oxford Handbook of Music Therapy by Jane Edwards Pdf

Music therapy is growing internationally to be one of the leading evidence-based psychosocial allied health professions to meet needs across the lifespan.The Oxford Handbook of Music Therapy is the most comprehensive text on this topic in its history. It presents exhaustive coverage of the topic from international leaders in the field.

The Oxford Handbook of the New Cultural History of Music

Jane F. Fulcher
The Oxford Handbook of the New Cultural History of Music Book PDF

Author : Jane F. Fulcher
Publisher : Oxford University Press
Page : 128 pages
File Size : 50,7 Mb
Release : 2013-11-01
Category : Music
ISBN : 9780199711987

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The Oxford Handbook of the New Cultural History of Music by Jane F. Fulcher Pdf

As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.