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"Selim Nassib's sharply observed novel tells a deeply human story that will be of intense interest to anyone concerned about the Middle East, its present conflict and possibilities for its future." "Albert Pharaon, heir to an enormous fortune, son of a rich Palestinian family, bored banker, has a lover in Haifa. And not just any lover: she is Jewish; she is a militant Zionist; she is the young Golda Meir, future Prime Minister of Israel. Love and allegiance clash in this historical novel about one of the twentieth century's central political figures." "Selim Nassib evokes the atmosphere of Palestine in the nineteen-twenties as he mixes history, biography, and legend - creating a bold, fictionalized account of a complex and tumultuous relationship."--BOOK JACKET.
A controversial, award-winning story about the passionate but untenable affair between an Israeli woman and a Palestinian man, from one of Israel’s most acclaimed novelists When Liat meets Hilmi on a blustery autumn afternoon in Greenwich Village, she finds herself unwillingly drawn to him. Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi: by his lively imagination, by his beautiful hands and wise eyes, by his sweetness and devotion. Together they explore the city, sharing laughs and fantasies and pangs of homesickness. But the unfettered joy they awaken in each other cannot overcome the guilt Liat feels for hiding him from her family in Israel and her Jewish friends in New York. As her departure date looms and her love for Hilmi deepens, Liat must decide whether she is willing to risk alienating her family, her community, and her sense of self for the love of one man. Banned from classrooms by Israel’s Ministry of Education, Dorit Rabinyan’s remarkable novel contains multitudes. A bold portrayal of the strains—and delights—of a forbidden relationship, All the Rivers (published in Israel as Borderlife) is a love story and a war story, a New York story and a Middle East story, an unflinching foray into the forces that bind us and divide us. “The land is the same land,” Hilmi reminds Liat. “In the end all the rivers flow into the same sea.” Praise for All the Rivers “Rabinyan’s book is a sort of Romeo and Juliet, a forbidden love affair between a Jewish girl from Tel Aviv and a Palestinian boy from Hebron. . . . [A] beautiful novel.”—The Guardian “A fine, subtle, and disturbing study of the ways in which public events encroach upon the private lives of those who attempt to live and love in peace with each other, and, impossibly, with a riven and irreconcilable world.”—John Banville, Man Booker Prize–winning author of The Sea “I’m with Dorit Rabinyan. Love, not hate, will save us. Hatred sows hatred, but love can break down barriers.”—Svetlana Alexievich, winner of the Nobel Prize for Literature “Astonishing . . . [a] precise and elegant love story, drawn with the finest of lines.”—Amos Oz “Rabinyan’s writing reflects the honesty and modesty of a true artisan.”—Haaretz “Because the novel strikes the right balance between the personal and the political, and because of her ability to tell a suspenseful and satisfying story, we decided to award Dorit Rabinyan’s [All the Rivers] the 2015 Bernstein Prize.”—From the 2015 Bernstein Prize judges’ decision “[All the Rivers] ought to be read like J. M. Coetzee or Toni Morrison—from a distance in order to get close.”—Walla! “Beautiful and sensitive . . . a human tale of rapprochement and separation . . . a noteworthy human and literary achievement.”—Makor Rishon “A captivating (and heartbreaking) gem, written in a spectacular style, with a rich, flowing, colorful and addictive language.”—Motke “A great novel of love and peace.”—La Stampa “A novel that truly speaks to the heart.”—Corriere della Sera
A deeply poetic account of love and resistance through a young girl’s eyes by acclaimed writer, Sahar Khalifeh, called "the Virginia Woolf of Palestinian literature” (Börsenblatt) Nidal, after many decades of restless exile, returns to her family home in Nablus, where she had lived with her grandmother before the 1948 Nakba that scattered her family across the globe. She was a young girl when the popular resistance began and, through the bloodshed and bitter struggle, Nidal fell in love with freedom fighter Rabie. He was her first and only real love—him and all that he represented: Palestine in its youth, the resistance fighters in the hills, the nation as embodied in her family home and in the land. Many years later, Nidal and Rabie meet, and he encourages her to read her uncle Amin’s memoirs. She immerses herself in the details of her family and national past and discovers the secret history of her absent mother. Filled with emotional urgency and political immediacy, Sahar Khalifeh spins an epic tale reaching from the final days of the British Mandate to today with clear-eyed realism and great imagination.
In the Gaza Strip, growing up on land owned by his family for centuries, eleven-year-old Yousef is preoccupied by video games, school pranks, and meeting his father’s impossibly high standards. Everything changes when the Second Intifada erupts and soldiers occupy the family home. Yousef’s father refuses to flee and risk losing the house forever, so the army keeps the family in a state of virtual imprisonment. Yousef struggles to understand how his father can be so committed to peaceful co-existence that he welcomes the occupying Israeli soldiers as ‘guests’, even in the face of unfair and humiliating treatment. Over time, Yousef learns how to endure his new life in captivity – but he can’t anticipate that a bullet is about to transform his future in an instant. Shot by an Israeli soldier at the age of fifteen, and taken to hospital in Tel Aviv, Yousef slowly and painstakingly confronts the paralysis of his lower body. Under the ceaseless care of Israeli medical professionals, he gains a new perspective on the value of co-existence. These transformative experiences set Yousef on a difficult new path that leads him to learn to embody his father’s philosophy, and spread a message of co-existence in a world of deep-set sectarianism. The Words of My Father is a moving coming-of-age story about survival, tolerance and hope.
Starting in 1970, Jean Genet—petty thief, prostitute, modernist master—spent two years in the Palestinian refugee camps in Jordan. Always an outcast himself, Genet was drawn to this displaced people, an attraction that was to prove as complicated for him as it was enduring. Prisoner of Love, written some ten years later, when many of the men Genet had known had been killed, and he himself was dying, is a beautifully observed description of that time and those men as well as a reaffirmation of the author's commitment not only to the Palestinian revolution but to rebellion itself. For Genet's most overtly political book is also his most personal—the last step in the unrepentantly sacrilegious pilgrimage first recorded in The Thief's Journal, and a searching meditation, packed with visions, ruses, and contradictions, on such life-and-death issues as the politics of the image and the seductive and treacherous character of identity. Genet's final masterpiece is a lyrical and philosophical voyage to the bloody intersection of oppression, terror, and desire at the heart of the contemporary world.
A “provocative and seductive debut” of desire and doubleness that follows the life of a young Palestinian American woman caught between cultural, religious, and sexual identities as she endeavors to lead an authentic life (O, The Oprah Magazine). On a hot day in Bethlehem, a 12–year–old Palestinian–American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother’s response only intensifies a sense of shame: “You exist too much,” she tells her daughter. Told in vignettes that flash between the U.S. and the Middle East—from New York to Jordan, Lebanon, and Palestine—Zaina Arafat’s debut novel traces her protagonist’s progress from blushing teen to sought–after DJ and aspiring writer. In Brooklyn, she moves into an apartment with her first serious girlfriend and tries to content herself with their comfortable relationship. But soon her longings, so closely hidden during her teenage years, explode out into reckless romantic encounters and obsessions with other people. Her desire to thwart her own destructive impulses will eventually lead her to The Ledge, an unconventional treatment center that identifies her affliction as “love addiction.” In this strange, enclosed society she will start to consider the unnerving similarities between her own internal traumas and divisions and those of the places that have formed her. Opening up the fantasies and desires of one young woman caught between cultural, religious, and sexual identities, You Exist Too Much is a captivating story charting two of our most intense longings—for love, and a place to call home.
What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Azem’s powerfully imaginative novel. Set in contemporary Tel Aviv forty eight hours after Israelis discover all their Palestinian neighbors have vanished, the story unfolds through alternating narrators, Alaa, a young Palestinian man who converses with his dead grandmother in the journal he left behind when he disappeared, and his Jewish neighbor, Ariel, a journalist struggling to understand the traumatic event. Through these perspectives, the novel stages a confrontation between two memories. Ariel is a liberal Zionist who is critical of the military occupation of the West Bank and Gaza, but nevertheless believes in Israel’s project and its national myth. Alaa is haunted by his grandmother’s memories of being displaced from Jaffa and becoming a refugee in her homeland. Ariel’s search for clues to the secret of the collective disappearance and his reaction to it intimately reveal the fissures at the heart of the Palestinian question. The Book of Disappearance grapples with both the memory of loss and the loss of memory for the Palestinians. Presenting a narrative that is often marginalized, Antoon’s translation of the critically acclaimed Arabic novel invites English readers into the complex lives of Palestinians living in Israel.
For the first time in six years, Ibrahim enjoys a breakfast of tomatoes, onions and pita bread, while his girlfriend Ruth takes a parcel to the local post office. As he waits for her return, he reflects on the events of the previous few days and then of the past few years. He is Palestinian, she Israeli and they live in London, a city they explore and grow to love. They delight in living against the political tide and in confounding people's assumptions. But, as the situation in the Middle East deteriorates, so it inevitably impinges on their life together and they struggle to maintain their relationship. It is the family secret that Ibrahim finally reveals that threatens to engulf them forever.
Absolution: A Palestinian Israeli Love Story by R. F. Georgy Pdf
It used to be a universally accepted axiom that the Palestinian Israeli conflict is an intractable and immovable impasse of epic proportion. Its Sisyphean nature cemented its reputation as an insoluble focal point of hatred and endless violence. Such universal truths, of course, derive their power and resonance from within the constraints of geography, ideology, and the construction of the imagination that is always trapped under the feeble nature of temporal movement. One can certainly say that Jewish history is filled with the grotesquery of blind hatred; that Jews were singularly reduced to an alienated other. Their disjointed and fractured identity was preserved only by the portability of a religion that would help them survive the darkest hours. But fate is not without irony, as the Palestinians were forced to accept the collective guilt of all those who committed unspeakable acts against the Jews. The Palestinians had to endure the systematic dispossession of their land and loss of identity. They were forced to accept defeat as a bitter reminder of their subaltern status in a world of proud nation states. Palestinians and Israelis were connected by a fatalistic dialectic, whose movement was punctuated by violence and directed towards an apocalyptic conclusion. One might argue that this dialectic enveloped a land, mythical and actual, spiritual yet earth-bound, ancient yet very much poised towards unfolding actualities. This land conjures images of return and redemptive possibilities. Palestine and Israel are two strands intertwined in our collective imagination. They are linguistically exclusive and yet reference a singular place. We are embarking on a peaceful resolution to a conflict that has left deep psychological scars. Of course, peace is not determined by the signage of treaties or the wishes of leaders. Peace is not a discrete event; rather it is a renewable proposition, filled with affirmations designed to mitigate against the collective distrust of two people who knew little beyond hatred, suspicion, blame and counter blame, intellectual gamesmanship, fear, paranoia, historical necessity, retribution, and a host of other deeply engrained emotional projections that are constantly lurking beneath the surface. -Prologue Absolution is a love story unlike any other. It is a love that transcends the oceanic chasms that have come to define one of the most intractable conflicts in modern history. It is the year 2018 and Israel's Prime Minister, Avi Eban, is in Oslo to accept the Nobel Peace Prize. One year earlier, on the 100th anniversary of the Balfour Declaration, Israel and the Palestinians forged a peace that resulted in the creation of Palestine. What the world did not know was the story behind the peace- a story of hope and redemptive possibilities.
Inspired by the rich poetic tradition of the author's native Arab culture, To Love a Palestinian Woman includes works written over eight years. Richly evocative and often passionate, these poems can be described as personal and romantic, as well as public and political. While the condition in Palestine is a dominant theme, so is love. Conciliatory in tone or passionately confrontational, these poems stem from a deep humanity that cannot fail to engage the reader.
Murder Under the Fig Tree by Kate Jessica Raphael Pdf
Hamas has taken power in Palestine, and the Israeli government is rounding up threats. When Palestinian policewoman Rania Bakara finds herself thrown in prison, though she has never been part of Hamas, her friend Chloe flies in from San Francisco to get her out. Chloe begs an Israeli policeman named Benny for help—and Benny offers Rania a way out: investigate the death of a young man in a village near her own. The young man’s neighbors believe the Israeli army killed him; Benny believes his death might not have been so honorable. Initially, Rania refuses; she has no interest in helping the Israelis. But she is released anyway, and returns home to find herself without a job and suspected of being a traitor. Searching for redemption, she launches an investigation into the young man’s death that draws her into a Palestinian gay scene she never knew existed. With Chloe and her Palestinian Australian lover as guides, Rania explores a Jerusalem gay bar, meets with a lesbian support group, and plunges deep into the victim’s world, forcing her to question her beliefs about love, justice, and cultural identity.
We Are All Equally Far From Love by Adania Shibli Pdf
A new award-winning novel from the acclaimed author of Touch. A young woman, asked at work to write a letter to an older man, does as she is told. So begins an enigmatic but passionate love affair conducted entirely in letters. A love affair? Maybe. Until his letters stop coming. Or… maybe the letters do not reach their intended recipient? Only the teenage Afaf, who works at the local post office, would know. Her favorite duty is to open the mail and inform her collaborator father of the contents—until she finds a mysterious set of love letters, apparently returned to their sender. In the hands of Adania Shibli, the discovery of these letters makes for a wrenching meditation on lives lived ensnared within the dictates of others.
Finalist for the 2022 Atwood Gibson Writers' Trust Fiction Prize Elegant, surprising stories about Palestinian immigrants in Canada navigating their identities in circumstances that push them to the emotional brink. Saeed Teebi’s intense, engrossing stories plunge into the lives of characters grappling with their experiences as Palestinian immigrants to Canada. A doctor teaches his girlfriend about his country, only for her to fall into a consuming obsession with the Middle East conflict. A math professor risks his family’s destruction by slandering the king of a despotic, oil-rich country. A university student invents an imaginary girlfriend to fit in with his callous, womanizing roommates. A lawyer takes on the impossible mission of becoming a body smuggler. A lonely widower travels to Russia in search of a movie starlet he met in his youth in historical Jaffa. A refugee who escaped violent circumstances rebels against the kindness of his sponsor. These taut and compelling stories engage the immigrant experience and reflect the Palestinian diaspora with grace and insight.
The Palestinian Diaspora by Helena Lindholm Schulz Pdf
From the refugee camps of the Lebanon to the relative prosperity of life in the USA, the Palestinian diaspora has been dispersed across the world. In this pioneering study, Helena Lindholm Schulz examines the ways in which Palestinian identity has been formed in the diaspora through constant longing for a homeland lost. In so doing, the author advances the debate on the relationship between diaspora and the creation of national identity as well as on nationalist politics tied to a particular territory. But The Palestinian Diaspora also sheds light on the possibilities opened up by a transnational existence, the possibility of new, less territorialized identities, even in a diaspora as bound to the idea of an idealized homeland as the Palestinian. Members of the diaspora form new lives in new settings and the idea of homeland becomes one important, but not the only, source of identity. Ultimately though, Schulz argues, the strong attachment to Palestine makes the diaspora crucial in any understandings of how to formulate a viable strategy for peace between Israelis and Palestinians.
Sarah Aaronsohn was a twenty–first century woman in a nineteenth–century world. She and her siblings were born as part of the first wave of Jewish immigrants who fled the pogroms of Russia and Eastern Europe in the 1880s, settling in the province of Syria–Palestine. By the outbreak of World War I in 1914 the settlers had come a dramatic distance in creating the Eretz Israel of their Biblical prophecies. Sarah's home village of Zichron Ya'akov brought prosperity to their lands between the Mediterranean coast and the Mount Carmel range. But when the Ottoman Turkish Empire sided with Kaiser Wilhelm II and the other Central Powers in World War I, the Jewish settlements faced cruel oppressions. This book describes how the Aaronsohns, one of the most prominent families in the province, came to commit themselves and their comrades to the Allied side and how they formed the NILI espionage organization to spy against the Turkish Army. Late in the war, in 1917, Sarah assumed command of the spy network as the group's penetration of the Turkish army reached a critical juncture. Sarah was idolized by T.E. Lawrence, the fabled Lawrence of Arabia who dedicated his flowery biography, The Seven Pillars of Wisdom, to her.
