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After coming to Vienna from Sudan to win a better life for himself, Hamza struggles to escape from the margins of society and the stigma of the immigrant. Following several years of hardship, his fortunes begin to change when he meets Sandra, a young Austrian woman, who shows him the Palm House. In this famous Viennese greenhouse, the frost of Hamza's heart begins to thaw, and he slowly opens himself to Sandra, revealing his bitter yet beautiful past in Sudan and beyond. This masterful novel draws on the 1001 Nights as well as Sudanese folk traditions, and demonstrates the remarkable power of storytelling to overcome even the most dire circumstances. Critically acclaimed across the Arab world, this novel can be read on its own, or as a sequel to Eltayeb's first novel, Cities without Palms (AUC Press, 2009).
'A glorious green adventure story.' Ann Treneman, The Times 'Books of the Year' 'The most enthralling historical book I’ve read this year.' Claire Tomalin, New Statesman 'Books of the year' Daringly innovative when it opened in 1848, the Palm House in Kew Gardens remains one of the most beautiful glass buildings in the world today. Seemingly weightless, vast and yet light, the Palm House floats free from architectural convention, at once monumental and ethereal. From a distance, the crowns of the palms within are silhouetted in the central dome; close to, banana leaves thrust themselves against the glass. To enter it is to enter a tropical fantasy. The body is assaulted by heat, light and the smell of damp vegetation. In Palace of Palms, Kate Teltscher tells the extraordinary story of its creation and of the Victorians’ obsession with the palms that filled it. It is a story of breathtaking ambition, of scientific discovery and, crucially, of the remarkable men whose vision it was. The Palm House was commissioned by the charismatic first Director of Kew, Sir William Hooker, designed by the audacious Irish engineer, Richard Turner, and managed by Kew’s forthright curator, John Smith, who battled with boilers and floods to ensure the survival of the rare and wondrous plants it housed.
Houses Transformed by Jonathan Alderman,Rosalie Stolz Pdf
Over the decades, there has been a world-wide transformation of so-called ‘vernacular houses’. Based on ethnographic accounts from different regions, Houses Transformed investigates the changing practices of building houses in a transnational context. It explores the intersection of house biographies and social change, the politics of housing design, the social fabrication of aspirational houses, the domestication of concrete and the intersection of materiality and ontology as well as the rhetoric of the vernacular. The volume provides new anthropological pathways to understanding the dynamics of dwelling in the 21st century.
Houses of Glass by Georg Kohlmaier,Barna von Sartory Pdf
The glasshouses of the nineteenth century represent a remarkable confluence of opposites in architecture and technology. The architecture was designed to create an artificial climate in which people could return to paradise, and yet the technical means employed were also basic to the century's developing industrial grime -the other side of paradise. Enriched by more than 700 illustrations, Houses of Glass chronicles these pristine structures as they evolved from hothouses into exhibition halls, ballrooms, and theaters. Georg Kohlmaier is an architect and Barna von Sartory a sculptor. They have collaborated on many books and articles on contemporary architecture.
Paula Deitz has delighted readers for more than thirty years with her vivid descriptions of both famous and hidden landscapes. Her writings allow readers to share in the experience of her extensive travels, from the waterways of Britain's Castle Howard to the Japanese gardens of Kyoto, and home again to New York City's Central Park. Collected for the first time, the essays in Of Gardens record her great adventure of continual discovery, not only of the artful beauty of individual gardens but also of the intellectual and historical threads that weave them into patterns of civilization, from the modest garden for family subsistence to major urban developments. Deitz's essays describe how people, over many centuries and in many lands, have expressed their originality by devoting themselves to cultivation and conservation. During a visit to the Abby Aldrich Rockefeller Garden in Seal Harbor, Maine, Deitz first came to appreciate the notion that landscape architecture can be as intricately conceived as any major structure and is, indeed, the means by which we redeem the natural environment through design. Years later, as she wandered through the gardens of Versailles, she realized that because gardens give structure without confinement, they encourage a liberation of movement and thought. In Of Gardens, we follow Deitz down paths of revelation, viewing "A Bouquet of British Parks: Liverpool, Edinburgh, and London"; the parks and promenades of Jerusalem; the Moonlight Garden of the Taj Mahal; a Tuscan-style villa in southern California; and the rooftop garden at Tokyo's Mori Center, among many other sites. Deitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled "A Winter Garden of Yellow."
Bruno Taut’s Design Inspiration for the Glashaus by David Nielsen Pdf
As a formative exemplar of early architectural modernism, Bruno Taut’s seminal exhibition pavilion the Glashaus (literally translated Glasshouse) is logically part of the important debate of rethinking the origins of modernism. However, the historical record of Bruno Taut’s Glashaus has been primarily established by one art historian and critic. As a result the historical record of the Glashaus is significantly skewed toward a singlular notion of Expressionism and surprisingly excludes Taut’s diverse motives for the design of the building. In an effort to clarify the problematic historical record of the Glashaus, this book exposes Bruno Taut’s motives and inspirations for its design. The result is that Taut’s motives can be found in yet unacknowledged precedents like the botanical inspiration of the Victoria regia lily; the commercial interests of Frederick Keppler as the Director of the Deutche Luxfer Prismen Syndikat; and imitation that derived openly from the Gothic. The outcome is a substantial contribution to the re-evaluation of the generally accepted histories of the modern movement in architecture.
The Vital Landscape explores the arrival of the biological sciences - most notably the sciences oflife entailed in studies of botany and zoology, ecology and evolutionary science, physiology and psychology - in the nineteenth century and their impact on architecture and landscape architecture in Great Britain. Specifically, the book explores the idea of the contrived or artificial environment as an object of both scientific speculation and aesthetic reflection. Unlike specialist histories of biological science or environmental thought, this book is unique in locating one source for present-day concerns for the environment and human well-being in debates over proper housing and the growing popularity of domestic and public gardens in the nineteenth century. The book skilfully interweaves architecture and garden history, the history and philosophy of science, plant and animal physiology and human psychology, works of literature, popular science and domestic economy in a story that opens new opportunities for the study of architecture and gardens.
Surrey by Ian Nairn,Nikolaus Pevsner,Bridget Cherry Pdf
Surrey's architecture is a constantly surprising mix of the rural and urban with many of its most important buildings, such as the seventeenth-century Ham House, found amongst the outgrowth of London itself. The landscape gardens of Painshill and Claremont attest to Surrey's popularity in the eighteenth century and the county's enthusiasm for follies and remarkable garden buildings. More recent architecture includes notable early works by Lutyens, with gardens by Gertrude Jekyll, inspired by the rich stock of late medieval farmhouses and tile-hung cottages in the county's southern villages. Among interwar suburban housing there are some exceptional Modernist homes, such as The Homewood by Patrick Gwynne. Church architecture in Surrey includes work by all of the great names of the Gothic Revival; not least of its surprises is the luminous and spacious interior of Guildford Cathedral.
A World History of Architecture by Marian Moffett,Michael W. Fazio,Lawrence Wodehouse Pdf
The Roman architect and engineer Vitruvius declared firmitas, utilitas, and venustas-firmness, commodity, and delight- to be the three essential attributes of architecture. These qualities are brilliantly explored in this book, which uniquely comprises both a detailed survey of Western architecture, including Pre-Columbian America, and an introduction to architecture from the Middle East, India, Russia, China, and Japan. The text encourages readers to examine closely the pragmatic, innovative, and aesthetic attributes of buildings, and to imagine how these would have been praised or criticized by contemporary observers. Artistic, economic, environmental, political, social, and technological contexts are discussed so as to determine the extent to which buildings met the needs of clients, society at large, and future generations.
Structural Iron 1750–1850 by R.J.M. Sutherland Pdf
This book deals with the period when iron became the dominant ’high-technology’ material, increasingly taking over from timber and masonry. It was necessary for the engines and machines of the new industries, but equally vital for the vast civil engineering works which supported this industrialisation. It was these works - mills, warehouses, dockyards, and above all bridges - which so impressed the public in the early 19th century. The papers selected here trace the evolving structural uses of cast and wrought iron in frames and roofs for buildings, and look in particular at the development of bridge design and construction, in America, France, and Russia, as well as in Britain. They cover the processes of design and testing, and at the same time throw much light on the attitudes and careers of the engineers themselves.
