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Derek Allan has published widely on aspects of Malraux's works and the theory of art and literature. He holds a PhD in Philosophy and a Masters degree in French Language and Literature. and is currently a Visiting Scholar in the School of Humanities at the Australian National University. --Book Jacket.
The two principal axes of inquiry are Malraux's ongoing quest for a dimension of transcendence within human life and, at lest as compelling, his search for the most appropriate and effective means by which to express a changing awareness of just what that dimension might be. Not surprisingly, in a world apparently doomed to languish in the spectral shadow of Death, there are certain constants: a yearning for some fraternity to combat man's essential solitude, a refusal to sink without effort into the vortex of the Absurd, a conviciton that life is to be lived fully and intensely. The human condition is what it is. The ways in which Malraux's characters, and of course Malraux himself, cope with this condition reveal a clear evolution, especially from the 1933 novel La condition humaine onwards. The reader follows Malraux from playful adolescence through the dichotomy of anguish and glorification in his middle years, towards the primarily interrogative utterances of the mature man. The often frivolous, sometimes sardonic, humour of youth gives way first to a painful recognition of the abyss, then to the discovery of a very tentative equilibrium in the philosophy of metamorphosis espoused by an older Malraux. André Malraux: Towards the Expression of Transcendence reveals the principal steps by which Malraux achieved that equilibrium.
This book analyses Malraux's writing from his journalism in Indochina to his novels, art studies and (anti)memorialist essays. Cutting through the established dual biographical image of Malraux as a committed leftwinger and revolutionary novelist turned unconditional Gaullist and diehard anti-Communist at the Liberation, it makes a balanced assessment of Malraux as a non-ideological if elitist artist who shaped his public role as much as he shaped the existence of his heroes both novelistic and real.
Malraux, the Absolute Agnostic; Or, Metamorphosis as Universal Law by Claude Tannery Pdf
Moving beyond merely biographical or textual interpretation, Claude Tannery traces the philosophy of life and art developed by André Malraux. With both sensitivity and expert interpretation he defines the issues—personal and artistic as well as political—that underlie Malraux's writings—including early as well as late works, novels, speeches, and essays. The result is a new and subtle portrait of Malraux.
This book analyses Malraux's writing from his journalism in Indochina to his novels, art studies and (anti)memorialist essays. Cutting through the established dual biographical image of Malraux as a committed leftwinger and revolutionary novelist turned unconditional Gaullist and diehard anti-Communist at the Liberation, it makes a balanced assessment of Malraux as a non-ideological if elitist artist who shaped his public role as much as he shaped the existence of his heroes both novelistic and real.
Traces the life and career of the French novelist, describing his participation in the Spanish Civil War, command of a World War II resistance brigade, and his position as a government minister.
More attention has been paid up to now to Malraux's life and thought than to his creativity. To respond to this neglect, David Bevan explores facets as diffuse as Tibetan symbolism, free indirect style, humour, film, death, and oratory in a series of interconnecting essays which, offering a certain unity of discourse in place of any monolithic intelligibility, seek thereby to reflect Malraux's very considerable complexity.
The Philosophy of Art History (Routledge Revivals) by Arnold Hauser Pdf
First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in the book — thoroughly discussing the basic philosophical outlook for the whole work. There are also further chapters on psychoanalysis, folk art and popular art. The chapter on the role of convention in the history of art points the way for further study.
Andre Malraux was pre-eminent among his contemporaries in his passionate espousal of left-wing causes, and was the French writer who enjoyed the highest reputation during the 1930s for his attempts to reconcile the imperatives of literary creation with those of political action. However, of the many studies devoted to Malraux, few have analyzed the politics depicted in his fiction in relation to the politics he proclaimed, in an effort to establish the extent to which they informed or subverted each other.
Author : Derek Allan Publisher : Peter Lang Incorporated, International Academic Publishers Page : 128 pages File Size : 40,9 Mb Release : 2021 Category : Art ISBN : 1433180464
This study provides a step by step explanation of André Malraux's theory of art. Drawing on his major works, such as The Voices of Silence and The Metamorphosis of the Gods, it examines key topics such as the nature of artistic creation, the psychology of our response to art, the birth of the notion of art itself and its transformation after Manet, the birth and death of the idea of beauty, the seriously neglected question of the relationship between art and the passage of time, the emergence of our first universal world of art, the contemporary role of the art museum and the musée imaginaire, and the contentious question of the relationship between art and history. Rejecting negative criticisms from writers such as Maurice Merleau-Ponty and E. H. Gombrich, the study argues that Malraux offers us a theory of art that is fully coherent and highly illuminating. In addition, the analysis shows that he presents a radical challenge to the traditional explanations of art inherited from the Enlightenment that have dominated Western thinking for some three hundred years. In short, the study unveils a way of understanding art that is nothing short of an intellectual revolution.
Rereading Jean-François Lyotard by Heidi Bickis Pdf
What does Lyotard's thought offer contemporary theory? By focusing on key concepts and themes from his later texts, such as affect, aesthetics, Andre Malraux, St Paul, nihilism, infancy, space and writing, Rereading Jean-François Lyotard: Essays on His Later Works explores the impact and relevance of Lyotard's largely undiscussed late philosophical works for contemporary theoretical debates. In his works produced from 1990 until his death in 1998, Lyotard addresses a number of themes that both revisit and move beyond those from his earlier work. These include: art and aesthetics; affect; ethics and politics; modernity and the subject. Despite designating these texts as part of a 'late period', the chapters do not exclude a wider engagement with Lyotard's thought and often seek to engage in connections, resonances and developments across his many texts. Each chapter within this book places Lyotard as a figure with much to offer current theoretical debates, reasserts Lyotard as an important thinker for developments in social thought, and draws out the many links between his philosophical work and broader social questions. This is the first work in English to focus on Lyotard's later writings and will therefore be a key text to all scholars of his ideas.
Author : Thomas Jefferson Kline Publisher : New York : Columbia University Press Page : 197 pages File Size : 45,7 Mb Release : 1973 Category : Family & Relationships ISBN : 0231036086
André Malraux and the Metamorphosis of Death by Thomas Jefferson Kline Pdf
Are bacteriophage T4 and the long-nosed elephant fish valuable in their own right? Nicholas Agar defends an affirmative answer to this question by arguing that anything living is intrinsically valuable. This claim challenges received ethical wisdom according to which only human beings are valuable in themselves. The resulting biocentric or life-centered morality forms the platform for an ethic of the environment. Agar builds a bridge between the biological sciences and what he calls "folk" morality to arrive at a workable environmental ethic and a new spectrum -- a new hierarchy -- of living organisms. The book overturns common-sense moral belief as well as centuries of philosophical speculation on the exclusive moral significance of humans. Spanning several fields, including philosophy of psychology, philosophy of science, and other areas of contemporary analytic philosophy, Agar analyzes and speaks to a wide array of historic and contemporary views, from Aristotle and Kant, to E. O. Wilson, Holmes Rolston II, and Baird Callicot. The result is a challenge to prevailing definitions of value and a call for a scientifically-informed appreciation of nature.
"A museum without walls has been opened to us, and it will carry infinitely farther that limited revelation of the world of art which the real museums offer us within their walls: in answer to their appeal, the plastic arts have produced their printing press."--Introduction
