The Philosophy Of Documentary Film

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The Philosophy of Documentary Film

Author : David LaRocca
Publisher : Lexington Books
Page : 645 pages
File Size : 45,5 Mb
Release : 2016-12-20
Category : Philosophy
ISBN : 9781498504522

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The Philosophy of Documentary Film by David LaRocca Pdf

The spirit that founded the volume and guided its development is radically inter- and transdisciplinary. Dispatches have arrived from anthropology, communications, English, film studies (including theory, history, criticism), literary studies (including theory, history, criticism), media and screen studies, cognitive cultural studies, narratology, philosophy, poetics, politics, and political theory; and as a special aspect of the volume, theorist-filmmakers make their thoughts known as well. Consequently, the critical reflections gathered here are decidedly pluralistic and heterogeneous, inviting—not bracketing or partitioning—the dynamism and diversity of the arts, humanities, social sciences, and even natural sciences (in so far as we are biological beings who are trying to track our cognitive and perceptual understanding of a nonbiological thing—namely, film, whether celluloid-based or in digital form); these disciplines, so habitually cordoned off from one another, are brought together into a shared conversation about a common object and domain of investigation. This book will be of interest to theorists and practitioners of nonfiction film; to emerging and established scholars contributing to the secondary literature; and to those who are intrigued by the kinds of questions and claims that seem native to nonfiction film, and who may wish to explore some critical responses to them written in engaging language.

A Philosophical History of Documentary, 1895–1959

Author : Dan Geva
Publisher : Springer Nature
Page : 393 pages
File Size : 43,6 Mb
Release : 2021-09-15
Category : Philosophy
ISBN : 9783030794668

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A Philosophical History of Documentary, 1895–1959 by Dan Geva Pdf

This book presents a chronology of thirty definitions attributed to the word, term, phrase, and concept of “documentary” between the years 1895 and 1959. The book dedicates one chapter to each of the thirty definitions, scrutinizing their idiosyncratic language games from close range while focusing on their historical roots and concealed philosophical sources of inspiration. Dan Geva's principal argument is twofold: first, that each definition is an original ethical premise of documentary; and second, that only the structured assemblage of the entire set of definitions successfully depicts the true ethical nature of documentary insofar as we agree to consider its philosophical history as a reflective object of thought in a perpetual state of being-self-defined: an ethics sui generis.

The Philosophy of War Films

Author : David LaRocca
Publisher : University Press of Kentucky
Page : 537 pages
File Size : 50,8 Mb
Release : 2015-01-06
Category : Philosophy
ISBN : 9780813145112

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The Philosophy of War Films by David LaRocca Pdf

Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen. In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war. Drawing upon analyses of iconic and critically acclaimed war films such as Saving Private Ryan (1998), The Thin Red Line (1998), Rescue Dawn (2006), Restrepo (2010), and Zero Dark Thirty (2012), this volume's examination of the genre creates new ways of thinking about the philosophy of war. A fascinating look at the manner in which combat and its aftermath are depicted cinematically, The Philosophy of War Films is a timely and engaging read for any philosopher, filmmaker, reader, or viewer who desires a deeper understanding of war and its representation in popular culture.

Philosophy of Film and Motion Pictures

Author : Noël Carroll,Jinhee Choi
Publisher : John Wiley & Sons
Page : 432 pages
File Size : 50,5 Mb
Release : 2009-02-09
Category : Philosophy
ISBN : 9781405152013

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Philosophy of Film and Motion Pictures by Noël Carroll,Jinhee Choi Pdf

Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the viewingof pornography Replete with examples and discussion of moving picturesthroughout

A Philosophical History of Documentary, 1895-1959

Author : Dan Geva
Publisher : Unknown
Page : 0 pages
File Size : 45,7 Mb
Release : 2021
Category : Electronic
ISBN : 3030794679

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A Philosophical History of Documentary, 1895-1959 by Dan Geva Pdf

"In response to numerous assertions by filmmakers and scholars that documentary is past or beyond definition-as if it functioned as an aesthetic strait-jacket-Dan Geva offers an emphatic and compelling NO! Rather, he asserts that the issue of definition consistently hovers over both scholarship and production of documentary. In this volume, Geva opens up, through lucid philosophical investigations of filmmakers' writings and films, the definitions that emerge in their work. By attending to both their cultural and historical particularity as well as their function as a single transhistorical enunciation, Geva speaks to the extraordinary range of practices and thought that existed between 1985-1959 while maintaining that there is such a thing as 'documentariness.'" -Joshua Malitsky, Associate Professor, Cinema and Media Studies/The Media School and Director, Indiana University Center for Documentary Research and Practice, Indiana University, USA "In an age when the concepts of 'fact' and 'science' have become focal points of political controversy, Dan Geva's meticulous historical exploration of the ethical implications of the very idea of 'documentary' film are especially useful for documentarians, film historians and media theoreticians alike." -Julia Leasage, Professor Emerita, English Department, University of Oregon, USA This book presents a chronology of thirty definitions attributed to the word, term, phrase, and concept of "documentary" between the years 1895 and 1959. The book dedicates one chapter to each of the thirty definitions, scrutinizing their idiosyncratic language games from close range while focusing on their historical roots and concealed philosophical sources of inspiration. Dan Geva's principal argument is twofold: first, that each definition is an original ethical premise of documentary; and second, that only the structured assemblage of the entire set of definitions successfully depicts the true ethical nature of documentary insofar as we agree to consider its philosophical history as a reflective object of thought in a perpetual state of being-self-defined: an ethics sui generis. Dan Geva is an associate professor at Beit-Berl college, a research fellow at the University of Haifa, an award winning documentarian, and founder of "The Ethics Lab" (CILECT, 2017).

Documentary Film: A Very Short Introduction

Author : Patricia Aufderheide
Publisher : Oxford University Press
Page : 176 pages
File Size : 46,6 Mb
Release : 2007-11-28
Category : Performing Arts
ISBN : 9780199839988

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Documentary Film: A Very Short Introduction by Patricia Aufderheide Pdf

Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling. Beginning with an overview of the central issues of documentary filmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoing nature of documentary's core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary production. A particularly useful feature of the book is an appended list of "100 great documentaries" that anyone with a serious interest in the genre should see. Drawing on the author's four decades of experience as a film scholar and critic, this book is the perfect introduction not just for teachers and students but also for all thoughtful filmgoers and for those who aspire to make documentaries themselves. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

The Documentary Film Book

Author : Brian Winston
Publisher : Bloomsbury Publishing
Page : 847 pages
File Size : 51,5 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838718749

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The Documentary Film Book by Brian Winston Pdf

Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.

The Philosophy of Werner Herzog

Author : M. Blake Wilson,Christopher Turner
Publisher : Rowman & Littlefield
Page : 289 pages
File Size : 45,6 Mb
Release : 2020-11-25
Category : Philosophy
ISBN : 9781793600431

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The Philosophy of Werner Herzog by M. Blake Wilson,Christopher Turner Pdf

Legendary director, actor, author, and provocateur Werner Herzog has incalculably influenced contemporary cinema for decades. Until now there has been no sustained effort to gather and present a variety of diverse philosophical approaches to his films and to the thinking behind their creation. The Philosophy of Werner Herzog, edited by M. Blake Wilson and Christopher Turner,collects fourteen essays by professional philosophers and film theorists from around the globe, who explore the famed German auteur’s notions of “ecstatic truth” as opposed to “accountants’ truth,” his conception of nature and its penchant for “overwhelming and collective murder,” his controversial film production techniques, his debts to his philosophical and aesthetic forebears, and finally, his pointed objections to his would-be critics––including, among others, the contributors to this book themselves. By probing how Herzog’s thinking behind the camera is revealed in the action he captures in front of it, The Philosophy of Werner Herzog shines new light upon the images and dialog we see and hear on the screen by enriching our appreciation of a prolific––yet enigmatic––film artist.

Documentary Film Classics

Author : William Rothman
Publisher : Cambridge University Press
Page : 242 pages
File Size : 46,5 Mb
Release : 1997-01-28
Category : Performing Arts
ISBN : 0521456819

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Documentary Film Classics by William Rothman Pdf

A study of classic documentary film.

Documentary Time

Author : Malin Wahlberg
Publisher : Unknown
Page : 208 pages
File Size : 51,5 Mb
Release : 2008
Category : Performing Arts
ISBN : UOM:39015073667787

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Documentary Time by Malin Wahlberg Pdf

Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. The configuration of time is crucial in organizing the sensory affects of film in general but, as Wahlberg adroitly demonstrates, in nonfiction films the problem of managing time is writ large by the moving image's interaction with social memory and historical figures. Wahlberg discusses a thought-provoking corpus of classical and recent experiments in film and video (including Andy Warhol's films) in which creative approaches to the time of the image and the potential archive memory of filmic representation illuminates meanings of temporality and time experience. She also offers a methodological account of film and brings Deleuze and Ricoeur into dialogue with Bazin and Mitry on the subject of cinema and phenomenology. Drawing attention to the cultural significance of the images' imprint as a trace of the past, Documentary Time brings to bear phenomenological inquiry on nonfiction film while at the same time reconsidering the existential dimensions of time that have always puzzled humans. Malin Wahlberg is a research fellow in cinema studies at Stockholm University.

Examined Life

Author : Astra Taylor
Publisher : The New Press
Page : 243 pages
File Size : 44,9 Mb
Release : 2009
Category : Philosophy
ISBN : 9781595584472

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Examined Life by Astra Taylor Pdf

This accompaniment to Taylor's documentary film of the same name, which premiered at the Toronto International Film Festival in 2008, is a peripatetic effort to bring philosophy to the streets. Taylor speaks with today's most influential thinkers in settings that give meaning and inspiration to the discussions. Most notable are Peter Singer's thoughts on ethics and consumption in the middle of busy Fifth Avenue, Michael Hardt's talk of revolution in a rowboat in Central Park, and Slavoj iek strolling through a garbage dump while criticizing environmentalism. There are also appearances by Cornel West, Avital Ronell, Kwame Anthony Appiah, Martha Nussbaum, and Judith Butler. Both the book and the film attempt to make philosophy approachable, and the majority of the discussions here do just that. Taylor, for better or worse, refrains from any overarching theme or commentary, although her interactions with these thinkers do go beyond mere interviews to productive philosophical debates. As in life, in the end it is the walks and the fruitful conversations that are important. Recommended for public libraries. [Look for the DVD review in a future issue.Ed.]Steven Chabot, Ontario Ministry of Labour, Toronto Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Cognitive Theory and Documentary Film

Author : Catalin Brylla,Mette Kramer
Publisher : Springer
Page : 343 pages
File Size : 41,7 Mb
Release : 2018-08-21
Category : Performing Arts
ISBN : 9783319903323

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Cognitive Theory and Documentary Film by Catalin Brylla,Mette Kramer Pdf

This groundbreaking edited collection is the first major study to explore the intersection between cognitive theory and documentary film studies, focusing on a variety of formats, such as first-person, wildlife, animated and slow TV documentary, as well as docudrama and web videos. Documentaries play an increasingly significant role in informing our cognitive and emotional understanding of today’s mass-mediated society, and this collection seeks to illuminate their production, exhibition, and reception. Taking an interdisciplinary approach, the essays draw on the latest research in film studies, the neurosciences, cultural studies, cognitive psychology, social psychology, and the philosophy of mind. With a foreword by documentary studies pioneer Bill Nichols and contributions from both theorists and practitioners, this volume firmly demonstrates that cognitive theory represents a valuable tool not only for film scholars but also for filmmakers and practice-led researchers.

The Palgrave Handbook of the Philosophy of Film and Motion Pictures

Author : Noël Carroll,Laura T. Di Summa,Shawn Loht
Publisher : Springer Nature
Page : 1047 pages
File Size : 45,8 Mb
Release : 2019-10-30
Category : Philosophy
ISBN : 9783030196011

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The Palgrave Handbook of the Philosophy of Film and Motion Pictures by Noël Carroll,Laura T. Di Summa,Shawn Loht Pdf

This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.

Thinking Reality and Time through Film

Author : José Manuel Martins,Christine Reeh
Publisher : Cambridge Scholars Publishing
Page : 315 pages
File Size : 52,6 Mb
Release : 2017-03-07
Category : Performing Arts
ISBN : 9781443879583

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Thinking Reality and Time through Film by José Manuel Martins,Christine Reeh Pdf

Over the last few decades, film has increasingly become an issue of philosophical reflection from an ontological and epistemological perspective, and the claim “doing philosophy through film” has raised extensive discussion about its meaning. The mechanical reproduction of reality is one of the most prominent philosophical questions raised by the emergence of film at the end of the nineteenth century, inquiring into the ontological nature of both reality and film. Yet the nature of this audio-photographic and moving reproduction of reality constitutes an ontological puzzle, which has widely been disregarded as a main line of enquiry with direct consequences for philosophy. Regarding this background, this volume brings together the best papers from the Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film, held in 2014. What they all have in common is the discussion of new aspects and approaches of how philosophy relates to film. Whether by philosophizing through concrete examples of films or whether looking at film’s ontological reliance on time and image, or its intra-active entanglement with reality or truth, this book explores grasp film’s nature philosophically, and provides new insights for the film philosopher and the filmmaker, as well as for the freshman fascinated by film for philosophical reasons.

Philosophy of Film and Motion Pictures

Author : Noël Carroll,Jinhee Choi
Publisher : Unknown
Page : 439 pages
File Size : 40,8 Mb
Release : 2009
Category : Motion pictures
ISBN : OCLC:1011726128

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Philosophy of Film and Motion Pictures by Noël Carroll,Jinhee Choi Pdf

Whether addressing assumptions about the objectivity of documentary film, fear of movie monsters, or moral questions surrounding the viewing of pornography, this text is replete with examples and discussion of moving pictures throughout. Book jacket.